Posts Tagged ‘Ritesh Deshmukh’

The filmmaker, oops, pottymaker is back! He made his feature directorial debut with Heyy Potty and claimed himself as “The King Of The World”. Here is the first trailer of his new film Housefull. Expect more of banana peel and poo poo jokes! Looks like a strange cocktail of lot of films that you have seen.

The film is produced by Sajid Nadiadwala and stars Akshay Kumar, Deepika Padukone, Ritesh Deshmukh, Arjun Rampal, Lara Dutta, Malaika Arora, Randhir Kapoor, Jiah Khan, Jacqueline Fernandez and Boman Irani.

Three hindi films this weekend. Its quite a film friday! Two debutants and one veteran! And since we belong to BBC (Bhardwaj Bhakt Club), we made sure that we saw it even before the release. Click here for our review.

Ishqiya is directed by debutant Abhishek Chaubey and stars Naseeruddin Shah, Arshad Warsi and Vidya Balan. Lets see how it has scored with the reviewers.

Anupama Chopra (NDTV) – I know its only January but I think its safe to say that Ishqiya is the most crackling film you’ll see this year. It’s feisty and sly and very, very sexy – 3.5/5

Taran Adarsh (Indiafm) – On the whole, ISHQIYA is definitely worth a watch. The film has a riveting plot, great performances, soulful music, an absorbing story and skilful direction to make the viewer fall in ishq with it. It should appeal to the hardcore masses as also the multiplex junta – 4/5

Gaurav Malani (ET) – Regardless of the rugged-and-rustic ‘City of God’ kinda setting, the flavour of the film is predominantly light-hearted, as instinctive comedy oozes out from almost every sequence. The director’s hold on humour is remarkable as he makes good use of some dingy desi dialogues and some exceptional expressions by the lead male duo to hilarious outcome. The comic timing between Naseeruddin Shah and Arshad Warsi is absolutely flawless – 3.5/5

Rajeev Masand (CNN IBN) – Ishqiya, directed by debutant Abhishek Chaubey, is a delicious little film that teeters dangerously between saucy comedy and suspenseful noir. Unapologetically adult in its relationships, its language and its humor, the film sparkles for its inspired writing and uncompromised direction. It’s an assured, confident debut and one hell of a rollicking ride. A textured, compelling drama that’s unlike anything you’ve seen lately – 3.5/5

Nikhat Kazmi (TOI) – In Ishqiya lingo, the film is a sutli bomb (firecracker) that tickles and explodes. But for the hurried and harried end. Go, have a blast – 3.5/5 

Shubhra Gupta (Indian Express) – Small-town India is where the real stories are. `Ishqiya’ blends place and people in a way only those who’ve lived that life know how, and gives us a film with desirous flesh and pulsating blood – 3/5

Mayank Shekhar (HT) – Mira Nair is right. Bharadwaj is probably one of the few of Bollywood’s unique voices likely to corner any genuine attention in the West. This road film is in parts, an Yi Tu Mama Tambien sort of bizarre romance, an El Mariachi type curry-western, and a City Of God kind of grimy thriller. Yet, the pungent odour is entirely original. Oh smell it – for sure – 3.5/5

Kaveree Bamzai (India Today) – Imagine a sticky sweet jalebi with a cup of hot milk. Just as they would have on a foggy morning in Gorakhpur. Crunchy, sweet, and quite delicious. Now think Ishqiya. Set in a reimagined eastern Uttar Pradesh, where minor hoodlums dress like cowboys and women are earthy sex queens, the film elevates rustic chic to an art – 4/5

Sukanya Varma (Rediff) – Rarely are grace and profanity cited in the same breath. Debutant filmmaker Abhishek Chaubey’s Ishqiya, however, is a privileged exception. If VB is the equivalent of Quentin Tarantino in Hindi cinema, safe to say with Chaubey, we have a Robert Rodriguez in the making – 3.5/5

Aniruddha Guha (DNA) – Ishqiya, among other things, is a great start for director Abhishek Chaubey. The film — with its great music, superior performances, and memorable dialogues — cannot be missed, unless you are under 18 years of age. This is pure ‘adult’ fun – 3.5/5

Jaya Biswas (Buzz18) – High on drama and wild at times, you are bound to fall in love with Khalujaan and Babban – 3.5/5

The average rating seems to be 3.5! Go for it.

The other release is Ram Gopal Varma’s Rann. We are tired of RIP-ing Ramu, again and again but seems he still isnt. Lets see if this one is his comeback. Rann stars Amitabh Bachchan, Paresh Rawal, Sudeep, Ritesh Deshmukh, Gul Panag and Neetu Chandra.

Anupama Chopra (NDTV) – Bachchan, Ritesh Deshmukh and Suchitra Krishnamoorthy, playing the mole, bring some restraint and dignity to this cacophonous tale. Otherwise it’s sound and fury signifying little – 2/5

Taran Adarsh (Indiafm) – On the whole, RANN is truly a well-made film. No two opinions on that. The film should be patronised by viewers of serious, sensible cinema. Recommended! – 3.5/5 

Gaurav Malani (ET) – To be honest (like the film demands), Rann is not a new story but the news battle setting saves it from getting run-of-the-mill. Rather than a story designed around the media world, Rann is more of the clichéd corrupt politician chronicle (that Bollywood has been narrating since ages) set on the backdrop of the broadcasting business – 2.5/5

Rajeev Masand (CNN IBN) – Rann is not so much a bad film as it is a boring, predictable one. Varma and his writers borrow the Madhur Bhandarkar-blueprint and give us uni-dimensional characters who are either black or white, seldom grey. Although the film’s portrayal of a certain kind of Hindi news journalism may not be far from the truth, it is the film’s lazy stereotyping that is tiresome here. Varma uses crazy camera moves, tight close ups and a booming background score to create the drama that his simplistic script fails to – 2/5

Nikhat Kazmi (TOI) – It’s gritty. It’s grey. And it’s greatly topical too. Ram Gopal Varma returns to his let’s-dissect-the-real-world brand of cinema with the racy-pacy Rann that might run on predictable lines, nevertheless it makes for a gripping viewing with its behind-the-scenes dekko on the Breaking News, any which way, syndrome that seems to have overtaken certain sections of the media – 4/5

Khalid Mohamed (PFC) – All seen and said, the media ka kheema could have been infinitely superior. Gratifyingly, there are some redeeming moments which do leave you Zingin’ in the Rann. Thanks – 2.5/5

Kaveree Bamzai (India Today) – Ram Gopal Verma has been watching too much news. So much that he has made a movie on exactly the same principles that he trashes. Ensure your anchors/actors indulge in crazy histrionics, forget about the research and use hyperbole at all times. Watch it if you want a good laugh – 2/5

Mayank Shekhar (HT) – Exposes are cheap devices; explanations, precious. Most good art achieves the latter, great films do. This is neither an expose nor an explanation. It’s just an exercise in corniness, not very different from the subject of its scrutiny – 2/5

Sukanya Varma (Rediff) – There are a couple of moments in Rann involving a seemingly anonymous call to super tense Sudeep or Big B coming to terms with the humiliating truth about his son are reminiscent of vintage Varma, Then again, a messy climax, witless and uninspired writing and shoddy, detail-free narrative ensure these memories are washed out as soon as they are formed – 2/5

Aniruudha Guha (DNA) – Over the years, Varma has used, and abused, the same treatment in his films to such an extent that it has lost its novelty and fun factor now. Extreme close-ups, dark environs, a garish back ground score – Rann‘s soundtrack is awful, to say the least – we’ve seen it all in previous Varma films.  Rann just doesn’t work – 2/5

Shweta Parande (Buzz18) – Ram Gopal Varma brings us yet another gripping drama in the league of Sarkar and Sarkar Raj. The performances definitely make up for the flaws in the story. Also watch out for some good scenes and camera angles – 3.5/5

Ramu is still not back! The average rating seems to be 2/5! If you follow reviews every week, you know that Taran and Nikhat really dont count. Their operational cost is something different.

And the indie release of the week is Road To Sangam by debutant director by Amit Rai and stars Paresh Rawal, Om Puri and Pawan Malhotra.

Taran Adarsh (Indiafm) – On the whole, ROAD TO SANGAM is mainly for connoisseurs of cinema and also for the festival circuit – 3/5 

Jaya Biswas (Buzz18) – No doubt the film got the best film award at MAMI and rave reviews at the International Film Fest of South Africa, Los Angeles Reel Film Fest and so on. And what better time to release the film when we are so close to commemorate Gandhiji’s death anniversary on Jan 30. It’s a journey worth exploring. Only if the packaging was good, the impact would have been more – 2.5/5

aladin webpageIts filmy friday and two big releases this week. Aladin & London Dreams. Aladin is directed by Sujoy Ghosh, produced by Eros Entertainment, and stars Amitabh Bachchan, Sanjay Dutt, Ritesh Deshmukh and Jacqueline Fernandez. Some early reviews are out and it looks like a mixed one.

Taran Adarsh(Indiafm) – On the whole, ALADIN is a terrible waste of a terrific opportunity. Hugely disappointing! – 1 / 5

Anupama Chopra (NDTV) – But all their enthusiasm and special effects wizardry is let down by the half-baked story. Aladin never soars. See it if you must – 3/5

Chandrima Pal (Rediff) – What Ghosh dishes out in its place is some half-hearted hocus-pocus, a clumsy mix of old world lore with contemporary indifference, sloppy trips to the flashback and awkward bursts of forced sentimentality. Make a wish, Genius insists. Too late for that, isn’t it? – 2/5

Gaurav Malani (Indiatimes) – Just in case a Genie ever emerges out from your lamp, wish for once that our filmmakers come up with better ‘bound scripts’ and more enthralling adaptations. Till then all flights of fantasy should go on strike – 2/5

Udita Jhunjhunwala (DNA) – You are left wondering who films like this will appeal to. They are not amazing enough for adults or fun enough for kids. If I had a magic lamp, I would use one wish to ask for some decent, sincere films, the kind Ghosh made once upon a time (Jhankaar Beats) – 2/5

Rajeev Masand (CNN IBN) – Few films encourage you to free your mind and unleash your imagination. Say what you will about the Amitabh Bachchan-Ritesh Deshmukh starrer Aladin, but you cannot complain that you’ve seen this kind of Hindi film before – 3/5

Anand Vaishnav(Buzz18) – Ghosh’s setting is neither magical enough for a fantasy nor identifiable enough to be real. It’s too confusing for kids and adults alike. Except for a few laugh early on and Bachchan’s stand out act, Aladin is another addition to Bollywood’s failed attempts at fantasy – 1.5/5

Nikhat Kazmi (TOI) – To sum up with the refrain (Aladin, Aladin, kahan hai tera jinn) of the film: Aladin, Aladin, kahan hai tera sheen? Truly, a big let down from director Sujoy Ghosh who lost both his jhankar and his beats after ‘Home Delivery’ and ‘Aladin’, his films following a scintillating debut with ‘Jhankar Beats’ – 2/5

Shubhra Gupta (Indian Express) – Aladdin’ proves just one thing: Indian filmmakers should stay strictly away from the fantasy genre. The magical mystery tour that this film is meant to be falls way short of its target – 1/ 5

Minty Tejpal (Mumbai Mirror) – Aladin is a good example of how to take a beautiful fairy tale, and proceed to fairly destroy it. Since we all know the timeless story, director Sujoy Ghosh decides to give us his own special updated version, starting from the revamped genie – 1/ 5

Mayank Shekhar (Hindustan Times) – At 65, his(Bachchan) on-screen presence is likely to get scarcer with age. Audiences are still interested in his work. If only he wouldn’t green-light unbelievable, hollow, expensive rubbish that’d be pelted on us merely because, he said yes – 1/5

Kaveree Bamzai (India Today) – Why has the Genie chosen Aladin to save the world from the hands of Sanjay Dutt, the Ringmaster? What will happen when the comet crashes into Khwaish? And will Genie get his wish and head off to retirement, to wear his blingy jackets and do the disco? Yes, all is revealed in the end, but by then we’ve had too much of Mr Muscular (Sahil Khan) and Ms Great Legs (Fernandez) – 2/5

So, why are critics giving bad reviews to Aladin ? Our theory – Because they took Sanjay Dutt too seriously who said…Buri aadat badal daalo, Aladin ko maar dalo!

London DreamsThe other big release is London Dreams directed by Vipul Shah, and stars Salman Khan, Ajay Devgan & Music. And from the early reviews it looks & feels like Gujju Rock On!

Taran Adarsh(Indiafm) – On the whole, LONDON DREAMS has superb performances from its principal cast and several emotionally-charged sequences as its two trump cards. But its biggest drawback is its climax and also the music, which is the weakest link of the movie – 3 / 5

Anupama Chopra (NDTV) – Most of us don’t watch Hindi films for their verisimilitude but honestly, how much disbelief can a viewer suspend. There are a few nice songs here and occasional moments of charm provided by Salman Khan, who once again, plays a variation of Salman Khan. Otherwise London Dreams is as much fun as a stuck record. See if it you must – 2/5

Anand Vaishnav (Buzz18) – Eventually London Dreams is all about the joy of watching Salman and Ajay’s chemistry. Their star power makes up for all the flaws. Both have put their heart and soul into the film, delivering powerhouse, career defining performances – 3.5 / 5

Chandrima Pal (Rediff) – You may like London Dreams for its beautiful frames, some paisa-vasool moments between Salman and Devgn, a good background score and catchy songs. For the rest, you need willing suspension of disbelief. And large doses of it – 2.5/5

Rajeev Masand (CNN IBN) – London Dreams, directed by Vipul Shah, is a frustratingly foolish film about foolish people. It’s the kind of film whose central conflict could be instantly resolved if the characters concerned simply sat down and had a chat – 2 / 5

Khalid Mohamed(Khalidsspot) – With all its mad flaws and inadequacies, Shah’s enterprise still sees him going beyond the klutzy rishtas and pishtas. If you think that’s sufficient reason to buy a ticket , check out this London Whippy Whippy Shake – 2 / 5

Shubhra Gupta (Indian Express) – With his latest film, Vipul Amrutlal Shah goes back to familiar territory : Punjabi ‘munda’ in London town, all set to conquer the world. Akshay Kumar did it wonderfully in ‘Namaste London’. This time around, it is Ajay Devgn’s turn, accompanied by partner-in-crime Salman Khan, but the two-for-the-price-of-one isn’t as much of a success – 2/5

Minty Tejpal (Mumbai Miror) – At the end, London Dreams is worth a watch, though it could have been far better – 2 /5

Mayank Shekhar (Hindustan Times) – This is how hinterland ticket-holders would like to see both.Don’t worry about the story-line. There is no writing, merely good locations and great lighting; wouldn’t shock me if it sort of lit up the producer’s balance sheet as well. Well – 1.5 / 5

Kaveree Bamzai (India Today) – Imagine Rock On!! in Punjabi with stereophonic emotional drama? Can’t? Well that’s London Dreams, where two best friends fall apart over a girl and their music. Now where have we seen this before? Yes, yes, everywhere. But Vipul Shah’s forte has never been originality. It has been energy and joie de vivre, which the film has in plenty. Almost enough to save it. Almost – 2.5/5

Our take – We think if they had gone to the stage with dandiya sticks instead of drum sticks it would have been good fun!

Forget the biggies, we are going to MAMI Film Festival this weekend!

Aladin - Ritesh Deshmukh, Jacqueline Fernandez & Amitabh BachchanFor the first hundred people!! Yes, thats what he tweeted on monday late night after watching Aladin! And like us, if you are following his tweets, its difficult to say how many times he has already seen the film. He saw the film during edit – alone, with Sujoy, with Shekhar, on big screen – with Ritesh, with Sujoy and again and again! Have lost the count. To quote his tweet …

you know what? after tonight, i’ll stick my neck out. i’ve rarely seen a film as big as ALADIN, yet so complete as an emotional journey. 

And the ticket refund one….

 loved ALADIN so much tonight, that if you go, and don’t like it, i’ll refund your ticket-price, for the first hundred people! there!

Woohoo! So, BIG is the key word here. The film is directed by Sujoy Ghosh and stars Amitabh Bachchan, Sanjay Dutt, Ritesh Deshmukh and Jacqeline Fernandez. The cast and the crew have been tweeting non-stop about the film since last few weeks forming a mutual admiration club. Here’s what Ritesh tweeted after the screening last night….

saw Aladin @sujoy_g extremely proud of you and the film. You delivered more than u promised me. BIG THANK U for my BIGGEST FILM

“Big” is again the key word. It becomes bigger to BIGGEST! Big B also blogged about it. To quote from his blog….

I live with the images that last night’s trial of ‘Aladin’ have impressed upon me. I am proud to have been a part of this venture, that has certainly created a finesse and grandeur in fantasy film making much much more than what I had expected from it. It is smooth and vibrant and not in your face yet effective enough to know that it is. The characters , the settings, the music and the situations all have been blended in a most ingenious manner. For the first time in my entire career of film trial history, the audience that habitually consists of trade people, applauded after a song sequence came to an end. We in the business have become accustomed to watching films with the patent ingredients that help us assess the potential of a film. It was and is difficult for me to state whether I found those ingredients last night in ‘Aladin’ and therefore a prediction is difficult to come by. But then some of the last few releases had drummed up sufficient passion in their patent ingredients, but did not come up winners. The unpredictability of this business is the only predictability.

Well, unlike Vishal, Bachchna is not willing to stick his neck out but wraps it up on a slightly skeptical note. So, what do we know ? Here is what our spies told us.

OK. Its BIG in scale. Big is surely the key word! And better. Much better than anything you have seen in a hindi film. Unlike other hindi films, the special effects are damn smooth. But its a children’s film, as in, its a complete masala entertainer for family. With a hero, heroine, villain, love story and a Genie – what else can you deliver!

So, you going for Aladin or London Dreams this friday ?

Aladin - Ritesh Deshmukh, Jacqueline Fernandez & Amitabh BachchanAladin is Sujoy Ghosh’s new film starring Amitabh Bachchan, Sanjay Dutt, Ritesh Deshmukh and Jacqueline Fernandes. In an interview to CNN IBN’s Rajeev Masand, Amitabh Bachchan has spoken about the story of Aladin where the lead character is called Aladin Chatterjee (Ritesh Deshmukh). And here is the story according to Big B…..

I must say that the facts of the old story are just there in few places — there is the lamp, there is Aladin and there is the genie, and that’s it. The location is interesting because it’s a make believe though it is contemporary.  

The lamp has been integrated in a peculiar way. Aladin’s parents were looking out for something, which would bring world peace and then it gets lost and they get demolished. He (Aladin) is a weak and timid person in college. He keeps getting bullied by his seniors who are tougher and stronger than him.

He has always led a very reticent and reserved, exclusive life. And he sees a girl in college whom he falls in love with at first sight and needs to communicate with her but he doesn’t have enough courage and energy. The gang that teases him in college is always teasing him because his name is ‘Aladin’and they keep referring to the lamp in a sort of funny and sarcastic manner.

Every opportunity that they get, they either bring a lamp in his face and say, ‘Come on rub it, some genie will come’ or make fun of him. And they (the gang) convince the girl to give him a lamp as a present albeit in a joke but it turns out that the lamp indeed is the ‘magic lamp’and he has to rub it in front of them because they are making fun of him and suddenly a man appears who is a genie and says — I am genie and I have three wishes and I am 5000 years old and due for retirement and these are my last three wishes, so would you hurry and ask them because I need to get back.

And he can’t believe what’s happening to him because all kinds of strange magical things start happening. And eventually he confides that he loves the girl and that he wants her.

The genie says — Ah! that’s the wish. So very tactfully all these two wishes come true and Aladin being sort of a moral person says that he didn’t want it this way and says that if he wanted to win this girl, he would win her through what he was and asks the genie could he make that wish come true for him.

So the genie does that. And through the last wish, Aladin becomes a normal person and through normal means he is able to pursue the girl that he is in love with and how they come together. There is the villianous angle of Sanjay Dutt, who is an ex-genie who is desparate to get the lamp and he knows where it is.

 But he also knows that the genie that has come out, who is oddly named ‘Genious’ is protecting Aladin. There is a little twist there where Sanjay Dutt, who is playing as a ringmaster of a circus has a small element of the lamp with him which is almost like the Superman’s kryptonic, where he would lose all his powers once he sees that. And he (Sanjay Dutt) uses that very tactfully to get to the lamp and steal it and then the climax of how Aladin and genie saves it and eliminates the other.

Hmm. So , its a romantic film with a hero, heroine and villain. The new addition is the Genie! BTW, you can read the full interview here

Wake Up SidTwo big hindi releases this week. Wake Up Sid is directed by 26 year old Ayan Mukherjee and stars Ranbir Kapoor and Konkona Sen Sharma. The film is produced by Karan Johar. So, will Sid wake up this friday ? As I tweeted on wednesday evening, think it will score between 3-3.5/5.  Some of the reviews so far…

Anupama Chopra ( NDTV) – Finally then, Wake Up Sid can’t match Dil Chahta Hai, which even eight years later remains Bollywood’s gold standard for coming-of-age movies. I’m going with a generous three stars and recommending Wake Up Sid with reservations – 3/5

Taran Adarsh (Indiafm) – On the whole, WAKE UP SID is a well-made film that should strike a chord with the youth mainly. A metro-centric film, the film should attract its target audience and should also prove to be the first choice of the elite/urban audience this Friday – 4/5

Rajeev Masand (CNN IBN) – It has its heart in the right place and it marks the breakout of a bright, shining star who has come into his own so early in his acting career. Watch it, and be awestruck by Ranbir – 3/5

Sukanya Verma (Rediff) – Wake Up Sid has its heart in place, but it still doesn’t have much of a plot or novelty to rely upon. That’s why the dialogues could have done with a little more quirk and nifty humour. Having said that, a superlative Ranbir makes it too darn hard to notice – 3/5

Gaurav Malani (ET) – It’s pleasing to see Bollywood warming up to fresh talents like Ayan Mukerji and waking up to compelling narratives like Wake Up Sid – 3/5

Anand Vaishnav (Buzz18) – When the veterans are royally messing up screenplays, Ayan Mukerji deserves full marks for his maiden effort. His conviction shows in every department. Wake Up Sid is easily the freshest film in the marquee – 4/5

Avijit Ghosh (TOI) – In the end, Wake Up Sid becomes a sort of template of how GenNow navigate their lives: deal with their own little rebellions, find meaning to their own definitions of independence and handle their own set of mistakes. It feels good when the two friends finally meet in driving rain under the grey skies by the sea. Refreshing and heart-warming, Wake Up Sid really puts you in the mood for love – 4/5

Kaveere Bamzai (India Today) – So wake up, and go watch Sid and Aisha’s sweet little prem kahani. It’s not as perfect as the decor in Sid and Aisha’s home but it’s pretty. Ad yes, the boy gets the girl, a career and his parents too (with their credit card) in the perfect little summation of our consumerist-driven lives – 3.5/5

Mayank Shekhar (HT) – If anything, this film is just as real if not more. Given the clichéd subject, most importantly, the coolness isn’t fake: something most films pretending to be for or about ‘youth’ don’t quite manage to grasp. You can immediately tell the writer-director (Ayan Mukherjee, a heart-felt debut) has lived though the material. So have the actors. I may not mind living through this again – 3.5/5

Minty Tejpal (Mumbai Mirror) – Ranbir has a charming vulnerability coupled with a cheeky insouciance that makes him superstar material, the kind of boy who is adored both by the dadi and her granddaughter. And thank the cinema gods for Konkona Sen Sharma. The talented actress once again puts in a nuanced performance, as we have come to expect from her. Well done, Sid – 3/5

Shubhra Gupta (Indian Express) – Despite the obvious passages, Mukherjee shows he has a way of adding nuance to a scene. `Wake Up Sid’ is a promising first effort – 3/5

Do Knot DisturbThe other release of the week is Do Knot Disturb starring Govinda, Ritesh Deshmukh, Lara Dutta and Sushmita Sen. The film is directed by David Dhawan.

Anupama Chopra (NDTV) – This is cinema as punishment. Steer clear – 1/5

Taran Adarsh (Indiafm) – On the whole, DO KNOT DISTURB is a mass entertainer that keeps you entertained and smiling/laughing in most parts. At the box-office, this one lives up to the hype and expectations and that in turn should reflect very strongly in its business – 3.5/5

Gaurav Malani (ET) – Fun lies behind closed doors’ reads the tagline of the film. One would rather close doors to such farcical fun. It’s time directors DO NOT take the viewer for granted. Take the cue from the title. Do not bother to disturb yourself for this deafening drama – 1.5/5

Rajeev Masand (CNN IBN) – It’s hard to believe this film was actually directed by someone. Was David Dhawan ever on the set at all? Perhaps Sushmita Sen ate him! That answers two important questions – 1/5

Anand Vaishnav (Buzz18) – Govinda and David Dhawan have made us laugh a lot more in the past. And this is certainly below par for them. Watch it if you are looking for handful a of chuckles. Do not expect more – 1.5/5

Minty Tejpal (Mumbai Mirror) – I think the real reason that Govinda is a much loved star is because of his looks or lack of thereof. To see a round, middle aged goofy looking man with clumsy hair and a huge smile flirt and hug former Miss Worlds is pure value for money, especially for all the fat men in the audience. If Govinda can, so can they – 3/5

As expected, Wake Up Sid is clear winner this week! And lets knot disturb the other.

Director Sujoy Ghosh and music directors Vishal-Shekhar have been twittering for a long time that their new release Aladin has one of the best musical score they have ever done. The music of Aladin is finally out. There are eight tracks in the album, including one by Sanjay Dutt and (Giri giri) Amitabh Bachchan’s name features in the credit list of two songs.

Havent heard the album yet but you can listen to the promo songs of the film here and select “Audios” option at the top panel.

The film stars Amitabh Bachchan, Sanjay Dutt, Ritesh Deshmukh and Jacqueline Fernandes.

Aladin music1