Archive for the ‘video’ Category

NasbandiEmergency was imposed on India on this day 42 years ago, on June 25, 1975, and it lasted for about 21 months. During the emergency, Kishore Kumar was banned by Ministry of I&B on All India Radio & Doordarshan for his non-participation in one of the major public events organised by the people in power then.

When Emergency was finally revoked in 1977, India opted to form a new Government, the country saw a big turn around and supported Janta Party coalition.  With Janta Party in power, Kishore Kumar sang a protest song for the film Nasbandi (1978) and scored an interesting musical revenge.  The film was produced & directed by IS Johar.

The film version of the song was censored and curtailed for a stanza featuring names of some politicians.  The antagonistic lyrics were penned by Indeevar and the song was composed by Kalyanji-Anandji.   An unusual musical documentation of an important event in modern history.

 

 

 

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Kishore da recording the song with Kalyanji-Anandji. IS Johar can be seen too
– Pic credits: Kaustubh Pingle

 

Full Lyrics :

जनता की आवाज़ है ये
सुन ले ओ बापू गांधी
ये कैसा हाहाकार देश मे
ये कैसी आग की आंधी

कहां गयी वो तेरी अहिंसा, कहां गया वो प्यार
गांधी तेरे देश में ये कैसा अत्याचार
बापू तेरे देश में ये कैसा अत्याचार

इक भारत में बन गये जलियांवाले बाग़ हज़ार
बापू तेरे देश मे ये कैसा अत्याचार

तूने जब आवाज़ लगाई, सारा हिंदुस्तान उठा
अंग्रेज़ों के दिल भी दहले, ऐसा इक तूफ़ान उठा
खुशी-खुशी तेरे कहने पर भारतवासी जेल गये
सीने पे गोली झेल गये, अपने प्राणों पर खेल गये
नाम पे तेरे लाखों जवां, दुनिया के सब सुख भूल गये
दुल्हन का घूंघट बिन खोले ही फांसी पर झूल गये
तू स्वराज ले आया, हम तो फिर भी रहे लाचार
गांधी तेरे देश में ये कैसा अत्याचार

आज़ादी की जंग लड़ा था क्या इसीलिये ये हिन्दुस्तां
अरे न्याय मांगने न्यायालय मे जा ना सके कोई इंसान
कितने ही निर्दोष यहां ’मीसा’ के अन्दर बन्द हुए
अंधे कुएं में कितने ही आज़ाद समंदर बंद हुए
इस्मत लूटा करते हैं जो बन कर लाज के पहरेदार
अपनी सत्ता रखने को जो छीने जनता के अधिकार
सौंप गया है ऐसे के हाथ मे देश की क्यों पतवार
गांधी तेरे देश मे ये कैसा अत्याचार

देखी कहीं कलमबन्दी, देखी कहीं ज़ुबांबन्दी
डर की हुकुमत हर दिल पर थी, सारा हिन्दुस्तां बन्दी
नसबन्दी के नाम पे जुल्म हुए वो दुखियो दीनों पर
लगता था लटका हो जैसे प्रजातन्त्र संगीनों पर
तुर्कमान वो आस्मां टूटा जहां ज़मीनों पर
चढ़ा दिये जब बुलडोज़र जब बेबस लोगों के सीनों पर
अपनो के हाथों ही अपनों पर गोली की बौछार
गांधी तेरे देश मे ये कैसा अत्याचार

सारे देश पर ज़ुल्मो-सितम के घोर अन्धेरे जब छाए
तब प्रकाश की किरणें लेकर जय प्रकाश आगे आए
विजय लक्ष्मी पंडित ने जनता का मनोबल बढ़ा दिया
राज नारायण ने नामुमकिन, मुमकिन करके दिखा दिया
मज़हब से कम नहीं मुल्क, बोले जामा मस्जिद के इमाम
प्रजातन्त्र को नव-जीवन देने आये जगजीवन राम
जॉर्ज फ़र्नांडिस तोड के आये इल्ज़ामों की जन्ज़ीरें
श्रीमोरारजी के आने से चमक उठी फिर तकदीरें
चरन सिंह और चन्द्रशेखर ने लोगों के दिलों को जीता
वापस ले आई जनता अपनी आज़ादी की सीता
अटलबिहारी, आडवानी, नाना ने किया उद्धार
गांधी तेरे नाम की अब होगी जय-जयकार

अरे जो भी हुकुमत ज़ुल्म करेगी उसकी होगी हार
जो भी हुकुमत ज़ुल्म करेगी उसकी होगी हार


फ़िल्म : नसबन्दी -1978
गायक : किशोर कुमार & कोरस
गीतकार : इंदीवर
संगीतकार : कल्याणजी-आनंद्जी

 

Remember the saying, you never get a second chance to make the first impression. Well, that’s true for films too. If you can score well in your first film, that’s like a dream run. Also, because the journey to the first film is always the most difficult.

Cpe5yXbW8AATCbaOne of our favourite books on cinema is My First Movie. Do read it if you haven’t. There is a desi version too – Directors’ Diaries: The Road to Their First Film. We haven’t read it though. If anyone has, do let us know.

Film critic Anupama Chopra has started a new segment on similar lines – My First Film, for her web show, Film Companion. And the first guest is RajKumar Hirani who talks about the making of Munnabhai MBBS. The film was both critically and commercially blockbuster.

Do watch.

 

 

 

Lights Out

David Sandberg’s horror feature, Lights Out, has released in theatres this week. And if you are not aware, it was actually a short film by Sandberg and his wife, Lotta Losten, that led to this feature.

The short is online. We are embedding it here. Do watch it.

 

Click here to read an article about the journey from this short to the feature film, how a complete stranger from other part of the world landed up in Hollywood to make his feature debut.

And do click here to read his interview.

Abhishek Chaubey’s Udta Punjab has been topic of much discussion, both pre and post-release. Navjot Gulati and Mihir Desai got the director-writer duo to talk about the film in a post-screening session.

Do watch.

 

Its been a while since we have posted a new film in our Sunday Shorts segment. But this week, we got a new short by writer and filmmaker Devashish Makhija. This film has Manoj Bajpayee in the lead, and he is in terrific form here, even if it is just a glance here, and a reaction there. Music is by Nucleya. Watch it.

And if you didn’t get the film, the description on the youtube page dissects it all. Here you go..

TaandavHead constable Tambe isn’t having the best of days.

His wife slams doors in his face.

His little daughter won’t speak to him.

His only friends, havaldaars Sawant and Shilwant, feel cheated by him.

And to make matters worse, he’s been given nightlong Ganpati visarjan bandobast duty.

The lights are blinding.
The drums are deafening.
Explosions.
Clanging.
Flashing.
Thrashing.
His senses are being attacked from every which way.
Every screaming face seems to be mocking him tonight.

His blood…
slowly…
rises…
to a…
boil…
Until he snaps, plunges into the crowd, pulls his gun out, and as jaws drop around him…
he unleashes a TAANDAV!

 

Brahman Naman

Q’s new film is soon going to have its world premiere at the ongoing Sundance Film Festival in World Cinema Dramatic Competition segment. It will compete with 11 other films in that segment.. And just before its screening, the makers have released the teaser of the film. Check it out.

And here’s the official synopsis –

It’s the 1980s and Naman (Shashank Arora, star of Cannes hit TITLI) is a know-it-all nerd driven by the whims of his raging hormones. Heading up Bangalore University’s team of bespectacled misfits (best friends Ajay and Ramu), the trio of lusty intellectuals spend the majority of their time on the quizzing circuit, using their winnings to buy nudie magazines, whiskey, and beer, fantasizing about the buxom neighborhood beauty all the while. When the boys qualify for the National Quiz Championships, they make a booze-fuelled train trip across the country determined to defeat their rivals in Calcutta and desperate to lose their virginities along the way.

Unfolding to the tune of the iconic anthem, “Whiskey Bar,” as Naman and his friends run amok against the colorful backdrop of the Indian landscape, his quest for sex and glory is complicated when he finds his intellectual superior in a stunning female quizzer. Directed by Indian filmmaker Q. (known for his controversial cult hit Gandu) Brahman Naman is a smart, raucous sex comedy that’s raunchy and endearing in equal measure— replete with innovative masturbation methods that put even Philip Roth’s Alexander Portnoy to shame.

Click here to read more about the lead characters of the film.

 

 

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Bikas Mishra’s debut feature Chauranga is all set to release this friday. The film bagged the top award in the section of Indian films at last year’s Mumbai Film Festival. And it seemed like a good time to look back at his earlier film – short titled Naach Ganesh (Dance Of Ganesha).

 

The film was screened at Busan, Rotterdam,  Clermont-Ferrand and few other international film festival.

About the film

An Indian folk dancer is caught in his daily struggle of survival in an automobile factory. The burden to earn a living for his family and preserve his family tradition of ritual Ganesha dancing is humongous. His two roles – the sole bread winner of the family and the magnificent elephant god Ganesha, are so diverse that his journey from factory to village looks like time travel and his existence schizophrenic! Ganesha, the dancer lives in the fear of the day when he will have to choose between livelihood and art/tradition