Posts Tagged ‘Tamasha’

REWIND 2015 : Bollywood Songs We Played In Loop This Year + Our Dhinchak List

Posted: December 23, 2015 by moifightclub in bollywood, cinema, music, Music review, rewind
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It’s that time of the year again. And we are back with our year end “Rewind” series.

Here is a list of songs and albums that kept us hooked to film music, in the order we heard them, beginning from the oldest all the way down to the latest.

Dil-e-Nadaan (Hawaizaada) – Ayushmann Khurrana draws extreme opinions for his singing, and, I am the last one to like his work. Still, I was pleasantly surprised at his contemporary tribute to Ghalib’s classic. In Dil-e-nadaan, Shweta Subram and Ayushmann were fluid and the result was quite hummable . The song was released in January, and it continues to be in my playlist. The slight guitar riff in the background of ‘humko unse’ is what the rush of first love feels like. The entire album was actually quite good!

Jee Karda (Badlapur) – The trailer gave me an inkling to wait for the song that has the lionhearted guitar riff. Truth be told, I was underwhelmed by the album but this song is what I felt defined the tone of the film. Divya kumar is what Sukhwinder Singh used to be. More often than not, his presence in a song means the song would be good. For me, the guitar riff of the year…badass!

Dum Laga Ke Haisha (Album) – The music of DLKH is a case study in sticking to the feel of the subject without compromising on anything. While Rahul Ram, Kumar Sanu and Sadhna Sargam were reasons enough to hear the album on the repeat, Moh moh ke dhaage gets my vote. I like the Monali Thakur version better. Delicate, unbelievably sweet and durable! Kudos to a certain Mr. Anu Malik! I don’t know why I kept on thinking about the music of ‘Mrityudand’ while listening to this album, in a good way that is.

Kya karein (NH10) – I became a fan of Rachel Varghese on the first hearing of Kya karein from NH10. Savera Mehta & Ayush Shrestha kept the sinking feel of the song with a harmony like treatment, and I absolutely loved the way the song ends, abruptly.  Haunting, heartbreaking, and so beautiful!

Chori chori (Hunterrr) – While I am still a proud lover of the title song of Hunterr, this song grew quietly on repeated listening for the simplicity of composition and emotive singing by Sona and Arijit Singh. Isn’t it reassuring to hear Arijit in a song that isn’t filled with ‘made-to-order-for-Arijit’ long taans?

Detective Byomkesh Bakshy (Album) – Having the courage to have such varied contemporary genres in a film album itself is so crazy, and add to the fact that the film was based in 1940s, you get what I call the definitive album of the year! The album was filled with right amount of hysteria, melody, joie de vivre, and sensuous sparks. I don’t think we will have a better album than this for a long time, not only in terms of music but how the music came together in accentuating the feel of the film as a whole.

Journey Song (Piku) – I like the way Anupam Roy has made his debut in Bollywood with Piku. The entire album is musically light and lyrically rich. While it was tough for me to pick between ‘Bezubaan’ and this song, I picked the journey song because it is such a happy song and that bangla in between by Shreya Ghoshal is so charming, it nearly took me to ‘Learn Bengali in one week’ course coaching!

Dhadaam dhadaam (Bombay Velvet) – No other song this year can be called ‘Majestic’. In dhadaam dhadaam, Neeti Mohan has done what our people up north refer to as ‘Kaleja nikaal ke rakh dena’. Marvelous composition, excellent music arrangement got almost overlooked thanks to Neeti. The regular forceful rhythm of the composition is addictive to say the least. It would be wrong to call this a swan song for someone as promising as Neeti, but i feel this song would take some getting to be surpassed. Magnificence and pain in equal measure. Take a bow, Neeti and Amit Trivedi!

Mann Kasturi (Masaan) – is a song that will outlive us all. Future generations would keep coming back to the song to get the meaning of life. I don’t think anyone else could have done justice to the cogent lyrics than Indian ocean and talking of Indian Ocean, my senses swirl like a lattu every time I hear Rahul ram in the song. These are the kind of songs which, when we grow old would be a reference point to the ‘music of our times was so good’ argument.

O saathi mere (Tanu Weds Manu Returns) – The song that was too good for the film, and I say this because this is a song that would have worked wonders had it been included in the film and film’s promotion. Sonu Nigam has gone choosy in picking up his songs, but if he wants to give us songs like this, I have no problems with that. The layered composition and easy lyrics just needed the gayaki of Sonu nigam to capture our imagination, and boy, did the song did just that or what!

Bhor bhayo (Bezubaan Ishq) – Osman Mir wasn’t a new name to come across, thanks to my mum who played some of his songs over last few years and insisted that I like him because he was singing in Morari bapu’s baithaks. Anyway, in a film like Bezubaan Ishq, catching his name in the credit was intriguing and once you hear his powerful voice with the magical flute in the minimal music arrangement that adorns this song, you will know why he is one of the most exciting voices we have. Hope he gets noticed a lot and goes mainstream.

Sapna jahan (Brothers) – A film as inconsequential and boring as Brothers had one good thing, and that was this song. Neeti Mohan and Sonu Nigam gave us a very 90-ish Jatin-Llalit-sque dreamy song with Ajay-Atul’s signature splendour. The lullaby like treatment of the stanzas is a super touch. Sonu Nigam, please sing more!

Insaaf insaaf insaaf hoga (Talvar) – I didn’t know Arooj Aftab. I heard ‘Insaaf Insaaf’ from Talvar, and now I cannot wait for her next outing. Trust Gulzar-Vishal to come up with a song that gives us hope in a prejudiced backdrop of our logical society. Arooj’s voice gave newness to pain. I don’t think this song was talked about as much as it should have been, because here is a song that lifts the feel and leaves that sense of loss we can all empathize with if we just look around.

Tamasha (Album) – I couldn’t find anything ‘Level-ARR-outstanding’ about the album but it did give us four good songs, and for the same, it deserves a mention. Parade de la bastille is breezy, Wat wat wat is a riot, and so is Heer to badi sad hai. What surprised post-viewing the film was the ‘Agar tum saath ho’ song. I pretty much like it the way I used to like it before watching the film. I disliked the fact that the ‘composed-to-be-liked-after-watching-the-film soundtrack’ forgot to make good use of the moans in ‘wat wat wat’ 🙂

There is a lot to look forward to in 2016, and we hope there is more innovation than routine, more melody than soulless grandeur, more masti than item number driven chutiyapa.

What are your favorites? Comment section is all yours.

– Rohwit

(Disclaimer – One of the editors of the blog was part of Talvar. Two of the contributors of this blog were part of Masaan. Also, fuck disclaimers)

You can hear the playlist here

 

Now that the ‘rewind’ is done, allow me to share the ‘other’ list that consists of songs which might not get you RT’s and endorsements from thinkers, but they are amazing when you play them and sing in your car, bathroom or any other place you think you are alone 🙂

In no particular order, here we go!

Chittiyan kalaiyan – (Roy) – If there were an award for wasting a song by badly filming it (and there were way too many this year), this song would win it hands down! Kanika kapoor can make you dance just by reading out daily newspaper and if you give her a tune that has 1990s ‘dance music’ touch, you are asking for a murderous dance song and this was it!

Hunterr 303 – Nothing and absolutely nothing can cause the same level of ‘let’s dance banjo’ mood like Bappi lahiri’s voice in a new film song treated with junk food level of sinfulness. This song had everything going for it especially the backup vocals and Bappi ‘cowboy’ lahiri giving it like only he can! Insanely enjoyable!

Tera happy budday (ABCD2) – Yet another party song by Sachin Jigar where they took a conventional song and twisted it. In this case, it worked and the ‘saarey bolo’ chants…heeeehaw!

Banno tera swagger (Tanu weds Manu returns) – Mix of Rajasthani folk, sprinkled with intelligent choice of english words and treated with punjabi  craziness..I say Winner!!!

Guddu Rangeela title song – While I love the ‘jagrata’ treatment and excellent word choice in ‘Mata ka email’, I keep going back to the title song of the film. I cannot get enough of Amit Trivedi’s yodel and his mischievous singing!

Hogi Kranti (Bangistan) – Never before sarcasm and repressed anger sounded better. Kudos on the lyrics!

Afghan jalebi (Phantom) – Asrar is amazing as we have already mentioned so earlier and this year he took the ‘dhaasu’ film dance song to another level with this belter of a track…Still addictive…Still infectious! 

Neeli bullet ( Main aur Charles) – With so many ‘nouveau riche’ making laddakh trips on it, we feel bullet the bike, deserved a song and it was long overdue (much before the ‘nouveau riche’ were born, to be precise). Lyrics might be a bit cringeworthy at times but my word the hook!

Neendein khul jaati hain (Hate story 3) – Yes! Hate story 3! Kanika Kapoor being herself in a naughty song with Mika singing so clearly that you can actually understand every single word…Junky tune and it works!

And here is the playlist…Let’s hear your favourites we have missed!

 

Disclaimer – All the editors of the blog have sometime or the other danced a bit (in public or alone) on one or more songs mentioned above 🙂

Happy new year everyone!

 

 

Tamasha : Post Screening Q & A with Imtiaz Ali (VIDEO)

Posted: December 9, 2015 by moifightclub in bollywood, Q & A, video
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We had announced about the Tamasha Post Screening Q an A with Imtiaz Ali here. Thanks to our friends at FilterCopy, the entire Q and A is online now. Apologies for the bad sound as we had to do the session in open area this time. Use headphones or speakers.

Like always, Imtiaz was quite candid about his thoughts and our criticism about the film. Also, the high point was a bunch of us saying “Hiiii” to A R Rahman on Imtiaz’s phone.

तमाशा : एक ने पाया सपना, दूजे ने बस प्रेम

Posted: December 6, 2015 by moifightclub in bollywood, film review, movie reviews, reviews
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Tamasha

तमाशा देखकर निकला तो उलझन में डूबा रहा | इम्तियाज़ की फ़िल्में पसंद आती रहीं हैं,तो इस बार ऐसा क्या हुआ कि बाहर निकल कर उत्साह की जगह निराशा थी | जहाँ सब तमाशा की तारीफ़ में डूबे थे,किसको और कैसे बताऊँ कि फ़िल्म मुझे अच्छी नहीं लगी | यह जैसे ख़ुद में अपराध-बोध जैसा था | फिर सिलसिलेवार सोचना शुरू किया तो पाया कि फ़िल्म कई बातें सिर्फ़ ऊपर-ऊपर से करती है और निकल आती है |

या तो यह इम्तियाज़ की ज़िद है कि मैं कहानी दोहराऊँगा और उसे कुछ अलग रँग देकर पेश करूँगा और साबित करूँगा कि एक ही कहानी अलग-अलग तरह से दिखाने पर भी वह सफल फ़िल्म हो सकती है | इस की भूमिका वे फ़िल्म के शुरूआती बीस मिनट में बाँधते हैं | यह जैसे फ़िल्म शुरू होने से पहले उनका उद्घोष है कि दुनिया में सारी कहानियाँ एक ही तो हैं,तब फिर मुझपर यह इल्ज़ाम क्यों ? यहीं वे अपनी कहानी के लिए एक बचाव ढूँढते नज़र आते हैं | यही बात वे शुरू से अपनी हर फ़िल्म में कह रहे हैं | “इक्को एक कहाणी बस बदले ज़माना ” |

उनकी नायिका हमेशा की तरह एक बोल्ड और सामाजिक ताने-बाने के ऊपर की एक लड़की है जिसे बकौल इम्तियाज़ “हुस्न की गलियाँ ” दिखें या ना दिखें से कोई दिक्कत नहीं | वह दुनिया घूमती है,अपने फ़ैसले लेती है और इस विचार से कि दोबारा शायद नायक से मुलाक़ात ना हो,ऐसे में अपने दिल की सुनने से नहीं चूकती और देह की बनी-बनाई परम्पराओं को लाँघने के बाद आज़ाद महसूस करती है | फिर प्रेम उसको कमज़ोर बनाता है और अंत तक आते आते वह इस बात से संतुष्ट है कि वह एक सफल पुरुष की प्रेयसी या पत्नी है |

कहानी मूल रूप से नायक के भटकाव और एक लड़की के प्रेम से गुज़रते हुए खुद को पा लेने की है और यहीं फ़िल्म सबसे कमज़ोर है | हाँ यह सही है कि प्रेम हमारे अंतर्मन को छूता है और कई सारे बदलाव करता है | कोई हमें इस तरह पहचानने लगता है जिस तरह कभी किसी और ने नहीं पहचाना हो | प्रेम भीतर घुस कर हमें उधेड़ता है और हमारा असली रूप हमारे सामने ले आता है जिसे हम ख़ुद सालों से नकार रहे होते हैं | यह हम सहज स्वीकार नहीं कर पाते और ऐसे में वह इंसान जो यह सब कर रहा होता है,उसे भी हम उतना ही दोषी मानते हैं जितना ख़ुद को | जिस तरह हम अपने दुश्मन रहे होते हैं,उसी तरह वह इंसान हमारा इतना अपना हो जाता है कि अपना दुश्मन लगता है |

हम जो करना चाहते हैं,जब वो नहीं कर पा रहे होते,तो क्या हमारा बर्ताव वैसा होता है जैसा फ़िल्म के नायक का था ! उसके लिए फ़िल्म कोई विश्वसनीयता नहीं पैदा करती | वेद के अपने बॉस के साथ के सीन्स,यदि कोई फूहड़ फ़िल्म होती तो मैं हजम कर लेता,लेकिन यह इम्तियाज़ की फ़िल्म है और यहाँ वह अपनी पकड़ खोती है | वेद की छटपटाहट अपने सपने को ना जी पाने की है या तारा के प्यार के लिए है,यह भी साफ़ नहीं है |

वेद और तारा मिलते हैं और उसके बाद के तीन-चार साल तारा के कैसे बीते यह तो हमें पता है लेकिन वेद ? वह एक नौकरी में है और तारा से प्रेम में है या नहीं,यह कहाँ दिखता है | तारा के मना कर देने के बाद की जो चोट है,वह प्रेम में ठुकराए जाने की है या उस ज़िन्दगी को ना जी पाने की जिसकी झलक हमने कोर्सिका में देखी थी |

आप दिखाते हैं कि वेद ने आख़िरकार अपने मन की सुनी और फ़ैसला लिया और फिर सब ठीक हो गया | ऐसा कहाँ होता है जी | वह तो शुरुआत भर है | जीवन तो उसके बाद शुरू होता है | फ़िल्म ना तो वेद के बचपन पर ठहरती है जहाँ से उसके संघर्ष की जड़ें पकड़ में आती और ना ही अपने मन-मुताबिक ना जी पाने की स्थिति से उपजे रोज़ के संघर्ष पर |

“जब हम प्यार में होते हैं तो कितना हिस्सा असली होता है और कितना सिर्फ़ हमारे दिमाग़ में,हमारी कल्पनाओं में | जब सब ख़त्म हो जाता है तो सिर्फ़ कल्पना बचती है जो धीरे-धीरे दिमाग़ को खाती है और इस ज़्यादा सोचते रहने से ही उपजता है दुःख | प्रेम यदि एक यात्रा है तो दोनों की,एक की नहीं | हमारा नायक एक ऐसा आदमी है जो अपने बारे में सब जानता है और फिर खुद अपने हाथ से निकल जाता है |उसको पता है कि अब तक उसने खुद को संभाला है और अब उसकी लगने वाली है | वह जानता है कि वह अपने हाथों से फिसल कर सब कुछ तोड़ देने वाला है और इस बर्बादी के बाद जो सामने आएगा वह असली होगा जबकि वह जीवन भर इसी टूटन से बचता-भागता फिरता रहा | आख़िर में आप उम्मीद लगाते हैं कि अब कुछ होगा और वेद अपने परिवार वालों को एक कहानी सुनाता है और जो दिक्कत सालों से नहीं सुलट रही थी,वो यूँ हो जाता है मानो इतना ही आसान था | “

कुछ बातें जो कचोटती रहीं …

-वेद ने तो तारा के सहारे ख़ुद को खोज लिया, तारा को कौन खोजेगा ?

-जब तारा और वेद दोनों ख़ुद को खोजेंगे, तब वे अलग हो जाएँगे |

-स्त्रियाँ कब तक पुरुषों की मरम्मत के लिए उपलब्ध रहेंगी | क्या हमारी फ़िल्में उनको भी भटकाव में जीने की आज़ादी देंगी |

-क्या यह ऐसा नहीं था कि हाँ तुम अपने सपने जीयो,तुम्हारे लिए तो मैं हूँ | मेरा सपना तो तुम हो |

-क्या मन की सुनकर फ़ैसला भर ले लेना सफलता का पैमाना है | यहाँ तो कितने हैं जी जो मन की सुनकर ठोकरें खा रहे हैं और लगातार मेहनत कर रहे हैं |

-क्या ऐसी स्थिति जैसी वेद की है,वह यह हक देती है कि आप आसानी से बदतमीज़ी करें | या तो फ़िल्म इसे विश्वसनीय बनाती |

यह सारी बातें सिर्फ़ इसलिए क्योंकि फ़िल्म इम्तियाज़ की है | मुझे इरशाद कामिल के गीतों की फिर तारीफ़ करनी चाहिए और दीपिका के अभिनय की भी | अभिनय की कई परतों को रणबीर बस सतह से निभा ले गए |

तमाशा एक अच्छी फ़िल्म है,कालजयी या जादुई नहीं |

– Pradeep Awasthi

Tamasha : Post-Screening Q & A With Imtiaz Ali

Posted: November 29, 2015 by moifightclub in bollywood, News, Q & A
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Imtiaz Ali

Imtiaz Ali is one of those rare directors who is not afraid to take questions post-release. And we have always been very happy to take the initiative and make it happen. Thanks to Anurag Kashyap, what started it with Imtiaz’s Rockstar, we have managed to do with many other films. And directors have been very co-operative about it. Now, we are back to another new film by Imtiaz Ali, Tamasha. Going by reviews, FB posts and tweets, seems like this film has polarised people. That’s always interesting for a film.

Navjot Gulati has taken the initiative to get Imtiaz Ali for Tamasha post-screening Q and A. Here are the details –

Venue – PVR Icon, Infinity Mall (which was Cinemax Versova earlier)

Day/Date – Monday (30th November, 2015)

Time – After the 6pm show.

So do book your tickets, and wait after the film is over. For those of you who have already seen the film, or for some reason you can’t come for the screening but want to attend only the Q and A, do tweet to Navjot at the earliest and inform him. He is making the list and will get you in.

Come, we will have fun!