Archive for the ‘cast & crew’ Category

About
On public demand, Tilt Shift Labs is organising a certified workshop with National Film Award winning director Kamal Swaroop on film writing and direction.

The workshop, titled ‘Grammar of Film Making’, is a three day long (long weekend) intensive workshop for amateur, semi-pro filmmakers or even students of cinema who are looking towards making a career as a filmmaker. This three day filmmaking workshop is the most intensive, instructional program in filmmaking that can be found at any film school. In three days, students are instructed in the basics of writing, directing, camera.

Your film begins here.

What you learn
Basics of Film-Making with focus upon camera angles, composition, cutting,
continuity, constructing a screenplay, and creating a shot breakdown.

Brief
Kamal Swaroop is a dual National Award- and Filmfare Award-winning film,
television and radio director and screenwriter. In 1974 he graduated from the Film and
Television Institute of India, and even his student works met with unusual international
acclaim. He continued with postgraduate studies at the Institute. He assisted the director
Richard Attenborough in the filming of Gandhi (1982). He made documentary as well as
feature films. He is currently working on a full-length documentary titled The Battle of
Benaras, produced by Medient. Famously banned, a formal experimenter, Om-Dar-Ba-
Dar is his master work.

Kamal Swaroop was born in Kashmir. The family then moved to Ajmer, where he graduated
in biology, before moving to Pune to study film direction. He had a brief stint at ISRO,
where he used Russian fairytales to teach science to kids, and then took filmmaking
classes in a remote village of Maharashtra.

Below are the details
Workshop topics
Day 1
Camera angles
Scene, shot, & sequence
Types of camera angles
(objective, subjective, and PoV)
Subject size, angle, and camera height
Extreme long shot
Long shot
Medium shot
Two shot
Close up
Inserts
Descriptive shots
Subject angle
Came height
Level angle
High angle
Low angle
Angle plus angle
Tilt dutch angles
Employing camera angles
Area
Viewpoint
Selection of area and viewpoint
Depicting the action
Change camera angle, lens or both
Scene requirements
Aesthetic factors
Technical factors
Psychological factors
Dramatic factors
Editorial factors
Natural factors
Physical factors
Camera angles on signs and printed matter
Problem camera angles
Conclusion
Continuity
Cinematic time & space
Time & space continuity
Time continuity
Space continuity
Filming the action
Types of action
(controlled action, uncontrolled action)
Filming techniques
(master scene, triple take)
How to use master scene technique
Advantages of filming master scenes
Disadvantages of filming master scenes
Triple take technique
How to use triple take technique
Advantages of triple take technique
Disadvantages of triple take technique
Master scene vs triple-take technique
Directional continuity
Importance of establishing direction
Screen direction
Dynamic screen direction
Use neutral shots
Action axis
How camera set-ups can be used to establish & maintain proper screen direction on moving player or vehicle
Action axis on curves
Action axis on corners
Action axis through doorways
Cheating the action axis
Entrances and exits
Reaction close-up for switching screen direction
Reversing screen direction
Map direction
Location interiors
Planned screen travel
Static screen direction
Matching the look
Look on both sides of lens
Neutral look
Matching look on moving players
Matching look on master scene cut in shots
Matching look with single player
Matching looks on speaker & audience
Action axis for 3 players
Matching looks on group seated around a table
Re-positioning action axis for background cheat
Matching look on stock shots & production scenes
Reverse shots

Day 2
Types of film editing
Continuity cutting
Compilation cutting
Cross cutting
Cutting on activity
Cutting and composition
Moving shots and static shots
Timing moving shots
Loose camera shots
Protection shots
Dissolves
Sound editing problems
Sound flow
Editorial requirements
(aesthetic, technical, and esthetic)
Narrative factors

Composition
Still v/s motion picture composition
Compositional rules
Compositional language
(lines, forms, masses, & movements)
Balance
(formal and informal)
Centre of interest
Lighting, tonal values, & colors
Selective focusing
Eye scan
Image placement
Image size
Integration with angles
Linear and aerial perspective
Background
Framing
Dynamic composition
Suspense composition
Catalog pictures
Compose in depth

Day 3
Process of writing
Discussing individual scripts
Story boarding process
Production planning
The need for story-telling
Visualization strategies
Dramatic strategies
Characterization strategies
Dialogue strategies
Melodrama, docudrama, hyper-drama
The experimental narrative

Venue
The District – Bungalow No. 96
Jankidevi School Rd, Versova, Andheri West, Mumbai, Maharashtra 400061, India

Date and Time
19-20-21st October (10 AM Onwards Daily)
Duration of the event: 3 Days

More Details
https://insider.in/grammar-of-film-making-by-kamal-swaroop-oct19-21-2018/event
Ticket inclusions: Workshop Kit, Mentoring by Kamal Swaroop, Lunch, and Notes.

Tilt Shift Labs is organising its first ever certified workshop with National film award winning director Kamal Swaroop. The workshop titled ‘Grammar of Film Direction’ is a two-weekend intensive workshop for amateurs/students of cinema who are looking towards making a career in films.

– In two short weekends, students will be instructed on the basics of writing, directing, camera, and each student will write a short film project which will be guided and mentored by Kamal Swaroop.

– About the director:
Swaroop is a well acclaimed filmmaker and screenwriter. He graduated from Film and Television Institute of India in 1974, and later on did his postgraduate studies at the Institute. In 1982, he assisted Sir Richard Attenborough in the filming of Gandhi. His feature, Om-Dar-B- Dar (1988) is still considered a path breaking film, and it has a massive cult following among cinephiles.
Swaroop’s career, spanning 42 years, covers a broad range of films, channel promos for Channel V India, ads and Radio Spots. In 2014, he directed The Battle of Benaras, produced by Medient, and went on to release Tracing Phalke in 2015 for Films Division of India. Later on, he made Pushkar Puran (2016), and Atul (2016), based on the world renowned Dadaist artist Atul Dodiya.
Battle for Benaras premiered at Cinema Du Reel, Paris, while Atul premiered at the Cochin Biennale. He is currently working on a musical, Miss Palmolive All Night Cabaret and The Third Police Man, a metaphysical murder mystery.

Weekend I 

Session I
Camera Angles
Scene, Shot & Sequence
Types Of Camera Angles: Objective, Subjective, Point-Of-View
Objective Camera Angles
Subjective Camera Angles
Subject Size
Subject Angle
Camera Height
Extreme Long Shot
Long Shot
Medium Shot
Typical Two Shots
Close-Up
Inserts
Descriptive Shots
High Angle
Low Angle
Angle Plus Angle
Dutch Angle
Selecting Area And Viewpoint
Other Angles

Weekend I

Session II
Continuity
Cinematic Time And Space
Filming The Action (Controlled And Uncontrolled)
Filming Techniques (Master Scene And Triple Take)
Screen Direction (Dynamic And Static)
Neutral Shots
Reverse Shots
Screen Travel
Pictorial Transitions (Fades, Dissolves And, Wipes)
Sound Transitions

Weekend II

Session I
Process Of Writing
Back Story
Internal Need
Inciting Incident
External Goal
Preparation
Opposition
Self Revelation
Obsession
Battle
Resolution

Weekend II

Session II
Process Of Writing
Discussing Individual Scripts
Story Boarding Process
Production Planning
The Need For Story-Telling
Visualization Strategies
Dramatic Strategies
Characterization Strategies
Dialogue Strategies
Melodrama, Docudrama, Hyperdrama
The Experimental Narrative

Dates : July 29 – 30 | Aug 5 – 6 |

Time : 10AM-5pm

Seats : Only 15

Venue : Lowfundwala Productions, Andheri (West)
Bungalow No.96, SVP Nagar, MHADA, 4 Bungalows,Andheri West, Mumbai, Maharashtra 400053

Fees : Rs 8470

– For further details, and to book your seat, click here.

 

It’s one of the most awaited films of the year. And in an interesting promotional strategy, the makers of ‘Titli’ have roped in Anurag Kashyap to introduce the cast and crew of the film. The first video has Kashyap and Dibakar taking about the state of our films, their careers, and producing films. In the second video, Kanu joins them. And then the cast and crew talk about making the film in different videos. Do watch.

 

10409588_391302141077650_8545138430389074028_nWith Vicky Kaushal getting rave reviews for his debut performance in Neeraj Ghaywan’s Masaan, it seems like the perfect time to launch the first look of another film starring him – debutant Mozez Singh’s Zubaan.

The film has Vicky Kaushal, Sarah Jane Dias, Manish Chaudhary, Meghna Malik and Raaghav Chanana in lead roles.

The official FB page has only one line description so far – Zubaan is a coming-of-age musical drama about a young man who has a fear of Music!

Do check out the trailer.

Trailer

Crew

Story & Directed by: Mozez Singh
Produced by: Guneet Monga, Shaan Vyas, Mozez Singh
DOP: Swapnil Sonawane
Editor: Deepa Bhatia
Action: Sham Kaushal
Sound Design: Anthony Ruban
Screenplay: Thani, Sumit Roy, Mozez Singh
Dialogues: Sumit Roy
Music: Ashutosh Phatak
Additional Songs: Ishq Bector-­‐Shree d, Manraj Patar
Lyrics: Surjit Patar(Punjabi), Varun Grover(Hindi)
Costumes-: Aki Narula
Production Designer: KhyateeKanchan
Choreography: Uma‐Gaiti

For more info, FB page is here, and Twitter feed is here.

Q and Umesh Kulkarni – two daring film-making voices from two different corners of the country, and whose films we always look forward to. And this time both of them seem to be trying something new which they haven’t done before. Q’s film is called Ludo and Umesh’s film is Highway Ek Selfir Aarpaar.

Q has directed the film with Nikon.

LUDO

Trailer :

Official Synopsis :

Four desperate teenagers. A night of sexy mayhem. The big city. Or so the plan goes, until a series of misadventures later, Babai, Pele, Ria and Payal end up in a locked shopping mall in the dead of the night. Alone at last… until an old couple appears out of nowhere with a piece of folded leather and a glass container with two dice made of bone. A game. Simple, but deadly. They call it Ludo. A game defiled by a young couple centuries ago. An unbreakable curse, a living board, eons of bloodbath spanning the subcontinent. A game that has reached this city. Not just monsters, but prisoners of fate. Immortal lovers existing under a curse that will not die. They live within the game. Blood must spill. Bone must shatter. Beware the rattle of the Ludo dice.

Cast & Crew

Rii, Tillotama Shome, Kamalika Banerjee, Joyraj Bhattacharya, Ananya Biswas, Murari Mukherjee, Ronodeep Bose, Soumendra Bhattacharya, Subholina Sen.

Directed By: Nikon, Q (Qaushiq Mukherjee)
Produced By: Celine Loop, Nandini Mansinghka, Q (Qaushiq Mukherjee), Tilak Sarkar
Screenplay : Nikon, Surojit Sen
Story Writer :Nikon, Q (Qaushiq Mukherjee)
Production Company(S) : Overdose Joint, Idyabooster, Starfire Movies

HIGHWAY

Trailer :

Official Synopsis

Highway is a film of that escape which all of us yearn for. It is an attempt to see our own reflections in today’s time.

Cast :
Girish Kulkarni, Huma Qureshi, Tisca Chopra, Renuka Shahane Rana, Vidyadhar Joshi, Mukta Barve, Sunil Barve, Mayur Khandge, Shrikant Yadav, Kishore Chaugule, Kishor Kadam, Vrishali Kulkarni, Purva Pawar

Neeraj Ghaywan’s debut feature Masaan (Fly Away Solo) is premiering at the ongoing Cannes Film Festival. Written by Varun Grover and starring Richa Chaddha, Sanjay Mishra, Vicky Kaushal and Shweta Tripathi, the film is competing in Un Certain regard section of the fest. Click here for the official synopsis, cast and crew list.

Here’s the trailer of the film

Click here to check out a new clip from the film.

And here are some happy faces of the film at the fest. Click on any pic to start the slide show.

It seems like another good year for desi indies at Cannes. Two films have been selected in the Un Certain Regard section of the Cannes Film Festival this year, and interestingly, both the films are Indo-French productions. Masaan (Fly Away Solo) is directed by our own Neeraj Ghaywan and written by Varun Grover. Both are editors and contributors at moiFightClub.

The second film is Gurvinder Singh’s Chauthi Koot.

Here are the details –

MASAAN (Fly Away Solo)

Synopsis

Four lives intersect along the Ganges – a lower-caste boy in hopeless love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with a fading morality, and a spirited child yearning for a family, long to escape the moral constructs of a small-town.

Neeraj Ghaywan had won the Global Filmmaker Award at Mahindra Sundance 2014 for Masaan, and was also part of the prestigious Mahindra Sundance Screenwriters’ Lab (Now Dhrishyam Sundance Lab).

The film is an Indo-French co-production produced by Manish Mundra, Macassar Productions, Phantom Films, Sikhya Entertainment, Arte France Cinema and Pathé productions.

Cast

Richa Chadda, Sanjay Mishra, Vicky Kaushal, Shweta Tripathi, Vineet Kumar, Pankaj Tripathi, Bhupesh Singh, Bhagwan Tiwari, Satya Kam Anand and Nikhil Sahani.

Crew

Director : Neeraj Ghaywan

Writer : Varun Grover

Editor : Nitin Baid
DoP: Avinash Arun Dhaware
Songs composed by: Indian Ocean
Background score: Bruno Coulais
Sound: Sanjay Maurya, Allwin Rego & Gilles Benardeau
Casting Director: Mukesh Chhabra
Costume: Shruti Kapoor
Production Design: Ranjit Singh
First Assistant Director: Karuna Dutt
Co-produced by: Dipa De Motwane

Associate Producers: Ranjan Singh and Rati Shankar Tripathi.

Chauthi Koot

Chauthi Koot (Fourth Direction), Gurvinder Singh’s second movie after Anhe Ghore Da Daan, is based on two short stories by Punjabi writer Waryam Singh Sandhu. Chauthi Koot has been co-produced by Kartikeya Singh and Sunil Doshi in India, and Catherine Dussart in France. The film is about the state-sponsored crimes of the 1980s and the resistance movement it spawned.