Posts Tagged ‘Toronto International film festival’

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Vasan Bala’s Mard Ko Dard Nahi Hota (The Man Who Feels No Pain) became not only the first Indian film to be featured in Toronto International Film Festival’s Midnight Madness, but also the first Indian film to get the Grolsch People’s Choice Award in the same segment.

Here’s Vasan’s acceptance speech at TIFF…

 

And this is how the film was introduced by the Midnight Madness curator Peter Kuplowsky. So much fun!

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Here’s all the early reviews from TIFF:

Writer-director Vasan Bala’s wild and wacky yet also warm and fuzzy fable about a resourceful young man who transcends ostensible physical limitations to become a two-fisted, swift-kicking hero likely will prove to be an irresistible crowd-pleaser on the global fest circuit, and in international release on various platforms.

Review on Variety by Joe Leydon

But those getting superhero fatigue should not worry, for along came an Indian superhero origin story inspired by every action movie on the planet that’s so funny and meta, Deadpool is crying of jealousy. This is The Man Who Feels No Pain.

Review at Bloody Disgusting by Rafael Motamayor

Through the tongue-in-cheek humor and mind-blowing action, the makers of the film manage to capture the crowd-pleasing essence of a masala film, without any of the problematic aspects of the genre. In a time where every Bollywood movie is eager to teach and preach, ‘Mard Ko Dard Nahi Hota’ takes you back to the time 7-year-old you broke your leg trying to leap into a flying kick. But instead of yelling at you for being an idiot, Vasan Bala gives you a mat to cushion your next fall and a bottle of water to keep you hydrated.

Review at BizAsia by Sahar Junejo

His film, whose title toys with Amitabh Bachchan’s 1985 Mard, summons many adorable tropes of Bollywood and superhero films — bachpan ke dost, dadaji as teacher-mentor, mother’s murder and a haunting chain, limping and one-legged martial arts masters, evil villains — but each one has its own dancing, subversive curlicue that twists and twirls the cliches, making them funny, cool, with oodles of street cred.

Review by Suparna Sharma

– Review at NowToronto by Norman Wilner

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Renowned Indian documentary maker Anand Patwardhan’s latest film Reason (Vivek) is having its world premiere at TIFF in the TIFF Docs section.

The official note from the festival reads:

In what is perhaps his most urgent and thorough exploration of Indian society yet, renowned documentarian Anand Patwardhan charts his country’s slide away from secular democracy and toward divisions of power, caste, and religious belief — and the violence that has followed.

Anand Patwardhan’s passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet.

Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India’s slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

The first chapters recount the work, struggles, and eventual assassinations of Narendra Dabholkar, a rationalist who fought what he called “blind faith,” and Govind Pansare, a communist politician and anti-caste activist. Later chapters probe subjects such as Dalit caste protests against social oppression, terrorism’s tangled roots, and how religious outrage can so easily descend into mob violence. Accompanying interviews, captured footage, and archive sequences, Patwardhan’s voiceover makes connections and provides deeper context.

Reason is not an easy film to watch, nor should it be. The film denounces — and depicts — violence perpetrated or fuelled by religious nationalists pushing to make India a Hindu state. As Reason builds and expands toward its conclusion, the scale of the dangers India faces becomes clear, and connections are made between the country’s inner conflicts and the similar political fires burning all over the world. Even with countless people of conscience offering resistance, the film ends with yet one more assassination. This time it is a journalist.

The film runs at 260 minutes, is shot by Anand Patwardhan himself along with Simantini Dhuru, and edited by Patwardhan.

Anand Patwardhan is one of the most prolific documentary makers from India, with films like In the Name of God (’92) and Father, Son and Holy War (’94), both of which have featured at TIFF in the past, as well as War and Peace (02) and Jai Bhim Comrade (11).

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After Vasan Bala’s MKDNH, TIFF has added two more Indian films to its lineup, this time in the Contemporary World Cinema section.

Bulbul Can Sing

Rima Das is back at TIFF’s Contemporary World Cinema section yet again with her new film Bulbul Can Sing which is having its world premiere there.

Here’s the official TIFF program note on the film:

Rima Das presents a visceral coming-of-age drama about a young girl living in rural India, fighting her way through love and loss as she figures out who she really is.

Rima’s last film, Village Rockstars, was also premiered at TIFF.

The Sweet Requiem

Ritu Sarin and Tenzing Sonam’s latest film The Sweet Requiem (K​yoyang Ngarmo)​​​ is having its world premiere at TIFF’s Contemporary World Cinema section. Similar to Rima Das’s previous film, Ritu Sarin and Tenzing Sonam’s debut film had also premiered at TIFF.

This is what the official note from TIFF says about the film:

In a follow-up to 2005’s Dreaming Lhasa, Ritu Sarin and Tenzing Sonam return with a story of a young Tibetan woman grappling with living in exile, revealing a side of the refugee crisis we rarely get to see.

The film, running at 91 minutes, was one of the 19 South Asian Projects selected at the NFDC Film Bazaar 2015.

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Vasan Bala’s new film Mard Ko Dard Nahi Hota (The Man Who Feels No Pain) is going to be featured at the Toronto International Film Festival’s (TIFF) ‘Midnight Madness’ section. It’s the first Indian movie to be featured in Midnight Madness.

Here’s the official TIFF program note on the film:

In this Bollywood-infused action film from Vasan Bala (Peddlers), a young man quite literally born with the ability to feel no pain strikes out on a quest to vanquish 100 foes.

Cast: Abhimanyu Dasani, Radhika Madan, Gulshan Devaiah and Mahesh Manjrekar
Abhimanyu is the son of ‘Maine Pyar Kiya’ actress Bhagyashree, while Radhika Madan is a popular television star who is also playing one of the main characters in Vishal Bharadwaj’s next ‘Patakha’.

The 131 min film is produced by Ronnie Screwvala’s RSVP.

Toronto International Film Festival (TIFF) has unveiled the first set of film titles premiering in the Gala and Special Presentations programmes in this year’s edition of the fest. Three Indian films will have there world premiere at Toronto. All the three films are part of Special Presentations.

Anurag Kashyap’s latest film Mukkebaaz is titled The Brawler for the fest edition. The 145-min long film is about a lower caste boxer struggling to make his mark on the boxing world. The film stars Vineet Singh in the lead role.

Hansal Mehta’s Omerta recounts the story of infamous British-born terrorist Ahmed Omar Saeed Sheikh, who kidnapped and murdered Wall Street Journal reporter Daniel Pearl in 2002. It stars Raj Kummar Rao in the lead and is 96 minutes long.

The third one is Bornilla Chatterjee’s The Hungry. It relocates Shakespeare’s bloody tragedy Titus Andronicus to modern-day India, where corruption, greed, and revenge run rampant at an extravagant wedding.

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A bunch of festival news about Indian films from across the world.

Busan International Film Festival will open with Mozez Singh’s debut feature, Zubaan this year. The film has Vicky Kaushal, Sarah Jane Dias, Manish Chaudhary, Meghna Malik and Raaghav Chanana in lead roles. For more details about the film, click here.

Aprt from Zubaan, Busan will also have a bunch of Indian films in various categories. In its ‘A Window On Asian Cinema’ section, there is Meghna Gulzar’s Guilty (Talvar), Hansal Mehta’s Aligarh, Bhaskar Hazarika’s Kothanodi, Biju Viswanath’s Orange Candy, Mani Ratnam’s O Kadhal Kanmani, Neeraj Ghaywan’s Masaan, and Suman Ghosh’s Peace Heaven.

The “New Currents” section has Hari Viswanath’s Radio Set and the “Cinekids’ section will screen Nagesh Kukunoor’s Rainbow (Dhanak). The fest also has few Indian films in docu and shorts categories. The festival will run from 1-10th October, 2015.

Also, Filmmaker Anurag Kashyap is on the Jury for “New Currents” section of the fest.

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Toronto International Film Festival has few more Indian titles to their 2015 edition. Apart from Meghna Gulzar’s Guilty (Talvar) and Leena Yadav’s Parched, it also has Pan Nalin’s Angry Indian Goddesses in the same ‘Special Presentations’ section. The film stars Tannishtha Chatterjee, Sandhya Mridul, Sarah Jane Dias, Pavleen Gujral, Anushka Manchanda, Rajshri Deshpande and Amrit Maghera

Here’s a short description of the film from the fest site – On the eve of their friend’s wedding in Goa, a group of women discuss everything under the sun — from their careers, sex lives, and secrets to nosy neighbours and street harassment — in this largely improvised and refreshingly frank depiction of contemporary Indian society from award-winning director Pan Nalin.

TIFF will also screen Shambhavi Kaul’s Fallen Objects, Shai Heredia & Shumona Goel’s An Old Dog’s Diary in “Wavelenths” section, and Megha Ramaswamy’s Bunny in “Short Cut” section.

Megha Ramaswamy’s documentary Newborns premiered at Toronto International Film Festival. And now it’s online for a limited time as part of Vimeo’s presentation of TIFF Short Cuts.

Watch it.

From fest site – A hauntingly beautiful documentary that follows female survivors of acid attacks, who bravely defy the trauma and fear that will always accompany them.

Cast, Crew and Other Details

Country: India
Year: 2014
Language: Hindi
Premiere Status: World Premiere
Runtime: 8 minutes
Rating: STC

Producer: Anand Gandhi, Sohum Shah, Ruchi Bhimani
Production Company: Recyclewala Labs
Principal Cast: Laxmi, Nasreen, Sapna, Daya Kishan, Usha, Rupesh Tillu, Heena Agrawal
Screenplay: Megha Ramaswamy
Cinematographer: Satya Rai Nagpaul
Editor: Anand Gandhi, Rohit Pandey
Sound: Ajit Rathore, Aditya Jadav
Production Designer: Megha Ramaswamy

Watch the entire Short Cuts Online Program at: vimeo.com/channels/tiffshortcuts

Tip – ShortFilmWindow

The first trailer of Shonali Bose’s film Margarita With A Straw is out. The film will have its premiere in Contemporary World Cinema section at Toronto International Film Festival. Have a look.

From fest site – In this inspirational love story, a Delhi university student and aspiring writer afflicted with cerebral palsy (Kalki Koechlin, Dev.D, That Girl in Yellow Boots) leaves India for New York University, where she falls for a fiery young activist.

Unusual only because it’s so rarely seen on screen, Margarita, with a Straw is an exceptional portrait of a woman discovering what she wants, and how to get it.

Laila (Kalki Koechlin) is a student and aspiring writer, crafting lyrics and electronic sounds for an indie band at her Delhi university. Her cerebral palsy doesn’t much get in the way of her life, although it sometimes does for others. When Laila’s band wins a local contest, the condescending host says to her, “It must have been so hard for you. Can you share something with us?” Laila shares her middle finger.

Always seeking more freedom and new experience, Laila wins a place at New York University and leaves India with her mother (Revathy) for Manhattan. There she meets a fiery activist, Khanum (Sayani Gupta), who challenges her beliefs, sparks her creativity, and, eventually, takes her to bed. For these two women, it’s the beginning of a remarkable love story.

The programme presents the latest works of some of the most provocative and important voices in cinema from around the globe. Bose’s debut film Amu had also been screened at Toronto in 2005.

For cast, credits and other details, click here. Though we noticed a strange thing in the credit roll of the trailer, even the casting director gets a credit (because he is producer, writer and director too? That too three credits in one plate!) but the (Hindi) dialogue writer doesn’t have a credit. How strange? We have never been to able to understand why people become so insecure and chindi when it comes to credits?

– Posted by @Shubhodeep

Danis Tanovic’s desi film Tigers starring Emraan Hashmi will have its world premiere at Toronto International Film Festival this year. Synopsis, cast & crew, and other details of the film is out.

Film

Director: Danis Tanovic
Country: India/France/United Kingdom
Year: 2014
Language: Hindi/English/Urdu/German
Premiere Status: World Premiere
Runtime: 90 minutes
Rating: 14A

Synopsis (from TIFF)

Devastated when he discovers the effects of the infant formula he’s peddling, a young salesman challenges the system and the powers that be, in this based-on-fact drama from Academy Award-winning director Danis Tanovic (No Man’s Land).

Multinationals’ activities in the developing world come under harsh scrutiny in Danis Tanovic’s hard-hitting new drama Tigers. No stranger to controversy, the Academy Award-winning director is unafraid to stick his nose into contentious subject matter. Here, he explores Pakistan’s fascination with Western drugs, basing his film on a true story — its real-life protagonist lives in Toronto — involving a corporation aggressively trying to increase its market share through the sale of baby formula to new mothers.

Ayan (Emraan Hashmi) is a young, recently married salesman who gets a job peddling locally made drugs to pharmacies and doctors. Despite the fact that the Pakistani-manufactured pharmaceuticals he sells are much cheaper than those sold by Western competitors, no one will trust or buy products that lack major brand names. His wife encourages him to apply for a job with Lasta, a large multinational, and Ayan is hired on a trial basis. It’s not long before his natural charm and knack for glad-handing make him into a minor star, and Lasta expands his responsibilities. However, one day he is devastated to see first-hand what the selling of baby formula really means in certain cases. Shocked, Ayan sets out to challenge the system and the powers that be.

In a neat piece of narrative structuring on Tanovic’s part, this David-and-Goliath story is told partially through the eyes of a film crew making a documentary on Ayan’s astonishing findings. But the power of Tigers lies in his willingness to push his film out onto the streets of Pakistan and into the face of a system where narrow interests prevail, and an honest man doing the right thing is castigated and threatened, and finally sees his life endangered.

Cast & Crew

Executive Producer: Karen Tenkhoff, Michael Weber, Praveen Hashmi, Achin Jain
Producer: Prashita Chaudhary, Kshitij Chaudhary, Guneet Monga, Anurag Kashyap, Cedomir Kolar, Marc Baschet, Andy Paterson, Cat Villiers
Production Company: Cinemorphic Pvt Ltd, Sikhya Entertainment Pvt Ltd, A.S.A.P. Films
Principal Cast: Emraan Hashmi, Geetanjali, Danny Huston, Khalid Abdalla, Adil Hussain, Maryam D’Abo, Satyadeep Misra, Heino Ferch, Sam Reid, Supriya Pathak, Vinod Nagpal
Screenplay: Danis Tanovic, Andy Paterson
Cinematographer: Erol Zubcevic
Editor: Prerna Saigal
Sound: Anthony B J Ruban
Music: Pritam
Production Designer: Rachna Rastogi, K.K Muralidharan

Danis Tanovic was born in Zenica, Bosnia-Herzegovina, and attended l’Institut National Supérieur des Arts du Spectacle in Brussels. His feature films include No Man’s Land (01), which won Best Screenplay at Cannes and the Academy Award for Best Foreign Language Film; L’enfer (05) and Triage (09), both of which premiered at the Festival; and An Episode in the Life of an Iron Picker (13), which screened at the Festival and won the Silver Bear at Berlin. Tigers (14) is his latest film.

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The 2014 edition of Toronto International Film Festival has added 2 more Indian films in its schedule.

Margarita, with a Straw directed by Shonali Bose will have its world premiere Contemporary World Cinema section.

From fest site – In this inspirational love story, a Delhi university student and aspiring writer afflicted with cerebral palsy (Kalki Koechlin, Dev.D, That Girl in Yellow Boots) leaves India for New York University, where she falls for a fiery young activist.The programme presents the latest works of some of the most provocative and important voices in cinema from around the globe. Bose’s debut film Amu had also been screened at Toronto in 2005.

Cast, Credit and other details

Country: India
Year: 2014
Language: Hindi/English
Premiere Status: World Premiere
Runtime: 100 minutes
Rating: 14A
Producer: Shonali Bose, Nilesh Maniyar
Production Company: Ishan Talkies, Viacom18 Motion Pictures, Jakhotia Group
Principal Cast: Kalki Koechlin, Revathy, Sayani Gupta, William Moseley, Hussain Dalal
Screenplay: Shonali Bose, Nilesh Maniyar
Cinematographer: Anne Misawa
Editor: Monisha Baldawa
Sound: Resul Pookutty, Amrit Pritam
Music: Mikey McCleary, Prasoon Joshi
Production Designer: Somenath Pakre, Prasun Chakraborty

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The second film is Megha Ramaswamy’s Newborns. It’s part of the inaugural Short Cuts International programme.

From fest site – A hauntingly beautiful documentary that follows female survivors of acid attacks, who bravely defy the trauma and fear that will always accompany them.

Cast, Crew and Other Details

Country: India
Year: 2014
Language: Hindi
Premiere Status: World Premiere
Runtime: 8 minutes
Rating: STC

Producer: Anand Gandhi, Sohum Shah, Ruchi Bhimani
Production Company: Recyclewala Labs
Principal Cast: Laxmi, Nasreen, Sapna, Daya Kishan, Usha, Rupesh Tillu, Heena Agrawal
Screenplay: Megha Ramaswamy
Cinematographer: Satya Rai Nagpaul
Editor: Anand Gandhi, Rohit Pandey
Sound: Ajit Rathore, Aditya Jadav
Production Designer: Megha Ramaswamy

Trailer

The Festival will run from September 4 to 14, 2014.