Posts Tagged ‘Indiatimes’

Its filmy friday. Its Khan-day! Karan Johar’s big budget film My Name Is Khan is the release of the week, starring Shah Rukh Khan & Kajol. So, does its score or not ? Lets check out.

Anupama Chopra (NDTV)My Name is Khan is a film made with sincerity and sweat, ambition and conviction. It grapples with the most urgent and fraught issue facing humanity: religion. It features a striking performance by Shah Rukh Khan – 3/5

Raja Sen (Rediff) – Karan Johar’s finally made his first grown-up film, and made it well. It could have been the stuff of much more, but let us leave that for another day. This is a film that will inspire, make aware, make happy. And for now, let us celebrate how the man whose name is on the marquee just proved why he deserves that crown he so often boasts of  – 3.5/5

Rajeev Masand (CNN IBN) – The film shamelessly tugs at your heartstrings and on more than one occasion wallops you to weep. Aided by solid camerawork, tight editing and a layered story, Johar crafts an engaging, stirring saga that is earnest and noble. With this message movie in the mainstream format, the director takes a step in the right direction. Watch it for its star who doesn’t miss a beat – 3.5/5

Kaveree Bamzai (India Today) – In khushi or gham, Karan Johar always wants to please. He stuffs his goodie bag with so many little bon bons that the viewer finds it difficult to look away. It’s the same with My Name is Khan – 3.5/5

Mayank Shekhar (HT) –  Forrest Gump in its scope, Rain Man in its approach, slightly convenient in its ‘Bollywood opera’, world-class in its photographic treatment (Ravi K Chandran), more sorted than Kurban (from the same producer, along a similar theme); you can sense, throughout, honesty in the film’s purpose – 3/5

Taran Adarsh (Indiafm) – On the whole, MNIK is a fascinating love story, has an angle of religion and a world-shaking incident as a backdrop. It not only entertains, but also mesmerises, enthrals and captivates the viewer in those 2.40 hours. At the same time, a film like MNIK is sure to have a far-reaching influence due to its noble theme. I strongly advocate, don’t miss this one – 4.5/5 

Gaurav Malani (Indiatimes) – Like his placard that reads ‘Repair almost anything’, Shah Rukh Khan makes up for every minor inconsistency in the film. My Name is Khan is worth a watch on his name alone – 3/5

Nikhat Kazmi (TOI) – It’s Khan, from the epiglotis (read deep, inner recesses), not `kaan’ from the any-which-way, upper surface. In other words, it’s the K-factor — Karan (Johar) and Khan (Shah Rukh) — like you’ve never seen, sampled and savoured before. My Name is Khan is indubitably one of the most meaningful and moving films to be rolled out from the Bollywood mills in recent times. It completely reinvents both the actor and the film maker and creates a new bench mark for the duo who has given India some of the crunchiest popcorn flicks – 5/5

Sukanya Varma (Rediff) – The verbose nature of the script doesn’t leave much scope for gestures. Although the image of Khan standing on a deserted highway with a sign board that reads ‘Repair almost everything’ is true to the soul of this film. Even if it’s the only one of its kind – 3/5

Khalid Mohamed (PFC) – At the end of 18 reels,  you do carry something precious  home – SRK and Kajol. They are absolutely electric. Undoubtely, they don’t make’em like that anymore. And never will, which is why MNIK is absolutely compulsory viewing. You may have problems with it. Yet it is a must-must-see – 4/5

Shweta Parande (Buzz18) – One of the important films of Hindi cinema. Although it messes up its length, there are some touching scenes not to be missed. My Name is Khan has many messages and not just an ‘Autism Alert’ and ‘Terror Alert’. Go for it and enjoy interpreting – 3/5

Phelim O’Neill (Guardian) – It’s stunningly shot, on mostly US locations, and tackles plenty of hard topics – its deceptively light touch gets heavier as things progress. It’s a shame that much of the intended audience will not see this well-intentioned, slickly constructed and just plain likable film, for reasons that are very little to do with the film itself – 3/5

So, the verdict is between 3 and 5, scoring 3.5, 4, 4.5 and 5 too! Seems like much better than KANK which had quite extreme reactions.

The big release of this friday is Kurbaan. Produced by Karan Johar, directed by Rensil D’ Silva and starring Saif Ali Khan, Kareena Kapoor and Vivek Oberoi. And here is the score card…

Anupama Chopra (NDTV) – The film has ambition but it is too flawed and simplistic to explore issues like religion, violence and the politics of terrorism with any conviction or gravitas – 2.5/5

Taran Adarsh (Indiafm) – On the whole, KURBAAN is the most powerful film to come out of the Hindi film industry in 2009, so far. The film has a captivating plot, gripping screenplay, super performances and a climax that shakes you up completely. Watching this movie should be on top of your agenda this week – 4/5

Rajeev Masand (CNN IBN) – Stripped to its bone, Rensil D’silva’s Kurbaan is an edge-of-the-seat thriller that seldom loses its grip on your attention. Credible performances from its leads, and a nail-biting screenplay make up for the plot holes that threaten to eat into this otherwise engaging film – 3/5

Khalid Mohamed (PFC) – In effect, then, Kurbaan is the sort of film that doesn’t have a clue about the complex subject it is dealing with. It set my teeth on edge. And ha ha , not only because it is revealed at the end that the real name of Saif Ali Khan’s terrorist happens to be Khalid. Thanks Karan, Rensil..I’d just like to see how you guys would respond if your names were used for heinous criminals on screen. Or even in graffiti. Try it – 1.5/5

Shubhra Gupta (Indian Express) – It’s not as if the director has refused to make concessions to the starry status of his lead couple, with Kareena displaying a daringly naked back, and Saif showcasing a bare brawny torso, the bloody rivulets just so. Or that D’Silva doesn’t fall into the self-indulgent trap all debutants do, to keep it too long: the second half drags, and the last half-hour telegraphs its punches. But you overlook these because, at its core, ‘Kurbaan’ has power and resonance – 3/5

Nikhat Kazmi(TOI) – Kurbaan sure does strike a chord and sets you thinking on stuff that needs to be sorted out before the new world order – a more humanitarian, less violent – sets in. Don’t miss it – 3.5/5 ( BTW, this review deserves a separte post. Why and how ? Coming soon)

Minty Tejpal (Mumbai Mirror) – Despite a difficult subject that deals with terrorism and Islam, the director gets the tone and pitch of the film just right, a tricky art to pull off in a purely commercial space. While the recent New York was more flamboyant in its approach, Kurbaan is textured and well-measured – 3/5

Mayank Shekhar (HT) – What you may brave through then is a flick neither real or serious enough to be a meditation on global terror, nor sweetly suspended and adequately brain-dead to be Die Hard. It’s hard to be both. The hardship shows.

Chandrima Pal (Rediff) – Go watch Kurbaan, explore it, find your own points to agree, disagree, endorse, enjoy, debate and be angry about. Either way, you definitely cannot walk out without the film leaving an impression on you. And a strong one at that – 3.5/5 

Gaurav Malani (ET) – Kurbaan, noticeably, is set on the same plot of New York – the pun involves both the city and the cinema. And while in any other case this could have been a setback for the ulterior release, Karan Johar’s film, on the contrary, scores for being a more convincing and compelling version of the Yash Raj production that released few months back – 3/5

Kaveree Bamzai (India Today) – Welcome to the world of Islamic terror. Where blood flows artistically, a rich red, slowly and steadily; where love is the perfect antidote; where FBI agents are heroes; where sleeper cells operate out of racially stereotyped neighbourhoods amidst kebabs and biryani; and where the Koran is discussed over coffee and chai – 2/5

Priya Ramani (Livemint) – Before this movie I believed that New York was to Karan Johar what Switzerland was to Yash Chopra. Why would he make such an offensive film about his favourite city? Bas karo yeh meaningful cinema. Please give us a Kuch Kuch Hota Hai again.

Aniruddha Guha (DNA) – You are not quite sure after watching Kurbaan what exactly the motive behind making the film is. Was it designed to be a thriller? Then, in the almost 2hrs and 40minutes of its running time, it’s too long and dips at various points to be able to thrill you enough. Was it supposed to be a love story? Then it fails on that count because the ‘lovers’ in the film come across as shallow. Was the film supposed to be a comment on global terrorism? Then it’s a haphazard one, raising questions (old ones at that) and not bothering to give any answers – 2/5

Lil late on reviews this week. Only because we were not interested in any of the two hindi releases of the week. Tum Mile is from Bhaat Factory, directed by Kunal Deshmukh and stars Emraan Hashmi and Soha Ali Khan. And here is the report card.

Taran Adarsh (Indiafm) – On the whole, TUM MILE caters to the youth mainly. At the box-office, the Vishesh Films – Emraan Hashmi combo has cultivated a strong fan-base over the years and coupled with good music, which is also very popular, the film should find itself in the comfortable zone – 3/5

Rajeev Masand (CNN IBN) – You may survive the floods, but Emraan and Soha’s bak-bak will most certainly kill you! – 1.5/5

Gaurav Malani (ET) – Tum Mile might be dilute on the deluge but concentrates on having its heart in the right place. Watch it as a disaster flick and you will find it disastrous. Watch it as a love story and you will love it – 3/5

Khalid Mohamed (PFC) – To the immense credit of director Kunal Deshmukh, he shoots it with such sensitivity and grace, that you’re convinced that he’s an underrated director. Both Deshmukh and Mohit Suri (Woh Lamhe) from the Mahesh-Mukesh Bhatt factory are excellent technicians, and deserve to be in the A-list of mainstream directors – 3/5

Rediff (Sukanya Varma ) – Ultimately, though, Tum Mile’s true strength lies in the combined appeal and compelling performances of Emraan and Soha. Awe-inspiring it is not but engaging? By all means – 3/5

Mayank Shekhar (HT) – Alongside posters and promos of 2012, this reel or two was meant to be cinema about a shaking catastrophe. You realise, while the romance and its conflicts are short-lived, this is not a disaster film at all. I mean this as much for its genre as hopefully its fate among the public – 2/5

Anupama Chopra(NDTV) – The film strains for poignancy as the lovers realise that life is too short but their epiphany is more tedious than moving – 2/5

Nikhat Kazmi (TOI) – What really stands out in the film is the acting. Emraan and Soha create a chemistry that is brimming over with warmth and remains quite unpredictable till the very end. Their conversations — and concerns — are straight out of real life – 3.5 / 5

Minty Tejpal(Mumbai Mirror) – Emraan is fairly intense in his performance, while Soha is quite spunky, but together they are a bit flat. The music is fairly melodious, though there are no tracks that really jump out. However, the film is worth watching on a rainy day. Just don’t expect to be swept away – 2/5

Shubhra Gupta (Indian Express) – Hashmi and Khan have a good fit, though, and their lovers’ tiffs feel real: Deshmukh has an ear for dialogue and gets his leads to spar in believable ways, especially when Hashmi behaves like a spoilt brat artist, and she an unrelenting career girl. Pity about the lax climax – 2/5

Kaveree Bamzai (India Today) – All the drama is in the breaking up and making up between Emraan and Soha and though both have put in likeable performances-Soha even foregoing make-up for it-it is too much water, too late and too limp – 2.5/5

Anand Vaishanv ( Buzz18) – While the disaster angle is clearly a gimmick. And the lovers could very well have sorted out their differences on a station or an airport lounge, the film is engagingly shot. Tum Mile is eventually just another love story punctuated with some 26/7 sequences. Watch it only if you are a die hard Emraan Hashmi fan – 2/5

The other release of the week is Aao Wish Karein stars Aftab Shivdasani and Aamna Shariff. Its directed by Glenn Baretto and is Aftab’s home production. And did we tell its written also by Aftab! Aur bolo!

Anupama Chopra (NDTV) – Week after week, critics lament the lack of original work in Bollywood. But after watching Aao Wish Karein, an agonizingly boring rework of Tom Hanks’ Big, I wished that the makers had been less original and copied more diligently – 0.5/5

Taran Adarsh (Indiafm) – On the whole, AAO WISH KAREIN is engaging in parts, but how one wishes the film would grab your attention in entirety. The wish of striking a chord and hence, succeeding at the box-office won’t come true for this reason – 1.5/5

Rajeev Masand (CNN IBN) – Far from achieving the fairytale feel it was going for, Aao Wish Karein is a colossally boring film that packs clunky dialogue, a predictable narrative and a muddled message in the end. Barring a few superb songs, this film is a miscalculation on all counts – 1/5

Minty Tejpal (Mumbai Mirror) – Yup, the same Big story, only Aftab is no Tom Hanks, and the less said about the direction the better. However, in good old Bollywood style, it’s the ending that’s the real double whammy. Go watch it if you wish – 1.5/5

Shubhra Gupta (Indian Express) – Good proposition for kids, and adults, to buy in. But `Aao Wish Karein’ falls in between two stools, and becomes a film which appeals strongly to neither – 1/5

Nikhat Kazmi (TOI) – Obviously inspired by Tom Hanks 1988 classic (Big) that was nominated for two Oscars, the film lacks all the masala that made Penny Marshal’s film such a winsome experience. Also, the romance between Aftab and Aamna is quite thanda. Thoda aur wish karein? – 2/5

 

Ajab Prem Ki Ghazab KahaniIts that day of the week which we love the most! Filmy Friday! This week there are two new hindi releases – Ajab Prem Ki Ghajab Kahani (APKGK) and Jail. Or as they are saying, its Ranbir Kapoor VS Neil Nitin Mukesh, now that Imran Khan is miles and miles behind!

APKGK is directed by Raj Kumar Santoshi and stars Ranbir Kapoor and Katrina Kaif. And here are the early reviews…

Taran Adarsh(Indiafm) – On the whole, APKGK entertains majorly. At the box-office, the fantastic pre-release campaign coupled with the terrific chemistry between Ranbir and Katrina, excellent music by Pritam and tremendous appeal for youth should ensure a big start for the film at the ticket window – 4/5

Anupama Chopra (NDTV) – Ajab Prem Ki Gazab Kahani, a comedy set in a comic book universe, is a frustratingly uneven film. Some of it is genuinely funny and delightful and some of it is repetitive, and annoyingly tedious – 3/5

Raja Sen (Rediff) -Honestly, it’s just good to watch a film with memorable comedy again. Heaven knows its been a while. And one that takes us back to a different, more wholesome kind of cinema. Even as the climax drags into predictability, Santoshi ensures that even divine intervention — to pull it all back on track again — comes with laughs. Gotta love that – 3.5/5

Mayank Shekhar (HT) – You look through this hollowness, and sense there is not a comic bone at all. There is certainly no romance either. Good boy (Ranbir Kapoor) fumbles and chases good girl (Kaif) through multiply tiring sequences. Saawariya for a debut was a poor practical joke on young Kapoor. This humourlessness, if at all, is infinitely sappier.

Gaurav Malani(Indiatimes) – The one thing you can’t overlook noticing in Ajab Prem Ki Ghazab Kahani is how Rajkumar Santoshi takes liberal references from every popular prem kahani of Bollywood and ends up with an ajeeb (weird) jumbled screenplay – 2/5

Nikhat Kazmi(TOI) – Gazab comedy, this one. Really, Ranbir is a revelation, Katrina is full of beans and the newly formented Ranbir-Katrina chemistry sets the screen on fire in this mad hatter’s tea party that takes you on a roller-coaster ride as Raj Kumar Santoshi tries to retrack his way to his Andaz Apna Apna days – 4/5

Rajeev Masand (CNN IBN) – Despite its hiccups, Ajab Prem Ki Ghazab Kahani is not an entirely unwatchable film, and the credit for that goes squarely to its leads who invest sincerity and genuine enthusiasm while attacking their roles. Katrina Kaif breezes through her scenes, endearing you to the vulnerable Jenny; striking up a radiant chemistry with her co-star. As for Ranbir Kapoor, he is the brightest spot in this ordinary film, rising above the script’s many holes, occasionally even making the stupidity work – 2.5/5

Khalid Mohamed (PFC) – The kid’s brilliant. So watch it Hrithik Roshan, Shahid Kapoor and all the big and small Khans. At the rate he’s going – by sheer evidence of his screen charisma, technical felicity and youth power – Ranbir Kapoor is more than likely to be the Next Best Thing, if he isn’t one already. He’s RK Jr and he’s more than super A-Ok -2.5/5

Shubhra Gupta(Indian Express) – Once upon a time, Rajkumar Santoshi made a lovely little film which was all fun and games. ‘Andaz Apna Apna’ (1994), which came at a time when neither Aamir nor Salman were Superstars Inc., has traveled well—its unfettered joyousness delights at every fresh viewing. The same cannot be said for Ajab Prem Ki Ghazab Kahani – 1/5

Kaveree Bamzai (India Today) – The movie sails because of Kapoor’s effortless ease. He dances like a dream, looks good enough to take your eyes off Kaif, and raises a lot of laughs with his goofiness. And guess what, he looks pretty in pink too. Ad he has a memorable no sorry, no thank you dialogie as well: all he wants is to be Kaif’s friend, no complaints, no demands. This one, ladies and gentlemen, is a stayer. See you around, Ranbir – 3/5

Minty Tejpal (Mumbai Mirror) – For the most part of the film, you do drool, mostly over the totally delicious lead pair, and often enough over the ridiculous dialogue in this absurd, mad comedy being played out on screen. Ha ha and a hoot. In fact, the first half of the film just rocks all the way – 3.5/5

Anand Vaishanav (Buzz18) – With such a gorgeous pair, Ajab Prem Ki Ghazab Kahani, could have been a charming joyride. But instead it settles for a routine, time pass watch. Ranbir Kapoor and Katrina Kaif’s chemistry shines long after the curtains fall down – 2.5/5

Jail is directed by Madhur Bhandarkar and stars Neil Nitin Mukesh,  Mugdha Godse and Manoj Bajpai.

Rajeev Masand (CNN IBN) – Because it’s well-intentioned and settles for a hopeful message, you stay with the film despite the fact that it’s never quite compelling. It’s got its heart in the right place, but sometimes that’s not enough – 2.5 /5

Anupama Chopra (NDTV) – Bhandarkar’s cinema has often been called hard-hitting but the trouble with Jail is that it simply doesn’t hit hard enough. See it if you must – 2.5/5

Taran Adarsh(Indiafm) – On the whole, JAIL is a well-made film from an expert storyteller. At the box-office, the film will appeal to those with an appetite for hard-hitting, realistic fares, but its clash with APKGK will affect its business to an extent – 3/5 

Khalid Mohamed (PFC) – Okay, okay, for heaven’s sake this is a Bhandarkar, Madhur Bhandarkar movie. Get real, appreciate Jail for being as rough, real and dammit, outspoken. Sorry guys, want to..however it’s anything but. It’s just not in the league of the eye-opening Fashion, Traffic Signal, Page 3 and Chandni Bar, which have their loyal admirers including the National Film Award juries. Yeah – 2/5 (there’s nothing here that you don’t know or haven’t seen already)

Raja Sen(Rediff) – The detailing is shoddy, the characters cardboard and the dialogue plain laughable. Jail is a formulaic, below average Bollywood headache, slowed down to lugubrious dullness. Groan. Leave it be, this prison of cardboard and cliche. We all deserve better – 1/5

Mayank Shekhar (HT) – What we may have liked to know, like with any story, is something more about the hero himself — his past, his conflicts, his shattered dreams. It could’ve greatly helped with the sorely missed empathy. But that’s not to be. I guess, only in a film-culture as less evolved as ours, would a movie with merely a setting, pride itself so much on realism alone – 2/5

Kaveree Bamzai (India Today) – There’s a sense that we’re sitting in on a reality show, that it’s Bigg Boss Season 4 set inside a jail. You find yourself wishing Mukesh’s ordeal ends, not so much for him as for you. Hey Mr Bhandarkar, it’s time to think of a new formula, or choose a subject that thrills like Fashion- 2/5

Gaurav Malani(Indiatimes) – Compare Jail to Madhur Bhandarkar’s earlier works and you would be disappointed to a degree. Nevertheless, compare it to many other mediocre movies of today and Jail is still a step ahead. Jail is captivating but not consistently – 2.5/5

Minty Tejpal (Mumbai Mirror) – The movie itself is more like a well-researched documentary that teaches you a few new things about life in jail, so it’s pretty instructive for anyone planning on landing up there. The promos of Jail read, ‘sentenced on November 6’. Yes, ‘sentenced’ is right – 2/5

Shweta Parande(Buzz18) – If the film works, it will only be because of Madhur’s execution. Otherwise, Jail has nothing new to offer – 2/5

aladin webpageIts filmy friday and two big releases this week. Aladin & London Dreams. Aladin is directed by Sujoy Ghosh, produced by Eros Entertainment, and stars Amitabh Bachchan, Sanjay Dutt, Ritesh Deshmukh and Jacqueline Fernandez. Some early reviews are out and it looks like a mixed one.

Taran Adarsh(Indiafm) – On the whole, ALADIN is a terrible waste of a terrific opportunity. Hugely disappointing! – 1 / 5

Anupama Chopra (NDTV) – But all their enthusiasm and special effects wizardry is let down by the half-baked story. Aladin never soars. See it if you must – 3/5

Chandrima Pal (Rediff) – What Ghosh dishes out in its place is some half-hearted hocus-pocus, a clumsy mix of old world lore with contemporary indifference, sloppy trips to the flashback and awkward bursts of forced sentimentality. Make a wish, Genius insists. Too late for that, isn’t it? – 2/5

Gaurav Malani (Indiatimes) – Just in case a Genie ever emerges out from your lamp, wish for once that our filmmakers come up with better ‘bound scripts’ and more enthralling adaptations. Till then all flights of fantasy should go on strike – 2/5

Udita Jhunjhunwala (DNA) – You are left wondering who films like this will appeal to. They are not amazing enough for adults or fun enough for kids. If I had a magic lamp, I would use one wish to ask for some decent, sincere films, the kind Ghosh made once upon a time (Jhankaar Beats) – 2/5

Rajeev Masand (CNN IBN) – Few films encourage you to free your mind and unleash your imagination. Say what you will about the Amitabh Bachchan-Ritesh Deshmukh starrer Aladin, but you cannot complain that you’ve seen this kind of Hindi film before – 3/5

Anand Vaishnav(Buzz18) – Ghosh’s setting is neither magical enough for a fantasy nor identifiable enough to be real. It’s too confusing for kids and adults alike. Except for a few laugh early on and Bachchan’s stand out act, Aladin is another addition to Bollywood’s failed attempts at fantasy – 1.5/5

Nikhat Kazmi (TOI) – To sum up with the refrain (Aladin, Aladin, kahan hai tera jinn) of the film: Aladin, Aladin, kahan hai tera sheen? Truly, a big let down from director Sujoy Ghosh who lost both his jhankar and his beats after ‘Home Delivery’ and ‘Aladin’, his films following a scintillating debut with ‘Jhankar Beats’ – 2/5

Shubhra Gupta (Indian Express) – Aladdin’ proves just one thing: Indian filmmakers should stay strictly away from the fantasy genre. The magical mystery tour that this film is meant to be falls way short of its target – 1/ 5

Minty Tejpal (Mumbai Mirror) – Aladin is a good example of how to take a beautiful fairy tale, and proceed to fairly destroy it. Since we all know the timeless story, director Sujoy Ghosh decides to give us his own special updated version, starting from the revamped genie – 1/ 5

Mayank Shekhar (Hindustan Times) – At 65, his(Bachchan) on-screen presence is likely to get scarcer with age. Audiences are still interested in his work. If only he wouldn’t green-light unbelievable, hollow, expensive rubbish that’d be pelted on us merely because, he said yes – 1/5

Kaveree Bamzai (India Today) – Why has the Genie chosen Aladin to save the world from the hands of Sanjay Dutt, the Ringmaster? What will happen when the comet crashes into Khwaish? And will Genie get his wish and head off to retirement, to wear his blingy jackets and do the disco? Yes, all is revealed in the end, but by then we’ve had too much of Mr Muscular (Sahil Khan) and Ms Great Legs (Fernandez) – 2/5

So, why are critics giving bad reviews to Aladin ? Our theory – Because they took Sanjay Dutt too seriously who said…Buri aadat badal daalo, Aladin ko maar dalo!

London DreamsThe other big release is London Dreams directed by Vipul Shah, and stars Salman Khan, Ajay Devgan & Music. And from the early reviews it looks & feels like Gujju Rock On!

Taran Adarsh(Indiafm) – On the whole, LONDON DREAMS has superb performances from its principal cast and several emotionally-charged sequences as its two trump cards. But its biggest drawback is its climax and also the music, which is the weakest link of the movie – 3 / 5

Anupama Chopra (NDTV) – Most of us don’t watch Hindi films for their verisimilitude but honestly, how much disbelief can a viewer suspend. There are a few nice songs here and occasional moments of charm provided by Salman Khan, who once again, plays a variation of Salman Khan. Otherwise London Dreams is as much fun as a stuck record. See if it you must – 2/5

Anand Vaishnav (Buzz18) – Eventually London Dreams is all about the joy of watching Salman and Ajay’s chemistry. Their star power makes up for all the flaws. Both have put their heart and soul into the film, delivering powerhouse, career defining performances – 3.5 / 5

Chandrima Pal (Rediff) – You may like London Dreams for its beautiful frames, some paisa-vasool moments between Salman and Devgn, a good background score and catchy songs. For the rest, you need willing suspension of disbelief. And large doses of it – 2.5/5

Rajeev Masand (CNN IBN) – London Dreams, directed by Vipul Shah, is a frustratingly foolish film about foolish people. It’s the kind of film whose central conflict could be instantly resolved if the characters concerned simply sat down and had a chat – 2 / 5

Khalid Mohamed(Khalidsspot) – With all its mad flaws and inadequacies, Shah’s enterprise still sees him going beyond the klutzy rishtas and pishtas. If you think that’s sufficient reason to buy a ticket , check out this London Whippy Whippy Shake – 2 / 5

Shubhra Gupta (Indian Express) – With his latest film, Vipul Amrutlal Shah goes back to familiar territory : Punjabi ‘munda’ in London town, all set to conquer the world. Akshay Kumar did it wonderfully in ‘Namaste London’. This time around, it is Ajay Devgn’s turn, accompanied by partner-in-crime Salman Khan, but the two-for-the-price-of-one isn’t as much of a success – 2/5

Minty Tejpal (Mumbai Miror) – At the end, London Dreams is worth a watch, though it could have been far better – 2 /5

Mayank Shekhar (Hindustan Times) – This is how hinterland ticket-holders would like to see both.Don’t worry about the story-line. There is no writing, merely good locations and great lighting; wouldn’t shock me if it sort of lit up the producer’s balance sheet as well. Well – 1.5 / 5

Kaveree Bamzai (India Today) – Imagine Rock On!! in Punjabi with stereophonic emotional drama? Can’t? Well that’s London Dreams, where two best friends fall apart over a girl and their music. Now where have we seen this before? Yes, yes, everywhere. But Vipul Shah’s forte has never been originality. It has been energy and joie de vivre, which the film has in plenty. Almost enough to save it. Almost – 2.5/5

Our take – We think if they had gone to the stage with dandiya sticks instead of drum sticks it would have been good fun!

Forget the biggies, we are going to MAMI Film Festival this weekend!

Fruit&Nut-1Funny man Kunal Vijayakar turns director with this week’s release Fruit and Nut. The film has Cyrus Broacha, Boman Irani, Mahesh Manjrekar and Dia Mirza in the lead and is produced by Studio 18. Some early reviews…

Taran Adarsh (Indiafm)– Director Kunal Vijaykar tries hard to keep you entertained, but the writing is just not captivating. Sure, you do laugh at a few jokes/situations, but there are times when the jokes aren’t too funny and also tend to get repetitive. On the whole, FRUIT & NUT has some funny moments, that’s it! A film like this holds very limited appeal – 1.5 / 5

Anupama Chopra (NDTV) – Vijaykar and his actors are straining too hard to make you laugh at jokes that are simply too flimsy for film. It’s exhausting more than entertaining. See it if you must – 1.5 / 5

Sukanya Verma (Rediff) -My advice, skip the movie, buy the chocolate. It’s good. It’s fun – 1/ 5

Anand Vaishnav (Buzz 18) – Fruit & Nut would have been a brilliant two minute spoof on TV. But when stretched into a two hour film, it runs out of steam. This chocolate doesn’t have a sweet enough aftertaste – 2/ 5

Gaurav Malani (Indiatimes)Kunal Vijaykar’s 5-minute Fully Faltoo series on MTV was funnier than this entire excuse for a film. Teaming up with Cyrus, he makes a bakra (scapegoat) of the audience. Fruit and Nut is cheesy filmmaking. In a nutshell, this is fruitless entertainment – 1.5 / 5

Nikhat Azmi (TOI) – Neither fruity nor nutty, this film ends up as a total squish. After an unfruitful watch, you feel completely let down since the film boasts of a Still from Fruit and star cast that includes most of the contemporary funsters of the entertainment industry – 1.5 / 5

Kaveree Bamzai (India Today) – Unfortunately, the writers seem to have exhausted themselves thinking of the funny names and the interesting premise. There is nothing beyond it, except for two senseless item songs, one each for Irani and Mirza to stretch their legs – 1 / 5

Rajeev Masand (CNN IBN) – Despite juvenile jokes like peeing on open electric wires, Fruit & Nut is mercifully not the sort of vulgar comedy we’ve got used to seeing at the cinemas these days. It’s best suited for those who don’t have a problem with silly, childish humour – 1.5 / 5

Well, this friday Cyrus & Kunal dont have to look out for bakras. They need to look in  the mirror!  

Whats Your Raashee ?Mr. Tapan, where are you ? You saw the film ? BTW, if you are wondering who is Tapan, click here and check the comments section. (People try too hard but going by our record, we can say that we rarely go wrong. Hope its not sounding too pompous)

And now back to the topic. Call it the Titanic or Ashutosh Gowariker’s Aag, What’s Your Raashee is finally out. Am wondering if  Gowariker has checked his raashee predictions for the day! Because its going to be a long day of only bad news, or reviews!

Yesterday we put out a post on the film and placed our bets. Lets see if we got it right or not. 

The film is directed by Ashutosh Gowariker, produced by UTV, stars Harman Baweja, Priyanka Chopra and has music by Sohail Sen.

Anupama Chopra (NDTV) – Ashutosh Gowarikar is a fine filmmaker who has consistently strived to stretch the boundaries of mainstream Hindi cinema – recall the Oscar nominated Lagaan or the less successful but thought-provoking Swades. What’s Your Rashee is a gargantuan misstep. See it if you must – 1.5/5

Taran Adarsh (Indiafm) – On the whole, What’s Your Raashee ? is a king-sized disappointment – 1.5/5

Sukanya Varma (Rediff) – And boy, what a lady! Priyanka Chopra transforms into 12 new skins with astonishing distinction, voice and spirit. The actress reinvents herself into this unique individual every single time ranging from batty, bashful and boisterous. This is simply her show. If only it weren’t three and a half hours long – 2/5

Rajeev Masand (CNN IBN) – There is no easy way to say this. Ashutosh Gowariker’s What’s Your Raashee? is an excruciatingly painful film to watch. For the most part humorless and misguided, the film lumbers along for an unforgivable three-hours-and-thirty minutes, during which even the most patient viewers might contemplate suicide – 1.5/5

Gaurav Malani (Indiatimes)The mystery on who will Yogesh marry in the end doesn’t hold much thrill as he himself isn’t certain of his choice. He is confused with most options open till the end. The viewer is exhausted for the exit door is still closed – 2/5

Avijit Ghosh (TOI) – Size matters. A less-than-ruthless editor could have easily trimmed What’s Your Raashee by 45 minutes without compromising on its soul. Gowariker seems to have fallen in love with his own work. Too bad, his indulgence prevents the audience from doing the same – 3/5

Suranjana Nandy (Buzz18) – It’s too long. Too inane. And at times, very boring. Buy the DVD, in parts if possible but there’s no way you can sit through it in the theatre – 2/5

Kaveree Bamzai (India Today) – What we have is a boring long epic, with 12 Priyankas, 14 songs and a host of minor characters whom no one particularly cares about – 2/5

Khalid Mohamed (Aslibaat) – it’s too darn lengthy at three hours-24-minutes which actually seem like 300 hours-240 minutes. Or an eternity which called for two intermissions. Mera Naam Boredom anyone? – 1/5

Minty Tejpal (Mumbai Mirror) – Alarmingly, there is no depiction or debate about the crucial in between act – sex, and this in the land of Kamasutra. Now that our divorce rates are spiralling, sexual crime is getting more regular and perverse, isn’t it time we grew up and addressed that little point also? After all, we are a hundred billion strong, so we must have done something to get there – 1/5

On an average, its 1.5-2 for Whats Your Raashee. Its a mixed feeling at the end of the day. Happy that we predicted the direction in which it was going and we are spot on. Sad because we are yet not sure what is Gowariker smoking these days! Can anyone enlighten us ?