Posts Tagged ‘Anand Patwardhan’

 

 

 

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It is brutal watch. Yeah, that’s the actual statutory warning, but we are all old enough for it, right? The reason I am writing about Reason is because there is every reason for all of us to be talking about the exact same things as the film.

First off, this is not a review – cute things like ‘reviews’ don’t matter to films like these. Anyways, it isn’t the film that needs a review, the country does – the truths it challenges are so stark. It lays bare in no uncertain terms the clear divide between (religious) rhyme and (democratic) reason, literally and figuratively.

If this film is shown in the beginning of every movie instead of the national anthem, people may not start feeling more patriotic about the country, but at least they will be sensibly patriotic. Since, it has 16 chapters of almost 15 min each and you may not have so much time so here is an abridged summary and highlights, with some personal commentary to keep the truth going. You tell someone else about it, and it will spread. Hopefully, we will come back from the brink of the abyss staring at us, in time. (Also, watch the entire thing first.)

Chapter 1 – Dabholkar & Chapter 2 – Pansare

https://www.youtube.com/watch?v=IX2ZeG3szQ4
https://www.youtube.com/watch?v=osrfRS364yg

The film doesn’t waste time coming to the point, it starts from the centre, from the Dabholkar, Pansare & Kalburgi murders and the entire film is interspersed through with their thoughts. Who killed them is a moot point here (also coz everyone knows), more important is the question – Why were they killed? They were killed because they empowered the marginalised classes through reason and reason, as we all know, does not rhyme. Reason sings no one’s tunes.

Chapter 3 – Shivaji

https://www.youtube.com/watch?v=YlSQe8XNT64

From the killing of rationalists, the film moves to investigating the killing of rationality. It throws spotlight on the fractured as well as manufactured history surrounding the Maratha King Shivaji, while taking pains to separate fact from fiction. It also throws a spotlight on the hard-core elements manufacturing this history for their own benefit, and widely poisoning the Hindu-Muslim and ‘nationalist’ narrative.

Chapter 4 – Virasat

https://www.youtube.com/watch?v=StYIx1rEL6o

After setting the stage, the film quickly comes back to talking of the legacy left behind by Dabholkar and Pansare; it takes us right inside the minds and hearts of people these men have touched, classes that are the bedrock of our society, traditional as well as modern. It instils hope. The film also touches upon how society is being influenced artificially and pressured directly by those who demand a Hindu rashtra.

Chapter 5 – Sanatan

https://www.youtube.com/watch?v=WgGcE3EYXQ4

Chapter five takes us directly into the womb of the problem, Sanatan Sanstha located in Goa. Founded by Jayant Balaji Athavle, the organisation diligently works towards achieving its dream of converting India into a Hindu rashtra, through planned terror activities. There is strong opposition to their activities and existence right in the village of Ramnath, where it is located, from the local Goan people. The local people want to live peacefully in their diversity without the Sanatan Sanstha.

(Caution: The parts with the kids in Sanatan Sanstha fooatge is very creepy. Watch at your own risk.)

Chapter 6 – Ganpati

https://www.youtube.com/watch?v=hLccwS7WWBs

The film then goes to uncover the politics behind religious festivals and how they are used for spreading propaganda by political parties and religious groups. Dabholkar and Pansare both had questioned the environmental impact of the unchecked Ganpati celebrations in Maharashtra. The film keeps questioning their murders. Maybe, we must too.

(Watch out for – The part where the lawyer chap defending the accused in Malegaon blasts telling Patwardhan, on camera, ‘Why did the police allow Anand Patwardhan to protest? Why didn’t they break his bones? When that happens, one feels angry.’ Waah re, democracy.)

Chapter 7 – Shital

https://www.youtube.com/watch?v=9y3u_Xv-UbM

After zooming out, the film zooms into the microcosm of the Sanatan Sanstha, and its efforts to divide India not only along communal lines, but also casteist lines. Dabholkar, Pansare, Kalburgi’s words keep stitching the narrative forward and the section ends with a beautiful tribute song to the three men.

(Must think about – The Haji Ali protests section where Hindu and Muslim suddenly become one against a single enemy, the woman. Think, think hard. Or laugh.)

Chapter 8 – Dadri

https://www.youtube.com/watch?v=7N-OCBEwzVY

This is the toughest to watch and that’s why the most necessary. The Dadri beef lynching episode is like a wound on the nation’s conscience we can neither heal from, nor move on from. But the quiet assurance in Akhlaq’s young, very old son is a balm. If he can still see a better India and work for it, so can we.

(Keep calm – At the end when the father of one of the lynchers justifies the lynching and when challenged that the Govt investigation found no beef ends with a ringing and profound, ‘How can we believe?’ Breathe. Think of how Dadri was and still wants to live in peace and brotherhood.)

Chapter 9 – Cow Dalit

https://www.youtube.com/watch?v=PGsdXSeDaW8

The spotlight travels to Una, where gau-rakshak terrorism reached new lows in July 2016. The section begins with the actual footage of dalits being flogged and it’s cruel (and if that doesn’t make you angry, just stop. And retire, from life). But the film captures very nicely the heartening spirit of the Una ‘uprising’. The marginalised must rise up and claim their space. Also Modiji has ensured Muslims join the Dalits in Gujarat, and there is hope. There is always hope.

(Check out New India – The last five minutes – the four injured dalits in the hospital saying none of them is scared anymore, it is a fight for justice. And Akhlaq’s son.)

Chapter 10 – RSS

https://www.youtube.com/watch?v=Oe2JPn354Qw

And now we come to the point of the whole matter, RSS. The organisation that killed Gandhi. The film takes us through its diligent training camps and takes head-on some of its rather brainwashed foot soldiers. It is a whether-to-laugh-or-cry moment. (But there is a one-liner gem there to deal with a bhakt, just ask him, ‘Who killed Gandhi?‘ and watch him disintegrate.)

(Must note – The Ram Mandir station maybe an imposition but there is still a Mahim a few stations down and a ‘Masjid’, on the other line. Let it come, in Bombay rush hour Hindutva won’t be able to survive beyond Andheri.)

Chapter 11 – Rohith

https://www.youtube.com/watch?v=KgCwRchxaMc

Rohith Vemula is not the wound of the nation, he is the test of the nation. And we cannot afford to fail that test, period. Through Vemula’s story, the film lets the dalits tell their story and follows it wherever it goes. About time, our nation began to do that as well.

(Must do – The last bit is an oral rendition of Rohith’s last letter. If you haven’t read it please listen to it.)

Chapter 12 – JNU A

https://www.youtube.com/watch?v=VyKU86Yerz8

Enter Kanhaiyya Kumar and although I cannot fault his politics or intentions, must say, his emergence and rise has always seemed more manufactured than organic. But the truths about our society and especially politics that his emergence lays bare are naked. The fake narrative of nationalism is fooling no one, especially not the youth.

(Check out New India part II – The two ex ABVP leaders who left the organisation on grounds of its regressive stands and political ideologies. They were thinking for themselves.)

Chapter 13 – JNU B

https://www.youtube.com/watch?v=KV7NGzyMo9o

Extended interviews with Kanhaiyya Kumar follow with a deeper look into the Hindutva menace. And perhaps significantly, it ends with a conversion ceremony of dalits into Buddhism, rejecting Hinduism saying, ‘I believe, I am being reborn.’ If Hindusim will reject them, what are they supposed to do?

Chapter 14 – Mush A

https://www.youtube.com/watch?v=G-YjfBj32Eo

This is when the ocean comes to the doorstep. The question, ‘Who Killed Gandhi‘ has now become, ‘Who Killed Karkare?’ and it hurts even more. Or rather it should. The film exposes the loopholes in ATS chief Hemant Karkare’s death and links to the Malegaon blast investigations and asks questions that have never been more urgent. Let’s ask them before Sadhvi Pragya becomes our Prime Sadhvi of 100% Pure Brahmin Hindu Ram Rajya. (It sounds like the name of some ghee, doesn’t it?)

Chapter 15 – Mush B

https://www.youtube.com/watch?v=ntfGxfn0Svw

The plot thickens and thickens and one just keeps swallowing the hopelessness of the same 80’s masala story of aam junta as well as upright officers victimised and exploited by powerful political forces. It’s like a potboiler seriously, a good old Sunny Deol film. We are back to the 80’s in 2019, some development for sure. Pansare had publicly claimed Karkare’s death was an organised conspiracy and the conspirators would be unmasked soon. He was killed too. The connections are ridiculously clear in this ‘we-all-know-who-dunnit-but-won’t-say-it’ not-thrilling-anymore, thriller that is more of a joke, our nation.

Chapter 16 – The end

https://www.youtube.com/watch?v=RUcM_B0m77U

The series comes to an end with a deeper look into the amazing amalgamation the establishment and hindu terror outfits have become and keeps raising that one seminal question to chest-thumping nationalists, ‘Who Killed Gandhi?’ The answer to that may lie in the question, ‘Do we want a Hindu Rashtra or do we want Freedom?’

There, there is a discovery of a New India in front of us. It is upto us what we do with it, take it or leave it. Its upto us, really. After all, it stands to reason.

Fatema Kagalwala

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Renowned Indian documentary maker Anand Patwardhan’s latest film Reason (Vivek) is having its world premiere at TIFF in the TIFF Docs section.

The official note from the festival reads:

In what is perhaps his most urgent and thorough exploration of Indian society yet, renowned documentarian Anand Patwardhan charts his country’s slide away from secular democracy and toward divisions of power, caste, and religious belief — and the violence that has followed.

Anand Patwardhan’s passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet.

Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India’s slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

The first chapters recount the work, struggles, and eventual assassinations of Narendra Dabholkar, a rationalist who fought what he called “blind faith,” and Govind Pansare, a communist politician and anti-caste activist. Later chapters probe subjects such as Dalit caste protests against social oppression, terrorism’s tangled roots, and how religious outrage can so easily descend into mob violence. Accompanying interviews, captured footage, and archive sequences, Patwardhan’s voiceover makes connections and provides deeper context.

Reason is not an easy film to watch, nor should it be. The film denounces — and depicts — violence perpetrated or fuelled by religious nationalists pushing to make India a Hindu state. As Reason builds and expands toward its conclusion, the scale of the dangers India faces becomes clear, and connections are made between the country’s inner conflicts and the similar political fires burning all over the world. Even with countless people of conscience offering resistance, the film ends with yet one more assassination. This time it is a journalist.

The film runs at 260 minutes, is shot by Anand Patwardhan himself along with Simantini Dhuru, and edited by Patwardhan.

Anand Patwardhan is one of the most prolific documentary makers from India, with films like In the Name of God (’92) and Father, Son and Holy War (’94), both of which have featured at TIFF in the past, as well as War and Peace (02) and Jai Bhim Comrade (11).

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After writers and scientists, filmmakers have joined the protest in raising their voice against the murders of rationalist author MM Kalburgi, activist Govind Pansare, and in support of FTII students. The 10 filmmakers include Anand Patwardhan, Dibakar Banerjee, Nishtha Jain, Paresh Kamdar, Kriti Nakhwa, Harshvardhan Kulkarni, Hari Nair, Rakesh Sharma, Indraneel Lahiri and Lipika Singh Darai.

And here’s the full text of their letter to the President and PM.

To,

The President and the Prime Minister of India,

New Delhi

Dear Sir,

It is with a deep sense of dismay that we write to you. Many of the undersigned had written a letter to you barely a month ago in support of the demands of the students of FTII. We had urged you to intervene and ensure that FTII continues to be a stellar educational institution with a commitment to freedom of expression.

The student strike has entered the 4th month. The issue remains unresolved and our sense of apprehension about the fate of the institute has only grown. We have seen the students conduct their protest in a democratic manner with utmost dignity. We have also seen an attack on their credibility mounted in the most disgraceful manner in the press by the very people who were meant to be their guardians on campus- the director and the registrar. The ministry has seemingly offered a patient hearing to the students no less than 5 times over 4 months yet have made no attempt to put into place a transparent process to make key appointments to the people who are meant to give vision to the institute. They have expressed an inability to reverse the process that provoked this strike. We see this as a blatant disregard for the voice of these students.

It has also become imperative that we see the government’s stone walling of the students’ protest in a context. The Information and Broadcasting Ministry has appointed people with a narrow vision in the institutions under them. FTII, Children’s Film Society and CBFC are examples that the film fraternity has objected to.

Meanwhile, we have watched the murders of rationalists and writers like Dr. Narendra Dabholkar, Govind Pansare and M.M.Kalburgi with dismay. These are clearly not random acts of violence. People are being murdered for their beliefs and opinions. There seems to be no attempt to unravel the larger picture and bring to book extremist groups that believe in ruthless violence to eliminate those who hold a counter view from theirs. There has been no official condemnation of these groups and we question this silence.

The lynching and murder of an ironsmith, Mohammed Akhlaq, in a village at the edge of our national capital has shattered our faith in the spirit of tolerance that is the core of our robust democracy. The mob that stood at this poor Muslim man’s house had been empowered by the belief that this was an acceptable way to express rage. The current climate has validated this sentiment. Those who stand outside the circle drawn by the ruling elite are vulnerable in the most appalling manner. It has now come to light that members of the party that rule at the Centre led the mob. It is imperative that we take note of the impunity with which the mob was instigated. No condemnation is complete without naming the politically powerful who scripted this attack.

We are filmmakers who have been awarded by your most esteemed office. We hold that to be a high honour. Our cinema represents a rich diversity of political opinions and aesthetic expression. It was a matter of great pride for us that the government of India had awarded this plurality. If we do not stand up and register our protest now we are in the danger of being a part of the process that is flattening out our beautiful landscape of diversity. Freedom of expression are not mere words for us, it is a way of life we hold dear. Each life led differently from the mainstream is precious, we must fight for this right to pray, eat, love, work as we wish.

We feel compelled to return the honour that the State had bestowed on us. This is not an attempt to undermine your office but a heartfelt plea. Condoling deaths without interrogating the forces that scripted those murders reveals a tacit acceptance of the ugly forces distorting our country. The Government of India must urgently reveal its commitment to protect the freedom of expression of each citizen. We, the undersigned, stand alongside the writers who have returned the country’s highest literary honour and hereby return our National Awards. As filmmakers we stand firmly with the students of FTII and are determined to not let them shoulder the entire burden of their protests. They have mounted a historic struggle and we urge others within our fraternity to come forward and carry this protest forward.

List of signatories

1. Dibakar Banerjee
Film: Khosla Ka Ghosla (2007)
Film: Oye Lucky, Lucky Oye (2009)

2. Anand Patwardhan
Film: Bombay Our City (1984)

3. Paresh Kamdar
Film: Rasyatra (1995)

4. Nishtha Jain
Film: Gulaabi Gang (2014)

5. Kirti Nakhwa
Film: Lost & Found (2008)

6. Harshavardhan Kulkarni
Film: Lost & Found (2008)

7. Hari Nair
Film: Sham’s Vision (1997)

8. Rakesh Sharma
Film: Final Solution (2006)

9. Indraneel Lahiri
Film: Aamar Katha, Story of Binodini (2014)

10. Lipika Singh Darai
Film: Gaarud (2009)
Film: Eka Gachha Eka Mainsha Eka Samudra ( a tree a man a sea) (2012)
Film: Kankee O Saapo ( dragonfly and snake) (2013)