Archive for the ‘Aao guess karein’ Category

Matru Ki Bijlee Ka Mandola

This is weird. Don’t remember Vishal Bhardwaj mentioning about the Brecht’s play, Mr Puntila and his Man Matti, in any of his interviews. But the basic plot seems to be quite similar.

To quote from wiki page of the play

The story describes the aristocratic land-owner Puntila’s relationship to his servant, Matti, as well as his daughter, Eva, who he wants to marry off to an Attaché. Eva herself loves Matti and so Puntila has to decide whether to marry his daughter to his driver or to an Attaché, while he also deals with a drinking problem.

 In his essay “Notes on the Folk Play” (written in 1940), Brecht warns that “naturalistic acting is not enough in this case” and recommends an approach to staging that draws on the Commedia dell’Arte. The central relationship between Mr Puntila and Matti—in which Puntila is warm, friendly and loving when drunk, but cold, cynical and penny-pinching when sober—echoes the relationship between the Tramp and the Millionaire in Charlie Chaplin’s City Lights (1931).

Now, if you have seen the trailers of MKBKM, it’s easy to guess the basic plot. To quote from its IMDB page

Harry is an industrialist who loves his daughter Bijlee, and the bond they share with Harry’s man friday, Matru. Bijlee’s plan to wed the son of a politician, however, brings twists and turns in the lives of Matru, Bijlee and Mandola.

Though the IMDB synopsis might not be accurate but one thing we are sure about – Pankaj Kapur’s character trait is the same as Puntila in the play. And as mentioned in the wiki page, City Lights is on similar tangent.

Also, if you see the title of the play and the film, both swings the same way. And as a friend mentioned on twitter, VB’s love for giving subtle hat-tips in names/titles is not really new – Iago/Tyagi, Desdemona/Dolly etc.

So what’s the real deal?

If the film is an adaptation of the play or even the basic idea is the same, why is Vishal hiding it? Especially when he is known for doing great adaptations. If not, what are we missing? Enlighten us please! Otherwise friday is not really far.

How many times can you make the same film?

Or at least with the same template?

Only Madhur Bhandarkar can answer that question.

But one thing is for sure – Deja vu should really be Madhur Bhandarkar’s middle name.

And looks like his latest film “Heroine” is not going to be any different.

It started with a tweet by Mihir Fadnavis.

And then came the trailer of the film.

So does it follow the Bhandarkarism theory of filmmaking? You don’t need a high IQ to figure that out. But will there be any surprises? Are we missing anything? Or as DrDang pointed out in his tweet..

So no gays in the trailer so far. what else is missing?

Here’s the contest. You have to guess the story of Heroine. At least the main plot points. What happens next? The one who can guess the maximum number of plot points, will be the winner. We are not sure about the prize now but hopefully it will be something good for sure. If nothing, let’s play for cheap thrills! Because not everyday you get to apply the Theory Of Bhandarkarism. Just remember – every frame (of trailer) counts!

Post your answers in the comments section. We will declare the winner the day the film releases.

If you have been a regular follower of this blog, you surely know about Subrat. If not, you can read some of his old posts here, here, here and here. So as we all discussed Kahaani, we realised there’s more to it. And who better than our favourite Prof. Saab to do the dissection. Was it just “if you can’t convince them, confuse them”? Or was there more?

Read on, scratch your head and do put your comments. And read only if you have seen the film. Otherwise it wouldn’t make sense. SPOILER ALERTDON’T GO AHEAD if you haven’t seen it yet. Go and watch the film and do come back. It will be fun!

It is a rare film that receives both critical acclaim and box office success. Kahaani seems to have managed that. The central cast and the editing have earned well deserved praise. Kolkata has been lovingly shot and, as many reviews have noted, is almost a character in the film. A lot of people have called it a taut thriller. This is where our paths diverge. For me, Kahaani is as much a taut thriller as Golmaal – 2 is a cerebral comedy. I admit it was nicely paced but a taut thriller has to satisfy a more fundamental criteria – the plot should make sense. It didn’t make the cut for me. I have watched it only once and I am ready to admit I might be wrong on this. I guess the best course of action is to put my reservations on the plot here and seek your responses. I have left out a couple of issues that have been discussed on other blogs which bothered me as well; namely, Vidya’s recollections of her husband had Milan Damji and the fact that Vidya was introduced as Vidya Venkatesan Bagchi at the start of the film. I can live with these as I did with such chicanery in that other ‘taut thriller’ A Wednesday.

 1. Please help me explain the motive of Bhaskaran (Dhritimaan), the IB Chief. He was complicit with Milan Damji or may have even been the kingpin. Why did he then send Khan (Nawaz) immediately to Kolkata the moment he heard someone enquiring about Milan Damji? Nawaz is portrayed as a competent officer and wasn’t complicit. So, why was he digging his own grave by sending him over there? Instead, he should have been trying to provide as little help to anyone trying to enquire about Milan Damji.

2. Why did Bhaskaran approach Darshan Zariwala (the retired IB officer who had trained Milan) and ask him to come back to IB to nab Milan? Not satisfied with #1, he wants another of his good officers back to get hold of Milan Damji. Don’t tell me he was keeping up the appearances so that no one suspects him. This man seems to be suicidal.

3. What kind of investigation had Nawaz done the first time around? He hadn’t even spoken to Agnes (the HR lady of National Data Centre). Had he done so, he would have found the dusty file of Milan in that old, abandoned office and his address long ago. Didn’t Darshan Zariwala know anything about Milan while training him to help Nawaz in his investigations? I mean before Milan turned against the system, the IB should have had a good idea of where in Kolkata was he staying etc.  Also, why was Milan Damji working in National Data Centre under his real name?

4. After hacking Shridhar’s computer and copying all the files, the only file that seemed odd was the file that Bhaskaran’s number stored (ha ha) cryptically. This file had Bhaskaran’s number in an alphabet code. Shridhar could have stored Bhaskaran’s number in his own phone and named it ‘chimpu’ for all I care. And, what’s wrong with Shridhar having Bhaskaran’s number. After all, the IB seemed to have been sending their officers to NDC quite frequently and it’s normal for Shridhar to have known Bhaskaran. So, how did Nawaz conclude only the basis of that stupid cryptic code that his boss is the brains behind it all? And, that moment when Nawaz dials that number and find ‘Bhaskaran Old’ flashing on the mobile screen was classic. It was that ‘Sirjee’ moment of Kaho Na Pyaar Hai (another ‘taut thriller’?)

5. Didn’t Nawaz keep his boss in the loop during his stay in Kolkata? Then, Bhaskaran would have known that Nawaz is now using a pregnant woman to get to Milan Damji and eventually to him.

6. Why was that HR lady who replaced Agnes so happy to help Vidya and Rana in sneaking into Shridhar’s cabin? She knew the previous incumbent (Agnes) was shot dead after trying to help Vidya. Another suicidal character? And, what kind of a IB haunt is the NDC where there is a lone guard at the entrance while there’s a rear exit unguarded?

7. Why did Vidya kill Shridhar? It was made to appear she did it deliberately so that he wouldn’t be interrogated by the IB directly. But, Vidya and Rana were originally planning to hack into the computer, steal the data and scoot. In which case Shridhar would have lived and Rana (who was working for Nawaz) who would have asked Nawaz to pick him up for interrogation. It was Shridhar who had made sure he would get a message in case someone hacked into his system. This led him back to his office and then to chase Vidya and Rana. It was a convenient thing to show that Vidya planned on killing him when she had no control on Shridhar chasing them after they had hacked into the system.

8. How was Bhaskaran convinced that Vidya had gotten some files from Shridhar’s computer that would lead her to Milan and eventually to him? Why would then Milan come for collecting those files?

9. Why did Bob Biswas kill Agnes? She knew nothing and all she would have gotten is an old file of Milan Damji that would have shown to Vidya that Milan looked like Arnab Bagchi (which she knew) or Milan’s address in Kolkata. In any case, if Bhaskaran was the one ordering the hit (through Shridhar) they should have known there’s hardly anything more Agnes would know about Milan (after all, Shridhar worked in NDC) so what was the point in shooting her. Also, didn’t Shridhar know that there were old employee records that might have Milan’s document in them? It seemed silly not to get hold of it when they were covering Milan’s tracks

I can go on with a few more. May be you have the answers. May be we should all make leaps of imagination to bring credibility to the plot. May be I should watch Kahaani again. May be, one day, we will make a genuine taut thriller.

It’s raining trailers and how! The much awaited trailer of Aamir Khan’s new film Talaash is finally out. Have a look.

And here’s the so called digital poster of the film.

Directed by Reema Kagti, the film stars Aamir Khan, Rani Mukherji, Kareena Kapoor and Nawazuddin. Produced by Excel Entertainment, Aamir Khan and Reliance Entertainment, the writing credits include Reema Kagti and Zoya Akhtar, Farhan Akhtar (Dialogues) and Anurag Kashyap (Additional Dialogues). It has been shot by Mohanan.

So it’s a murder mystery. A cop chasing a murder case. A housewife, a prostitute and lot of tension. Well shot and creates the right mood.

And the mystery is the big punch? Seems so. The tagline says – The Answer Lies Within. So what’s your bet? Reminds me of that weird and stupid film called Kartik calling Kartik. Is it on same lines? Murder, murderer, memory, all mashed-up.

This time POTD is not Pic Of The Day but its PICK Of The Day. Take a closer look at both the pics and pick the odd wig man out! Both the pics are from the music release function of Rajinikanth & Aishwarya Rai starrer Robot (Endhiran).

And if you think its a futile exercise, click here. Its even made to Answers.com page. So, don’t put the blame on us. We have never been able to understand the reason though. And he is so desperate that even when he is being taken to the hospital on a stretcher bed, he doesn’t forget to cover it. Scroll down and  take a closer look at the pic….aha, the hand!

Dear Boss, you can do everything. Can you please crack this puzzle ?

Moving to Junior B. The kid who is tweeting for his new film Khelein Hum Jee Jaan Sey should be immediately banned from Twitterverse. Why ? Check out this timeline. They did 24 hours countdown to reveal a new KHJJS pic of Junior B. Here is another puzzle…tell us whats so special about this pic ?

Their answer – Its part one of our independence Day surprise.

Our answer – Please take back our independence if this is the surprise!

At least many think so. A friend mailed us this video to check what we think. Since its really not a high concept, don’t think one can claim much at the concept level. The story and screenplay of “L” story in LSD also has much more that just a love story. And nobody can have a copyright on the treatment of “handycam” view.

Those of you who have seen Dibakar Banerjee’s Love Sex Aur Dhoka, do watch this short film Udaan by Abhay Kumar and let us know what do you think.

It was all hush-hush before she made headlines claiming that she managed to save 40 children in a day.  A video featuring Lindsay Lohan’s journey in India has now been released on the net. Its part of the BBC documentary called Lindsay Lohan In India and deals with human trafficking.

And guess who is coming next! If gossipmongers are to be believed, a well known international actor is soon going to make his/her directorial debut and is all set to shoot the film in India. This one also deals with similar issue. Though we cant reveal the name right now but those of who are extra curious, here is what the Navis would have said – I see you, Luly!

SwadesAshutosh Gowariker’s Swades is one of our favourite films. And among those counted few films in which we really liked Shah Rukh Khan.

What we knew was that the film is based on a tv series. What we didnt know was the long story behind this long film! A reader of our blog mailed us some interesting info about it. Its in first person account by Mr V. On Swades, Whats Your Raashee, Lage Raho Munnabhai & more! Have replaced few names with their intials. Read on.

Hi…Last afternoon I was at a brunch hosted by AL to celebrate his birthday….As the wine, mojito’s and beer started doing the rounds and the guests were getting a tad reckless…..Sanjay Chhel who was seated at my table along with GB suddenly stated…Swades was V’s script…..we all knew it… It had come on Zee TV’s Yule Love stories as a 1.5 hour, two 45 minutes episode story in 1996!!!!!!!!! Ashutosh played SRK’s role in it as an actor….i was taken aback at this sudden announcement! It was a de ja vu.

Cut Back to:-

Swades Premiere. December 2004 at Fame Malad…. During the interval inside the smoking room of the multiplex… as I was puffing away along side Abbas Mastan and a few others… Anurag Kashyap walked in saying…. V- Bhai this is your script Waapasi on Zee Tv… I will never forget it…..Abbas-Mastan turn to look at me wondering who the hell i am… and also who the hell is Anurag!!!!!!!!!

That night post the premiere….Satya the producer of the Yule love story who gets the credit for story of Swadesh, Anand Subramanium, an alumini of FTII who directed Wapasi and myself were stopped by Ashutosh wanting to know our reactions as we were the original creators of the film according to him……..All we said was he fucked up a simple love story of an NRI who comes to pick up his Kaveri amma…discovers his roots in a village, feels guilty seeing poverty and exploitation of poor and also finds his soulmate and decides to stay back.

By trying to be in Appy’s words ‘A shantaram’ he went haywire with that electricity making incident which is incidentally a chapter in a Book titled Bapu Kutir… Bapu Kutir is a compilation of events & expereiences of some 10 people who gave up lucrative careers in the corporate world to follow Gandhian principles!!!!!!!!!!

The event in the film comes as tangent from no where… The Yule Love Story episode begins with the hero landingin Delhi looking for Kaveri amma and meeting the herione in the travel agency who gives him the wrong address and he takes a caravan bus to trace her and the story ends when his caravan leaves the village and the herione thinks he has left for good and turns to walk back and to her surprise he comes back in his caravan and honks behind her!!!!!!!!!

The character of Dayashankar Pandey of a village buffon wanting to go to USA in Swades is a character created by Naushil Mehta and myself in a play called Suitable Bride way back in 1996. Incidentally Suitable Bride is the inspiration for What’s Your Raashee…Its infact a straight lift of my play…. NM and I directed the play and also adpated it for stage from the novel Kimball Ravenswood. Seema Kapoor played 12 roles and Babbloo Mukherjee played Yogesh Patel…Darshan Jariwala plays the same character he played in the play!

Incidentally the play was a musical and had 12 songs… we had to drop the songs after the first 5 shows as the running time of the play was 3.5 hours and we realised audience were getting impatient. What’s Your Raashee is also 3.5 hours with 13 songs!!!!!!!!!!

There are 8 people who get the credit for screenplay in Swades and one of the guys told me that my dialogue script of Waapasi was photocopied and circulated amongst the 8 of them to change it from TV to a film script… Scene to scene, dialogue to dialogue ( i used to write dialogues in those days) were kept as in the original!

And exactly like Swades I am told I am getting a credit in What’s Your Raashee too in the begining acknoweldgements………You may ask why am i talking about it NOW!!!!! ST the producer of the show on Zee wanted to file a case against Ashutosh and UTV for cheating me of my credits and compensation… I didn’t want to file a case as i felt it was pointless exercise.

Ashutosh on his part had asked my permission to do the film saying he is using only the story and changing the screenplay….Well he did change the screenplay….By adding 40 minutes of NASA begining and end of film and a good 30-40 minute of the Bapu Kutir.

The reason I am talking about this today is I feel after what Amole Gupte went through…and more over… SC…whose idea Gandhi and Godfather… narrated to Mr. Dutt during the making of Khoobsoorat becomes Lage raho Munnabhai!

I feel there is no harm in giving the due people their credit or atleast let people know the real people behind these works…My name comes in the acknowledgements of Swades and Whats Your Raashee but I feel Swades is more Anand Subramanium than Ashu Gowarikar…..And Lage Raho Munnabhai is Chel rather than Hirani and Abhijat Joshi… and as for Taare Zameen Par… people in the know… know who directed the film 🙂

Wooohoo! Some revealations and it all seems so believable except the Lage Raho Munnabhai part! Whats your guess ?

BTW, according to IMDB, the writing credit of Swdes has nine names as follows.

Story – M.G. Sathya and Ashutosh Gowariker

Screeplay – Ashutosh Gowariker, Sameer Sharma, Lalit Marathe, Amin Hajee,  Charlotte Whitby-Coles, Yashodeep Nigudkar & Ayan Mukherjee 

Dialogue – K.P. Saxena

mumbai mirror guzarish cut

Today’s edition of Mumbai Mirror has a quote from our post “Check your CQ – Bhansali’s Guzaarish“. Actually the full article is on our post.

You can read the full post here. Its on Sanjay Leela Bhansali’s new film Guzaarish. The film stars Hrithik Roshan, Aishwarya Rai and newcomer Aditya Bal. And the Mumbai Mirror article is here (see pic).

Here is the most interesting part. To quote from the article…

However, a source close to Bhansali said, “Why are people in so much of a hurry? These things can really upset a director. Guzaarish has got nothing to do with any of these three films and Sanjay is very upset with the constant spotlight on the film. It is just a silly prank as no one has the soft copy of the script, so it’s not possible.”

Dear Mr Source (we have no clue how close you are to Bhansali)

We are ready to put a bet. Lets do it. What we said, if thats not the plot of Guzaarish then we will shut our blog. And if its the same what we said in our post…”Guzaarish = Charulata + The Painted Veil + The Sea Inside plus sprinkle some magic in it” then ? Or should we wait till its release ? whatver you want to do Mr/Ms Source!

fightclub

charulataSea_insidethe painted veil

It seems to be a lucky day for cinema maniacs like us. We were surprised to find the script of Sanjay Leela Bhansali’s new film Guzaarish in our mailbox.  Yes, yes!! Thank you, whoever did the good deed of the day! (if you got anything to share, do remember to mail us at moifightclub@gmail.com).

We will reserve our comments on the script for the script review post later on. But as we read the script, we were trying to imagine the visuals, and all we could see was three films – Charulata, The Painted Veil and The Sea Inside.

We are starting a new feature – CYCQ – Check your CQ (Cinema Quotient)! If Guzaarish is Charulata meets The Painted Veil meets The Sea Inside, see if you can crack the story. Do sprinkle some ‘magic’ in the plot.

The film stars Hrithik Roshan, Aishwarya Rai and newcomer Aditya Bal. Mail us or comment here!