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We were feeling bit sad because it seems the copycats species was fast becoming extinct. Blame it on the new rules, hollywood studios coming to India, Rakesh Roshan-Ram Sampath case and many other reasons. Even Pritam has said no more copying. Anu Malik is long dead. But it seems all is still not well.
It was recently reported on www.itwofs.com and Mumbai Mirror that Lalit Pandit (of Jatin-Lalit duo) has lifted the tune of Pakistani singer Fakhr-e-Alam’s song Husnwaalon se poocho, that was part of his 2001 album Falam Connection. Husanwaalon becomes dilrubaoon ke jalwe in Dulha Mil Gaya. And here are the two songs…
This filmy friday there are two hindi releases. Pyaar Impossible and Dulha Mil Gaya. Pyaar Impossible is directed by Jugal Hansraj and stars Uday Chopra and Priyanka Chopra. Lets see if its any good.
Taran Adarsh (Indiafm) – On the whole, PYAAR IMPOSSIBLE is a feel-good film. If you are a romantic, this one’s for you. Even if you’re not, still watch it. Its one of those films that will bring a smile on your face – something that most Hindi films don’t do these days – 3/5
Rajeev Masand (CNN IBN) – Pyaar Impossible doesn’t work because it’s hard to empathize with any of the characters and because the actors fail to rise above the flawed script. It’s back-breakingly long at two hours and twenty-odd minutes, and I can’t remember one single scene that made me smile. The humour is ordinary, and the pre-climax romantic scene in a Mac store is the most embarrassing I can remember in recent times – 1/5
Mayank Shekhar (HT) – This is not Notting Hill, in only as much as Uday Chopra isn’t quite Hugh Grant. This is still an incessantly stunted ‘Hollywood rom-com’ knock-off, to the point that a neatly dictated formula will allow – 1.5/5
Nikhat Kazmi (TOI) – Nothing stupendous here. Just a sweet and soppy flavour with a picture-perfect Priyanka: Watchable – 3/5
Anupama Chopra (NDTV) – Uday plays the nerd with absolute sincerity but it’s hard to summon up any affection for him. And Dino seems to have decided that expression is a waste of time. His face just stays blank. Pyaar Impossible is depressingly dim-witted – 1.5/5
Sukanya Varma (Rediff) – It’s the kind of film, which could get over in five minutes if only Chopra 1 would let Chopra 2 finish his sentence. But no, Chopra 2 takes two and a half good hours to spill the beans leaving you with little besides a super hot Chopra 1 to admire – 2.5/5
Kaveree Bamzai (India Today) – She’s the beauty and he’s the geek. And she ends up falling in love with him. Yeah, right, if your father is one of Bollywood’s biggest producers, anything is possible – 2/5
Gaurav Malani (ET) – The moral of the film is that one shouldn’t judge a person by their looks. Going by that, however cool this candyfloss flick might appear, it’s still shallow on content. Pyaar Impossible might have certainly not aimed for a ‘10 on 10’. But is it really impossible to even strike an average? – 2/5
Meena Iyer (Mumbai Mirror) – Honestly guys wake up and smell the coffee. Forget love, even hate isn’t possible here. This film leaves you bereft of emotion – 2/5
Shweta Parande (Buzz18) – There is nothing new in Pyaar Impossible. Watch it only if you don’t mind a predictable story with a hot Priyanka Chopra, and some catchy music – 2.5/5
The other release is Dulha Mil Gaya directed by Mudassar Aziz and starring Shahrukh Khan (5 or 70 percent ?), Sushmita Sen and Fardeen Khan. And here is the score card.
Taran Adarsh (Indiafm) – The recipe is simple and uncomplicated…Take My fair Lady. Add Dulhan Wahi Jo Piya Man Bhaaye. Spray Naseeb Apna Apna. Sprinkle DDDLJ and Rab Ne Bana Di Jodi. Hey presto, Dulha Mil Gaya is ready to serve – 1.5/5
Rajeev Masand (CNN IBN) – Dulha Mil Gaya starring Fardeen Khan and Sushmita Sen, has been four years in the making, but has arrived almost fifteen years too late. A predictable old-fashioned entertainer that’s a throwback to those homogenous family films of the mid-90s, Dulha Mil Gaya borrows so much from the Yash Chopra/Karan Johar school of synthetic filmmaking that it’s hard to tell if there’s anything original to this story at all – 2/5
Anupama Chopra (NDTV) – Dulha Mil Gaya is a film caught in a time warp both literally and figuratively. The much-delayed movie is a bargain-basement version of Yash Chopra-Karan Johar movies from the late 1990s – 2/5
Nikhat Kazmi (TOI) – The problem with Dulha Mil Gaya lies in the fact that it has nothing new to offer. And that’s ironical at a time when almost every film that falls off Bollywood’s conveyor belt is brimming over with newness: new ideas, new plots, new musical notes, new actors, new narrative styles. Unforgivable – 2.5/5
Mayank Shekhar (HT) – I check my cellphone for the time yet again. The filmmakers could’ve checked for the year (they were making this film in as well) – 1/5
Kaveree Bamzai (India Today) – I suppose it’s funny to see Sushmita talking to her dog, Bozo, and kiss its miniature; or blow kisses to her invisible audience; or even behave like the eternal Miss Universe. But hey, that crown was in 1994. Grow up, please, Sushmita. Start acting. And do something less formulaic than “Indian girls rishte nibhana jaant hain” (Indian girls know how to keep up relationships). Grrr – 1/5
Preeti Arora (Rediff) – The West Indies and Trinidad are scenic and breathtaking. These locations haven’t been used too often in our films. But no film has ever managed to sustain itself on the basis of its locations. Watch the film if you can’t think of any other way to spend your weekend. Or else just avoid – 2.5/5
Gaurav Malani (ET) – Dulha Mil Gaya literally breaks new grounds with taking a Bollywood plot to Trinidad and Tobago. But beyond that this marriage miscarriage movie moves east of West Indies to introduce India for the zillionth time as nothing more than a small village in pastureland Punjab – 1.5/5
Meena Iyer (Mumbai Mirror) – They shot Dulha Mil Gaya all the way in Trinidad & Tobago. They could have shot it in Timbuktu and it wouldn’t stand an ice-cube’s chance in hell of surviving – 2/5
It seems impossible to expect even a half decent movie this week. Neither Pyaar nor Dulha. Head out for Sherlock Holmes in new avtaar or Paranormal Activity.
Its that time of the year when we love making those lists. The best, the worst and the top ten. We sat down with some of our favourite music in non-stop loop and made our list of the good, the bad and fuglies. Whatever caught our attention, from every possible extreme.
1. Ripley’s Believe It Or Not – We had Himesh Reshammiya in non-stop loop! He had Rekha Bhardwaj for company, but this Himesh is all new. Check it out, if you still havent!
2. Cuss Word Converter – Give a cuss word to him and it will never be the same again. The reason why Gul-still-Czar! Add Vishal’s vocals and you have the best title song of the year! Meri aarzoo kamini, mere khwab bhi kaminey, ek dil se dosti thi, yeh huzoor bhi kaminey!
3. Whats In a Name Song – Earlier they had no names. It was kabootar ja ja ja and atriya pe lotan kabutar re! Rahman and Prasoon Joshi made sure that we all googled Masakalli. And you are still wondering whats in a name, that too of a dove!
4. Religion Converter Song – It seems that A R Rahman is hell bent on making sure that we go for religion conversion soon. First it was Piya haaji ali, then Khwaja mere khwaja and this year he gave us Arziyaan. If I ever convert, blame it on Rahman, only Rahman. For cheap thrills, we still try to count the number of times “maula” is there in the song. Whats your count ?
5. Killer One Song – Shankar Ehsaan Loy had the complete album, Amit Trivedi killed them with just ek gaana called ek taara!
6. New Genrae – Piyush Mishra invented a new genrae of mujra, polticial mujra! Jaise door desh ke tower me ghus jaye re aeroplane. Gulaal. Now our only worry is if he can be denied USA visa for putting 9/11 in a mujra.
7. Legends Should Retire – Dont attack us! But if this is what we get, legends should remain as legends. Illayaraja’s music did little for Cheeni Kum and it was the same for Paa. Except the theme tune nothing worked in Paa. The udi mudi judi or whatever it is, doesnt stay even for few seconds! or May be legends should never work with their fanboys!
8. Song ONLY for the Big Screen – It proved us wrong. Dhan tedan! Its only for the big screen, in a dark theatre. We saw it once. We went again. Watching it on tv, we were wondering why has Vishal shot a song inside a nightclub in such unimaginative way. We saw it on the big screen and ate all our words, twice!
9. Musical Aag of The Year – Is Ashutosh Gowariker’s music sense complete zero ? Was it all Rahman ? Like his film, the music CD was quite a fat one packed with 13 forgettable songs! And shot in similar way! Is this the same man who shot yeh jo desh hai tera & khwaja mere khwaja ?
10. Music That Was Hit in Fantasyland – The album was hit in twittosphere but shit otherwise. Aladin. The cast and the crew went on overdrive with their tweets but as Time Out’s Nandini Ramnathan wrote, it was all gone in sixty seconds!
11. Vishal Dadlani must be the only rock-star who writes nursery rhymes. Have you heard the “hey baby, you may be” whatever shit it is! But he can put his vocals to great use. Kurbaan hua had our Rocky in full throttle!
12. No Pun Intended Song – Pocket me rocket hai, pocket me. As a friend said, it sounds like a great jingle for sex toys.
13. Cheap-est Thrill-est Song – Only for Adults! Bold and bitchy! Dev D. Courtesy lyricist Amitabh Bhattacharya. Pyaar, emosanal atyachaar, bitch and (w)hooooore – all at one go!
14. Best Installation Art in a song – Chandni chowk came close to New York, Gau Mata was near Gucci and we had our eyes wide open because Dil gira daftan.
15. Mohit Chauhan can do a masakalli and melancholy with equal ease! Can we now spare him! Why only rona dhona senti menti songs?
16. Best of 2009 – Bunch of kids got together in an “Audio Garage” and delivered the album of the year and the love anthem of our generation. Dev D. Music director, lyricist, singers – all new. Amit Trivedi, Amitabh Bhattacharya and the gang! ( If Rahman and Bhardwaj dont deliver, who will. So, would not put them here).
17. A R Rahman gave us a musical note for boo boo. Its called Buuloooo.
18. Best Closing Notes of the Year – Check out the last 2 mins of Rehna tu! Pure bliss. Can someone enlighten us what instrument it is.
19. Underrated Songs of the Year – Pankho ko from Rocket Singh – Salesman Of The Year and Delhi Destiny from 99. Everything else gets so much overplay that the joy of discovering a good song is almost dead. Jaideep delivers one of the best lines of the year…..uljhe nahi to kaise suljhoge….bikhre nahi to kaise nikhroge.
20. Imtiaz Ali is going for formula in his music too. One punjabi bhangra for closing credit, one peppy number with english words, one sad song in Mohit or Raahat’s voice and blah blah! Partner in crime – Pritam.
21. Weirdest Words of the Year – Bhangra bistar! Courtesy – Jaideep Sahni.
22. Wannabe BPL Rock Album of the Year – London Dreams.
23. Worst Musical Import of the Year – Kylie Minogue with chiggy wiggie! whatever that means.
24. Worst Musical Export of the Year – Rahman with Couples Retreat. Why, O Dear Lord, why ?
25. Self-Flagellation Song of the Year – Bebo main bebo!
26. Musical Sucess Party of the Year – Dulha Mil Gaya! Yes, they threw a party to celebrate its musical success. Who is listening ?
27. Jingles of the Year – dil titli…dil titli….kabhi yaadon ka…kabhi sapno ka and Yeh kis pyaari hifazat me ho befikri ki haalat hai..yaara o yaara. First one is by Swanand Kirkire and second by Gulzar.
28. Few things that never change – Atif still singing out of tune, here, there, everywhere. But its still working…tu jaane na ( Ajab Prem ki Ghajab Kahani )…nobody knows why and how! Confession – we also love it!
29. Cinematic Homage Song of the Year – Akira Kurosawa from Chintuji. Its a riot…Kapola kapola! Listen carefully and see how many filmmakers you can spot!
After making many headlines, Dulha Mil Gaya is finally ready for release. The film is directed by Mudassar Aziz, produced by Viveck Vaswani and stars Fardeen Khan, Sushmita Sen & Shah Rukh Khan has a guest appearance.
Guest appearance ? Well, Shah Rukh is on screen for 45 minutes in the second half of the film, but he hasnt charged anything for it. Its all for good ol’ Dostana! When Shah Rukh came to Mumbai and had no place to stay, it was Vaswani who opened his doors for SRK! No pun intended, if you have heard different version of the story!
ET reports that the film has finally found a buyer in Rajat Jhunjhunwala, a finance professional with an investment and restructuring background who is making his foray into bollywood. Click on the video to check out the trailer of the film. The quality is not good but its easy to figure out that they are trying to sell it as a Shah Rukh Khan film.
We were feeling bit sad because it seems the copycats species was fast becoming extinct. Blame it on the new rules, hollywood studios coming to India, Rakesh Roshan-Ram Sampath case and many other reasons. Even Pritam has said no more copying. Anu Malik is long dead. But it seems all is still not well.
F.i.g.h.t C.l.u.b 