Posts Tagged ‘Guzaarish’

As the opening credits of the film rolled, a plate appears on screen, of you dedicating the film to your father.  My mind quickly went back to another film, and easily this year’s best so far, Alejandro Gonzalez Inarritu’s Biutiful. And strange as it may sound, the actor of the film is Javier Bardem. You may not have seen his film, The Sea Inside, or may be it’s difficult to remember what all films you saw before you decided to make Guzaarish, but whoever told you that making the canvas BIGGER creates all the magic, needs to see the film Biutiful.

Workman 1: Hey, you can’t go down there!
Alfred Borden: I’m part of the bloody act you fool!

Black wasn’t The Miracle Worker, Saawariya wasn’t White Nights, and of course, Guzaarish isn’t The Sea Inside. I remember a friend telling me that after he interviewed you and left, you called him up and asked him to describe you as an “auteur” in the piece that he is going to write. Over the years, those who have access to you, or say those who are granted access to you, including a certain famous fluffer of Patna, and his tribe, they don’t spare the opportunity to put you into that “Auteur” category. But if possible, look outside, get out of your cocoon, take your film outside and ask any film lover, what do they think of it? No, not the star lovers. Not the production designers. Not the cinematographers. Only those who love film.

Sarah: Alfred I can’t live like this!
Alfred Borden: Well, what do you want from me?
Sarah: I want… I want you to be honest with me. No tricks, no lies, no secrets.
Sarah: Do you… do you love me?
Alfred Borden: Not today. No

Not sure if you will ever read this post, or even if you get to read, one of your fluffer will surely dismiss it as another smear campaign, by someone who belongs to blah and blah camp, one who has no sense of aesthetics. But if you are happy with all the love and respect of all your fluffers who surround you, who nod all their heads in every word that you utter, only because they are all there to gain something from you, then, sir, the artist in you is dead.

Cutter: Take a minute to consider your achievement. I once told you about a sailor who drowned.
Robert Angier: Yes, he said it was like going home.
Cutter: I lied. He said it was agony.

The same happened with another filmmaker. The man who came with his explosive brand of cinema. Bollywood hadn’t seen something like that before. We worshipped him. And then, came the fluffers. He said yes, they agreed. He said no, they agreed. He says anything, they agree. And those who agree, are those who matter to him. Earlier we used to think, he will deliver with his next one. Now, we don’t bother. We will never. Because Ramu is RIP. More than once. Long live the fluffers!

[after showing a little boy how to do a coin trick]
Alfred Borden: Never show anyone. They’ll beg you and they’ll flatter you for the secret, but as soon as you give it up… you’ll be nothing to them.

And you know whats the worst part, your character wants to die. And I don’t feel anything. Because it seems synthetic, its seems just a wish, because you don’t dare to go close to him. To show us how ugly he is.  How ugly his life is. In the opening scene, when Ethan is lying on the bed with just a bedcover on him, the camera goes far away from him, almost scared that he might appear ugly. Or is he really ugly ? He is still the Hrithik Roshan, looks well maintained, body all covered. Now see this picture.

Ackerman: We’ll have to dress it up a little. Disguise it. Give them enough reason to doubt it.

Difficult to stare? Eh? Well, still can’t figure out? Now, imagine if i tell you that he is one of the hottest hunks around, the heart throb of millions. Its hard to believe, right? That’s what daring is all about. Shouting out from rooftop that my film doesn’t have an item number doesn’t make it any different or daring. If your memory is still failing you, here is another one to complete the picture…

Yes, its Javier Bardem, easily one of the best actors of our generation. In one of the sequence in The Sea Inside, the camera moves over his body, from toe to head, and nothing is Biutiful there, but unlike your film it doesn’t shy away to get close to him.

You stay far away, making the frames bigger with every film, lighting up million candles, illuminating your canvas from every angle and making it as soulless as possible. Do they have blood in their veins? Are they just mannequins who can emote? Since you rarely watch films by other directors, as you claim in every interview, let me introduce you to a small marathi film called Vihir. It also deals with death, almost in a meditative way. As a character tries to understand it, everything goes silent for about 15-20mins. No dialogues. Nothing big. No drapes. No candles. No coffins. Thats Biutiful.

Robert Angier: He lives his act.

Even the one by Innaritu. Biutiful. It also deals with love, loss and death. It moves in breathless and dingy spaces, not a single prop that makes you go wow at the talent of the production designer. But when the lead character is about to die, you want to hold his hand, want to make him believe that this will not happen, and you forget that its just cinema. Innaritu is also accused of  telling an intimate tale, being over indulgent, spending millions but when you stare at the screen in that dark room, nothing else matters. There is no shaft of light. Its still gut-wrenching, and yes, its not even dressed in any designer attire.

And the magic tricks? On screen? Well, ask the Harry Potter fans. Special effects make it look like nursery kids homework. Even if its a flying flame. The beauty is always in the story, the ones that lead to the tricks.

Alfred Borden : A real magician tries to invent something new, that other magicians are gonna scratch their heads over.

And is Guzaarish again set in timeless and spaceless zone? The court is all smoky. Or is it magic realism? News channels, discussions, campaigns, where are you heading SLB? Does it feels like a scary thought, to go out in the sun and shoot? And so even the court comes home soon. Yes, we have all read about your bad childhood days and how that has inspired the way you work.  Now you don’t want to see anything ugly, you want to control everything, you are the master of every frame, you will beautify the way you want it, the revenge of the childhood scars. But now that the claustrophobic trilogy is complete, can you please step out? Perhaps inhale some fresh and ugly air. Remember the joy of aaj main upar, aasman neeche? Wasn’t that Goa too?

Sullen Warder: How did you get so famous then, eh?
Alfred Borden: Magic.

And those who have worked closely with you have a theory to offer. Since Khamoshi was all soul and it didn’t work at the box office, you decided to go for all possible decorations to make it bigger and better, and it worked! The obsession continued. To make it bigger than the previous one! The fluffers made sure that you went in that direction, with more vengeance.  Yes sir, that looks just WOW! They must have said with every move of yours. But since fluffing is a physical act, I wonder if they could trace the soul anywhere. And may be its high time to  report a ‘Lost & Found’ case for that battered soul.

Nikola Tesla: You’re familiar with the phrase “man’s reach exceeds his grasp”? It’s a lie: man’s grasp exceeds his nerve.

Or, it will remain what it looks like, a big boring pretentious fuck. Much like what google seems to offer as i typed your name and selected the “Images” option. Its all just poses. Here, there, see i am thinking, see i am seriously thinking, see i am making a film! And  some more! Where are you, Mr Bhansali? Still in the cocoon. May be you can’t control everything but the world is not so bad. Come out. We will applaud.

Or hail the fluffers! May be they only make your life worth living. We will move to the next epitaph.


(P S – Please leave the tangible-meet-intangible words for Gulzarsaab. Because everything else sounds like nursery rhyme. Yeh coffee gadhi kaali hai is pure pedestrian, which is trying too hard to belong, and is not really getting any help from Kunal Ganjawala’s voice dipped in sugary syrup. Its making it more synthetic)

.Robert Angier: Which hat is mine?
Nikola Tesla: They are all your hat, Mr. Angier

Yes, 80 fucking crores! What are the guys at UTV Motion Pictures smoking ? Please pass the dope. And believe it or not, the budget is not the only shocking part of the film.

Try guessing director Sanjay Leela Bhansali’s fees. As wild as you want. And if you are done with it, breathe easy and hold your jaws tightly. Bhansali has been paid Rs 25 fucking crore as writing & direction fees! Beat that. And 25 crore to the director whose last film was Saawariya! BTW, do the guys at UTV read scripts ? Doesn’t look like. Atleast thats what it seems from their last few releases. And those of you, who are still bothered about Saawariya – how it got made and financed, click here to read the curious case of Saawariya. Its a must read. Seems like UTV guys don’t subscribe to Open Magazine. Do it, its good. And Beware!

Also, Hrithik Roshan has been paid Rs 15crore and Aishwarya Rai’s fees is Rs 5 crore for Guzaarish, and both of them command much higher fee in the market. Bhansali’s 25crore fees also include the clause that he will get Hrithik & Aishwarya Rai  at a discounted rate. The production budget of the film is Rs 35 crore. And that’s how the total budget is Rs 80 crore ( 25 + 15 + 5 + 35)

Now, the big question is how do they plan to recover so much ? It seems UTV is clear on that front. If they are lucky, they will break even. If not, its just to make their CV look good, maintain their position in the share market, make it look big to get easy funding. Its all about the big picture with the biggest stars and a big director and Guzaarish is just a 80crore tool to make that picture look good. The film ?  Well, it seems like Prestige meets The Sea Inside meets The Diving Bell and the butterfly.

sanjay_leela_bhali2Woohooo! We are not sure who all have gone mad but we surely are going insane since we heard the news. And since its directly from horse’s mouth, we have no choice but to believe it.

Rs 35 crore!!!! And that too, post-Saawariya! Welcome to Bhansali Blues! Some men have all the luck to do all the Leela! And some like UTV make it possible too.

UTV is producing the film Guzaarish. The budget of the film will be Rs 60-65 crore and the major chunk will go to director’s pocket. It seems Bhansali also managed to convince Hrithik Roshan and Aishwarya Rai to take a pay cut and so extra goodies will go to  SLB’s account.

Btw, a huge set of the film has been erected in Mumbai’s Mehboob Studio. If gossipmongers are to be believed, the story is set in Goa.

Also, because of Guzaarish, Vibhu Puri’s Chenab Gandhi, to be produced by Sanjay Leela Bhansali has been postponed to next year. Vibhu assisted Bhansali on Saawariya. Chenab Gandhi will star Amitabh Bachchan, Vidya Balan and Rajeev Khandelwal.

We at FC, have an interesting history with Guzaarish. Click here and here to know more. Story, plot details, denials, headlines and some more.

Hrithik RoshanFirst it was Hrithik Roshan. Then Abhishek Bachchan. And finally its back to Hrithik Roshan.

According to Mumbai Mirror, its confirmed now. Hrithik Roshan will play the lead in the remake of Agneepath, to be produced by Karan Johar and debutant Karan Malhotra will direct it.

After Sanjay Leela Bhansali’s Guzaarish, Hrithik was supposed to work with Vishal Bhardwaj. But now he wants to complete the remake first and then move on to Bhardwaj’s film.  So Vishal have to wait.

Agneepath was produced by Yash Johar and directed by Mukul Anand. Amitabh Bachchan, Mithun Chakraborty and Danny Dengzongpa were the lead actors. Mithun also bagged a national award for this film.

And like us, those of you who are missing the great lines of Harivansh Rai Bachchan, here it is.


 अग्नि पथ! अग्नि पथ! अग्नि पथ!

वृक्ष हों भले खड़े, 

हो घने, हो बड़े,

 एक पत्र-छॉंह भी मॉंग मत, मॉंग मत, मॉंग मत!

अग्नि पथ! अग्नि पथ! अग्नि पथ!


तू न थकेगा कभी!

 तू न थमेगा कभी!

 तू न मुड़ेगा कभी!

कर शपथ! कर शपथ! कर शपथ!


ये महान दृश्य है,

चल रहा मनुष्य है,

 अश्रु श्वेत् रक्त से,

लथ पथ, लथ पथ, लथ पथ !

अग्नि पथ! अग्नि पथ! अग्नि पथ!


The weather was cloudy. But still no signs of rain. We went to Juhu beach to have some chana zor garam. Ripley’s Believe It or Not ! As we unwrapped the pack, we discovered that its the first page from Luck’s script. Imran Khan’s new film directed by Soham Shah. It also stars Sanjay Dutt, Mithun Chakraborty, Danny Denzongpa and Ravi Kishan.

We ran back to the chana-wala and asked him for some more chana. And as chewed more chana, the complete script came out, page by page.

We first wrote about it here and now we got the proof.

The script seems to be one of the earlier drafts. But in terms of story/plot/synopsis, there is lot of similarity (read plagiarism) between Luck and the two films 13 Tzameti and Intacto. Yes, Soham can take credit for killing 13 Tzameti.  The screenplay is credited to Rensil D’ Silva and felt like reading five episodes of reality tv show Khatroon Ke Khiladi back to back. And a boring one.

If  the hero and heroine are participants in a game where you can survive only by winning, you don’t need brains to figure out who will win the game in the end. Its hindi phillum.

Last time when we wrote about the script of Guzaarish and put up this post ( read here & here) , it made headlines and lot of readers questioned us. So this time, here is a scene of Luck from the script. Need we say more! We don’t lie.

The scene summarises the film. We are guessing Ram is Imran Khan and Khan is Sanjay Dutt.


You know about…


I told you. Khan knows everything. (He takes some notes and shoves them into Ram’s hand.)Luck is a crazy thing Ram. Not many people have it. It’s more valuable than all that money you’re holding in your hands. Because, luck is what makes money for people. For you. For me.


Who are you?


You could say I’m an invester.


Invester… like in the stock market?




Property…real estate?


Not really. You see I invest in something far better (leaning close to Ram now). I invest in luck. People’s luck.

Dear Imran,

After all those big talks, you signed this film ( read this shit)!  Aapka to bad Luck hi kharab hai unless it turns out to be one more surprise hit like Race or Ghajini. You can never figure out the audiences IQ. So hope for the best that the dumbs turn out in hordes.

As we read the script while chewing chana garam which seemed more interesting than the script, we could hear only one dialogue. Remember Kidnap. Imran & Sanjay Dutt.

Sanjay Dutt – Go to hell.

Imran Khan – Hell is right here Raina!

(This one is no different. And yey like Minisha Lamba in bikini, this one got Shruti Hassan in swimming pool.)

We surely arent buying the tickets. Give us 13 Tzameti anyday anywhere!


mumbai mirror guzarish cut

Today’s edition of Mumbai Mirror has a quote from our post “Check your CQ – Bhansali’s Guzaarish“. Actually the full article is on our post.

You can read the full post here. Its on Sanjay Leela Bhansali’s new film Guzaarish. The film stars Hrithik Roshan, Aishwarya Rai and newcomer Aditya Bal. And the Mumbai Mirror article is here (see pic).

Here is the most interesting part. To quote from the article…

However, a source close to Bhansali said, “Why are people in so much of a hurry? These things can really upset a director. Guzaarish has got nothing to do with any of these three films and Sanjay is very upset with the constant spotlight on the film. It is just a silly prank as no one has the soft copy of the script, so it’s not possible.”

Dear Mr Source (we have no clue how close you are to Bhansali)

We are ready to put a bet. Lets do it. What we said, if thats not the plot of Guzaarish then we will shut our blog. And if its the same what we said in our post…”Guzaarish = Charulata + The Painted Veil + The Sea Inside plus sprinkle some magic in it” then ? Or should we wait till its release ? whatver you want to do Mr/Ms Source!


charulataSea_insidethe painted veil

It seems to be a lucky day for cinema maniacs like us. We were surprised to find the script of Sanjay Leela Bhansali’s new film Guzaarish in our mailbox.  Yes, yes!! Thank you, whoever did the good deed of the day! (if you got anything to share, do remember to mail us at

We will reserve our comments on the script for the script review post later on. But as we read the script, we were trying to imagine the visuals, and all we could see was three films – Charulata, The Painted Veil and The Sea Inside.

We are starting a new feature – CYCQ – Check your CQ (Cinema Quotient)! If Guzaarish is Charulata meets The Painted Veil meets The Sea Inside, see if you can crack the story. Do sprinkle some ‘magic’ in the plot.

The film stars Hrithik Roshan, Aishwarya Rai and newcomer Aditya Bal. Mail us or comment here!

Mid-day has published the plot details of Sanjay Leela Bhansali’s next Guzaarish. It stars Hrithik Roshan and Aishwarya Rai. Here is more about the story of the film from the report.

The film bears similarities to John Badham’s Whose Life Is It Anyway? and will see Hrithik in a wheelchair for most of the scenes.

Hrithik plays Ethan, a radio show host. Aishwarya plays a married nurse who is also Hrithik’s caregiver. The film also deals with the controversial subject of mercy killing/euthanasia. Ash’s character is interesting because she plays a married woman who gets attracted to Hrithik as the second half progresses. The film has dark tones throughout.

Paraplegia is an impairment in motor and/or sensory function of the lower extremities. It is usually the result of spinal cord injury or a congenital condition such as spina bifida.

And according to our sources Hrithik plays a magician whose trick geoes wrong during one of the performances and thats how he becomes paraplegic. Looks like Bhansali is In the mood for “Black” again!

sanjay_leela_bhali2…….for his new film Guzaarish starring Hrithik Roshan and Aishwarya Rai. He tried his talent in Saawariya too. If we remember correctly, he did compose one song in Saawariya.

Also, those who know him well, claim that the music of Hum Dil de Chuke Sanam belongs completely to him. Ismail Darbar just executed it. And thats why, without Bhansali, he is nowhere.

Guzaarish will have eight songs and Bhansali has already composed four. Woohoo..we are waiting to hear music director Sanjay Leela Bhansali now!