Posts Tagged ‘Buzz18’

This friday, its Chandan Arora’s Striker starring Siddharth and Padmapriya. Earlier Chandan Arora gave us two delightful films Main Madhuri Dixit Banna Chahti Hoon and Main, Meri Patni aur Woh. Will he deliver a hattrick ? Actor Siddharth has been going on and on and on about the film through his tweets. Lets see if its scoring well with the critics.

Anupama Chopra (NDTV)Striker is the kind of film that fills you with regret. There is skilful direction here, some nicely etched moments and commendable performances and yet the film never gathers enough momentum to make an impact. Striker never becomes the film it could have been – 2.5/5

Nikhat Kazmi (TOI) – The high point of the film is its authenticity, its heartwarming tale and its performances. Don’t believe the lack lustre promos. The film has more meat — and meaning — than it promises – 3/5

Taran Adarsh (Indiafm) – Striker, directed by Chandan Arora, falters because the story doesn’t arrest your attention in entirety and also, it seems like a never-ending ride, even though the running time is approx. 2 hours. Frankly, the story overstays its welcome – 1.5/5

Sukanya Varma (Rediff) – Ultimately what makes Striker a big deal is not its obviously visceral atmosphere or the various tangents it branches into but an impressive ensemble of little to unknown faces that allow you to interpret the story with an entirely fresh perspective. An interesting film with a lot on its mind, Striker isn’t comfort cinema but I will recommend it anyway -3/5

Mayank Shekhar (HT) – The story is in the grittiness of experience. Judgment isn’t fed; purpose, not expressly defined. This can be a problem for certain audiences who like to be told everything: who’s the loved hero or feared villain, why to empathise, when to emote… Sure this film is different then. Shouldn’t each be anyway? Worth it, all the way – 3/5

Rajeev Masand (CNN IBN) – Despite Arora’s solid efforts, the film loses steam well before the end credits roll. Although only two hours in running time, the movie feels endlessly long, and fails to culminate satisfyingly. It’s not a bad film by any measure, but it most definitely could’ve been better. Watch it for some excellent acting and for its gritty realistic feel – 2.5/5

Khalid Mohamed (PFC) – All said and seen, Striker lets off steam, like a pressure cooker come to boil. Now only if it had been smoothly edited, you would have said, “Wow.” In its current shape, you end up saying, “Hey, not bad”  about this Carrom-a- Cola. So, do it again Chandan Arora…but look at the final edit objectively. Please – 3/5

Minty Tejpal (Mumbai Mirror) – Finally, the story of the carrom player seemed far more captivating than that of the riots. Luckily, the dialogue is consistently sharp. Sitting on top of a water tank, Siddharth reminisces, “Us waqt humko yeh nahin maloom tha ki Bombay ko jitna bhi dekho, roz thoda aur dikhta hai…”. How true. In the end, Striker is a well-made film and worth a watch – 2/5

Shweta Parande (Buzz18) – All in all, it’s difficult to say if Striker will work in multiplexes or single screens. But if the plot were a little cleaner and crisper, it would’ve struck a chord with everyone – 2.5

So, the average seems to be between 2 and 3.

Three hindi films this weekend. Its quite a film friday! Two debutants and one veteran! And since we belong to BBC (Bhardwaj Bhakt Club), we made sure that we saw it even before the release. Click here for our review.

Ishqiya is directed by debutant Abhishek Chaubey and stars Naseeruddin Shah, Arshad Warsi and Vidya Balan. Lets see how it has scored with the reviewers.

Anupama Chopra (NDTV) – I know its only January but I think its safe to say that Ishqiya is the most crackling film you’ll see this year. It’s feisty and sly and very, very sexy – 3.5/5

Taran Adarsh (Indiafm) – On the whole, ISHQIYA is definitely worth a watch. The film has a riveting plot, great performances, soulful music, an absorbing story and skilful direction to make the viewer fall in ishq with it. It should appeal to the hardcore masses as also the multiplex junta – 4/5

Gaurav Malani (ET) – Regardless of the rugged-and-rustic ‘City of God’ kinda setting, the flavour of the film is predominantly light-hearted, as instinctive comedy oozes out from almost every sequence. The director’s hold on humour is remarkable as he makes good use of some dingy desi dialogues and some exceptional expressions by the lead male duo to hilarious outcome. The comic timing between Naseeruddin Shah and Arshad Warsi is absolutely flawless – 3.5/5

Rajeev Masand (CNN IBN) – Ishqiya, directed by debutant Abhishek Chaubey, is a delicious little film that teeters dangerously between saucy comedy and suspenseful noir. Unapologetically adult in its relationships, its language and its humor, the film sparkles for its inspired writing and uncompromised direction. It’s an assured, confident debut and one hell of a rollicking ride. A textured, compelling drama that’s unlike anything you’ve seen lately – 3.5/5

Nikhat Kazmi (TOI) – In Ishqiya lingo, the film is a sutli bomb (firecracker) that tickles and explodes. But for the hurried and harried end. Go, have a blast – 3.5/5 

Shubhra Gupta (Indian Express) – Small-town India is where the real stories are. `Ishqiya’ blends place and people in a way only those who’ve lived that life know how, and gives us a film with desirous flesh and pulsating blood – 3/5

Mayank Shekhar (HT) – Mira Nair is right. Bharadwaj is probably one of the few of Bollywood’s unique voices likely to corner any genuine attention in the West. This road film is in parts, an Yi Tu Mama Tambien sort of bizarre romance, an El Mariachi type curry-western, and a City Of God kind of grimy thriller. Yet, the pungent odour is entirely original. Oh smell it – for sure – 3.5/5

Kaveree Bamzai (India Today) – Imagine a sticky sweet jalebi with a cup of hot milk. Just as they would have on a foggy morning in Gorakhpur. Crunchy, sweet, and quite delicious. Now think Ishqiya. Set in a reimagined eastern Uttar Pradesh, where minor hoodlums dress like cowboys and women are earthy sex queens, the film elevates rustic chic to an art – 4/5

Sukanya Varma (Rediff) – Rarely are grace and profanity cited in the same breath. Debutant filmmaker Abhishek Chaubey’s Ishqiya, however, is a privileged exception. If VB is the equivalent of Quentin Tarantino in Hindi cinema, safe to say with Chaubey, we have a Robert Rodriguez in the making – 3.5/5

Aniruddha Guha (DNA) – Ishqiya, among other things, is a great start for director Abhishek Chaubey. The film — with its great music, superior performances, and memorable dialogues — cannot be missed, unless you are under 18 years of age. This is pure ‘adult’ fun – 3.5/5

Jaya Biswas (Buzz18) – High on drama and wild at times, you are bound to fall in love with Khalujaan and Babban – 3.5/5

The average rating seems to be 3.5! Go for it.

The other release is Ram Gopal Varma’s Rann. We are tired of RIP-ing Ramu, again and again but seems he still isnt. Lets see if this one is his comeback. Rann stars Amitabh Bachchan, Paresh Rawal, Sudeep, Ritesh Deshmukh, Gul Panag and Neetu Chandra.

Anupama Chopra (NDTV) – Bachchan, Ritesh Deshmukh and Suchitra Krishnamoorthy, playing the mole, bring some restraint and dignity to this cacophonous tale. Otherwise it’s sound and fury signifying little – 2/5

Taran Adarsh (Indiafm) – On the whole, RANN is truly a well-made film. No two opinions on that. The film should be patronised by viewers of serious, sensible cinema. Recommended! – 3.5/5 

Gaurav Malani (ET) – To be honest (like the film demands), Rann is not a new story but the news battle setting saves it from getting run-of-the-mill. Rather than a story designed around the media world, Rann is more of the clichéd corrupt politician chronicle (that Bollywood has been narrating since ages) set on the backdrop of the broadcasting business – 2.5/5

Rajeev Masand (CNN IBN) – Rann is not so much a bad film as it is a boring, predictable one. Varma and his writers borrow the Madhur Bhandarkar-blueprint and give us uni-dimensional characters who are either black or white, seldom grey. Although the film’s portrayal of a certain kind of Hindi news journalism may not be far from the truth, it is the film’s lazy stereotyping that is tiresome here. Varma uses crazy camera moves, tight close ups and a booming background score to create the drama that his simplistic script fails to – 2/5

Nikhat Kazmi (TOI) – It’s gritty. It’s grey. And it’s greatly topical too. Ram Gopal Varma returns to his let’s-dissect-the-real-world brand of cinema with the racy-pacy Rann that might run on predictable lines, nevertheless it makes for a gripping viewing with its behind-the-scenes dekko on the Breaking News, any which way, syndrome that seems to have overtaken certain sections of the media – 4/5

Khalid Mohamed (PFC) – All seen and said, the media ka kheema could have been infinitely superior. Gratifyingly, there are some redeeming moments which do leave you Zingin’ in the Rann. Thanks – 2.5/5

Kaveree Bamzai (India Today) – Ram Gopal Verma has been watching too much news. So much that he has made a movie on exactly the same principles that he trashes. Ensure your anchors/actors indulge in crazy histrionics, forget about the research and use hyperbole at all times. Watch it if you want a good laugh – 2/5

Mayank Shekhar (HT) – Exposes are cheap devices; explanations, precious. Most good art achieves the latter, great films do. This is neither an expose nor an explanation. It’s just an exercise in corniness, not very different from the subject of its scrutiny – 2/5

Sukanya Varma (Rediff) – There are a couple of moments in Rann involving a seemingly anonymous call to super tense Sudeep or Big B coming to terms with the humiliating truth about his son are reminiscent of vintage Varma, Then again, a messy climax, witless and uninspired writing and shoddy, detail-free narrative ensure these memories are washed out as soon as they are formed – 2/5

Aniruudha Guha (DNA) – Over the years, Varma has used, and abused, the same treatment in his films to such an extent that it has lost its novelty and fun factor now. Extreme close-ups, dark environs, a garish back ground score – Rann‘s soundtrack is awful, to say the least – we’ve seen it all in previous Varma films.  Rann just doesn’t work – 2/5

Shweta Parande (Buzz18) – Ram Gopal Varma brings us yet another gripping drama in the league of Sarkar and Sarkar Raj. The performances definitely make up for the flaws in the story. Also watch out for some good scenes and camera angles – 3.5/5

Ramu is still not back! The average rating seems to be 2/5! If you follow reviews every week, you know that Taran and Nikhat really dont count. Their operational cost is something different.

And the indie release of the week is Road To Sangam by debutant director by Amit Rai and stars Paresh Rawal, Om Puri and Pawan Malhotra.

Taran Adarsh (Indiafm) – On the whole, ROAD TO SANGAM is mainly for connoisseurs of cinema and also for the festival circuit – 3/5 

Jaya Biswas (Buzz18) – No doubt the film got the best film award at MAMI and rave reviews at the International Film Fest of South Africa, Los Angeles Reel Film Fest and so on. And what better time to release the film when we are so close to commemorate Gandhiji’s death anniversary on Jan 30. It’s a journey worth exploring. Only if the packaging was good, the impact would have been more – 2.5/5

This friday there are two hindi releases. One is the biggie Chance Pe Dance directed by Ken Ghosh (Ishq Vishq, Fida) starring Shahid Kapoor and Genelia De Souza.

The other film is the indie The Waiting Room, produced by Sunil Doshi, directed by Maneej Premnath and starring Raj Singh Chaudhary (Gulaal). Lets see if Chance Pe Dance got any chance.

Anupama Chopra (NDTV) – It seems like both Genelia and Shahid are squeezing in as many expressions as they can into each scene to compensate for the lack of a coherent script. But all their energy cannot fire up this inherently dull film. Chance Pe Dance isn’t the hot weekend ticket you were waiting for – 2/5 

Shubhra Gupta (Indian Express) – You also wish there was more energy in the sequences that fill in the spaces between the work-outs on the dance floor : the film gets lax too often. And the choreography could have been much more exciting to match an actor who is such a fleet-footed mover and shaker : the only one who’s perhaps a tad better is Hrithik Roshan. Kapoor needs a story with more depth, and direction – 2/5 

Raja Sen (Rediff) – There are a few warm touches and Kapoor occasionally manages to sparkle. But there are far better places for a showreel than in a movie theatre. It’s mostly harmless, and certainly harebrained. Leave it to the Shahid-obsessed – 1.5/5 

Rajeev Masand (CNN IBN) – Ken Ghosh borrows liberally from such Hollywood films as School of Rock and the Jessica Alba-starrer Honey. But with it’s theme of a struggling actor’s ultimate vindication, in the end I suppose Chance Pe Dance could be described as “Luck By Chance-For-Dummies”. Although it would be a crime to mention the two films in the same breath – 1/5

Gaurav Malani (ET) – Sadly, scripts are written for reality shows today but there is no real good scripting involved in feature films. So in times when dance talent-hunt shows on television promise more drama and entertainment, you find no good reason why to give this dance a chance – 2/5 

Nikhat Kazmi (TOI) – The film may not have the emotional quotient of Ishq Vishq, Shahid and Ken’s first film that set the box office on fire, yet it does have its moments. A better scripted, less cliched second half would have surely given the film a better chance to dazzle and shake – 3/5

Taran Adarsh(Indiafm) – Shahid makes a sincere effort and the honesty shows in a number of scenes. But let’s not forget that the best of actors cannot rise beyond a pitiable script. On the whole, this dance stands no chance – 1.5/5

Abhijit Mhamunkar (Buzz18) – There was much buzz in the media about the film being rewritten and re-shot after changing the original heroine, Jiah Khan – replaced by Genelia D’Souza. Also, Oye Lucky! Lucky Oye! writer Manu Rishi was roped in for additional dialogues and scriptwriting. But you wonder what changes the makers have made, because neither is the film entertaining nor presenting anything new – 1.5/5

Mayank Shekhar (HT) – Between those patchy, over-decorated music television tracks, the banal hero fails a courier boy’s job; sleeps in a car (when he could’ve moved in with his girl); joins a school to teach dance; enlists kids to win a competition; enlists himself to win a talent hunt… The show goes on, and so on, and so forth. As does the refrain: “Tu star ban sakta hai. Tu star ban gaya. Mein star banaunga….” (Whatever that means) – 1.5/5

It seems Ken Ghosh can go back to making music videos. Next is Chance Impossible! Will update with more reviews as soon as they are out.

And not a single review of The Waiting Room so far ? What happened to the indie supporters ?

This filmy friday there are two hindi releases. Pyaar Impossible and Dulha Mil Gaya. Pyaar Impossible is directed by Jugal Hansraj and stars Uday Chopra and Priyanka Chopra. Lets see if its any good.

Taran Adarsh (Indiafm) – On the whole, PYAAR IMPOSSIBLE is a feel-good film. If you are a romantic, this one’s for you. Even if you’re not, still watch it. Its one of those films that will bring a smile on your face – something that most Hindi films don’t do these days – 3/5

Rajeev Masand (CNN IBN) – Pyaar Impossible doesn’t work because it’s hard to empathize with any of the characters and because the actors fail to rise above the flawed script. It’s back-breakingly long at two hours and twenty-odd minutes, and I can’t remember one single scene that made me smile. The humour is ordinary, and the pre-climax romantic scene in a Mac store is the most embarrassing I can remember in recent times – 1/5

Mayank Shekhar (HT) – This is not Notting Hill, in only as much as Uday Chopra isn’t quite Hugh Grant. This is still an incessantly stunted ‘Hollywood rom-com’ knock-off, to the point that a neatly dictated formula will allow – 1.5/5

Nikhat Kazmi (TOI) – Nothing stupendous here. Just a sweet and soppy flavour with a picture-perfect Priyanka: Watchable – 3/5

Anupama Chopra (NDTV) – Uday plays the nerd with absolute sincerity but it’s hard to summon up any affection for him. And Dino seems to have decided that expression is a waste of time. His face just stays blank. Pyaar Impossible is depressingly dim-witted – 1.5/5

Sukanya Varma (Rediff) – It’s the kind of film, which could get over in five minutes if only Chopra 1 would let Chopra 2 finish his sentence. But no, Chopra 2 takes two and a half good hours to spill the beans leaving you with little besides a super hot Chopra 1 to admire – 2.5/5

Kaveree Bamzai (India Today) – She’s the beauty and he’s the geek. And she ends up falling in love with him. Yeah, right, if your father is one of Bollywood’s biggest producers, anything is possible – 2/5

Gaurav Malani (ET) – The moral of the film is that one shouldn’t judge a person by their looks. Going by that, however cool this candyfloss flick might appear, it’s still shallow on content. Pyaar Impossible might have certainly not aimed for a ‘10 on 10’. But is it really impossible to even strike an average? – 2/5

Meena Iyer (Mumbai Mirror) – Honestly guys wake up and smell the coffee. Forget love, even hate isn’t possible here.  This film leaves you bereft of emotion – 2/5

Shweta Parande (Buzz18) – There is nothing new in Pyaar Impossible. Watch it only if you don’t mind a predictable story with a hot Priyanka Chopra, and some catchy music – 2.5/5

The other release is Dulha Mil Gaya directed by Mudassar Aziz and starring Shahrukh Khan (5 or 70 percent ?), Sushmita Sen and Fardeen Khan. And here is the score card.

Taran Adarsh (Indiafm) – The recipe is simple and uncomplicated…Take My fair Lady. Add Dulhan Wahi Jo Piya Man Bhaaye. Spray Naseeb Apna Apna. Sprinkle DDDLJ and Rab Ne Bana Di Jodi. Hey presto, Dulha Mil Gaya is ready to serve – 1.5/5

Rajeev Masand (CNN IBN) – Dulha Mil Gaya starring Fardeen Khan and Sushmita Sen, has been four years in the making, but has arrived almost fifteen years too late. A predictable old-fashioned entertainer that’s a throwback to those homogenous family films of the mid-90s, Dulha Mil Gaya borrows so much from the Yash Chopra/Karan Johar school of synthetic filmmaking that it’s hard to tell if there’s anything original to this story at all – 2/5

Anupama Chopra (NDTV)Dulha Mil Gaya is a film caught in a time warp both literally and figuratively. The much-delayed movie is a bargain-basement version of Yash Chopra-Karan Johar movies from the late 1990s – 2/5

Nikhat Kazmi (TOI) – The problem with Dulha Mil Gaya lies in the fact that it has nothing new to offer. And that’s ironical at a time when almost every film that falls off Bollywood’s conveyor belt is brimming over with newness: new ideas, new plots, new musical notes, new actors, new narrative styles. Unforgivable – 2.5/5 

Mayank Shekhar (HT) – I check my cellphone for the time yet again. The filmmakers could’ve checked for the year (they were making this film in as well) – 1/5

Kaveree Bamzai (India Today) – I suppose it’s funny to see Sushmita talking to her dog, Bozo, and kiss its miniature; or blow kisses to her invisible audience; or even behave like the eternal Miss Universe. But hey, that crown was in 1994. Grow up, please, Sushmita. Start acting. And do something less formulaic than “Indian girls rishte nibhana jaant hain” (Indian girls know how to keep up relationships). Grrr – 1/5

Preeti Arora (Rediff) – The West Indies and Trinidad are scenic and breathtaking. These locations haven’t been used too often in our films. But no film has ever managed to sustain itself on the basis of its locations. Watch the film if you can’t think of any other way to spend your weekend. Or else just avoid – 2.5/5

Gaurav Malani (ET) – Dulha Mil Gaya literally breaks new grounds with taking a Bollywood plot to Trinidad and Tobago. But beyond that this marriage miscarriage movie moves east of West Indies to introduce India for the zillionth time as nothing more than a small village in pastureland Punjab – 1.5/5

Meena Iyer (Mumbai Mirror) – They shot Dulha Mil Gaya all the way in Trinidad & Tobago. They could have shot it in Timbuktu and it wouldn’t stand an ice-cube’s chance in hell of surviving –  2/5

It seems impossible to expect even a half decent movie this week. Neither Pyaar nor Dulha. Head out for Sherlock Holmes in new avtaar or Paranormal Activity.

Enough of VVC, CB and 3 Idiots, lets move on to this week’s hindi release. We detest to count any Celina Jaitley release and so that leaves us with only one film Raat Gayi Baat Gayi, with the desi indie boys. The bunch we love! The film is directed by Sourabh Shukla ans has Rajat Kapoor, Neha Dhupia, Vinay Shukla, Anu Menon, Dalip Tahil, Navneet Nishan and Irawati Harshe. But do they deliver this time ? Here’s the score card.

Taran Adarsh (Indiafm) – On the whole, RAAT GAYI, BAAT GAYI? doesn’t work – 1.5/5

Rajeev Masand (CNN IBN) – Saurabh Shukla directs with an easy hand, allowing the actors enough room to interpret their characters, but it’s the writing here that’s mundane. Most scenes lack the energy that was required to elevate this film into the sly, tongue-in-cheek satire that it was intended to be. What you get is a promising but sadly tiresome film that feels too long even though it’s less than two hours in running time – 2/5

Shubhra Gupta (Indian Express) – The film plays footsie, without really going all the way. How about something braver and quirkier the next time around? This merry band filmmakers can do it – 3/5

Mayank Shekhar (Hindustan Times) – Bashes in ‘Bollywood’ back in the day meant a grand piano at the centre. The hero crooned away his message of love. The heroine joined him for a dance. A huge crowd of suits and sarees gathered in a circle, quietly stared, and sipped their drink. Some white people floated in the back-rows. Oh we miss those! This one neither touches nor tickles. Better still, get us Hangover any day – 2/5

Anupama Chopra (NDTV) – Have you ever been to one of those excruciatingly boring parties in which the conversation is so stilted and the guests so banal that you want to pick up a fork and gouge your eyes out? If not, you might want to catch Raat Gayi, Baat Gayi, which is pitched as a romantic comedy but is neither very funny nor very romantic – 2/5

Nikhat Kazmi (TOI) – Watch out for some fine performances by the entire cast. Veterans like Rajat Kapoor, Vinay Pathak and Ranvir Shorey are eminently watchable as always. But it is Neha Dhupia who is fast emerging as the natty new wave girl with her newfound talent – 3/5

Gaurav Malani (ET) – With a head-spinning narrative about the aftermath of an intoxicating late night party, Raat Gayi Baat Gayi is like wine that takes time to mature but is your perfect partner on a lazy evening – 3/5

Anand Vaishnav (Buzz18) – Raat Gayi Baat Gayi is very funny in parts, held together with delightful performances. Catch it for some spontaneous acting – 2.5/5

Meena Iyer (Mumbai Mirror) – RGBG starts well and its witty dialogue keeps the viewer engrossed up to a point. It makes no deliberate effort to copy the Hollywood hit Hangover either in its plot or treatment, yet there’s a borrowed sense of déjà-vu. And had the director kept the viewers interest level continuously going, he may have had a winner on hand. Where RGBG falls a few notches short is the pace – 2/5

 Seems like average is between 2-3 out of 5. 

Raj Kumar Hirani’s 3 Idiots is here! So, all is well or not so well ? Looks like its a divided house. It has Aamir Khan, Kareena Kapoor, R Madhavan, Sharman Joshi, Boman Irani and Omi Vaidya in the the lead. Here are some of the early reviews….

Raja Sen (Rediff) – This isn’t a bad film, though. By which I mean it conjures up a few moments, it will doubtless make some people cry, and every now and then we glimpse some heart. Yet it hurts to see that this is traditional Bollywood masala schlock, with scenes calculated to tickle and to evoke sympathy. It’s not awful at all, but since when did ‘not bad’ become good? Dr Feelgood doesn’t make the cut this time, and we need to measure him by the high bar his previous excellence has set — by which degree this is a whopper of a disappointment – 2/5

Gaurav Malani (ET) – The film redefines Idiot as ‘I do it on my own terms’. After watching the film, you won’t mind being certified as an idiot. If you still don’t approve of the film, you are a certified cynic. 3 Idiots is one of the most entertaining films of the decade – 5/5

Anand Vaishnav (Buzz18) – 3 Idiots is a happy film with a positive message. But you never feel for or root for its characters. Releasing in the festive season, this film will deliver truckloads of laughter, but might not satisfy the expectations of watching an Aamir Khan-Rajkumar Hirani film. It’s just another feel good, time pass watch – 3/5

Taran Adarsh (Indiafm) – On the whole, 3 Idiots easily ranks amongst Aamir, Rajkumar Hirani and Vidhu Vinod Chopra’s finest films. Do yourself and your family a favour: Watch 3 Idiots. It’s emotional, it’s entertaining, it’s enlightening. The film has tremendous youth appeal and feel-good factor to work in a big way – 4.5/5

Kaveree Bamzai (India Today) – Mr Hirani, Mahatma, we bow to you. Aamir, we think you’ll make a great HRD Minister. And yes, a word for the man who produced it as he did the Munnabhais. More power to you, Vidhu Vinod Chopra. We know now why you speak so much, so long, and so loudly. It’s because movies such as these can silence everyone else – 5/5

Nandini Ramnath (Time Out) – The message is a bit mixed, since the movie ultimately celebrates achievement. Given how Ranchchod ends up, it’s clear that whether you’re self-taught or schooled, you’ll remain an idiot if you aren’t also talented to begin with – 2/5

Mayank Shekhar (HT) – Before 3 Idiots on screen, you still don’t feel like the fourth idiot in the theatre. That’s a non-Bollywood relief. This is the sort of movie you’ll take home with a smile and a song on your lips, unless the hype has entirely messed up with your expectations – 3.5/5

Since Anupama Chopra is married to Vidhu Vinod Chopra, Mayank Shekhar has reviewed the film for NDTV this friday.

Shubhra Gupta (Indian Express) – It makes the point, but not as magically as it could have, given Hirani’s unique gift of building extraordinary moments out of the ordinary. ‘3 Idiots’ was good in parts, but it didn’t blow me away – 3/5

Aniruddha Guha (DNA) – Even as you have come to accept Khan’s genius at ensuring a good product for audiences every time, this one is a Rajkumar Hirani show all the way. And it becomes easy to say that because even if you take Khan out of the equation, the film would probably make a similar impact – 4/5

Nikhat Kazmi (TOI) – The high point of the film is the fact that director Rajkumar Hirani says so much, and more, without losing his sense of humour and the sheer lightness of being. The film is a laugh riot, despite being high on fundas – 4.5/5

Rajeev Masand (CNN IBN) – An earnest but calculated effort that runs, but never flies. Watch it anyway, because it’s the season to be jolly, and good laughs are guaranteed – 3/5

Whats your take ? Where do you stand between 2 and 5 ?

Dhan Te dan! Its finally here! The combo of Shimit Amit & Jaideep Sahni. Starring Ranbir Kapoor, Rocket Singh – Salesman Of The Year is this friday’s film. And here are the reviews….

Raja Sen (Rediff) – Rocket Singh might not be everyone’s idea of a good time. It’s not a film that grips you from the word go, or one that leaves you rolling in the aisles, but it’s an impassioned effort that tosses skepticism out the window. Watch it, really – 3.5/5

Anupama Chopra (NDTV)Rocket Singh never becomes more than the sum of its parts but still I recommend that you make time for it. Just be prepared to be patient – 3/5

Rajeev Masand (CNN IBN)Rocket Singh touches a chord because it’s that rare film that urges us to examine our lives and to question the rules by which we live it. It has a life-affirming quality that will appeal to every one of us who has ever hesitated before taking the easy way over the right way – 3.5/5

Gaurav Malani (ET) – A line from the film states, “Risk toh Spiderman ko bhi lena padta hai, main toh phir bhi Salesman hoon” (Even Spiderman has to take risk, I am just a Salesman). The makers have taken as much risk to sell a not-so-regular story to the audiences. And it has paid off pretty well. Rocket Singh – Salesman of the Year is one of the most rocking films of the year – 4/5

Shubhra Gupta (Indian Express) – This is also the film which seems to have got a lost-in-the-woods studio back to its real strength: solid story-telling and believable performances, minus the designer bods and empty plots it has of late fallen prey to. Can it be, finally, the second coming of Yashraj? – 3/5

Kaveree Bamzai (India Today) – Go watch it to see why even zero has a value. And why Ranbir Kapoor is the future of Mumbai films. An effortless actor, he’s just the perfect embodiment of the times we live in. Confident without being cocky, spirited without being arrogant, hard working if not always gifted, he is the Young Indian we all want to see – 4/5

Taran Adarsh (Indiafm) – On the whole, ROCKET SINGH – SALESMAN OF THE YEAR is more of a documentary on the life of a salesman. Lack of music, romance and entertainment, coupled with zilch hype, will go against the film. A colossal disappointment – 1.5/5

Khalid Mohamed (PFC) – Although the dramaturgy ends up blurring the line between scamming and honesty,  a holier-than-thou attitude is maintained throughout. Sure do tell us that corruption and shortchanging the customer don’t finally pay… but please tell us that with clarity and conviction. As for the finale, centering around a phone call, it happens so much by coincidence that it doesn’t ring true at all. Without revealing the resolution, suffice it to say that it’s as deflating as a punctured tyre – 2/5

Anand Vaishnav (Buzz18)Rocket Singh Salesman Of The Year is eventually a feel good watch that talks about ethics, without sounding like a moral science lecture. All that mundane management talk about ‘service over sales’ and ‘people over numbers’ never sounded cooler – 4/5

Nikhat Kazmi (TOI) – The winning duo of Shimit Amin and Jaideep Sahni may not be offering you a Chak De India this time round, but they do sculpt some rare moments on celluloid that end up redefining the pusuit of happiness as something more than mainu chaida, chaida, chaida – 3.5/5

Mayank Shekhar (HT) – You’d much rather stick with this rare Rocket, than an yearlong racket that goes on in the name of filmmaking in Mumbai. Harpreet’s unique honesty in a sales firm goes well in the context of this film within Bollywood itself – 3/5

Update – Just back from the screening. Dont miss this one!