Ctrl Alt Cinema

Posted: May 9, 2019 by Amit Sharma in Workshop
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Ctrl Alt Cinema is now in its 3rd Year!

Announcing our annual course 2019 dates: June 16th – July 3rd.

Ours is an intensive, 18 days residential course on the art of cinema.

Register Here: https://www.ctrlaltcinema.com/apply
Our People: https://www.ctrlaltcinema.com/love-cinema
Our Course: https://www.ctrlaltcinema.com/learn-cinema-1
Our Gallery: https://www.ctrlaltcinema.com/live-cinema

We are a group of people with a wealth of experience in film-making and teaching cinema.

Students are drawn to the course because of the prospect of direct engagement with, and guidance from, the best in the industry.

Teachers come to us because they believe in our open and inclusive philosophy:

WE HAVE A PURPOSE, NOT A SYLLABUS.

 

 

 

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It is brutal watch. Yeah, that’s the actual statutory warning, but we are all old enough for it, right? The reason I am writing about Reason is because there is every reason for all of us to be talking about the exact same things as the film.

First off, this is not a review – cute things like ‘reviews’ don’t matter to films like these. Anyways, it isn’t the film that needs a review, the country does – the truths it challenges are so stark. It lays bare in no uncertain terms the clear divide between (religious) rhyme and (democratic) reason, literally and figuratively.

If this film is shown in the beginning of every movie instead of the national anthem, people may not start feeling more patriotic about the country, but at least they will be sensibly patriotic. Since, it has 16 chapters of almost 15 min each and you may not have so much time so here is an abridged summary and highlights, with some personal commentary to keep the truth going. You tell someone else about it, and it will spread. Hopefully, we will come back from the brink of the abyss staring at us, in time. (Also, watch the entire thing first.)

Chapter 1 – Dabholkar & Chapter 2 – Pansare

https://www.youtube.com/watch?v=IX2ZeG3szQ4
https://www.youtube.com/watch?v=osrfRS364yg

The film doesn’t waste time coming to the point, it starts from the centre, from the Dabholkar, Pansare & Kalburgi murders and the entire film is interspersed through with their thoughts. Who killed them is a moot point here (also coz everyone knows), more important is the question – Why were they killed? They were killed because they empowered the marginalised classes through reason and reason, as we all know, does not rhyme. Reason sings no one’s tunes.

Chapter 3 – Shivaji

https://www.youtube.com/watch?v=YlSQe8XNT64

From the killing of rationalists, the film moves to investigating the killing of rationality. It throws spotlight on the fractured as well as manufactured history surrounding the Maratha King Shivaji, while taking pains to separate fact from fiction. It also throws a spotlight on the hard-core elements manufacturing this history for their own benefit, and widely poisoning the Hindu-Muslim and ‘nationalist’ narrative.

Chapter 4 – Virasat

https://www.youtube.com/watch?v=StYIx1rEL6o

After setting the stage, the film quickly comes back to talking of the legacy left behind by Dabholkar and Pansare; it takes us right inside the minds and hearts of people these men have touched, classes that are the bedrock of our society, traditional as well as modern. It instils hope. The film also touches upon how society is being influenced artificially and pressured directly by those who demand a Hindu rashtra.

Chapter 5 – Sanatan

https://www.youtube.com/watch?v=WgGcE3EYXQ4

Chapter five takes us directly into the womb of the problem, Sanatan Sanstha located in Goa. Founded by Jayant Balaji Athavle, the organisation diligently works towards achieving its dream of converting India into a Hindu rashtra, through planned terror activities. There is strong opposition to their activities and existence right in the village of Ramnath, where it is located, from the local Goan people. The local people want to live peacefully in their diversity without the Sanatan Sanstha.

(Caution: The parts with the kids in Sanatan Sanstha fooatge is very creepy. Watch at your own risk.)

Chapter 6 – Ganpati

https://www.youtube.com/watch?v=hLccwS7WWBs

The film then goes to uncover the politics behind religious festivals and how they are used for spreading propaganda by political parties and religious groups. Dabholkar and Pansare both had questioned the environmental impact of the unchecked Ganpati celebrations in Maharashtra. The film keeps questioning their murders. Maybe, we must too.

(Watch out for – The part where the lawyer chap defending the accused in Malegaon blasts telling Patwardhan, on camera, ‘Why did the police allow Anand Patwardhan to protest? Why didn’t they break his bones? When that happens, one feels angry.’ Waah re, democracy.)

Chapter 7 – Shital

https://www.youtube.com/watch?v=9y3u_Xv-UbM

After zooming out, the film zooms into the microcosm of the Sanatan Sanstha, and its efforts to divide India not only along communal lines, but also casteist lines. Dabholkar, Pansare, Kalburgi’s words keep stitching the narrative forward and the section ends with a beautiful tribute song to the three men.

(Must think about – The Haji Ali protests section where Hindu and Muslim suddenly become one against a single enemy, the woman. Think, think hard. Or laugh.)

Chapter 8 – Dadri

https://www.youtube.com/watch?v=7N-OCBEwzVY

This is the toughest to watch and that’s why the most necessary. The Dadri beef lynching episode is like a wound on the nation’s conscience we can neither heal from, nor move on from. But the quiet assurance in Akhlaq’s young, very old son is a balm. If he can still see a better India and work for it, so can we.

(Keep calm – At the end when the father of one of the lynchers justifies the lynching and when challenged that the Govt investigation found no beef ends with a ringing and profound, ‘How can we believe?’ Breathe. Think of how Dadri was and still wants to live in peace and brotherhood.)

Chapter 9 – Cow Dalit

https://www.youtube.com/watch?v=PGsdXSeDaW8

The spotlight travels to Una, where gau-rakshak terrorism reached new lows in July 2016. The section begins with the actual footage of dalits being flogged and it’s cruel (and if that doesn’t make you angry, just stop. And retire, from life). But the film captures very nicely the heartening spirit of the Una ‘uprising’. The marginalised must rise up and claim their space. Also Modiji has ensured Muslims join the Dalits in Gujarat, and there is hope. There is always hope.

(Check out New India – The last five minutes – the four injured dalits in the hospital saying none of them is scared anymore, it is a fight for justice. And Akhlaq’s son.)

Chapter 10 – RSS

https://www.youtube.com/watch?v=Oe2JPn354Qw

And now we come to the point of the whole matter, RSS. The organisation that killed Gandhi. The film takes us through its diligent training camps and takes head-on some of its rather brainwashed foot soldiers. It is a whether-to-laugh-or-cry moment. (But there is a one-liner gem there to deal with a bhakt, just ask him, ‘Who killed Gandhi?‘ and watch him disintegrate.)

(Must note – The Ram Mandir station maybe an imposition but there is still a Mahim a few stations down and a ‘Masjid’, on the other line. Let it come, in Bombay rush hour Hindutva won’t be able to survive beyond Andheri.)

Chapter 11 – Rohith

https://www.youtube.com/watch?v=KgCwRchxaMc

Rohith Vemula is not the wound of the nation, he is the test of the nation. And we cannot afford to fail that test, period. Through Vemula’s story, the film lets the dalits tell their story and follows it wherever it goes. About time, our nation began to do that as well.

(Must do – The last bit is an oral rendition of Rohith’s last letter. If you haven’t read it please listen to it.)

Chapter 12 – JNU A

https://www.youtube.com/watch?v=VyKU86Yerz8

Enter Kanhaiyya Kumar and although I cannot fault his politics or intentions, must say, his emergence and rise has always seemed more manufactured than organic. But the truths about our society and especially politics that his emergence lays bare are naked. The fake narrative of nationalism is fooling no one, especially not the youth.

(Check out New India part II – The two ex ABVP leaders who left the organisation on grounds of its regressive stands and political ideologies. They were thinking for themselves.)

Chapter 13 – JNU B

https://www.youtube.com/watch?v=KV7NGzyMo9o

Extended interviews with Kanhaiyya Kumar follow with a deeper look into the Hindutva menace. And perhaps significantly, it ends with a conversion ceremony of dalits into Buddhism, rejecting Hinduism saying, ‘I believe, I am being reborn.’ If Hindusim will reject them, what are they supposed to do?

Chapter 14 – Mush A

https://www.youtube.com/watch?v=G-YjfBj32Eo

This is when the ocean comes to the doorstep. The question, ‘Who Killed Gandhi‘ has now become, ‘Who Killed Karkare?’ and it hurts even more. Or rather it should. The film exposes the loopholes in ATS chief Hemant Karkare’s death and links to the Malegaon blast investigations and asks questions that have never been more urgent. Let’s ask them before Sadhvi Pragya becomes our Prime Sadhvi of 100% Pure Brahmin Hindu Ram Rajya. (It sounds like the name of some ghee, doesn’t it?)

Chapter 15 – Mush B

https://www.youtube.com/watch?v=ntfGxfn0Svw

The plot thickens and thickens and one just keeps swallowing the hopelessness of the same 80’s masala story of aam junta as well as upright officers victimised and exploited by powerful political forces. It’s like a potboiler seriously, a good old Sunny Deol film. We are back to the 80’s in 2019, some development for sure. Pansare had publicly claimed Karkare’s death was an organised conspiracy and the conspirators would be unmasked soon. He was killed too. The connections are ridiculously clear in this ‘we-all-know-who-dunnit-but-won’t-say-it’ not-thrilling-anymore, thriller that is more of a joke, our nation.

Chapter 16 – The end

https://www.youtube.com/watch?v=RUcM_B0m77U

The series comes to an end with a deeper look into the amazing amalgamation the establishment and hindu terror outfits have become and keeps raising that one seminal question to chest-thumping nationalists, ‘Who Killed Gandhi?’ The answer to that may lie in the question, ‘Do we want a Hindu Rashtra or do we want Freedom?’

There, there is a discovery of a New India in front of us. It is upto us what we do with it, take it or leave it. Its upto us, really. After all, it stands to reason.

Fatema Kagalwala

Screenshot 2018-12-22 at 4.20.58 PM.pngYou can find old year round ups non filmi here – 2011, 2012, 2013, 2014, 2015, 2016, 2017

  • If you don’t want to waste time reading (you know because blogging is dead), scroll down straight to the playlist.
  • The post is filled with links and you must check out few of them especially where I am talking about Namit Das.
  • The selection here is what I came across as new albums came out and/or when someone shared something with me. The flip side of being permanently absent from social media is – losing out on good music reccos. Please feel free to add your reccos because I know that there is a lot that I have missed…or not.
  • If you want to have a quick look at the list here it is:
Song Album Singers
1 Hass ho gaya Sahotas Sahotas
2 Jigar mein dard Namit das Namit das + Anurag shankar
3 Jaantha tha Sanam puri Sanam revolution
4 Bawra Sahil Samuel Naalayak band
5 Marz Yellow diary Yellow diary
6 Tum ur main he to hain Zaraasa Pavan Gaikwad
7 Gaddi Zero to infinity Raftaar
8 May or Sheeda Young desi Young desi
9 Insaan Alif Alif
10 Sapne jeete hain Harpreet unplugged Harpreet
11 Baalkada
Coke Studio 11
Nagma, Lucky and Jimmy Khan
12 rap hai sara Lyari U.G. + Young Desi
13 wah jo kalaam Asrar, Shamu bai and Vishnu
14 Ya kareem Bridge of dreams Shubha mudgal
15 The awakening Live at the Amarrass desert festival Lakha khan
16 Mess Cold/Mess Prateek kuhad
17 Marijuana Shamoon ismail Shamoon ismail

Hass ho gaya Sahotas, remember them? Band of brothers who shot to prominence in early 1990s when ATN TV channel used to play music. Though I couldn’t find their ‘original’ music video of this song, I am happy that I could find them and put them on the list. Simple, non autotuned, a bit off note here and there and insanely enjoyable.

Jigar mein dard – Anurag Shanker and Namit DasI have written about the duo earlier this year as well. You have got to hear them live to know what dimension they bring to our dying ‘non-filmi-non shouting – non bollywoodlike’ genre. Namit’s alaap refuse to leave me to this day. As far as this song goes, well, hear it and feel yourself. With people like Namit on the scene, I do feel there would be a part resurgence of Ghazal or Ghazal like joy.

Jaanta tha – Sanam Puri and the gang – I know this came in 2015 but I heard it thanks to the album that came out this year. Beautiful, 90s-sque pop album grammar of this album,  wonderful experience.

Baawra – Nalayak band – I know Sahil Samuel came out with this song in 2017 but I didn’t come across it then, largely because they released a set of songs this year as an album and that is when I got a hold of it. It turned out to be a good outing and even though I found the lyrics to be a bit of a let down, I loved the sound of the band.

Marz – Yellow diary – Thanks to someone pointing me to Sony youtube channel earlier this year, I came across this explosive song. Though the follow up of this song with the album titled izaafa, wasn’t as good as the song Marz, I would love to see what Yellow diary does next. Do see and hear the the song. You won’t regret it. Word.

Tum aur main he to hain – Pavan Gaikwad – A simple album albeit too short had this lovely little gem..Do check it out.

GaddiRaftaar and Deep Kalsi – The space is filled with below average clowns who think wearing oversized clothes and having misogynistic lyrics in a song is enough. Raftaar is miles ahead of all of them in terms of talent and thank God for it. I loved his album Zero to infinity and especially this song did me in. It has a lovely little tribute to Babu mann as well.

May or Sheeda – Young Desi – This is a Punjabi rap that I discovered through a dearest bud in Pakistan. This is rap song. This is savage funny. Young desi is so kewl! Fun fact – somewhere in the song, this appears on screen ‘1947 was more injurious thank alcohol or smoking’. *Mic drop*

Alif – The find of this year for me. Though I cannot get over Katyo Chukho, I suggest you check his channel right away and Yes, do check out the song(?) in the playlist.
Sapne Jeete hain – Harpreet – Though it was still not as beautifully sung as he is capable of, this quiet little song of Harpreet penned by Dr. Shiv Bahadur Singh Bhadauria has remained a favourite of mine since last 3 years and thankfully now I can speak about it, openly.

CokeStudio 11 – Though we shared a playlist of our picks of this season earlier this year hereBaalkada, Rap hai sara and Waah jo kalaam refuse to leave my playlist and that is why I have included these 3 lovely songs in the playlist as well. Whatever happened to CokeStudio India at MTV (Remember Imran khan was the brand ambassador for it? Hahaha!)

Ya kareem – from Bridge of dreams – is a hauntingly beautiful song and though largely Shubha mudgal and the team has been embarassing in the whole album, this beauty stands out. It is not available on Youtube and if you want to listen to a portion of it, may be try iTunes or click on this link. 

Live at Amarrass desert festival – Yet another beautiful album that I discovered thanks to Amazon music.My favorite remains the awakening with which the album opens. It is done by Lakha khan sahab and boy does it pierce your heart..!

Mess – Prateek Kuhad – Of course the visuals play a large part in yours truly loving this song, (even the taxi seat cover adds to the mood). My heart is a mess…Prateek Kuhad you beauty and a big up to everyone associated with the song, in any capacity and what a way to end the year. Fantastic time to be alive and of course to die. May be check the live version at amazon music...it doesnt have that glass crackling vibrancy to it but a good enough vibe to accompany you as you cry slowly, alone.

Marijuana – Shamoon Ismail – Explore his channel, I implore you. His work is plain brilliance and buzz has it, we will see him in the next season of a popular music movement. This song here is one for long drives and for closed rooms where you find yourself, sitting with half finished chai, a cigarette you threw too soon, a longread article you promised you will read tonight…Listen on, you crazy people and till then remember – Toon jivain marijuana, Koe davay na drama, Chaliay baar tenu mein naal le ke jawan, Toon jivain marijuana, Tethoon jalay zamana,  Jaande loki nae jeray tera fasana

A Few Quick points and useless gyaan:

  • 2018 was an excellent film year and like someone said, it took 3-4 years of hard work and writing for everyone to find better stories and excellent execution of 2018. Let us hope our music scene (film and non film) is also where film making was 3-4 years ago.
  • Yes, I love Ali Sethi and it kills me to see Bollywood lifting songs that Ali has been re-imagining and Ayushman-khurana-ising it. Guess which one has more ‘views’? One example here and for the second one, search ‘kithay naina na jodi’.
  • If you are one of those who don’t get jealous of other people,  do not devoid yourself from what Shivani and Chhaya are doing. Check out their channel here. Check from oldest to current songs, there is just so much happiness and effort here with a bit of character progression as well. I hope Bollywood doesn’t corrupt them. I cannot run in the gym without the music they handpick for their dances. You have no idea how good their videos are. Real hardcore workout, real happiness, not sitting on sorry ass and making opinions about things on social media in a bid to get a job with those you ‘hate’. Hit it! brrrruah!
  • I hope non film songs (and not those by mainstream record companies) get a suitable outlet to come out with more songs. I am sad by what has happened in this area so far.

Quick useless gyaan:

  • If you are looking at non apple, sweat proof, bluetooth earphones, do not consider BOSE soundsport – they have a huge issue of battery drain. Don’t consider the skull candy SB wireless 2, they are not sweatproof.
  • If you are looking for good headphones and can do without noise cancellation, please pick V-Moda Crossfade Bluetooth 1. Do not pick the ‘latest’ model (BT CrossFade 2), their sound is not as good as the earlier model, though BT Crossfade 2 are more portable. If you are a confirmist and don’t want to invest in ‘weird’ design of V-Moda, then please stay happy with your QC35 Bose and some such. Fun fact – it is not about ‘design’ stupid!
  • If you are looking at buying a good sound dock, consider looking at these before making a choice –  Devialet Gold Phantom and Marshall Woburn.

Here is the Non film playlist and below that, the dinchak playlist. Happy new year!

Dinchak kyunki – badhaaiyan tere ot nu tere pot nu tere baaaap bantey got nu! 

Finis~

Mukkabaaz-2018-Full-Movie-Free-Download-720p

 

In the last 5 years, 2018 was easily the best when it came to film music. It was also the year in which the drip irrigation music release technique (‘release one song when you want and let them wait for the album’) was at its peak(?). At the time this post is getting baked, albums for the music release of Simmba (to be released on 28 December) and Zero (To be released in 3 days) are yet to hit the music listeners. So Boo you makers! for being so insecure and under-confident about music. I hope some sense penetrates your nonsensical surround sound system you cover yourself with, filled with Yes-men and favour seekers (who can also make a playlist for you, I hear). I have so much to say but I guess we should just get down to the business end now.

We have picked  one song per album, a rule I wish I could go around but am thankful it exists. Do suggest your favourites which aren’t on the list for I am sure I have missed some gems. Also, there is a separate Dinchak playlist that would be tagged along with the non film music post.

If you are in no mood to read, just scroll down to play the embedded playlist.

If you just want to have a quick look at the list, here you go.

No. Song Singer Lyrics Music
1 Adhura Main Deepak Thakur Vineet Kumar Singh Vineet Kumar Singh
2 Aaj Se teri Arijit Singh Kausar Munir Amit Trivedi
3 Binte Dil Arijit Singh A M Turaz Sanjay Leela Bhansali
4 Lae Dooba Sunidhi Chauhan Manoj Muntashir Rochak Kohli
5 Lo Safar Shuru Jubin Nautiyal Sayeed Quadri Mithoon
6
Shraddha Mishra
Faiz Ahmed Faiz
Sandesh Shandilya
Papon
7 Ae Watan Arijit Singh Gulzar Shankar ehsaan loy
8 ishq di baajiyan Diljit Dosanjh Gulzar Shankar ehsaan loy
9 Saansein Prateek Kuhad Prateek Kuhad Prateek Kuhad
10 Tera fitoor Arijit Singh Kumaar Himesh Reshammiya
11
Jonita Gandhi
Irshad Kamil
Niladri Kumar
Arijit Singh
12
Ammy Virk
Shellee
Amit Trivedi
Shahid Mallaya
13 Har Har Gange Arijit Singh Siddharth-Garima Sachet-Parampara
14 Naina Banjare Arijit Singh Gulzar Vishal Bhardwaj
15 Wo Ladki Arijit Singh Jaideep Sahni Amit Trivedi
16 Mere naam tu Abhay Jodhpurkar Irshad Kamil Ajay Atul

 

Adhura main – Being a fan of Deepak’s Harmonium accompanied voice since humnee ke chhori ke, it was easy to love this earthy song with emotions spilling all over the senses. Vineet, the composer and lyricist, has summarised the entire struggle in this fabulous song. You cannot listen to this song on repeat, that is how devastating it is.

Aaj se teri – Endearing, melodious, rich, simple and filled with love.

Binte dil – Though I am madly in love with Nainowaale ne and Ghoomar, I just couldn’t get beyond this mad mad song that has everything and a little more. Of course the song is composed and written very well, but for me, the refreshing whiff is Arijit‘s effortless singing. Those who tell you they loved Ranveer Singh because of ‘khali bali’, are actually thinking of this song. Yep.

Lae dooba – A song filled with Shiv Kumar Batalvi‘s mainu tera shabaab lae baitha vibe, Lae dooba gave us Sunidhi Chauhan the way we are almost forgetting she can touch your soul.

Lo safar shuru ho gaya – When Mithoon composes happy romantic songs without the Aashiqui-sque familiarity, such pleasant songs emerge and boy what a delight they are!

Raat yun dil mein – The first duet I liked this year. I dislike romantic songs but when Faiz is done right, it feels…Jaise beemar ko…bewajah qaraar aaye..The song cures you of ailments you didn’t know you had.

Ae watan  – A song in 2018 that celebrates ‘desh prem‘ subtly, a rare event these days. Pahuchu mein jahan bhi meri buniyaad rahe tu. Though towards the end of the song, I felt like I am listening to the end notes of ‘Noor e khuda’, it only made me love the song more.

Ishq di baajiyan – Though I didn’t enjoy the backup vocalists going a bit too hard on ‘door na jaa’, S.E.L.’s masterstroke of using Shankar Mahadevan‘s voice smartly did me in. Though it is the least ‘repeated’ song this year amongst all here, how can you not fall for Diljit Dosanjh’s charming voice?

Saansein – Main apne hee mann ka hausla hu, Hai soya jahan par mein jaga hu..Main peeli seher ka nasha hu…Main madhosh tha..ab main yahan hu. Prateek Kuhad, you beauty!

Tera fitoor – There is always time for an old fashioned, non autotuned fantastically composed romantic song from Himesh Reshamaiyya isn’t it? I don’t care how the video is, I love this song a bit too much for my own good I guess. Arijit Singh, are you human?

Ahista Ahista – Laila Majnu, the album delighted me in ways that A.R. Rahman’s albums used to. There is too much to thank this album for and I choose Ahista Ahista for the playlist. Irshad Kamil has penned easily the best film song of the year here. Doori ye kam hee na ho, main neendo mein bhi chal raha. Truly a song worth dying for.

Daryaa Mannmarziyaan was no Dev D, still it came dangerously close and broke everything that came its way this year. Both versions of this song are super good, still I feel the rush much more thanks to Ammy Virk‘s version. I could write pages about the way Ammy makes me soar. Most importantly, don’t forget – Shellee.

Har har gange – The most intense yet calm song of the year. Off late, We seem to hardly get spirituality right in Hindi films, let alone music. This is a beautiful exception. Tera karm hee hai jo sang tere hee jaaye. No intellectualising, just a simple message, delivered simply. Arijit singh, I love you.

Naina Banjare – I was so tempted to put the title song here, still this mad song took the better of me. Giri re giri babua, beech bajaare. Did you notice Arijit call Naina as Nahena…?

Wo ladki – The overarching tune, magnificent composition, irresistible singing and what atmosphere! Amit Trivedi, the dominator of the year!

Mere Naam tu – The only reason I have not put any song of Dhadak is because even the title song (which wasn’t as embarrassing as other ‘dubbed’ songs) had the stamp of Ajay Atul and you could predict the pace and sound of the song. This one however, has a ‘Jaadu teri nazar’ madness and that with the confident Abhay Jodhpurkar on the microphone is just too difficult to put away. Lastly and most importantly, Irshad Kamil. Yep.

P.S. – I feel compelled to mention a few more things here.

Genres that Hindi film music touched this year which I absolutely loved:

Friendship – Tera yaar hu main from Sonu ke Titu ki Sweety – If that horrible qawwali detour wouldn’t have existed in the song, this would have made it on the list above. Still, a good addition to the genre.

Sensuous done right –  Mujhe Chaand pe le chalo – A.R. Rahman misses a lot and hits far too few off late. Nikita Gandhi and Irshad Kamil ensured this one is a hit and boy does it stay hit! (With No-hea Kakkar-isation of every song these days, it is difficult to extract real emotions from the barrage of autotune-ness these days…and this is why, Mujhe chaand pe le chalo feels even more delicious).

Inquilaab – Azaad Kar – The film had other gems as well but somehow it was reassuring to hear a wistful Swanand Kirkire pay tribute to times we are living in.

Me, as I am – Tere jaisa tu hai – I love the song but for occasional shrillness. What I absolutely love are the opening lines. Hear them again if you cannot recall them.

Kashmir – Katyo Chukho – It would have been unfair to ‘trap’ this song in the main list above. This is the best song I have heard this year and this is a song for which I would always be thankful to the makers of Laila Majnu. They gave me Alif. A song to live by and die to. It is what Channa vey wanted to and what Agar tum saath ho was.

Infinite Joy (a.k.a. Bitiya rani) – I cried all 3 times that I saw the song on screen. Yep, this one. What brilliant work by Sunny Bawra-Inder Bawra, Kumaar and of course Shubha Mudgal.

2018 – One of the most difficult years to make this playlist and am glad it was so.

 

Screenplays form the starting point for most great dramatic films. This shapes the perspective from which all other filmmaking flows. All of the tender romance, terrifying action and memorable lines begin at the screenwriter’s desk. Would you want to learn the craft from a master craftsman?

Screenwriting structure:
Find out whether you should go with a simple ‘beginning-middle-end’? Or would you rather play with multiple timelines?

Synopsis and log-lines:
Learn how to write a logline apt for conveying the entire essence of your screenplay, and how long or short it should be.

Plot:
Essence of your story relies on how well you organize its core events. Learn how to manage the heart of your screenplay from someone who has been there and done that.

Formula:
Find out how do the experts write their way to successful stories. Learn the mantra of the industry professionals.

Plot Twists:
Could your plot-twist be abstract, and still be plausible? Learn how to make your plot twist impactful.

Dialogue Writing:
Know the dos and don’ts of writing dialogues, and how to make them believable and compelling.

Storyboard:
How to begin about converting your words into visual language? Learn the basics for crisp storyboarding.

About the Facilitator
A former reporter, Mumbai based columnist and screenwriter, Mayank Tewari rose to fame with Newton, his second feature as a screenwriter following his debut Ragini MMS in 2011. If you are an avid film buff, you may have read that Newton is India’s official entry to the Oscars in 2018.

Venue
The District – Bungalow No. 96
Jankidevi School Rd, Versova, Andheri West, Mumbai, Maharashtra 400061, India

Booking
on Insider.in

The Sundance Institute has announced the showcase of new independent feature films selected across all categories for the 2019 Sundance Film Festival, to be held in Park City, Salt Lake City and at Sundance Mountain Resort, from January 24 to February 3, 2019.

Ritesh Batra’s Photograph has been selected for the festival and is having its World Premiere there. Ritesh has directed and written the screenplay of the film, and the producers are Neil Kopp, Vincent Savino and Anish Savjani.

Synopsis
Two lives intersect in Mumbai and go along together. A struggling street photographer, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develops a connection that transforms them in ways that they could not expect.

The film stars Nawazuddin Siddiqi and Sanya Malhotra.

Danis Tanovic’s controversial film Tigers is getting a worldwide digital release on ZEE5 on 21st of this month.

The trailer of the film was dropped some time back. Do take a look.

Directed By: Danis Tanovic
Produced By: Prashita Chaudhary, Kshitij Chaudhary, Guneet Monga, Anurag Kashyap, Andy Paterson, Cat Villers, Cedomir Kolar and Marc Baschet
Cast: Emraan Hashmi, Geetanjali, Adil Hussain & Danny Huston
Sceenplay: Danis Tanovic & Andy Paterson
Music: JAM8
DOP: Erol Zubcevic
Editor: Prerna Saigal
Sound Designer: Anthony B Jayaruban
Production designer: Rachna Rastogi & K.K. Muralidharan
Costume Designer: Niharika Bhasin khan
Casting: Seher Latif, CSA
Line Producer: Vishal Bajaj