Archive for the ‘Scripts’ Category

As we have done in the past, this time too we are trying to source the scripts of some of the best bollywood films of last year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose, and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here. In this post, we are sharing the script of ‘A Death In The Gunj’.

Konkona (L), Disha (R)

Konkona Sen Sharma made an assured debut with A Death In The Gunj. More atmospheric and less plot, more characters and less events, this was a brave choice to make a debut with. A nuanced take on how toxic our daily casual masculinity can be, the film took us to a new place in an old era. No wonder the film was among the top favourites of all critics.

Happy reading!

Film : A Death In The Gunj

Director : Konkona Sensharma

Based on a short story by Mukul Sharma

Written by Konkona Sensharma

Addition Screenplay : Disha Rindani

As we have done in the past, this year too we are trying to source the scripts of some of the best bollywood films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose, and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here. In this post, we are sharing the script of Shubh Mangal Saavdhan.

Hitesh Kewalya

Shubh Mangal Saavdhan managed an impossible task – took a sex related subject and made it a middle class family affair. All thanks to its brilliant writing. Though it’s a remake of a Tamil film but only the plot points are same. Hitesh Kewalya’s sparkling writing gave a new flavour, setting, characters, and atmosphere to the same story. The best part – without being crass or vulgar at any point, it was one of the funniest film of the year. Who would have thought that dipping a biscuit in tea and Ali Baba-40 Thieves story could be interpreted sexually too.  Innuendos were never so family friendly!

Happy reading!

Film : Shubh Mangal Saavdhan

Director : R S Prasanna

Screenplay & Dialogues : Hitesh Kewalya

(gif via http://www.invisiblerabbit.in/)

As we have done in the past, this year too we are trying to source the scripts of some of the best bollywood films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose, and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here.

From this year, we have also decided that we will be sharing the pictures of the writers, and not some random still from the film. Let’s have a good look at the faces who burnt their blood to fill the final draft pages. We should have done it earlier par jab jaago tab savera.

Amit (L) Mayank (R)

Amit Masurkar made his debut with a small delightful indie film, Sulemani Keeda, which perfectly captured the mood and feel of the bollywood writers surviving on the fringe. Mayank Tewari was one of the leads in this film. The duo came together for Amit’s next film, Newton – a challenging subject which required treading a tight rope as it balances different point of views. The biggest achievement of the script was that it explored every political and human angle related to the story but was never morose, dry or heavy. No wonder it has emerged one of the top favourites of the critics and was a commercial success, too.

We are sharing the script of Newton in this post. Happy reading!

Film : Newton

Director : Amit V Masurkar

Story  :  Amit V Masurkar

Screenplay/Dialogues : Mayank Tewari & Amit V Masurkar

 

 

As we have done in the past, this year too we are trying to source the scripts of some of the best bollywood films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here. From 2016, script of Neerja is here, Kapoor & Sons is here, Pink is here and Raman Raghav 2.0 is here. And sharing Udta Punjab in this post.

udta-punjab

Abhishek Chaubey’s Udta Punjab was easily one of the best films of the year. It captured the wide spectrum of the dark and depressing world of Punjab’s drug scene. The script written by Sudip Sharma and Abhishek Chaubey didn’t pass any judgements on the scenario of the characters but made them humane by looking deep into their environment. And yet, they smartly packaged it well to keep it in the space of mainstream bollywood.

Happy  reading!

Film : Udta Punjab

Director : Abhishek Chaubey

Written by :  Sudip Sharma & Abhishek Chaubey

 

As we have done in the past, this year too we are trying to source the scripts of some of the best bollywood films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here. From 2016, script of Neerja is here, Kapoor & Sons is here, and Pink is here.

raman-raghav

 

After the disaster of Bombay Velvet, Anurag Kashyap was back in form with this quickie, Raman Raghav 2.0. The film had everything that Kashyap excels in – a smart title, black humour in abundance, terrific atmosphere, quirky characters and punchy dialogues.  Inspired by the true story of Raman Raghav, Vasan and Anurag’s screenplay, which was divided into chapters, was one of the smartest spin of the year.

Happy reading!

(Please do note that this is not the final shooting draft of the film. This is the script of the international version of the film, the one which played with the title, Psycho Raman.  We thought this will be a good learning exercise – to compare the notes between this draft version and the film we have seen)

Film : Raman Raghav 2.0

Director : Anurag Kashyap

Written by : Vasan Bala and Anurag Kashyap

As we have done in the past, this year too we are trying to source the scripts of some of the best bollywood films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here. From 2016, script of Neerja is here and Kapoor & Sons is here. Here’s the script of Pink.

pink

In bollywood trade terms, this was not a pre-release or weekend-numbers film. The title was Pink and the poster had three actresses who are really not big names. But apart from turning out to be one of the most profitable films of the year and receiving universal critical acclaim, it also gave us this year’s most powerful cinema slogan – No means no. Ritesh Shah’s writing and Aniruddha Roy Chowdhury’s direction made sure that the audience remained glued to the screen.

Happy reading!

(Please do note that this is not the final shooting draft of the film. Some dialogues were changed during the shoot. But we thought this will be a good learning exercise – to compare the notes between the film and the script)

 

Film : Pink

Director : Aniruddha Roy Chowdhury

Story : Shoojit Sircar, Aniruddha Roy Chowdhury, Ritesh Shah

Screenplay & Dialogues : Ritesh Shah

 

As we have done in the past, this year too we are trying to source the scripts of some of the best bollywood films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here. For this year, so far we have posted the script of Neerja. And here’s the script of Kapoor & Sons.

kapoor-sons

Shakun Batra’s Kapoor & Sons was not just commercially successful and critically acclaimed, but it scored a rare achievement. His sophomore feature better was than his assured debut, Ek Main Aur Ekk Tu. Most filmmakers in bollywood falter after making an impressive debut.  What’s also praiseworthy is the way the film presented its stars and characters. A leading character in mainstream bollywood film was gay without being caricatured and a leading star was seen in a supporting role.  No wonder that this film is in everyone’s list of top films of the year.

Film : Kapoor & Sons

Director : Shakun Batra

Written by :  Ayesha DeVitre and Shakun Batra
(Shoot draft – July 2015)

As we have done in the past, this year too we are trying to source the scripts of some of the best bollywood films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose and much like the spirit of the blog, is a complete non-commercial exercise.

To read the scripts of best bollywood films of last few years, click here. We are starting this year’s series with Ram Madhvani’s Neerja.

neerja

Not many remember that Neerja isn’t Ram Madhvani’s debut film. He made his debut in 2002 with a small underrated film, Let’s Talk. It’s good to have him back after more than a decade.

The film broke an important bollywood myth – a Hindi film with a solo heroine in the lead that can work wonders at the box office and can get critical acclaim too. Yes, it’s possible. And there is lot to learn from the film’s writing and direction. Ram’s direction and Saiwyn’s story/screenplay showed us how to build a 2-hour film revolving around a single incident. Everyone knew the story, the act of bravery, and even the climax. But still how do you hold audience’s attention? This one did the magic from the opening scene. Sanyuktha’s dialogues in just one monologue (by Shabana) showed us the power of the words that made us reach for the tissues. So here it is, the script of Neerja.

Happy reading!

Film : Neerja

Director : Ram Madhvani

Story & Screenplay : Saiwyn Quadras

Dialogues : Sanyuktha Chawla Shaikh

As we have done in the past, this year too we are trying to source the scripts of some of the best films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose and much like the spirit of the blog, is a complete non-commercial exercise.

In our “Best of 2015” series, earlier we shared the script of Neeraj Ghaywan’s MasaanMeghna Gulzar’s Talvar, Navdeep Singh’s NH10, Kanu Behl’s Titli and Sharat Katariya’s Dum Laga Ke Haisha. Badlapur was missing. So here it is.

badlapur

A Sriram Raghavan film always has a lot to offer. Sadly, his last few films received the critical acclaim but never got the box office numbers. This time, with Badlapur, he scored on both counts.

A revenge film unlike any, where the morality tables are turned, and you keep wondering with whom should your sympathy be. Aha, so delicious. Apologies for delay in posting this. And thanks to Sriram for making the script available. And before you start reading the script, here’s a small note from him about the draft –

Too many drafts to hunt from and sift through. Finally found one…still work in progress but there are couple of scenes that are different, or were written but never shot…etc etc. Some cringe lines which we later realized and so on. As always, the process is magical. (at least most of the times). Hope you have fun reading it.

Film : Badlapur

Director : Sriram Raghavan

Story : Story – Massimmo Carlotto

Screenplay and Dialogue – Sriram Raghavan, Arijit Biswas, Pooja Ladha Surti

As we have done in the past, this year too we are trying to source the scripts of some of the best films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose and much like the spirit of the blog, is a complete non-commercial exercise.

In our “Best of 2015” series, earlier we shared the script of Neeraj Ghaywan’s MasaanMeghna Gulzar’s Talvar, and Navdeep Singh’s NH10.

Titli_Still_21

Yashraj Films produced 2 kickass films this year – Kanu Behl’s Titli and Sharat Katariya’s Dum Laga Ke Haisha.

Titli was one of the best debuts of the year. Violent, brutal, of people on the fringes whom we hardly notice otherwise, and a family film unlike any, at least in bollywood. And still, at its core, there’s a beautiful love story about two doomed people who can’t escape their fate and are forced to be together. With some excellent performances by its ensemble cast, this is what an assured debut looks like.

Film : Titli

Director : Kanu Behl

Writer : Kanu Behl and Sharat Katariya

 

 

dum-laga-ke-haisha_022615054156

The other film is Sharat Katariya’s Dum Laga Ke Haisha. Interestingly, Sharat also co-wrote Titli. A over-weight lead actress is a strict no in bollywood. Sharat turned it into a novetly factor for his film. Dipped in Kumar Sanu’s 90s nostalgia and flavours of small town’s lazy life, it felt like riding a time machine while you kept smiling at the love story of the unlikely lead pair.

Film : Dum Laga Ke Haisha

Director : Sharat Katariya

Writer : Sharat Katariya

Here’s the script of Sharat Kataria’s Dum Laga Ke Haisha. Like other scripts we have shared, this one is also a pre-shooting draft. Some scenes here are missing from the film and a couple of scenes in the film are missing from this script. Especially one scene I loved while reading (the very first scene!) is not in the final-cut of the film. One of the most fun scripts to read this year, in my opinion – Varun Grover