As far as my limited cinema knowledge goes, I think there is a big difference between a trailer and a montage. And as the trailer of Bollywood – The Greatest Love Story Ever Told (Who thought about this title?) was out, it was a perfect #Facepalm (for lack of better expression) moment. It even forced Screeny to come out of his slumber and puke out this rambling post. Read on…
Respected Sir,
I’m a Big fan of Mr India, Masoom & Bandit Queen. Have been following your blog on and off. Untill today when I saw the trailer of the documentary which has been produced by you and co, and directed by the “acclaimed director” (have seen him at conferences and am sure he regards himself as one, for having gifted the people of this country THE seminal film – Rang De Basanti) Mr Rakyesh Omprakash Mehra.
Needless to say, I was thoroughly, thoroughly disappointed.
Why? Because the trailer (so is the film I’m sure) is- as usual- selling Bollywood exotica la-la land to the west. The incestous, celebratory, mutual admiration society which regards Aishwarya Rai and Katrina Kaif as ‘icons’ who will talk about Hindi Cinema to the “goras” and tell them in effect – “One billion people are enjoying this. See, this is so special. This is India! This is Indian Cinema! Come, Watch it. And fall in Love. NAMASTE. Achcha Lagta Hai.”
The first half is virtual showreel for the Bachchans, another attempt to sell Aishwarya to the west. The same song and dance routine which we are (in)famous for. The DDLJ clip, the rain, the matrix style shots, the same ghisa-pita bakwaas.
And of course, it contains generous footage from the magnum opus Rang De Basanti. After all Rakeysh (Is the spelling correct? Am a bit confused) Omprakash Mehra is the co-director & UTV is the producer. And the exact same clip when people land up at the India Gate with candles in their hands (the prophetic subtitle below is “This country will change. We will change it”). Yes sir, we will.
I wish you had produced a 2 hour documentary on Kerala or Goa Tourism instead.
Or helped produce any of the films from the “new wave” of Indian cinema, which I’m sure you must be more aware of than me.
At a time when Indian Cinema is taking baby steps towards maturity, and managing to gain a foothold in the international arena, slowly changing “their” perception of “our films” by coming up with IN COMPETITION FILMS like Udaan, Peepli Live, Dhobi Ghat, Harud, Gandu, Shor in the City, Gabhricha Paus, Aranya Kandam, Paruthiveeran, Subramanipuram, the new Wave Tamil & Marathi Cinema; this self congratulatory AV on Bollywood films actually is taking us two steps back, reinforcing the stereotypes. Forcing us to be still perceived as the audience which enjoys 3 hour long musicals embellished with the garangutan setpieces, laughable action sequences & antics, titillating item numbers and melodramatic rejoice.
I was hoping to find some echo in the comments section of this post but clearly, I’m the minority here.
I shudder to think how I would react if I would ever meet a “gora” who sees this film and recognises by my skin tone, that I’m an Indian. Will he be overjoyed at what I’m embarassed at ? Will he be like the Japanese tourists from Munnabhai who only want to shoot “dirty, hungry, poor Indians” ? Will I be asked to dance at the Visa interview if (and when) I travel to Europe ?
My nightmarish thoughts aside, I request you to read a post written by you, Sir. Your blogpost on Black Friday and why it is the film which should have gone for Oscars submission instead of Paheli.
http://shekharkapur.com/blog/2005/10/oscar-hoo-haaa/
Yours disappointed,
Screeny
(PS1 – Have you heard about a documentary film called Videokaaran? Watch it.)
(PS2 – Screeny forgot to mention that if the film turns out to be any good, he will be the first person to say it and will apologise for the post.)
(PS3 – Screeny’s previous posts can be read here, here and here. )
F.i.g.h.t C.l.u.b 