Posts Tagged ‘Rishi Kapoor’

Two nights in a row I read news of people I loved and admired re-admitted to hospital because their debilitating disease desired so. Two nights in a row I went to sleep asking and avoiding the terrible question, what if…? Two nights in a row I did not know I would wake up to the ‘what if’ coming true. They are stars, after all, they will be fine. And ultimately everyone has to die, they will too, but not now, not like this, I kept telling myself. But they did. I just didn’t know it would feel like this, so personal even words are saying I will give into the moment and stay silent.

Irrfan was my present, Rishi was my past, not everyone has such a glorious history; only those who share it will know. Between them they encompassed the art and commerce of the mostly silly Bollywood which both simply elevated by their sheer presence. Or even a smile. Where do I go look for them now?

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The last time I felt this unnervingly devastated wasn’t yesterday, when I heard about Irrfan. The shared pain on my echo chamber of social media was so loud and deep, it somehow put my pain in convalescence. Irrfan was our present, how dare they take him away, everyone was screaming in unison. Even the ones who are generally rational and stoic about these matters. It was too deeply personal for everyone including myself, his leaving us, but in that collective heartbreak I found some solace to tide over the very, very unfair blow life and death had thrown at me, at all of us.

But with Rishi it feels like a family member has gone away and I am sitting and weeping away unable to wrap my head around what the hell is so devastating about this. The last time I felt this unnervingly devastated without understanding why was when Rajesh Khanna left us. I wasn’t even an ardent fan, just really liked him in everything he had done pre-80’s, everything that I keep hanging onto till date. I wrote about it here. I was mourning an entire era and my childhood he took away with him, making the present unrecognisable. I am sitting and mourning that again as Rishi takes away with him whatever was left of it.

But why am I weeping like a family member has passed on, Chintuji would you know? You, who with that chocolate boy innocence and lover-boy impishness never let me stay depressed for long? All I had to do was play one of your songs, mostly with RD and sing along ‘Hoga tumse pyaara kaun’ as though I meant it for you. I didn’t tell anyone but I did. You, whose manic energy uplifted everything and everyone around you in whatever dismal setting of a film you were placed in? It didn’t matter, your settings, coz whenever you were on screen it was like, ‘tere chehre se nazar nahi hathti nazare hum kya dekhe?’ You, who were so criminally under-rated despite coming from the First Family of Bollywood and being its best lover boy onscreen? When he received a Lifetime Achievement Award in 2008 for 25 yrs in the industry, I learnt the last Filmfare he received was in 1974, for his debut Bobby. That is how criminally under-rated he was and I decided to love him a little more from my end even though by then he was a pudgier version of himself, not the perfect lover boy Rishi of my dreams, but still with the same charisma, same charm, same exuberance, same enthusiasm for life.

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The most attractive thing about Rishi Kapoor was not his smile, or looks, it was his enthusiasm for life that showed through in every performance. It was infectious, like how. Perhaps, that’s why when depressed all I cared to do was put on one of his songs with Neetu that RD had strung together, and live off that enthusiasm vicariously. Ek main aur ek tu, dono mile is tarah, ke he invariably put life back into my soul that was ready to give up. I still have those songs to go back to but I don’t have you anymore Rishi, and right now I am at a sheer loss what to do about that…

He was the only Bollywood celebrity I followed on Twitter for a long time, not even SRK. Twitter is such an extension of Bollywood PR it is really boring to keep buying those lies even our celebs themselves are not convinced about. But not Rishi, he was real. Fuck, he was real even in that jungle called Twitter and unabashedly so. Taking in all the hate and disdain with the same love he accepted our love. And that infectious enthusiasm for life. ‘I am ready to get back to acting,’ didn’t he say as soon as he was back from that 11-month long stint of treatment abroad? Where do I look for him now?

He was so, so, so good in his second innings. Sometimes, I thought, even better than in his prime. Perhaps, it was about the roles he got and the sincerity with which he performed them. And the accolades kept coming in, finally Filmfare was recognising him too. And he had so much more to give, and I was hungry to take. From the refreshingly honest portrayal of a Bollywood producer in Luck, by chance, to that loud, hammy, vile antagonist of Agneepath, to the cute, vulnerable, authentically middle-class father and husband of Do Dooni Chaar and more, he simply seemed to be this fountainhead of performance that kept giving. Put him in any role and all you had to say at the end of it was, waah, Chintuji, waah! With all heart and smiles. Who will I say that to now?

I feel extremely silly, and adolescent and naïve banging away at my keyboard trying to understand from where is this despair arising. The first time I felt it was with Shammi Kapoor and I have never been able to hear the Rockstar tune he performed without flinching ever since. Next was when Devsaab left us, the man we thought would go on and on living (and making films) even after we stop. He was my first love, I wrote about him here. Then Rajesh Khanna, then Shashi – that other breathtakingly beautiful Kapoor only comparable with his nephew Rishi. And then there was Sri…never mind. She was a piece of all our hearts. Sometimes, I think I will never accept she isn’t around anymore, I don’t, I won’t, I can’t.

Just like their films, and their eras they evaporated, taking with them everything that was special about growing up even in the dead, dank 80’s. And I am left screaming at the heavens at the injustice of it all. It was only films, after all, some would say. They were mere actors, others would say. They were only dream sellers and tricksters of your imagination, many would say. Yes, but then why did they stick so close to reality? Why did they inform life so dearly like it depended on them and their smiles, their styles, their guiles? If they were only dreams, is this how dreams always end? Taking away all those parts of your childhood that you thought would live on despite yourself?

But then, as you find out, they don’t. Those parts go where your beloved heroes and heroines go. And perhaps, it is better that way, they were meant to be together, they will be safe. As for us, who have been left behind, without our pasts and without all those who kept the past breathing long after it was gone, ‘we will always have Paris’. Long live, Irrfan, long live Rishi, and long live all the heroes and heroines taken away from us. I feel more anger than love right now, but as they say, anger is nothing but love that has no place to go so here is hoping all of them are feeling the love wanting to reach them. I have fused my past, my childhood, various parts of my identity and some of my best memories with you and sent them along to keep you safe and remind you that you will be loved always.

And that you will live forever. Wherever you go, we will always have Paris. I will meet you there.

Fatema Kagalwala

Lunchbox

Here’s the good news about one of the best films of the year, The Lunchbox. Producer-director Karan Johar has come on board to present the film and it will be released by UTV on September 20th. This is exactly what we need – big faces should attach themselves with brilliant indies and make them reach the theatres. Otherwise distribution is a pain in the current scenario. After Kiran Rao came on board to help Ship Of Theseus’ release, this is another step in right direction.

Some of us have seen the film and let us assure that it’s a simple and solid film. Directed by Ritesh Batra, it’s not only one of the best debuts of the year, it also has two of the best performances of the year – Irrfan Khan and Nimrat Kaur.

– You can read more about “The Lunchbox” here (on Sony Classics deal) and here (all the Cannes buzz)

And now another bit of news – The Toronto International Film Festival has announced its first list of films selected for the 2013 edition of the festival. And two desi films feature in the list – Ritesh Batra’s The Lunchbox and Maneesh Sharma’s Shuddh Desi Romance. Here’s more on both the films (from the official release) :

The Lunchbox Ritesh Batra, India/France/Germany North American Premiere

– Middle class housewife Ila is trying once again to add some spice to her marriage, this time through her cooking. She desperately hopes this new recipe will finally arouse some kind of reaction from her neglectful husband. Unbeknownst to her, the special lunchbox she prepared is mistakenly delivered to miserable office worker Saajan, a lonely man on the verge of retirement. Curious about the lack of reaction from her husband, Ila puts a little note in the following day’s lunchbox which sparks a series of exchanged notes between Saajan and Ila. Evolving into an unexpected friendship between anonymous strangers, they become lost in a virtual relationship that could jeopardize both of their realities.

Shuddh Desi Romance Maneesh Sharma, India Canadian Premiere

– Shuddh Desi Romance follows a fresh and very real love story about the hair-raising minefield between love, attraction and commitment. A romantic comedy that tells it like it is, providing a candid look at the affairs of the heart in today’s desi heartland. Starring Rishi Kapoor, Sushant Singh Rajput, Parineeti Chopra and Vaani Kapoor.

A new trailer of debutant Karan Malhotra’s Agneepath has just released. Produced by Karan Johar, this film is an official remake of Mukul Anand’s Agneepath and stars Hrithik Roshan, Sanjay Dutt, Priyanka Chopra and Rishi Kapoor. Take a look.

And here are few observations…

1. This doesn’t look like the usual KJo film. And that’s a a good start. Dongri? I am not sure if any of the characters from any KJo production ever knew that a place called Dongri exist. Good to see that Dharma Productions is exploring beyond SoBo.

2. Dialogues by Piyush Mishra. Great.

3. Music by Ajay-Atul. The music director duo started with Marathi films and quickly made their mark. Again, good decision to go with Ajay-Atul instead of the usual suspects – Shankar,Ehsaan, Loy or Vishal-Shekhar.

4. More roles for actors like Brijendra Kala and Pankaj Tripathi (is that him in the opening scene?) makes me feel that we are going in right direction.

The first look of (new) Agneepath is finally out. Produced by Karan Johar and directed by debutant Karan Malhotra, it stars Hrithik Roshan, Sanjay Dutta, Rishi Kapoor and Priyanka Chopra. Credits include Adapted Screenplay – Ila Datta & Karan Malhotra, Music – Ajay-Atul, Dialogues – Piyush Mishra and Lyrics – Amitabh Bhattacharya.

Interestingly it’s not an exact remake but more of an adaptation. Looks like high intensity drama on big scale and full of colours. And unlike any other KJo Productions. Well, that’s a good start. The only thing not working in the trailer is the logo of Dharma Productions and that weird background music with it. Dear KJo, now get rid of it. Enough of emotional attachment.

And both the trailers of one thing in common – No respect for Fonts.

Soundtrack is directed by debutant Neerav Ghosh and stars Rajeev Khandelwal, Soha Ali Khan and Mrinalini Sharma. Saregama India Ltd., the company which delivered a dud of EPIC size last year with Jhootha Hi Sahi, has produced it. The trailer looks like Dev D meets Shaitan. Is there no other way to show drug abuse in cinema? And “what the F”? Really? That’s the best they could think of? All for adding some cool quotient.

With no other options left Mommy Hema Malini has now directed a film to save the career of daughter dearest Esha Deol with desi version of Mamma Mia. And it looks like this will be the final nail in that career coffin.  Try adding one more “K” in that Kkhuda. The film also stars Dharmendra, Vinod Khanna, Rishi Kapoor, Arjan Bajwa and Chandan Roy Sanyal.

The official synopsis of Nikhil Advani’s Patiala House is out. Read on.

The protagonist of the film (Akshay Kumar) runs a corner shop (Phir corner shop ? Memories of CC2C?) in Southall but his desire is to break into sports/cricket. His father is a strict traditionalist and his mission is to ensure his family do not lose their Indian culture and identity. Akshay, however wants to play cricket – not for India but for England – and he gets the chance to do this. Also, according to the makers of the film, cricket is just the catalyst, the real deal is father-son drama.

The film is also about British Asian identity and the cross-generational conflict between a father and son. The primary message of the film is about family ties and duty, a yearning to follow one’s dreams, and trying to make sense of the dichotomies that life presents when one’s family has migrated to another land. Other strong subject matters in the film include:

· The experiences of British Asians in the UK across all generations

· Life for Asians when they migrated to the UK back in the 50s and 60s

· Conflicting identities for 3rd and 4th generations Asians/Ethic minorities in the UK

· Following your dreams vs parental obligation

Huh! This really sounds like something “official”. Looks like Nikhil Advani is going Vipul “Waqt” Shah way with Akshay Kumar. Comedy kaam nahi aaya toh emotional try karte hain! Punjabi Tadka, naach gaana plus we have CRICKET! Balle balle hai ji! Hit hai sir, film hit hai – the way they say it!

The film stars Akshay Kumar, Anushka Sharma, Dimple Kapadia, Rishi Kapoor and Hard Kaur and will also feature cricket players like  Andrew Symonds, Keiron Pollard, Durk Nanis, Simon Katich, Graham Gooch, Shaun Tait and Sanjay Manjrekar.

Naah, we are not interested. Na southhall ka haal jaanne me, na Advani ke maal me!

ChintujiIts filmy friday! And this week again there are some half dozen releases. Aage Se Right, Fox, Bachelor Party, Mohandas, Three – Love Lies Betrayal and some more. Our pick of the week is Rishi Kapoor starrer Chintu ji, directed by Ranjit Kapoor. We earlier wrote a post on Chintuji here (A riddle called Chintuji and bollywood’s oldest debutant). And here are some early reviews.

Anupama Chopra (NDTV) – Chintu ji is an unassuming and delightful film that will keep you smiling long after you’ve left the theatre – 3.5/5

Taran Adarsh (Indiafm) – Here’s a request to all cine lovers and also multiplexes, from this writer. Give this film a chance. Let’s nurture it well, so that genuine efforts like CHINTUJI don’t go unnoticed – 3.5/5

Anand Vaishnav (Buzz18) – Despite some inconsistencies, Chintuji brings a huge smile on your face. It’s a heart warming, feel good film – 3/5

Avijit Ghosh (TOI) – Hats off to Rishi Kapoor, though, for agreeing to play Chintuji, a self-seeking, egoistic and unscrupulous character with his own pet name. The star may have faded away but the actor is blooming in early autumn – 2/5

Rajeev Masand (CNN IBN) – Despite its flaws however, it’s warm and engaging in the end, and far superior to the similarly themed Billu Barber. Watch it because good films are hard to come by – 3/5

Shubhra Gupta ( Indian Express) – Keeping Rishi company are co-stars Priyanshu and the bright-eyed Kulraj, and Sophiya, shaking her stuff in one of the most hilariously inventive item numbers we’ve seen : worth, on its own, the price of an admission ticket – 3/5 

Will update when more reviews are out.

ChintujiRemember those days of IN & AS! When the opening credits of the film would roll with the lead actor’s name and it would come with the title of the film.

When I heard about the film Chintuji (yes, thats the title), I thought the same. Rishi Kapoor IN & AS Chintuji! And yeah, it stars Rishi Kapoor. Am sure there are not many actors who have the luck to have a film by their name or nickname and then get to star in it too!

We love nicknames, or as well call ghar ka naam or kaccha naam. Some of us even have more then one ghar ka naam! Bollywood is no different and the names sound all weird and funny. Bebo, Chi Chi, Lolo, Guddu, Duggu, Chinki, Bonny, Faffy! But then, whats the point of a nickname if it doesnt sound funny and if you dont want to hide it from others! Ghaar ka naam bus ghar ke liye! 

My all time favourite nicknames are Chenta and Penta. Chenta was a friend in school and his brother was called Penta. Poor souls, we used to harass them a lot. Though he tried his best and kept on denying that his name was Chenta. He said it was Chintoo and his brother was Pintoo. But who would listen ? And where is the fun in Chintoo-Pintoo ? The false one became a real name and Chenta-Penta had no choice but to accept it!

Nicknames dont have reason or logic. But it seems Chintuji’s nickname has a story behind it. When Rishi Kapoor was born, his brother Randhir Kapoor used to recite a riddle.

Chote se chintu miyaan, lambi si poonch,

jahan jaye chintoo miyaan, wahan jaye poonch! Bujho to jaano ?

Its a needle and thread. And because of this riddle, Rishi Kapoor was nicknamed Chintu. What a prick! Is that the reason why Rishi Kapoor can be so rude and can fire you for ringing him on his mobile – How can you call on my mobile ? Huh!

The film Chintuji is about Rishi Kapoor, an actor who loves Legs & Pegs and has political ambitions. Its directed by Ranjit Kapoor, writer of films like Jaane Bhi Do Yaaron (D), Kabhi Haan Kabhi Na (D), Bandit Queen (D), Mangal Pandey (D) and Halla Bol (D). ( D- Dialogues)

And here is the most interesting bit. If am not wrong, Ranjit Kapoor must be bollywood’s oldest debutant in recent times. We always joke about it, who will break the record! VBala, you listening ? The competition is getting tougher. First it was Pradeep Sarkar (Parineeta) at 52. Then Naseeruddin Shah’s directorial debut (Yun Hota To Kya Hota) at 56! And now its Ranjit Kapoor at 61!! Or may be as Dharam Paaji said, its not about age, its about mileage! 

Click the play button to check out the theatrical trailer of Chintuji. Produced by Bobby Bedi, it releases this friday.

love-aaj-kal new posterBollywood’s new age Love-guru is back! And with a heavy adjective like that, its difficult to live up to the expectation. Yashraj romance is so passe. After Socha Na Tha and Jab We Met, Imtiaz Ali is cool, hep and happening.

Read all the reviews. Thought will catch on sunday morning. Tickets will be cheap and easy to get. How many people wake up and reach the theatre by 11 am. I was wrong. Fame Adlabs – 11:30 am show. Houseful. I thought I will wait, will manage a ticket from someone. It has never happened with me, that i have returned home without watching a film. No luck. I moved to Cinemax Versova. Believe it or not, Cinemax has 24 shows daily! One show every half hour. Cinemax – 12 noon show – Houseful. Again I decided to wait. No luck. 12:30 – Is also houseful. Only red lounge availabe. Huh! Whats the point of waking up and coming early if I am going to watch it in red lounge, which is too expensive. Finally bought the ticket for 13:00 pm show and moved to my fav place (Landmark) to kill time. Now if this is any indication of the box office report, Love Aaj Kal is heading for big numbers. And a real one, unlike Kambakkht Ishq’s pumped up numbers. Next week there is only Agyaat, so Love Aaj Kal will have two weeks time till Kaminey releases.  

Does Imtiaz Ali delivers ? And if so, what ? Well, he tries atleast. Some ten great scenes, smart dialogues but too much of deja vu! Give me one more punjabi family that wants to sing nagada nagada..nagada baja, and I will take out my gun and blow someone’s head! Seriously! Imtiaz’s characters still prefer to run away and get married. They are still confused about their choices. Here, they are just a step ahead, more confused, and realise it all after marriage. They still talk in the same tone. 

Comparing notes of three films, Imtiaz and his love mantra has changed a lot with time, as it happens with us when we grow up and see the same world in a different way at different age. First one (Socha Na Tha) was naive, tender, natural. Second (Jab We Met) was smart, mature, understanding. This one (Love Aaj Kal) is clever, trying to be too smart and calculative.

And when you have two tracks in a love story, the craftsmanship is easy to spot, which makes it look unnatural. Have always felt that. The criss-crossing makes it look all intentional, to mix and match this scene here with that scene there.  The intention is still honest but then the baggage becomes too heavy.

 After a friend’s recco, recently saw a film titled 5 X 2 (Five times two). Five chapters of a couple’s romantic story which starts with their divorce and moves in reverse. So, a story with a sad end has a happy cinematic ending. The first time when the boy meets the girl. Love Aaj Kal too starts with a break up, and you know, its a hindi film, so the couple will get together for sure. How ? Thats the question.

They break up. They find new boyfreind/girlfriend. They pretend to be cool about it but realise soon that its the wrong choice baby! Much like Abbas Tyrewala’s Jaane Tu Ya Jaane Na. And as a friend asked me, so what new can you do in a romcom ? New ? Well, add a old track then. And thats where Rishi Kapoor fits in with his Harleen Kaur. The villain in the story is distance. Yesterday, they went all out to cover that distance. Today, we have too many choices close to us, why bother to go for the long distance ! Thats the central theme of Love Aaj Kal.

Saif Ali Khan is not new to being the cool n confused lover, having done similar acts in Dil Chahta Hai, Hum Tum and other films. Deepika Padukone is unbelievably inconsistent. In some scenes, she cracks the code perfectly and in some, she is horrible. Harleen Kaur (Giselle Monteiro) must be the subtle-est character in the history of hindi cinema. Blame it on Brazil! But it works.

They poke. But they dont make out. They talk and go yap yap. But they dont do anything. You only hear the “khula saand“, the “kuch bhi” talks. The intention must have been to score U/A certificate, so that it becomes family viewing. Was surprised to see so many kids in the theatre. What kind of parents take their kids to the theatre to watch Love Aaj Kal ? Its not for kiddies, by any logic and reason. Its a mature story and God only knows, what the kids will make out of it. Am scared for the next generation. Poking friends on Facebook and in Love Aaj Kal is not the same.

I loved Socha Na Tha. I liked Jab We Met. Superbly written. And Love Aaj Kal is, well, nice. Honest but too crafty! Its all about having black tea/coffee together!

Thats what the buzz is. We would like to believe its NOT. Plagiarism ? Not again! Because we have never heard of Imtiaz Ali as dvd director. But then, you never know. May be only the basic idea, story, plot or synopsis. Or it can be coincidence. Lets check out.

Zui Hao De Shi Guang ( Three Times)

To quote from Imdb.com –

Zui Hao De Shi GuangThe film wisely opens with the most successful of the three ‘Times’ – 1966 A Time for Love – – tracing the emergence of timid passion between a lad headed for the military and a young girl who works in a pool hall. They communicate by letters after their first brief introductory encounter and circumstances interfere with the progress of their relationship in 1966 Taiwan.

The middle section 1911 A Time for Freedom is gorgeous visually and conceptually the director has elected to use the cinematic form of the period (silent movie) to tell his story about the freeing of a young girl from the grip of a brothel madam and surveys the political tensions between Japan and China as the quietly lighted story of love and yearning unfolds.

The film ends with 2005 A Time for Youth and here our lovers are caught up in the pollution of smog, cellphones, emails, nightclubs, and infidelities for same sex affairs that speak loudly about the tenor of the times.

Two actors play the lead roles in three stories set in three different years.

And here is a promo of the film

Love Aaj Kal

loveaajkalposter 2Love Aaj Kal is the story of Jai ( Saif Ali Khan) and Meera (Deepika Padukone). It starts at a cafe in London which is run by Veer Singh ( Rishi Kapoor). The duo meet, jump into bed first and then they fall in love. With Jai-Meera’s love story, there is parallel track of Veer Singh, his love story with Harleen, which happens in flashback and is set in Delhi. One is today’s love story and the other is of yesteryears. Saif Ali also plays the younger Veer Singh (Rishi Kapoor).

Veer does not understand how Jai can treat matters of the heart without passion, like a financial transaction. Jai does not understand how Veer Singh could have been so naïve and silly about Harleen in the days of his youth. But as both stories unfold, we realize that the process of relationship might be different in different eras, but the experience of being in love remains the same.

So there is the frolic and despair of modern living, the liberation and confusion. And there is the past – the times of innocence and compulsion. And there is distance, and the fondness that increases with distance. Gaps widen between two people, but bridges keep growing too.

Conclusion

The basic idea suspiciously sounds similar. One is Love Aaj Kal and the other is Love Aaj Kal Parsoon. One is Two Times, other is Three Times. But since its Imtiaz Ali, we would like to reserve our comments till its release. Lets see.