Posts Tagged ‘anurag kashyap’

With Anurag Kashyap’s latest film, Mukkabaaz, having its premiere at the ongoing Toronto International Film Festival, more details are out now.

Here’s fest director Cameron Bailey’s note on the film, which tells you more about the film

A lower-caste boxer struggles to make his mark on the boxing world, in the highly anticipated film from Anurag Kashyap.

Vital, insightful, and thoroughly cinematic, Anurag Kashyap’s The Brawler follows in the tradition of the great boxing films of the past. But the director of Gangs of Wasseypur gives his take on the sweet science a boldly Indian spin. The set-up offers the genre’s familiar underdog hero, but this film lands a satisfying punch against the injustices and hypocrisies that keep India’s sporting underdogs exactly where they are.

Shravan (Vineet Kumar Singh) is a lower-caste boxer with a tempered edge, struggling to leave his mark and making the case with his fists that he deserves a chance to compete. His career is threatened after he delivers a nasty right hook to the face of Bhagwan — his employer, the local kingpin, and the top boxing promoter in the region. Following this melee, Bhagwan does everything he can to stop Shravan from ascending up the ranks, including preventing him from pursuing the woman he has fallen in love with, Sunaina. Bhagwan will go to any length to punish and humiliate Shravan. But what he doesn’t count on is Shravan’s tough-mindedness. He’s been an underdog all his life and will stop at nothing to go all the way to the Indian National Boxing Championship.

Based on a true story, The Brawler is an enthralling, action-packed tale about corruption and crime in Indian sports. But at the heart of Kashyap’s narrative is a smart and complex love story anchored by Zoya Hussain’s Sunaina.

Cast + Credits
  • director – Anurag Kashyap

  • cast – Vineet Kumar Singh, Zoya Hussain, Ravi Kissan, Jimmy Shergill, Sadhana Singh

  • Cinematography – Rajeev Ravi Shanker Raman Jay Patel Jayesh Nair

  • Editing – Aarti Bajaj Ankit Bidyadhar

  • Executive Producers – Ajay Rai, Kanupriya

  • Producers – Aanand L. Rai Vikramaditya Motwane Madhu Mantena Anurag Kashyap

  • Production Companies – Colour Yellow Productions, Phantom Films

  • Production Designer – Shazia Iqbal

  • screenplay – Anurag Kashyap, Vineet Kumar Singh, Mukti Singh Srinet, K.D. Satyam, Ranjan Chandel, Prasoon Mishra

  • sound – Kunal Sharma

  • Original Score – Rachita Arora

  • music – Nucleya, Prashant Pillai

Toronto International Film Festival (TIFF) has unveiled the first set of film titles premiering in the Gala and Special Presentations programmes in this year’s edition of the fest. Three Indian films will have there world premiere at Toronto. All the three films are part of Special Presentations.

Anurag Kashyap’s latest film Mukkebaaz is titled The Brawler for the fest edition. The 145-min long film is about a lower caste boxer struggling to make his mark on the boxing world. The film stars Vineet Singh in the lead role.

Hansal Mehta’s Omerta recounts the story of infamous British-born terrorist Ahmed Omar Saeed Sheikh, who kidnapped and murdered Wall Street Journal reporter Daniel Pearl in 2002. It stars Raj Kummar Rao in the lead and is 96 minutes long.

The third one is Bornilla Chatterjee’s The Hungry. It relocates Shakespeare’s bloody tragedy Titus Andronicus to modern-day India, where corruption, greed, and revenge run rampant at an extravagant wedding.

anurag kashyapAnurag Kashyap has put out his list of favourite films of 2016. Exactly like he did in 2015, too. And we are copy-pasting the same intro that we wrote for the post last year.

Anurag Kashyap was championing films of other directors much before bolly celebs took to twitter to blindly endorse any film which has been made by their family, friends, or fraternity. And it killed the ‘championing’ bit completely. Everyone says good things about every new film on twitter, completely defeating the purpose, and making it look like a PR exercise. And then there are few who can’t think beyond their own films, or their husband’s film. Really? Beauty.

On his Facebook, Kashyap has posted the list of his top films of the year. And it comes with a caveat that he has not seen all the releases.

Never seen so many lists of best film, actors (male and female) or whatever ever before. It’s so good. I suddenly feel there is so much I haven’t seen. But why only Hindi films, why not films from other languages, we do make films in many languages. I mentioned Visarnaai and Thithi in last year’s list. But this year it’s difficult to choose. So here are my guilty pleasures and the best I saw this year.

In no particular order..

Chauthi Koot
Gurgaon (the best noir I have seen made in recent times, look out for this one)
Kammatipaddam
Kapoor and sons
Sairat
The Gold-Laden Sheep and The Sacred Mountain
Aligarh
Parched
Udta Punjab ( I am one of the producers)
Dangal (minus the national anthem)
Budhia Singh (suffered because it did not have an Aamir Khan but equally good)
Placebo

These are the films I had complete experience with. That is along with the disclaimer that I haven’t seen Waiting, Phobia, Island City, Bollywood Diaries, Jugni and so much more. Infact this is the year I saw the least number of films.

My actor of the year is Hands Down Manoj Bajpai, and actress – Alia Bhatt and the amazing Girls of Dangal.

Many internationally renowned filmmakers do put out their Top 10 list. Steven Soderbergh puts out the complete list of whatever he has seen and read. His 2015 list of films, tv shows, books and plays is here.

If you come across more such lists, do add in the comments section below. Also, do share your list of top 5/10.

As we have done in the past, this year too we are trying to source the scripts of some of the best bollywood films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here. From 2016, script of Neerja is here, Kapoor & Sons is here, and Pink is here.

raman-raghav

 

After the disaster of Bombay Velvet, Anurag Kashyap was back in form with this quickie, Raman Raghav 2.0. The film had everything that Kashyap excels in – a smart title, black humour in abundance, terrific atmosphere, quirky characters and punchy dialogues.  Inspired by the true story of Raman Raghav, Vasan and Anurag’s screenplay, which was divided into chapters, was one of the smartest spin of the year.

Happy reading!

(Please do note that this is not the final shooting draft of the film. This is the script of the international version of the film, the one which played with the title, Psycho Raman.  We thought this will be a good learning exercise – to compare the notes between this draft version and the film we have seen)

Film : Raman Raghav 2.0

Director : Anurag Kashyap

Written by : Vasan Bala and Anurag Kashyap

anurag--300x300So after taking a hard stand with censorship, the trolls are out there creating diversion from the issue with blatant lies and accusations. Since I can not put up this post on Twitter, am writing it here.

I have had run ins with censor many times. First was Paanch which everyone still believes was banned by censors. The truth is the film was cleared by revising committee after a few cuts and two disclaimers, and the same version , the cleared one is available on the net.

Black Friday was cleared uncut by censors but were blocked by the court as the case was under trial. Finally Justice Sabharwal cleared the film for exhibition in two years from when it was blocked even before the verdict was out. A lot of film stayed intact except some references to Shiv Sena that were cut out under pressure.

Gulaal was never caught up in any censor issue, the film had few references muted in one dialogue. It was stuck in production. Most of the lists the trolls are floating on the net of a million cuts on every film are lists of cuts made for TV of the adult films.

Ugly was never stuck with censor board, it was cleared. We decided to push the film to fight the health ministry on anti-smoking logo. It was our decision to fight the then government and we lost the case, in Court. Film came out intact.

Water was not allowed to shoot at all and that was not during the UPA government, and that’s when first time I met Mr. Jaitley and was an admirer of his since. But in all the battles, I never felt that I was being silenced or blackmailed into doing something against my will. All those battles were a fair fight of belief systems, all those fights were not being lost, not knowing what’s going on. All those battles we knew who and what the enemy was, be it a person, a thought or just the understanding of the board.

This one is different. This was blackmail, this has been a wall of lies. We got the official letter in a day after going to press and immediately after the first hearing of the court. We have a signed acknowledgement from Mr. Nihalani’s office dated yesterday 7 th June, which requests him to give us the official copy. So him saying he gave the letter on Monday is a lie and proof of all his lies. Him pressurising us to delay release, and accepting cuts is and was a thought through strategy. His accusing me of taking money from AAP is not just a lie, is a diversion from the real issue to make the fight for a filmmaker’s right into a political battle. And in this he is being helped by all the trolls to make sure that the real issue somewhere is lost in the political blame game.

So I request to not get involved in any rumour mongering and let us stick to the real honest issue of freedom of expression, and free thought, and, our rights as film makers versus the censorship. No, I am not a member of AAP or Congress, nor do I associate with any other political party. I have made more films without a fees than anyone else and I don’t take money that is not earned from anyone. Thank you.

– Anurag Kashyap

First came the posters and the stills. And now, the trailer is out. As the Cannes festival is all set to kick off, this seems to be the apt time to drop the trailer of Anurag Kashyap’s Raman Raghav 2.0. The film will have its world premiere at the fest in Directors’ Fortnight section.

Do check it out.

And if you are twitter, do participate in your poll.

13177326_884735191649046_4481842317797411431_nThe film stars Nawazuddin Siddiqui, Vicky Kaushal and Sobhita Dhulipala in the lead. The film will release on 24th June, 2016.

And here’s the official synopsis – Set in present day Mumbai the story follows the life of a serial killer Ramanna who is inspired by an infamous serial killer from the 1960s Raman Raghav.
His strange obsession with Raghavan, a young Cop keeps growing as he closely follows him without his knowledge and often creates situations where both of them come face to face.

 

The first look of Anurag Kashyap’s new film, Raman Raghav 2.0, is out. The film stars Nawazuddin Siddiqui, Vicky Kaushal and Sobhita Dhulipala in the lead.

The film will have its world premiere at the Cannes Directors’ Fortnight.

Do check out the poster and the stills.

(click on any image to enlarge and start slide show)