KAUFMAN - "Or cramming in sex, or car chases, or guns. Or characters learning profound life lessons. Or characters growing or characters changing or characters learning to like each other or characters overcoming obstacles to succeed in the end. Y'know ? Movie shit."
Kaufman is sweating like crazy now. Valerie is quiet for a moment - from "Adaptation".
We are all about CINEMA. That movie shit.
NOTHING is sacred.
NOBODY is spared.
Because we talk about films, dammit.
Not your sex life.
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राष्ट्रकवी प्रदीप के बारे में मैंने ज्यादा पढ़ा नहीं है, लेकिन माँ पापा की वजह से बचपन में इनके काफी गीत सुनें. मैं इनको ‘रुलाने वाले अंकल’ कहता था क्यूंकि इनके गाने सुनते वक़्त मुझ पर काफी अलग तरह का प्रभाव पड़ता था और एक निराशा सी होती थी. आज कवी प्रदीप का जन्मदिन है. सोचा कुछ यादें ताज़ा कर लू क्यूंकि कल मेरे पापा का जन्मदिन है और इसी बहाने पापा से नम्बर भी कमा लूँगा और शायद आप में से कुछ लोग प्रदीप को भी सुन लें. कवी प्रदीप का असली नाम रामचंद्र नारायणजी दिवेदी था. उनकी आवाज़ में वो ही खनक थी जो हम पुराने कवियों की आवाज़ में सुनते आये हैं. उन्होंने कुछ ऐसे हिंदी गाने लिखे हैं, जो हमारे ज़हन में घर कर चुके हैं, मगर शायद हम जानते नहीं है की वो प्रदीप की रचनायें हैं. उनके कुछ मशहूर गाने हैं
चल चल रे नौजवान
ए मेरे वतन के लोगों
दूर हटो ए दुनिया वालों हिंदुस्तान हमारा है
आओ बच्चों तुम्हें दिखाए
दे दी हमें आजादी
कितना बदल गया इंसान
उनकी लिखी हुई प्यार की गुहार को ही सुन लीजये. फिल्म थी ‘अमर रहे प्यार’, गाना है ‘आज के इस इंसान को’. हिंदू मुस्लिम एकता के लिए शायद इससे मज़बूत गुज़ारिश मैंने नहीं सुनी. एक फ़कीर की तरह गया हुआ प्रदीप का ये गीत आपको बिना रुलाये ख़त्म नहीं होगा ये बात पक्की समझिये.
कैसी ये मनहूस घडी है, भाइयों में है जंग छिड़ी है
रोती सलमा रोती है सीता ,
रोते है कुरान और गीता
प्रदीप जी को शायद कभी किसी से डर नहीं लगा क्यूंकि अपनी कविताओं या गीतों में वो सरकार या धर्म के ठेकेदारों को उनकी सही जगह दिखने से से चूकते नहीं थे. उस समय जब की हम सब धर्म के ठेकेदारों से घिरने ही लगे थे, प्रदीप ने उनको आड़े हाथों ही लिया था . अब उनके लिखे हुए गाने ‘कितना बदल गया इंसान को ही ले लीजये.
राम के भक्त, रहीम के बन्दे
रचते आज फरेब के धंधे
कितने ये मक्कार ये अंधे
देख लिए इनके भी धंधे
इन्ही की काली करतूतों से बना ये मुल्क मसान (शमशान)
कितना बदल गया इंसान
आज के माहौल में कोई ऐसा लिखे और किसी सियासी या धार्मिक दंड से बच जाये, ऐसा थोडा मुश्किल सा लगता है.
प्रदीप के गानों में, व्यक्ति को खुद से मिलाने की भी ज़बरदस्त कोशिश रहती थी. हम हमेशा बाहर की ताकतों को ही दोष देते हैं किसी भी बुरी बात के लिए, लेकिन खुद के अन्दर झाँकने से सब ही कतराते हैं. फिल्म दो बहनें के इस गाने को ही सुन कर देखिये..गाना था ‘मुखड़ा देख ले प्राणी, ज़रा दर्पण में’ गाने में मंजीरा इतनी ख़ूबसूरती से बजा है जिसकी तारीफ जितनी की जाए उतनी कम है और शायद इसीलिए ‘भजन’ के नाम से tag कर दिया जाता है ऐसे गानों को. अगर आप एस डी बर्मन के ‘वहां कौन है तेरा’ को पसंद करते हैं, तो इस गाने को भी सुन के देखिये, खुद ही समझ जायेंगे की मैं क्या कहना चाहता हूँ.
कभी तो पल भर सोच ले प्राणी क्या है तेरी करम कहानी
पता लगा ले पडे है कितने दाग तेरे दमन में…
मुखड़ा देख ले प्राणी ज़रा दर्पण में..
कुछ और समझ नहीं आ रहा तो प्रदीप की कविता ‘कभी कभी खुद से बात करो’ की कुछ पंक्तियों से ही इस पोस्ट को समाप्त करता हूँ.
ओ नभ में उड़ने वालो, जरा धरती पर आओ।
अपनी पुरानी सरल-सादगी फिर से अपनाओ।
तुम संतो की तपोभूमि पर मत अभिमान में डालो।
अपनी नजर में तुम क्या हो? ये मन की तराजू में तोलो।
कभी कभी खुद से बात करो।
कभी कभी खुद से बोलो।
जन्मदिन मुबारक हो प्रदीप जी, हम सब वही के वही हैं अब तक, लेकिन आपकी कविताओं और गीतों का साथ है, और उसके लिए – धन्यवाद
उनकी कविताओं में भी हर तरह के भाव मिल जाते थें. आप उनकी कुछ रचनाये यहाँ पढ़ सकते है.
उनके कुछ गीत यहाँ सुन सकते हैं और अगर पोस्ट में कुछ गलतियाँ हैं तो बताइए.
Debutante director Shefali Bhushan’s film Jugni is all set to hit the theatres this friday. Shefali has been blogging about her journey of making the first film, and her stories can be read here.
Check out the trailer here:
Cast:
The film stars Sugandha Garg, Siddhant Behl, Sadhana Singh, Anuritta K Jha, Samir Sharma and, Chandan S Gill.
About the film:
Vibhavari (Vibs), a young free-spirited woman music director from Mumbai, is working on her first big break inthe Hindi film industry. When work and home affairs with her live-in boyfriend, Sid, hit a high tide, she hits the road with a glint of hope; to find music. The journey takes her to a village in Punjab in search of a local singer, Bibi Saroop, whose voice holds the promise that Vibs is searching for. But as the twist of fate would have it, Mastana, Bibi’s son and a proficient singer himself, is the voice and man who winds his way into Vibs’ heart. From here on, Jugni is about striking balances, making tough decisions while trying to soften the blows and dealing with the studied dramatic turns and unpredictabilities of life and finding the place which one can call home; home of the heart, where the firefly is at her brightest. Will Vibs find the ‘Jugni’ she longs for?
The music is by Clinton Cerejo and the makers have managed to bring A R Rahman and Vishal Bharadwaj together in this album. Listen to the songs here:
If you don’t know it by now, I am the mendicant who is always on a lookout for music and I must say, thanks to twitter, I have had great success in getting some great music over the years. A lot of it happens to be non-hindi as well. Katyar Kalijat Ghusali is different. I was told about this film by a co-worker who plays super tabla. Going to work has finally made sense!
Getting down to the music of the film, Divya kumar, Arshad Mahmud, Arijit singh and back up vocals participate in Yaar Illahi which is a qawwali. You cannot change how a qawwali is done but even then thanks to the first-rate lyrics by Sameer samant and solid tonal treatment, the qawwali doesn’t weigh you down. The opening chants in Sur Niragas ho are so well done that you would want to give out a grand salute to the backup vocalists. A layered marathi devotional song, this one has Shankar Mahadevan and Anandi Joshi at the top of their game. The super super super talented Rahul Deshpande teams up with a fluid Sarangi to arrest our senses in Dil ki tapish. Right from the opening alaap, the way Sarangi accompanies Rahul is heavenly. I would surely like to know who has played the Sarangi. ‘Spectacular’ is the word for Mahesh kale’s Aruni Kirani and the Sitar in the song has a character of its own in the song along with a very ‘by the beat’ Tabla. It transported me to a big hall where I was sitting in a corner marvelling at an artist who had the entire attendance spellbound. Shankar Ehsan Loy have so much left in them, I wonder why they haven’t been giving such a durable treatment to their hindi projects off late?
In Bhola Bhandari, Arijit Singh has given us a song that sounds familiar and earthy, setting wise. Arijit is real and not trying too hard and that is always good. Composed by Late Pt. Jitendra Abhisheki, Shankar mahadevan’s Din Gele sounds vintage thanks to the Long play disc ‘bite’ sound in the song. Ghei chhand, sung neatly and with a lot of character by Shankar mahadevan and Ghei Chhand Makarand sung breezily by Rahul Deshpande are also composed by Late Pt. Jitendra Abhisheki. Both these songs are a treat to the senses. The richly ornamented theme is simple and while the humming was a bit contemporary for me (almost AR Rahman-sque), the theme is soothing and leaves you with a sense of calm amidst the echoes of friendly instruments in a way only Indian classical music can. In what is Pandit ji’s old and extremely popular composition, you will realise the beauty of moderate instruments and pakki gayaki. I am talking about ‘Lagi kalejwa kataar’ in Pt. Jitendra Abhisheki’s velvet voice. It was a task to move to other songs, trust me on that.
We know how infinitely gifted Shankar Mahadevan is. In Man Mandira, Shankar Mahadevan makes it sound easy to the point of deception. Deception because you can be easily tricked into singing along with him only to realise your limitations. Structure wise, I just loved the song. That said, Shivam Mahadevan’s Man Mandira will give you goosebumps right from the first second of the song. The innocent voice (which is not a note off, mind you) dazzles the senses to put it mildly. The slight harkat in his Mandiraaa at about 1:53 mins in the song is assuring that we have yet another voice that knows pakki gayaki. What a relief!
Muralidhar shyam sung by Shankar Mahadevan is a short piece but quite addictive and the ‘bite’ sound makes you long for it more. Rahul Deshpande’s Sur se saji is clean, grand and quite nicely penned by Sameer Samant and Prakash Kapadia. Surat Piya ki is yet again a piece that is grand in character and a riot melody wise. The variations presented by Rahul Deshpande & Mahesh kale will give you a high no LSD can ever provide, trust me on that. Tarana is short yet quite effective because of the gifted backup vocalists. Tojonidhi Lohagol by Shankar Mahadevan opens with a signature alaap by Shankar Mahadevan. The composition and singing is top class especially the short appearances by Sitar.
An out and out winner of an album with not a single second that is wasted on silly theatrics to sound grand. Don’t worry if you don’t understand the language, the excellent music setting of the album will not let you notice the linguistic limitations. I still cannot believe that such a rich album has come out in 2015. I cannot write enough words of appreciation for the makers for showcasing to us Pandit Jitendra Abhisheki. Somehow, all the artists who have built melodious legacies remain popular within their niche set of followers. I hope at least one listener who wasn’t aware of Pt. Jitendra Abhisheki earlier digs deeper and uncovers the gems he has left for all of us, and then passes them along to one more listener and so on. Nothing can be more exciting than to see our legendary artists being showcased again and again and that too for a wider audience. No praise can be enough for the entire band of technicians who have made this album possible. Sameer Samant, Mangesh Kangane, Mandar Cholkar, Shankar-Ehsan-Loy, take a bow. The sound piques your senses to find out more about the film and oozes melody. I cannot ask anything more from an O.S.T.
The film revolves around musical rivalry in the court of a king. It is playing with english subtitles in Mumbai. I know i am watching it. Are you?
When we discovered the Israeli Qawwal Shyz Ben Tzur’s designs on Indian music scene sometime back, we couldn’t wait for more. However, we had to wait till 14 Nov 2015 for his new album.
Any fusion attempt involving Rajasthan runs the risk of ‘kesariya-oing/mharo dholna-oing‘ the sound and playing it safe. This album doesn’t fall in that trap. What you will come across is an innovative brass married to part funk and part pop sound, sprinkled with superlative lyrics. Take for example Junun, the song. The groove is familiar yet the entry of brass band is almost shocking. The singing in this song is slightly predictable. Yet, chances are you won’t be able to remind yourself of a similar song in a long time, watch out for the faint harmonium/organ on the left channel throughout the song! The brass version of the song is just a smart example of how you can mold the sound of any song with local flavor and ‘there are birds in the eho chamber’ was recorded when the brass version of Junun was being recorded with birds chirping. Great touch, that!
Roked, is a dance beat prayer to God almighty which might not be everyone’s cup of tea, yet it presents an alternative way to ascend in God. When Hu starts, you would be excused to think that a song of Kabir is about to start. However, what you get is an insightful offering about life in Hebrew. If language isn’t a barrier for you in relishing good music, you might even find yourself swaying like a dervish. The entire band is in top form in this song, yet – not a single loud note. Isn’t it fascinating to actually come across the varied sounds of far off lands and to see how they pay a tribute to the infinite, the creator? Hu is a drug. Simple!
In Chala vahi des, you will be amazed at the percussion with the ever so beautiful manjira and harmonium mesmerizing you. Razia Sultan & Afshana Khan are a delight, and my favorite part remains the effortless bringing in of ‘meera ke prabhu girdhar nagar‘. I cried when I heard this portion for the first time. This is why the creator has given us all humans faculties to hear. The infectious composition is impossible to unlike. Similarly in Kalandar, you would have made peace by the 5th minute of the composition, it’s a beautiful instrumental piece that requires nothing else. Wait for those simple 4 lines which will take your breath away before the flute reminds you to keep dancing, because after all you are a kalandar. Aren’t you?
A repetitive chanting like Eloha might weigh on the senses due to its psychedelic presentation with nearly silent musical arrangement. Julus (जुलूस) stays true to its title. This piece is all brass and the tune would remind you of your favorite roadside dance moment with the brass bands which are popular with marriage/Happy procession parties. Allah Elohim is a message of piece and reminds us that Hindu-Muslim look best when they stay peaceful and love each other. With excellent guitars in the background and splendid brass Razia and Shye Ben Tzur would surely make you sway. Ahuvi is a song of longing and the Sarangi by Asin Khan and Khamaicha by Dara Khan would make you forget that most of the song is in Hebrew, and then the last 1:20 mins of the song will pierce your heart. Hear it to know what I mean. Azov has a simple message of ‘let go’, and this flute dominated piece ends fairly quickly.
The element of finality in Mode, which is ‘thanks’ to the creator for giving us everything is infectious, thanks to the neat gayaki and yet again, the language won’t matter here.
I have to thank my mother for introducing me to ‘Chala vaahi des’ – the Lata Mangeshkar album, when I was in class 6th, which had the sounds of birds and animals in the background in most of the songs. No wonder this album uses real bird and their chirps to create a similar sense of calm that just adds to the beauty of the end product.
Barring few sparks of brilliance, the current music scene leaves a lot to be desired, and that is insulting to a country as culturally rich and varied as ours. With this album, we come across yet another good attempt at fusing languages with familiar music arrangement and treatment so sensitive, it would melt your heart.
This is an album which is produced with a lot of heart work and hard work and it dazzles! Thank you The Rajasthan Express, Shye Ben Tzur and Jonny Greenwood!
Good music is a blessing, it is the reason to live. If you don’t trust me, consult this album 🙂
(P.S. – There is a delightfully decorated digital booklet along with the music @iTunes which is beautiful and has translation for all the songs. Grab it!)
Coke Studio Pakistan remains Coke Studio Pakistan even when it isn’t quite Coke Studio Pakistan. This was evident in the last season when the studio got it wrong more times than it got it right, but still gave us some good melodies to weather the storm of life for few months. Strings were retained for Season 8, and right from the first promo that presented the artists line up, it appeared that the new producers have got it right. We have reviewed all episodes and you can find those reviews here. In this post I am listing down my 10 absolutely favorite songs from this season. Are these the only songs I liked? No, but in the interest of keeping the post shorter than a Sooraj Barjatya film, have cut down the numbers. You can click on the title of the song to watch the videos. In order of preference, here it goes.
10. Chiriyan da Chamba – Not so much for any breathtaking musical arrangement, the song makes it to the list for the simple reason of Anwar Maqsood’s recitation. It’s been a while since we heard a recitation in the studio. Suraiya Khanum kept the singing more or less simple.
9. Kinaray – Mekaal Hasan band made a heroic entry to the studio with Sayon but it is Kinaray that gets our vote for being the better of the two. The tonal structure was more or less similar to Pt. Ajoy Chakraborty’s rendition of the same qalaam which you can listen to here. Apart from Sharmishta’s beautiful singing, the back up trio was top class in the song, but then they have been like that throughout the season this time round.
8. Khari neem – Take an iconic classic like in this case, this iconic song by Mai Bhagi and put some flamenco influence coupled with killer violins and spot on singing, you have what is Coke Studio’s style of paying tribute with their unique signature on it. The flute by Sajid Ali just adds to the tempo of the song and sprays an image of a playful banter between two lovers. What a beauty!
7. Bewajah – After winning the Sur Khsetra, there couldn’t have been a better stage for Nabeel Shaukat ali to showcase his talent, and boy, did he grab that opportunity or what! The beauty of this song is that it reminds you a classic ghazal style treatment of antras but doesn’t bore you with a constant mellow mood. The pop treatment and that velvet voice of Nabeel package the entire song into what could be one of the most romantic songs of this year.
6. Ve Baneya – Fizza Javed and Mulazim Hussain is quite a unique combination to be featured in the same song. While both Fizza and Mulazim have excellent range, in this song it is Fizza who took the song to a completely different level by singing a banna-banni song(?). Mulazim was quietly paying tribute to Reshma by giving his version of this song. It’s been quite a while that the song is in public domain but it is difficult for me to control tears at every antra that Fizza sings. Be it those long alaaps or the way dholak (by Baber Ali khanna) changes the pace in the second line of the same. Truly beautiful stuff!
5. Hare hare baans – Having grown up listening to a lot of Pakistani songs, Shazia Manzoor was not an unfamiliar name. What took the anticipation level to unmanageable proportions was when we were shown that the Rizwan-Muazzam group would be teaming up with her. As a result, we got an awadhi song that again touches a genre which is always out there, but somehow the producers of today are busy ignoring it. Any music movement is judged with the variations of genre it touches. Coke Studio Pakistan wipes the floor with the ‘others-music-movements’ for this simple reason and they keep things melodious as well, just like this song. What a pleasure to hear Rizwan-Muazzam complimenting the ‘pitch and note perfect’ Shazia in their own powerful style, yet not compromising the feel of the song. How many songs like this can come to your mind in the recent times? There is a tuneful pain in the word babul that you have to hear to experience. (Not to forget the song touching the familiar raga pattern as piya tose naina lage rey between 5:25 to 5:31 mins)
4. Umran lagiyan – was a mix of Umran lagiyaan by Asad Amanat ali and the Chan chan chankan by Allah Ditta Lonaywala. The original songs have a momentous mounting already. It took the uber talented, clean voiced Ali Sethi to retain the emotion of the song as he crooned Umraan lagiyaan. Even if someone is made up of steel, they are likely to develop goosebumps thanks to the melodious yet intense beginning of the song by Ali Sethi. What’s more, Ali is gentle, suave and desi in equal measure throughout the song. It is songs like these that define the entire season of a program and this song did exactly that. Nabeel was good in his rendition of Chan chan chankan but the song belongs to Ali Sethi…Watch (Yes watch!) the way he brings the song back at 4:11 mins onwards and you will know what I mean.
3. Tajdar-e-Haram – It has become some sort of a fashion to dislike Atif Aslam. While I have always liked him, there are times when he goes overboard. In this song, however, he hits the bulls eye with the same ease with which you just blinked your eyes reading this sentence. Holding a cult classic like one holds a new born baby and delivering a soul stirring song that connects you to the powers that be is what Coke Studio does most often than not, and it works. The tune would have been a hoot for the houseband to keep up for the duration of the song and for that we cannot write enough good things. High point – Aao madine chalein..
2. Rockstar– Like Atif Aslam, Ali Zafar also got three songs in the season, and what’s more surprising is both the artists delivered their best in just one of those three songs. Rockstar is a song that either you will like or absolutely abhor. It came very close for me to label it as the song of the season. Lyrics full of pun (including a jibe at being allowed four marriages!), that desi detour in between, the mention of Kim Kardashian, the excellent back up vocals, that mild lullaby like whisper in between, Omran on Guitar, and so MUCH more! The song has too much going for it and I doubt if Ali can ever better this effort. I hope he proves me wrong tomorrow itself! Ho Socho Ghalib ne pehna ho designer se leke coat neela! WTF! Mind blown!
1. Sakal bann – If music programs cannot give the generation of today a reason to look up our traditional compositions which have stood the test of time, it is all quite pointless. Thankfully, Coke Studio has always excelled in this area. Rizwan-Muazzam group have given us a song that would have made Nusrat Fateh Ali Khan saab proud, and has surely put a smile on Rohail Hyatt’s face. The sheer power of the composition is so infectious, you would start head-banging. Tanveer Tafu, who can play burnt wood in his sleep apparently, took the song to a level that would remain unmatched throughout this season. Songs like these are the reward for lesser mortals to keep going with their messed up lives. The entire song is worth every second in gold but the way the song ends, it gives me goosebumps to even type about it here.
Aaj Jaane ki Zid – There are always people around who would be horrible singers but in their head, they would think they are Tansens. Nothing wrong with that. The trouble is when they start putting their ‘talent’ out to public at large. That’s a punishment. Every tom, dick, harry and sally has put her/his ‘tribute’ to this evergreen Nazm out in public domain and they are all quite pointless and some are downright embarrassing. Farida Khanum graced Coke Studio in an emotional 3:10 mins recreation of this ghazal. They have made a fascinating video of the song which you must not miss, Farida Khanum’s presence is undoubtedly the biggest thing to have happened to Coke Studio Pakistan and it left us all in tears.
I want to write about 9 more songs, the houseband, and a lot more but the post is already way too long. To sum up, about 19 songs out of 29 songs were top class, and some of them outdid the best work of artists so far across albums/genres. A thoroughly enjoyable Season comes to an end and should there be a season 9, the expectations would be sky high…Strings take a bow!
Harpreet’s album has been in the news since 2014 when he released his single ‘Ajnabi’, and if I am right, there was an FB post where crowdfunding as an idea was being tossed around for the completion of the project.
Here’s the good news – the album released last month and we have been tripping on it ever since.
Call it the effect of the much awaited rains in Bombay, but in spite of average lyrics, the song Ajnabi sounds top drawer. Harpreet sounds comfortable, soothing and musical without making a big deal of it. The song ‘Kutte‘ has a ‘bulleya ki jaana main koun’ vibe in the beginning, but the similarity ends when you observe that the tune and words are too direct and aggressive. The superb music arrangement of the song lends a ‘wanderer’ feel perfectly. The song is in Punjabi, but trust me that wont matter one bit. It’s been a while since man with all fallacies have found a expression, and this song is a beautiful exception to that. ‘Man can’t live alone and can’t live with people’…a crisis we are all too familiar with, aren’t we?
Nirala is what takes my breath away every time I hear it. The melodious possibilities are endless when you mix Hindi poetry with contemporary fusion-sque presentation, and boy is this song a case study to that or what! For the want of better expression, this song is about 6 minutes of continuous goosebumps. Harpreet is a joy to listen to…mujhe gagan ka dikha saghan wah chhor…By God, I saw the chhor with Harpreet when I heard this part, so what if I was sitting in the confines of my room. Easily, the best non-filmi song of the year so far.
Even in the song like ‘Maati‘ whose composition is more like a continuous fast pop nazm, he keeps it simple and free flowing without overpowering the composition with too many instruments. The long taans in the beginning of Ajab Jodi, paired with fabulous guitar and percussion might well work better than Kerala ‘stuff’, if you know what I mean. The tune isn’t easy and that is hardly an issue for him who sings it with an ease that would put most of the auto tune wonders at discomfort. The lyrics are pure and insightful.
We can never have enough of good ‘Heer‘ and this album adds to the glowing collection of ‘Heers’ with its tribute to the same. The composition is the clear winner here. The track is Punjabi and even if it is not your first language, you will love the track, I am quite sure. Sonapani has a lullaby like treatment and is perhaps the easiest composition of the album to hum along.
Pipli is again a Punjabi track but you listen to it once and you will know what I have already mentioned time and again…’language-doesn’t-matter’! Breezy composition and passionate singing make up for any linguistic limitations this song might present itself with.
I would love to hear what you have to say about the album, but personally speaking, all the new talent that comes up these days has just bollywood aspirations, and that leaves us music fanatics to look to our neighbors and get jealous. There are very few bands which try to present themselves as viable alternatives to the ‘drum-dholki-dafli-autotune-infected-Bollywood’ sound company. Harpreet represents a new sound which I hope gets popular and sells!
Art speaks differently to different people. To me, a good music album always makes me want to become a musician and explore the wondrous heritage of music that our country has. Take the old sounds, mix them with new, let nothing be what it has been since ages. Change, because it is wonderful.
We always tag the foreign music with ‘genres’, this album is Indian, and boy, what a genre it would be if paid attention and money.
For once, I wish we would give out ‘star’ rating because this album and the supreme effort would have got 10 stars out of 5. Illogical? Well, which star rating isn’t?
F.i.g.h.t C.l.u.b 