Archive for the ‘rewind’ Category

As we have done in the past, this year too we are trying to source the scripts of some of the best bollywood films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose, and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here. In this post, we are sharing the script of Shubh Mangal Saavdhan.

Hitesh Kewalya

Shubh Mangal Saavdhan managed an impossible task – took a sex related subject and made it a middle class family affair. All thanks to its brilliant writing. Though it’s a remake of a Tamil film but only the plot points are same. Hitesh Kewalya’s sparkling writing gave a new flavour, setting, characters, and atmosphere to the same story. The best part – without being crass or vulgar at any point, it was one of the funniest film of the year. Who would have thought that dipping a biscuit in tea and Ali Baba-40 Thieves story could be interpreted sexually too.  Innuendos were never so family friendly!

Happy reading!

Film : Shubh Mangal Saavdhan

Director : R S Prasanna

Screenplay & Dialogues : Hitesh Kewalya

(gif via http://www.invisiblerabbit.in/)

As we have done in the past, this year too we are trying to source the scripts of some of the best bollywood films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose, and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here.

From this year, we have also decided that we will be sharing the pictures of the writers, and not some random still from the film. Let’s have a good look at the faces who burnt their blood to fill the final draft pages. We should have done it earlier par jab jaago tab savera.

Amit (L) Mayank (R)

Amit Masurkar made his debut with a small delightful indie film, Sulemani Keeda, which perfectly captured the mood and feel of the bollywood writers surviving on the fringe. Mayank Tewari was one of the leads in this film. The duo came together for Amit’s next film, Newton – a challenging subject which required treading a tight rope as it balances different point of views. The biggest achievement of the script was that it explored every political and human angle related to the story but was never morose, dry or heavy. No wonder it has emerged one of the top favourites of the critics and was a commercial success, too.

We are sharing the script of Newton in this post. Happy reading!

Film : Newton

Director : Amit V Masurkar

Story  :  Amit V Masurkar

Screenplay/Dialogues : Mayank Tewari & Amit V Masurkar

 

 

To quote Stephen Witt, Listening to hundreds of new releases a year could lead to a kind of jaded auditory cynicism. Last year, I wasn’t expecting a lot, and the year was fine. This year, I wasn’t expecting much yet some albums surprised me (Thank God I have always been a cynic). We have picked  one song per album. We don’t care how the colour scheme of the films to which these songs belong, compliment the character as movie progresses. It is just about the music. Do suggest your favourites which aren’t in the list for I am sure I have missed some gems.

If you are in no mood to read, just scroll down to play the embedded playlist.

  • Badnaam jiya –  Sung by Rekha Bhardwaj and composed so well by Rohit Sharma, this track sounds earthy, retains the charm of a filmi thumri and sounds splendid. I loved the entire album of Anaarkali of Aarah, and it was a task to pick this one over Sonu Nigam’s mann bekaid hua, but I did, gladly so.
  • Tera junoon – From the film Machine (yeah! Have you heard about it?), composed by Tanishk, sung by the excellent Jubin Nautiyal, penned beautifully by Arafat Mehmood & Mohammed Irfan, the song ticks all the right boxes – understated, melodious and very well presented.
  • Humsafar – There are confusing words/lines in the song (Hai nahi tha pata?), still I love the hopeless romanticism in the song from Badrinath Ki Dulhania. Akhil Sachdeva, thumbs up to you!
  • Alvida –  I love this entire album and the keyboard of my laptop will tell you how conflicted I was between this and the magnificent ‘Ye Ishq hai’ (Arijit Singh), both from Rangoon. Gulzar, Vishal Bhardwaj & Arijit Singh. Alvida wins because Gulzar reminded us to question all goodbyes and everything there’s to a goodbye. Aye kahin tu khuda to nahi? – God bless you Gulzar saab!
  • Rozana – Oh the delight of listening to Shreya Ghosal in her normal pitch! Composed intimately by Rochak Kohli and such fabulous words by Manoj muntashir, this one is from Naam Shabana. I quite liked the way the song has been presented. She longs for her love, yet she is not weak because she longs for her love. Aate jaate yun hee, mere liye theher, Rozana..  Simply beautiful!
  • Maana ke hum –  There is a lovely moment in Insomniac City* when O says to Bill,  ‘I’ve suddenly realized what you mean to me: You create the need which you fill, the hunger you sate. Like Jesus. And Kierkegaard. And smoked trout.’ I feel the same can apply to ghazals as well. There are hajaar genres and then there is ghazalThis year, Sachin-Jigar flirted with ghazal-like film songs, and if you remember Sachin’s Kho dia hai (from Bhoomi), you would know what I mean when you hear it along with this fabulous song. I am, of course, referring to the version by Parineeti Chopra in Meri Pyaari Bindu. A contemporary presentation of ghazal in my view. I love Kausar Munir’s pen for what it has done in this song.
  • Phir wohi – I see Amitabh Bhattacharya, Pritam and Arijit Singh together and my heart races in anticipation. I love this song from Jagga Jasoos (JJ)and I felt alive when Arijit went ‘gham ka jaya‘. It felt like a rejoinder to the first song of Arijit which I loved – beprwah rang ka jaaya. Back to JJ, I love the entire album but now that we are picking one song per album for the post, I couldn’t go to any other song than this gem. Arijit Singh
  • Safar – Haan, so what was I saying about Arijit singh? Oh yeah…Arijit Singh, please never stop singing. For me, this is the song of the year, from Jab Harry Met Sejal. Pritam, Irshad Kamil & Arijit singh – I bow to you for this one. Did you notice the ‘jaana maine’ part from 3:00 to 3:02? I could give my cassette collection to Arijit Singh for that. (I desperately wanted to mention Hawayein and Ghar but I won’t because we are picking one song per album. You didn’t hear anything from me Ok?) If I could live in a song, I would live in this song, may be I do. 
  • Ek Chaand – Guitars by Sanjoy Das, pretty much everything else by Tony Kakkar, this one is from Loev. I remember pausing the film and immediately picking this song, and playing this everyday since then, and perhaps this won’t change. I am still conflicted what I like the most? The music, the singing, the film, the lounge where Shiv is shown in the last shot? Well Jaane do…iss baat pe phir kabhi baat kar lenge. The song conveys pain and hurt yet it doesn’t console, doesn’t even demand to be heard, it plays almost in the background. Do yourself a favor, pick up the full song because the youtube clip doesn’t have the full song. Best 18 bucks you will ever spend.
  • Barfaani – Written by Ghalib Asad Bhopali, composed by Gaurav Dagaonkar and sung by the sublime Orunima Bhattacharya, this song is from Babumoshai Bandookbaaz. The excellent arrangement of the song sounds so close to the ground on which we stand and the singing ensures the song burns that very piece of the ground, just splendid!
  • Hoshiyar rehnaOh yes! The beauty of listening to Neeraj Arya’s Cafe singing Kabir without dumbing it down or polishing it excessively! Enough said.From Baadshaho.
  • Kho dia – Penned by Priya Saraiya, composed by Sachin Jigar and sung by Sachin, this song took me back to explore the whole album of Hariharan titled Kaash. I love the ghazal-sque vibe of the song and I hope at some point of time, the unplugged version of this song comes out. From Bhoomi.
  • Nachdi phira – Ah! My secret superstar of the year – Meghna Mishra! I loved this album a bit too much and this song just didn’t let me move on, and hello again Kausar Munir! Impossible not to shower adulation listening to this kiddo going all teri nagariya, teri najariya and doing all this so effortlessly..too much! Lastly, Amit Trivedi – Thank you kood kood ke ! I said (Thank Yoooooou in falsetto, kood kood ke)! From Secret Superstar.
  • Na jaa – For some reason, I couldn’t find Asees Kaur’s version of this superlative song (from Jia Aur Jia) on youtube. I like both versions of this song which is basically a friend calling out her friend, her sakhee. When was the last time we heard a hindi film song touch this genre? Excellent music by Nisschal Zaveri and brilliantly penned by Raqueeb Alam.
  • O mere sanam – The answer to ‘What if Benny Dayal decides to floor us with a song so romantic it charms our pants off’? First things first, apart from Benny’s superlative yet understated singing (hear him say ‘varak‘ so perfectly!), what stood out for me are the excellent words by Shakeel Azmi. Girish G has composed this song for The House Next Door.
  • Tu bann jaa gali banaras ki – Yep, Shakeel Azmi with his murderous pen again! Composed by Rashid Khan and sung in two solo version by Asit Tripathy & Asees Kaur respectively for Shaadi Mein Zaroor Aana. Tujhe isskooter pe bitha ke main, tere saath hawa mein uda karoo – the way the song is presented comes across with a certain degree of purity and honesty, without being too self aware. It’s like a really cute kid who is indulging in all her** cuteness without caring if someone is filming her mischief. Please hear both the versions on my request. Everyone cries small-town-simplicity, if only half of them could make us live it. This one does it. Lastly, do check Shakeel Azmi on internet.

P.S. – I feel compelled to mention few more things here. 

Genres that Hindi film music touched this year which I absolutely loved 

  • Non manipulative kiddo love to her mum – Ammi from Secret Superstar
  • Teen love done right – I miss you – Secret superstar
  • A song for a friend, by her friend – Na jaa – Jiya aur Jia
  • Non manipulative comment on demons within – Hoshiyar rehna – Baadshaho
  • Classical done right – Babul morai – Poorna
  • Classical done right – Sunn bhavra – Ok Jaanu!
  • Scratch better than the recorded version – Main faraar sa (sung ONLY by Anupam Roy) for ‘Running Shaadi’. The writer of the film made me listen to it on his phone and i loved it. I don’t have it for he rightfully didn’t share it with me, but if you get hold of it, hear it, you will know what i mean.

*The entire book is filled with lovely moments. I am no book recommender, but do pick this one up, or not.

**Hashtag girlchild, Hashtag feminism

– Rohit

Even if you ignore the hyperbole in the header, you shouldn’t miss the show. BBC’s Planet Earth II has come at the end of the year, and it straight goes to the top of my list. You probably have already seen this video of snakes chasing baby iguana, it went viral few weeks back. This is Mad Max on steroids! If this isn’t the best of the year, I am not sure what else can top this one.

And if you are addicted to gifs, you must have seen the funny gif of the bear scratching its back on the tree, too. That’s also from the same show.

I love reading year end lists. To see who has discovered what that i might have missed. And these days it’s more difficult to keep track as we are bombarded by content in different forms across various platforms. Strangely, i didn’t see too many people putting the show on their list. I quickly did a search on my twitter feed, too. Hardly any mention. And that’s why this post.

This show comes ten years after the original one was aired. A decade is a long time. Shooting technology has advanced, more natural habitats have been destroyed,  and David Attenborough is 90 now.  But what the show has achieved this time is unparalleled. Shot in 40 different countries, with crews making 117 filming trips, this is the result of four years of hard work.

The series is divided into six episodes – Islands, Mountains, Jungles, Deserts, Grasslands, Cities, and a compilation titled, A World Of Wonder. As you sit down to watch the first episode, you wonder two things simultaneously – what an ambitious show this is, and how the hell have they managed to shoot all that. Remember the docu, March Of The Penguins? This one is like a march in every sequence.

It’s breathtakingly immersive as the narrative glides from one sequence to other. Set to Hans Zimmer’s music, it’s the story of survival in extreme conditions. The story is the same in ever sequence – either struggling to find food to survive or a mating partner to produce babies. But shooting in the extreme conditions, and looking for elusive animals, interesting patterns, funny behaviour, rare breeds, and heart-stopping footage is what makes this show great. Add to that Attenborough’s voice-over. That’s not all, the shooting Diaries at the end of every episode tells you how they achieved those amazing shots.

The show has received some criticism for the way it has shot/put together some of the sequences by using archival footage in few places. But you will find genuine emotion when you watch it. I was on the edge of the seat cheering for the baby iguana to survive.  A sequence where baby tortoise struggle to survive or the one involving penguins on Zavodovski island is heartbreaking. It also makes you realise that as humans our life is such a luxury compared to these animals who struggle everyday just to survive. As predators turn prey in few seconds, it’s frightening to navigate through the wild.

Episode 4 and 5 seems bit weak compared to the first three. Maybe because of the terrain it explored. But the show gets its groove back in the last episode, Cities. Remember the picture of Leopard that was caught on cam in Mumbai, that sequence is in the last episode. Almost every episode has sequences from Indian terrain. As i try to rewind all the six episodes, too many astounding moments come flashing back – sloth looking for a mate in an island, bobcats diving into snow, wasp attacking eggs of glass frog, birds flying miles just to collect water for their babies, sequence of langurs, bowerbird with a red heart, and ibex climbing mountains, to name a few. Watch it. Because when nature is the showrunner, every drama is dazzling. This is the unscripted stranger things.

@notsosnob

(ps – watch it only in the best video quality. It’s out #ykw if you can’t find a legal streaming site)

(pps – it’s the only show that my cat watches, too. completely mesmerised.)

img_20161226_235521_070

anurag kashyapAnurag Kashyap has put out his list of favourite films of 2016. Exactly like he did in 2015, too. And we are copy-pasting the same intro that we wrote for the post last year.

Anurag Kashyap was championing films of other directors much before bolly celebs took to twitter to blindly endorse any film which has been made by their family, friends, or fraternity. And it killed the ‘championing’ bit completely. Everyone says good things about every new film on twitter, completely defeating the purpose, and making it look like a PR exercise. And then there are few who can’t think beyond their own films, or their husband’s film. Really? Beauty.

On his Facebook, Kashyap has posted the list of his top films of the year. And it comes with a caveat that he has not seen all the releases.

Never seen so many lists of best film, actors (male and female) or whatever ever before. It’s so good. I suddenly feel there is so much I haven’t seen. But why only Hindi films, why not films from other languages, we do make films in many languages. I mentioned Visarnaai and Thithi in last year’s list. But this year it’s difficult to choose. So here are my guilty pleasures and the best I saw this year.

In no particular order..

Chauthi Koot
Gurgaon (the best noir I have seen made in recent times, look out for this one)
Kammatipaddam
Kapoor and sons
Sairat
The Gold-Laden Sheep and The Sacred Mountain
Aligarh
Parched
Udta Punjab ( I am one of the producers)
Dangal (minus the national anthem)
Budhia Singh (suffered because it did not have an Aamir Khan but equally good)
Placebo

These are the films I had complete experience with. That is along with the disclaimer that I haven’t seen Waiting, Phobia, Island City, Bollywood Diaries, Jugni and so much more. Infact this is the year I saw the least number of films.

My actor of the year is Hands Down Manoj Bajpai, and actress – Alia Bhatt and the amazing Girls of Dangal.

Many internationally renowned filmmakers do put out their Top 10 list. Steven Soderbergh puts out the complete list of whatever he has seen and read. His 2015 list of films, tv shows, books and plays is here.

If you come across more such lists, do add in the comments section below. Also, do share your list of top 5/10.

As we have done in the past, this year too we are trying to source the scripts of some of the best bollywood films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here. From 2016, script of Neerja is here, Kapoor & Sons is here, Pink is here and Raman Raghav 2.0 is here. And sharing Udta Punjab in this post.

udta-punjab

Abhishek Chaubey’s Udta Punjab was easily one of the best films of the year. It captured the wide spectrum of the dark and depressing world of Punjab’s drug scene. The script written by Sudip Sharma and Abhishek Chaubey didn’t pass any judgements on the scenario of the characters but made them humane by looking deep into their environment. And yet, they smartly packaged it well to keep it in the space of mainstream bollywood.

Happy  reading!

Film : Udta Punjab

Director : Abhishek Chaubey

Written by :  Sudip Sharma & Abhishek Chaubey

 

The list might include some songs that some of us might have heard earlier. Pardon me for my late discovery. As the saying goes, a thing of beauty is joy forever. So here goes the playlist. If you want to read, then scroll down, else just play it and let us know what you think of it.

Dhafer Youssef is a Tunisian composer and after coming across his performance in Bombay (recorded by a dear friend and shared with me), I have been itching to tell the world about him. If you haven’t heard his earthy tunes, I suggest you head straight to his Youtube account. I have included a 4 year old clip in the playlist. Trust me, his work is much wider than what you will see in this playlist.

The sun won’t set (Anoushka Shankar – Norah Jones)Although the entire album (Traces of you) is brilliant, this song somehow did the trick for me. Norah Jones and Anoushka’s Sitar have such a musical symmetry to it. Ravi in Hindi means Sun. The song is an obvious tribute to their father and a classic one at that.

Bajre da sita (Neha Bhasin)Much before we came across her splendid version of jag ghumeya, Neha came out with this beautiful interpretation of a folk song. Easily one of the most promising voices we have today. Hats off to the light arrangement by Sameer Uddin as well.

Ismail Ka Urdu SheherIs a Sci-fi comic conceptualized by Zohaib Kazi. He penned and composed the music for his comic (yes! music for his comic) which was breathtakingly good to put it mildly. You can read our recco post on the same here. The album has artists like Sara Haider, Zoe Viccaji, Jaffer ali Zaidi, Omran shafique, Samra khan and Nida Khurram. Do pick this one up. Easily the find of the year. There is a distinct feeling of a free fall in what Zohaib does, and I love it! (Fun fact – The last song in the playlist is also composed by Zohaib and it came out 4 years ago. check it!).

AsWeKeepSearchingI am late to discover this band and even though we have put the link to their song called ‘tattva‘ (which came out in 2013), I strongly urge you to check their album titled Khwaab. The entire album is here. Search the song titled ‘Other side’ and melt away. We are looking at you people @Aswekeepsearching, give us more!

Ahesta bero (Ahmad Wali) – Essentially a wedding song. The understated singing and the simple 90s like arrangement of the song is heartwarming to say the least. Heart aches if you hear it and think about what has happened in that region.

Sunoh Shilpa Rao – While private albums aren’t topping the agenda of artists these days, it was heartening to see Kailash kher, Kaushiki Chakraborty, Javed Bashir, Monica Dogra (really?) and few others come out with theirs. I loved the mood of this album by Shilpa Rao, and in spite of the fact that my favorite song from the album (Ka karu sajni) doesn’t have a music video right now, the one you will see in the playlist is equally good.

Gerua/Kabira cover medley (Bryden-Parth feat. The choral riff) – Rarely have I come across a remix/re-imagined version of a song that can make the original pale in comparison. The simplicity of this mash-up made me love Gerua and Kabira.

Maya (Bipul Chhetri) – We are so happy we discovered his work sometime back and this year he gave us another stunner of an album. Do check his work out and you can buy his album from oklisten dot com.

Ae ri sakhi morey (Papon) –  In what would be yet another good album this year that was titled The story so far, Papon gave this ethereal tribute to a timeless composition in his own honey dipped style of singing. We loved it, hope you do so too!

Nawazishein  (Shuja Haider) – Discovered this song thanks to this season of Coke Studio Pakistan. Some found it terribly low on energy, some loved the helplessness in the singing. Depends which side of life you are when you play this, but do play this once, for no matter where you are, you might just end up humming Kaneezein hain…

Coke Sudio 9 – This year, Coke Studio Pakistan experimented with multiple composers and giving them company were disco lights that went haywire on their own will. It was a weak season but left us with some gems, like always. We have reviewed the season here and have included 4 best songs of the season in the playlist. Hear the soothing lullaby vocals of Ali, the reincarnation of a timeless classic by Momina and Rahat Fateh Ali Khan, The rock solid combo of Saein Zahoor and Sanam Marvi, and the ever so moving Abida Parveen, who, according to me, sang the song of the season. Do check out the full playlist at the link above as well.

Tu mera nahi – Nescafe Basement (Xulfi) – Nescafe basement has been doing some really exciting work off late. Still this gem from season 4 leaves me teary eyed every time I listen to it. Great arrangement, killer flute, lovely execution and so much pain!

Mil ke baithenge + Vanjhali Wala – Angrej (Amrinder Gill) – Yes, I cry when I hear a good song and many a times it has nothing to do with lyrics. Here, however, whatever little I understood, made me waste more and more tissue papers. What a lovely composition. Hear it. Then, when i hear Vanjhali Wala, it makes me smile as it reminded me of a certain Coke studio (Pak) song that we have featured here. Delightful Amrinder!

Swahh bann ke – Punjab 1984 (Diljit Dosanjh) – Diljit Dosanjh has sensibilities that can outrun most thinking actors of today, and a voice that can melt stones. With this song, he politely pointed out that he is just not ‘bruaaaaah’ singer. Quite simply my favourite song from him, so far. Yes, it is a sad song. No, you don’t want to know the meaning of it, trust me on that.

Yad laglaSairat (Ajay Gogavle) – Well, to state the obvious, it doesn’t matter whether you listen to this song on V-Moda headphones or on a bad quality tweeter speaker, you cannot stop yourself from dancing. The sheer force of love and melody when combined sound exactly like this. We loved this album, as you can read here, but this remains the pick for me. Ajay-Atul, you sexy sexy people! :*

And that’s it.

Please let us know your picks and discoveries of the year. In addition to the non-bollywood playlist, we are also putting the ‘dinchak-playlist’ which might make you cringe but well, you might want to dance on it anyway. Wishing you a musical new year from all of us here @moifighclub!

Here goes the dinchak list, that contains my 2 favourite Hindi film themes from this year as well. Have fun!

– @Rohwit