Posts Tagged ‘Soha Ali Khan’

After its world premiere at the Telluride Film Festival, the next stop for Deepa Mehta’s Midnight’s Children is the ongoing Toronto International Film Festival. Earlier four clips from the film were released. And now the official trailer of the film is finally out. Click on the play button and have a look

The trailer looks and feels nice with the correct mood and tone. But why this English Vinglish? Seems odd and out of place.

The film is based on Salman Rushdie’s acclaimed novel of the same name. The film stars stars Satya Bhabha, Shahana Goswami, Shabana Azmi, Soha Ali Khan, Darsheel Safary, Rajat Kapoor, Seema Biswas, Shriya Saran, Siddharth, Ronit Roy, Rahul Bose, Samrat Chakrabarti, Sarita Choudhury, Kulbhushan Kharbanda, Anupam Kher, Anita Majumdar and Zaib Shaikh.

And if you missed it earlier, here’s the official synopsis…

Midnight’s Children is an epic film from Oscar-nominated director Deepa Mehta, based on the Booker Prize winning novel by Salman Rushdie. At the stroke of midnight on August 15, 1947, as India proclaims independence from Great Britain, two newborn babies are switched by a nurse in a Bombay hospital. Saleem Sinai, the illegitimate son of a poor woman, and Shiva, the offspring of a wealthy couple, are fated to live the destiny meant for each other. Their lives become mysteriously intertwined and are inextricably linked to India’s whirlwind journey of triumphs and disasters.

 From the unlikely romance of Saleem’s grandparents to the birth of his own son, Midnight’s Children is a journey at once sweeping in scope and yet intimate in tone. Hopeful, comic and magical — the film conjures images and characters as rich and unforgettable as India herself.

With the announcement of its world premiere at TIFF, the official website of Midnight’s Children has also been launched. Click here to go to the site.

Though the trailer is not out yet, four clips of the film have been uploaded. Click on the play button and enjoy.

1. Killing fields

2. Emerald meets the General –  starts with General Zulfikar arriving at Sinai family residence

3. Tell me a poem – Amina and Nadir chatting in her parent’s basement

4. Saleem and Parvati kissing

The film stars stars Satya Bhabha, Shahana Goswami, Shabana Azmi, Soha Ali Khan, Darsheel Safary, Rajat Kapoor, Seema Biswas, Shriya Saran, Siddharth, Ronit Roy, Rahul Bose, Samrat Chakrabarti, Sarita Choudhury, Kulbhushan Kharbanda, Anupam Kher, Anita Majumdar and Zaib Shaikh.

– To quote from the official release, here’s the synopsis….

“Born in the hour of India’s freedom. Handcuffed to history.”

Midnight’s Children is an epic film from Oscar-nominated director Deepa Mehta, based on the Booker Prize winning novel by Salman Rushdie. At the stroke of midnight on August 15, 1947, as India proclaims independence from Great Britain, two newborn babies are switched by a nurse in a Bombay hospital. Saleem Sinai, the illegitimate son of a poor woman, and Shiva, the offspring of a wealthy couple, are fated to live the destiny meant for each other. Their lives become mysteriously intertwined and are inextricably linked to India’s whirlwind journey of triumphs and disasters.

From the unlikely romance of Saleem’s grandparents to the birth of his own son, Midnight’s Children is a journey at once sweeping in scope and yet intimate in tone. Hopeful, comic and magical – the film conjures images and characters as rich and unforgettable as India herself.

And both the trailers of one thing in common – No respect for Fonts.

Soundtrack is directed by debutant Neerav Ghosh and stars Rajeev Khandelwal, Soha Ali Khan and Mrinalini Sharma. Saregama India Ltd., the company which delivered a dud of EPIC size last year with Jhootha Hi Sahi, has produced it. The trailer looks like Dev D meets Shaitan. Is there no other way to show drug abuse in cinema? And “what the F”? Really? That’s the best they could think of? All for adding some cool quotient.

With no other options left Mommy Hema Malini has now directed a film to save the career of daughter dearest Esha Deol with desi version of Mamma Mia. And it looks like this will be the final nail in that career coffin.  Try adding one more “K” in that Kkhuda. The film also stars Dharmendra, Vinod Khanna, Rishi Kapoor, Arjan Bajwa and Chandan Roy Sanyal.

And for a change, it’s an official remake. Soundtrack is directed by debutant Neerav Ghosh and stars Rajeev Khandelwal, Soha Ali Khan and Mrinalini Sharma. Saregama India Ltd., who delivered a dud of EPIC size last year with Jhootha Hi Sahi, is producing it. May be it’s better to go with something that you have already seen. Better than trusting the most original writer of Bollywood. Or better if you are not sure about the deliverables even when you are willing to spend crores.

Can someone please connect the dots between the title “Soundtrack” and the punchline “What The F!” That’s like a real WTF!

According to IMDB, here’s the synopsis of IAGPT…

Former musician Frankie Wilde is a legend within the Ibiza club scene for being the most inspired DJ around. On top of that, he has a beautiful model wife named Sonja Slowinski, although many within his social circle don’t see her as being a good influence on him.

But Frankie has disappeared from the Ibiza club scene now for a year, with most only speculating that his life has degenerated into squalor based on his excessive lifestyle in Ibiza. In reality, Frankie’s current disappearance and his ultimate fate is due in part to his excessive substance abuse, especially of cocaine, but also partly due to exposure to continual loud music and a physical disorder: he went completely deaf, with no possibility of getting his hearing back. As he went from partial hearing to total deafness, Frankie believed he could still eke out a living as a DJ without telling many of his descent into total deafness. As Frankie went through a self-imposed isolation to deal with his deafness in his own unique way, it wasn’t until he killed the giant badger that haunted him that he could reinvent himself and his life. He did this with the help of a young woman named Penelope Garcia. After his reinvention, Frankie first tried to capture his old glory but his current disappearance ends up being really for his and Penelope’s sake.

And here’s the trailer…

Lil late on reviews this week. Only because we were not interested in any of the two hindi releases of the week. Tum Mile is from Bhaat Factory, directed by Kunal Deshmukh and stars Emraan Hashmi and Soha Ali Khan. And here is the report card.

Taran Adarsh (Indiafm) – On the whole, TUM MILE caters to the youth mainly. At the box-office, the Vishesh Films – Emraan Hashmi combo has cultivated a strong fan-base over the years and coupled with good music, which is also very popular, the film should find itself in the comfortable zone – 3/5

Rajeev Masand (CNN IBN) – You may survive the floods, but Emraan and Soha’s bak-bak will most certainly kill you! – 1.5/5

Gaurav Malani (ET) – Tum Mile might be dilute on the deluge but concentrates on having its heart in the right place. Watch it as a disaster flick and you will find it disastrous. Watch it as a love story and you will love it – 3/5

Khalid Mohamed (PFC) – To the immense credit of director Kunal Deshmukh, he shoots it with such sensitivity and grace, that you’re convinced that he’s an underrated director. Both Deshmukh and Mohit Suri (Woh Lamhe) from the Mahesh-Mukesh Bhatt factory are excellent technicians, and deserve to be in the A-list of mainstream directors – 3/5

Rediff (Sukanya Varma ) – Ultimately, though, Tum Mile’s true strength lies in the combined appeal and compelling performances of Emraan and Soha. Awe-inspiring it is not but engaging? By all means – 3/5

Mayank Shekhar (HT) – Alongside posters and promos of 2012, this reel or two was meant to be cinema about a shaking catastrophe. You realise, while the romance and its conflicts are short-lived, this is not a disaster film at all. I mean this as much for its genre as hopefully its fate among the public – 2/5

Anupama Chopra(NDTV) – The film strains for poignancy as the lovers realise that life is too short but their epiphany is more tedious than moving – 2/5

Nikhat Kazmi (TOI) – What really stands out in the film is the acting. Emraan and Soha create a chemistry that is brimming over with warmth and remains quite unpredictable till the very end. Their conversations — and concerns — are straight out of real life – 3.5 / 5

Minty Tejpal(Mumbai Mirror) – Emraan is fairly intense in his performance, while Soha is quite spunky, but together they are a bit flat. The music is fairly melodious, though there are no tracks that really jump out. However, the film is worth watching on a rainy day. Just don’t expect to be swept away – 2/5

Shubhra Gupta (Indian Express) – Hashmi and Khan have a good fit, though, and their lovers’ tiffs feel real: Deshmukh has an ear for dialogue and gets his leads to spar in believable ways, especially when Hashmi behaves like a spoilt brat artist, and she an unrelenting career girl. Pity about the lax climax – 2/5

Kaveree Bamzai (India Today) – All the drama is in the breaking up and making up between Emraan and Soha and though both have put in likeable performances-Soha even foregoing make-up for it-it is too much water, too late and too limp – 2.5/5

Anand Vaishanv ( Buzz18) – While the disaster angle is clearly a gimmick. And the lovers could very well have sorted out their differences on a station or an airport lounge, the film is engagingly shot. Tum Mile is eventually just another love story punctuated with some 26/7 sequences. Watch it only if you are a die hard Emraan Hashmi fan – 2/5

The other release of the week is Aao Wish Karein stars Aftab Shivdasani and Aamna Shariff. Its directed by Glenn Baretto and is Aftab’s home production. And did we tell its written also by Aftab! Aur bolo!

Anupama Chopra (NDTV) – Week after week, critics lament the lack of original work in Bollywood. But after watching Aao Wish Karein, an agonizingly boring rework of Tom Hanks’ Big, I wished that the makers had been less original and copied more diligently – 0.5/5

Taran Adarsh (Indiafm) – On the whole, AAO WISH KAREIN is engaging in parts, but how one wishes the film would grab your attention in entirety. The wish of striking a chord and hence, succeeding at the box-office won’t come true for this reason – 1.5/5

Rajeev Masand (CNN IBN) – Far from achieving the fairytale feel it was going for, Aao Wish Karein is a colossally boring film that packs clunky dialogue, a predictable narrative and a muddled message in the end. Barring a few superb songs, this film is a miscalculation on all counts – 1/5

Minty Tejpal (Mumbai Mirror) – Yup, the same Big story, only Aftab is no Tom Hanks, and the less said about the direction the better. However, in good old Bollywood style, it’s the ending that’s the real double whammy. Go watch it if you wish – 1.5/5

Shubhra Gupta (Indian Express) – Good proposition for kids, and adults, to buy in. But `Aao Wish Karein’ falls in between two stools, and becomes a film which appeals strongly to neither – 1/5

Nikhat Kazmi (TOI) – Obviously inspired by Tom Hanks 1988 classic (Big) that was nominated for two Oscars, the film lacks all the masala that made Penny Marshal’s film such a winsome experience. Also, the romance between Aftab and Aamna is quite thanda. Thoda aur wish karein? – 2/5

 

Trust Bhatts to turn a film out of every single news headline. And here is the latest one. Remember 26th July ? Tum Mile starring Emraan Hashmi & Soha Ali Khan, directed by Kunal Deshmukh and produced by Mukesh & Mahesh Bhatt. Here is the theatrical promo of Tum Mile.