Archive for the ‘video’ Category

 

 

 

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It is brutal watch. Yeah, that’s the actual statutory warning, but we are all old enough for it, right? The reason I am writing about Reason is because there is every reason for all of us to be talking about the exact same things as the film.

First off, this is not a review – cute things like ‘reviews’ don’t matter to films like these. Anyways, it isn’t the film that needs a review, the country does – the truths it challenges are so stark. It lays bare in no uncertain terms the clear divide between (religious) rhyme and (democratic) reason, literally and figuratively.

If this film is shown in the beginning of every movie instead of the national anthem, people may not start feeling more patriotic about the country, but at least they will be sensibly patriotic. Since, it has 16 chapters of almost 15 min each and you may not have so much time so here is an abridged summary and highlights, with some personal commentary to keep the truth going. You tell someone else about it, and it will spread. Hopefully, we will come back from the brink of the abyss staring at us, in time. (Also, watch the entire thing first.)

Chapter 1 – Dabholkar & Chapter 2 – Pansare

https://www.youtube.com/watch?v=IX2ZeG3szQ4
https://www.youtube.com/watch?v=osrfRS364yg

The film doesn’t waste time coming to the point, it starts from the centre, from the Dabholkar, Pansare & Kalburgi murders and the entire film is interspersed through with their thoughts. Who killed them is a moot point here (also coz everyone knows), more important is the question – Why were they killed? They were killed because they empowered the marginalised classes through reason and reason, as we all know, does not rhyme. Reason sings no one’s tunes.

Chapter 3 – Shivaji

https://www.youtube.com/watch?v=YlSQe8XNT64

From the killing of rationalists, the film moves to investigating the killing of rationality. It throws spotlight on the fractured as well as manufactured history surrounding the Maratha King Shivaji, while taking pains to separate fact from fiction. It also throws a spotlight on the hard-core elements manufacturing this history for their own benefit, and widely poisoning the Hindu-Muslim and ‘nationalist’ narrative.

Chapter 4 – Virasat

https://www.youtube.com/watch?v=StYIx1rEL6o

After setting the stage, the film quickly comes back to talking of the legacy left behind by Dabholkar and Pansare; it takes us right inside the minds and hearts of people these men have touched, classes that are the bedrock of our society, traditional as well as modern. It instils hope. The film also touches upon how society is being influenced artificially and pressured directly by those who demand a Hindu rashtra.

Chapter 5 – Sanatan

https://www.youtube.com/watch?v=WgGcE3EYXQ4

Chapter five takes us directly into the womb of the problem, Sanatan Sanstha located in Goa. Founded by Jayant Balaji Athavle, the organisation diligently works towards achieving its dream of converting India into a Hindu rashtra, through planned terror activities. There is strong opposition to their activities and existence right in the village of Ramnath, where it is located, from the local Goan people. The local people want to live peacefully in their diversity without the Sanatan Sanstha.

(Caution: The parts with the kids in Sanatan Sanstha fooatge is very creepy. Watch at your own risk.)

Chapter 6 – Ganpati

https://www.youtube.com/watch?v=hLccwS7WWBs

The film then goes to uncover the politics behind religious festivals and how they are used for spreading propaganda by political parties and religious groups. Dabholkar and Pansare both had questioned the environmental impact of the unchecked Ganpati celebrations in Maharashtra. The film keeps questioning their murders. Maybe, we must too.

(Watch out for – The part where the lawyer chap defending the accused in Malegaon blasts telling Patwardhan, on camera, ‘Why did the police allow Anand Patwardhan to protest? Why didn’t they break his bones? When that happens, one feels angry.’ Waah re, democracy.)

Chapter 7 – Shital

https://www.youtube.com/watch?v=9y3u_Xv-UbM

After zooming out, the film zooms into the microcosm of the Sanatan Sanstha, and its efforts to divide India not only along communal lines, but also casteist lines. Dabholkar, Pansare, Kalburgi’s words keep stitching the narrative forward and the section ends with a beautiful tribute song to the three men.

(Must think about – The Haji Ali protests section where Hindu and Muslim suddenly become one against a single enemy, the woman. Think, think hard. Or laugh.)

Chapter 8 – Dadri

https://www.youtube.com/watch?v=7N-OCBEwzVY

This is the toughest to watch and that’s why the most necessary. The Dadri beef lynching episode is like a wound on the nation’s conscience we can neither heal from, nor move on from. But the quiet assurance in Akhlaq’s young, very old son is a balm. If he can still see a better India and work for it, so can we.

(Keep calm – At the end when the father of one of the lynchers justifies the lynching and when challenged that the Govt investigation found no beef ends with a ringing and profound, ‘How can we believe?’ Breathe. Think of how Dadri was and still wants to live in peace and brotherhood.)

Chapter 9 – Cow Dalit

https://www.youtube.com/watch?v=PGsdXSeDaW8

The spotlight travels to Una, where gau-rakshak terrorism reached new lows in July 2016. The section begins with the actual footage of dalits being flogged and it’s cruel (and if that doesn’t make you angry, just stop. And retire, from life). But the film captures very nicely the heartening spirit of the Una ‘uprising’. The marginalised must rise up and claim their space. Also Modiji has ensured Muslims join the Dalits in Gujarat, and there is hope. There is always hope.

(Check out New India – The last five minutes – the four injured dalits in the hospital saying none of them is scared anymore, it is a fight for justice. And Akhlaq’s son.)

Chapter 10 – RSS

https://www.youtube.com/watch?v=Oe2JPn354Qw

And now we come to the point of the whole matter, RSS. The organisation that killed Gandhi. The film takes us through its diligent training camps and takes head-on some of its rather brainwashed foot soldiers. It is a whether-to-laugh-or-cry moment. (But there is a one-liner gem there to deal with a bhakt, just ask him, ‘Who killed Gandhi?‘ and watch him disintegrate.)

(Must note – The Ram Mandir station maybe an imposition but there is still a Mahim a few stations down and a ‘Masjid’, on the other line. Let it come, in Bombay rush hour Hindutva won’t be able to survive beyond Andheri.)

Chapter 11 – Rohith

https://www.youtube.com/watch?v=KgCwRchxaMc

Rohith Vemula is not the wound of the nation, he is the test of the nation. And we cannot afford to fail that test, period. Through Vemula’s story, the film lets the dalits tell their story and follows it wherever it goes. About time, our nation began to do that as well.

(Must do – The last bit is an oral rendition of Rohith’s last letter. If you haven’t read it please listen to it.)

Chapter 12 – JNU A

https://www.youtube.com/watch?v=VyKU86Yerz8

Enter Kanhaiyya Kumar and although I cannot fault his politics or intentions, must say, his emergence and rise has always seemed more manufactured than organic. But the truths about our society and especially politics that his emergence lays bare are naked. The fake narrative of nationalism is fooling no one, especially not the youth.

(Check out New India part II – The two ex ABVP leaders who left the organisation on grounds of its regressive stands and political ideologies. They were thinking for themselves.)

Chapter 13 – JNU B

https://www.youtube.com/watch?v=KV7NGzyMo9o

Extended interviews with Kanhaiyya Kumar follow with a deeper look into the Hindutva menace. And perhaps significantly, it ends with a conversion ceremony of dalits into Buddhism, rejecting Hinduism saying, ‘I believe, I am being reborn.’ If Hindusim will reject them, what are they supposed to do?

Chapter 14 – Mush A

https://www.youtube.com/watch?v=G-YjfBj32Eo

This is when the ocean comes to the doorstep. The question, ‘Who Killed Gandhi‘ has now become, ‘Who Killed Karkare?’ and it hurts even more. Or rather it should. The film exposes the loopholes in ATS chief Hemant Karkare’s death and links to the Malegaon blast investigations and asks questions that have never been more urgent. Let’s ask them before Sadhvi Pragya becomes our Prime Sadhvi of 100% Pure Brahmin Hindu Ram Rajya. (It sounds like the name of some ghee, doesn’t it?)

Chapter 15 – Mush B

https://www.youtube.com/watch?v=ntfGxfn0Svw

The plot thickens and thickens and one just keeps swallowing the hopelessness of the same 80’s masala story of aam junta as well as upright officers victimised and exploited by powerful political forces. It’s like a potboiler seriously, a good old Sunny Deol film. We are back to the 80’s in 2019, some development for sure. Pansare had publicly claimed Karkare’s death was an organised conspiracy and the conspirators would be unmasked soon. He was killed too. The connections are ridiculously clear in this ‘we-all-know-who-dunnit-but-won’t-say-it’ not-thrilling-anymore, thriller that is more of a joke, our nation.

Chapter 16 – The end

https://www.youtube.com/watch?v=RUcM_B0m77U

The series comes to an end with a deeper look into the amazing amalgamation the establishment and hindu terror outfits have become and keeps raising that one seminal question to chest-thumping nationalists, ‘Who Killed Gandhi?’ The answer to that may lie in the question, ‘Do we want a Hindu Rashtra or do we want Freedom?’

There, there is a discovery of a New India in front of us. It is upto us what we do with it, take it or leave it. Its upto us, really. After all, it stands to reason.

Fatema Kagalwala

NasbandiEmergency was imposed on India on this day 42 years ago, on June 25, 1975, and it lasted for about 21 months. During the emergency, Kishore Kumar was banned by Ministry of I&B on All India Radio & Doordarshan for his non-participation in one of the major public events organised by the people in power then.

When Emergency was finally revoked in 1977, India opted to form a new Government, the country saw a big turn around and supported Janta Party coalition.  With Janta Party in power, Kishore Kumar sang a protest song for the film Nasbandi (1978) and scored an interesting musical revenge.  The film was produced & directed by IS Johar.

The film version of the song was censored and curtailed for a stanza featuring names of some politicians.  The antagonistic lyrics were penned by Indeevar and the song was composed by Kalyanji-Anandji.   An unusual musical documentation of an important event in modern history.

 

 

 

kishore_gandhiteredeshme

Kishore da recording the song with Kalyanji-Anandji. IS Johar can be seen too
– Pic credits: Kaustubh Pingle

 

Full Lyrics :

जनता की आवाज़ है ये
सुन ले ओ बापू गांधी
ये कैसा हाहाकार देश मे
ये कैसी आग की आंधी

कहां गयी वो तेरी अहिंसा, कहां गया वो प्यार
गांधी तेरे देश में ये कैसा अत्याचार
बापू तेरे देश में ये कैसा अत्याचार

इक भारत में बन गये जलियांवाले बाग़ हज़ार
बापू तेरे देश मे ये कैसा अत्याचार

तूने जब आवाज़ लगाई, सारा हिंदुस्तान उठा
अंग्रेज़ों के दिल भी दहले, ऐसा इक तूफ़ान उठा
खुशी-खुशी तेरे कहने पर भारतवासी जेल गये
सीने पे गोली झेल गये, अपने प्राणों पर खेल गये
नाम पे तेरे लाखों जवां, दुनिया के सब सुख भूल गये
दुल्हन का घूंघट बिन खोले ही फांसी पर झूल गये
तू स्वराज ले आया, हम तो फिर भी रहे लाचार
गांधी तेरे देश में ये कैसा अत्याचार

आज़ादी की जंग लड़ा था क्या इसीलिये ये हिन्दुस्तां
अरे न्याय मांगने न्यायालय मे जा ना सके कोई इंसान
कितने ही निर्दोष यहां ’मीसा’ के अन्दर बन्द हुए
अंधे कुएं में कितने ही आज़ाद समंदर बंद हुए
इस्मत लूटा करते हैं जो बन कर लाज के पहरेदार
अपनी सत्ता रखने को जो छीने जनता के अधिकार
सौंप गया है ऐसे के हाथ मे देश की क्यों पतवार
गांधी तेरे देश मे ये कैसा अत्याचार

देखी कहीं कलमबन्दी, देखी कहीं ज़ुबांबन्दी
डर की हुकुमत हर दिल पर थी, सारा हिन्दुस्तां बन्दी
नसबन्दी के नाम पे जुल्म हुए वो दुखियो दीनों पर
लगता था लटका हो जैसे प्रजातन्त्र संगीनों पर
तुर्कमान वो आस्मां टूटा जहां ज़मीनों पर
चढ़ा दिये जब बुलडोज़र जब बेबस लोगों के सीनों पर
अपनो के हाथों ही अपनों पर गोली की बौछार
गांधी तेरे देश मे ये कैसा अत्याचार

सारे देश पर ज़ुल्मो-सितम के घोर अन्धेरे जब छाए
तब प्रकाश की किरणें लेकर जय प्रकाश आगे आए
विजय लक्ष्मी पंडित ने जनता का मनोबल बढ़ा दिया
राज नारायण ने नामुमकिन, मुमकिन करके दिखा दिया
मज़हब से कम नहीं मुल्क, बोले जामा मस्जिद के इमाम
प्रजातन्त्र को नव-जीवन देने आये जगजीवन राम
जॉर्ज फ़र्नांडिस तोड के आये इल्ज़ामों की जन्ज़ीरें
श्रीमोरारजी के आने से चमक उठी फिर तकदीरें
चरन सिंह और चन्द्रशेखर ने लोगों के दिलों को जीता
वापस ले आई जनता अपनी आज़ादी की सीता
अटलबिहारी, आडवानी, नाना ने किया उद्धार
गांधी तेरे नाम की अब होगी जय-जयकार

अरे जो भी हुकुमत ज़ुल्म करेगी उसकी होगी हार
जो भी हुकुमत ज़ुल्म करेगी उसकी होगी हार


फ़िल्म : नसबन्दी -1978
गायक : किशोर कुमार & कोरस
गीतकार : इंदीवर
संगीतकार : कल्याणजी-आनंद्जी

 

Remember the saying, you never get a second chance to make the first impression. Well, that’s true for films too. If you can score well in your first film, that’s like a dream run. Also, because the journey to the first film is always the most difficult.

Cpe5yXbW8AATCbaOne of our favourite books on cinema is My First Movie. Do read it if you haven’t. There is a desi version too – Directors’ Diaries: The Road to Their First Film. We haven’t read it though. If anyone has, do let us know.

Film critic Anupama Chopra has started a new segment on similar lines – My First Film, for her web show, Film Companion. And the first guest is RajKumar Hirani who talks about the making of Munnabhai MBBS. The film was both critically and commercially blockbuster.

Do watch.

 

 

 

Lights Out

David Sandberg’s horror feature, Lights Out, has released in theatres this week. And if you are not aware, it was actually a short film by Sandberg and his wife, Lotta Losten, that led to this feature.

The short is online. We are embedding it here. Do watch it.

 

Click here to read an article about the journey from this short to the feature film, how a complete stranger from other part of the world landed up in Hollywood to make his feature debut.

And do click here to read his interview.

Abhishek Chaubey’s Udta Punjab has been topic of much discussion, both pre and post-release. Navjot Gulati and Mihir Desai got the director-writer duo to talk about the film in a post-screening session.

Do watch.

 

Its been a while since we have posted a new film in our Sunday Shorts segment. But this week, we got a new short by writer and filmmaker Devashish Makhija. This film has Manoj Bajpayee in the lead, and he is in terrific form here, even if it is just a glance here, and a reaction there. Music is by Nucleya. Watch it.

And if you didn’t get the film, the description on the youtube page dissects it all. Here you go..

TaandavHead constable Tambe isn’t having the best of days.

His wife slams doors in his face.

His little daughter won’t speak to him.

His only friends, havaldaars Sawant and Shilwant, feel cheated by him.

And to make matters worse, he’s been given nightlong Ganpati visarjan bandobast duty.

The lights are blinding.
The drums are deafening.
Explosions.
Clanging.
Flashing.
Thrashing.
His senses are being attacked from every which way.
Every screaming face seems to be mocking him tonight.

His blood…
slowly…
rises…
to a…
boil…
Until he snaps, plunges into the crowd, pulls his gun out, and as jaws drop around him…
he unleashes a TAANDAV!

 

Brahman Naman

Q’s new film is soon going to have its world premiere at the ongoing Sundance Film Festival in World Cinema Dramatic Competition segment. It will compete with 11 other films in that segment.. And just before its screening, the makers have released the teaser of the film. Check it out.

And here’s the official synopsis –

It’s the 1980s and Naman (Shashank Arora, star of Cannes hit TITLI) is a know-it-all nerd driven by the whims of his raging hormones. Heading up Bangalore University’s team of bespectacled misfits (best friends Ajay and Ramu), the trio of lusty intellectuals spend the majority of their time on the quizzing circuit, using their winnings to buy nudie magazines, whiskey, and beer, fantasizing about the buxom neighborhood beauty all the while. When the boys qualify for the National Quiz Championships, they make a booze-fuelled train trip across the country determined to defeat their rivals in Calcutta and desperate to lose their virginities along the way.

Unfolding to the tune of the iconic anthem, “Whiskey Bar,” as Naman and his friends run amok against the colorful backdrop of the Indian landscape, his quest for sex and glory is complicated when he finds his intellectual superior in a stunning female quizzer. Directed by Indian filmmaker Q. (known for his controversial cult hit Gandu) Brahman Naman is a smart, raucous sex comedy that’s raunchy and endearing in equal measure— replete with innovative masturbation methods that put even Philip Roth’s Alexander Portnoy to shame.

Click here to read more about the lead characters of the film.