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Renowned Indian documentary maker Anand Patwardhan’s latest film Reason (Vivek) is having its world premiere at TIFF in the TIFF Docs section.
The official note from the festival reads:
In what is perhaps his most urgent and thorough exploration of Indian society yet, renowned documentarian Anand Patwardhan charts his country’s slide away from secular democracy and toward divisions of power, caste, and religious belief — and the violence that has followed.
Anand Patwardhan’s passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet.
Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India’s slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.
The first chapters recount the work, struggles, and eventual assassinations of Narendra Dabholkar, a rationalist who fought what he called “blind faith,” and Govind Pansare, a communist politician and anti-caste activist. Later chapters probe subjects such as Dalit caste protests against social oppression, terrorism’s tangled roots, and how religious outrage can so easily descend into mob violence. Accompanying interviews, captured footage, and archive sequences, Patwardhan’s voiceover makes connections and provides deeper context.
Reason is not an easy film to watch, nor should it be. The film denounces — and depicts — violence perpetrated or fuelled by religious nationalists pushing to make India a Hindu state. As Reason builds and expands toward its conclusion, the scale of the dangers India faces becomes clear, and connections are made between the country’s inner conflicts and the similar political fires burning all over the world. Even with countless people of conscience offering resistance, the film ends with yet one more assassination. This time it is a journalist.
The film runs at 260 minutes, is shot by Anand Patwardhan himself along with Simantini Dhuru, and edited by Patwardhan.
Anand Patwardhan is one of the most prolific documentary makers from India, with films like In the Name of God (’92) and Father, Son and Holy War (’94), both of which have featured at TIFF in the past, as well as War and Peace (02) and Jai Bhim Comrade (11).
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