Archive for the ‘Must Watch’ Category

Movie Recco : 10 must watch documentaries

Posted: January 3, 2012 by moifightclub in cinema, Documentary, Indie, Movie Recco, Must Watch, Special
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We wrapped up the “Best Of 2011” with all kinds of posts on movies, music and moments. But we completely forgot about the docs. Also because most of us didn’t manage to watch all the best docs.  Writer-filmmaker Mihir Desai saw it all and here’s his recco post on the top 10 docs of 2011 that you must watch. Click on the titles to see the trailers.

2011, like the previous year has been a brilliant year for documentaries. We’ve been exposed to some really personal and special films. These docs have dared to bend the rules and have created a sub-genre within documentary filmmaking. I saw docs that were surreal, global collaborations, re-enactments and just traditional docu-dramas. Hope this genre continues to grow and finds more audiences, after all the first few movies ever made were documentaries too!

Some obvious choices like Pina 3D, Page One: Inside The New York Times and Martin Scorsese’s Public Speaking will be missing from the list as I never got a chance to watch these. Regardless, this should make for an interesting recommendation list, as I am sure most films listed below might have gone unnoticed amidst the Tintin and Mission Impossible hype.

First up, the honorable mentions: Inshallah Football, Buck, Knuckle, George Harrison: Living in the Material World, a short documentary by Errol Morris – The Umbrella Man and Superheroes.

Now, the five runner-ups. Films that almost made it to the list:

15. Urbanized
14. Being Elmo
13. Project Nim
12. Cave of Forgotten Dreams – 3D
11. Tabloid

Finally, the top 10 documentaries of 2011:

10. The Arbor :  Clio Barnard’s portrayal of the late Bradford playwright Andrea Dunbar is a brave experimental documentary. Clio uses audio from the interviews of real people and lip-syncs them to the actor’s performance. The whole film is a re-enactment but it isn’t manipulating the facts. The events and story is true, the presentation isn’t (somewhat similar to No. 8 on this list) It can be a little challenging to watch this film but once the story unfolds, you’ll be hooked!

9. Bill Cunningham New York: An 80 year old New York Times fashion photographer riding his bike around New York City to photograph fashionable citizens; the plot of this film is that simple. Director Richard Press portrays Bill Cunningham’s passion for fashion and photography in the simplest manner. The observational approach juxtaposes the glamorous fashion world to Bill’s simple and saintly way of living. Besides being a film about Bill’s photography, it is also an interesting city portrait of New York. Therefore, making New York an additional character for Bill to interact with. This is a truly inspiring documentary. When the movie ends, what stays with you is Bill’s contagious smile.

8. Bombay Beach: Director Alma Har’el comes up with the year’s most poetic, surreal, genre-defying documentary. Some might argue, this isn’t even a documentary, and that’s what makes it so fascinating to watch. The location is real, the characters are real and the story is just an observation of these characters’ lives. Alma treats her film like a narrative feature. There are beautiful musical moments choreographed to songs by Bob Dyland and Beurit that makes the experience very surreal. The irony here is that this film is vaguely about the American dream set in a poor, dying community on the shores of Salton Sea. Bombay Beach is nothing like you’ve ever seen before. Absolutely magical!

7. Senna: The year’s most popular documentary on the life of Formula One driver, Ayrton Senna, is absolutely riveting! Director Asif Kapadia makes the best of unseen archival footage to explore the struggles and achievements of an iconic sports person. It’s the editing of the film that takes it to a whole new level. Gripping!

6. Life In A Day: What. A. Movie! This is a perfect and successful example of collaboration 2.0. Co-directed by Kevin MacDonald and The World, this is a beautiful documentation of common emotions across the globe. Shot on the same day by people from around the world and interestingly woven together by editor Joe Walker, Life In A Day is as real a film can get. Brilliant and compelling! Also, you can legally watch the whole film on YouTube, for free.

5. How To Die In Oregon: Oregon was the first state in the USA to legalize physician-assisted suicide. Director Peter Richardson follows the life of cancer patient Cody, and it is through her point of view we get to learn about the pros and cons of Oregon state’s “Death with Dignity” law. Richardson handles this topic in a very sensitive manner without invading Cody’s private space. A thought-provoking documentary that some might find a little tough to watch. Yet, this is one of the most important films of the year and is sure to call for a healthy debate about the ‘death with dignity’ law and about the voyeuristic nature of documentary filmmaking.

4. Into The Abyss: Werner Herzog has his way of doing things, and no one else does it better than him. Herzog creates a moving profile of two men on death row and explores their relationship with those outside of prison. This film is not so much about capital punishment but about exploring the fear and philosophies of death. A very honest portrayal of the fine line between what is right and wrong.

3. Nostalgia For The Light: If Terrence Malick makes a documentary, this is what it  will look like. With gorgeous imagery and a philosophical narrative, director Patricio Guzmán constructs a story about the fusion of past and present. In the Atacama Desert, astronomers study the boundaries of the universe while surviving families of the Chilean exiles continue to look for the remains of the loved ones. Nothing comes close to the experience of watching this movie. This is the film I would have loved to see in 3D. It’s a hypnotic film that asks complex questions about life, memory and the universe. Unique film, unique experience.

2. Marwencol: Jeff Malmberg’s documentary is about the fantasy work of Mark Hogancamp, who creates a 1/6th scale World War II ear town which helps him get away from his nightmarish past. Mark is a very complex character and this film studies him with utmost sincerity. The filmmaker never tries romanticizing Mark’s motivations. Truly an authentic character study that might just leave you shattered.

1. The Interrupters: The Academy once again snubs one of the best documentary filmmakers, Steve James. Last time it was for Hoop Dreams and this time, for the mind-blowing, The Interrupters. Set in Chicago, Steve James follows three members of the Ceaserfire program for a whole year. Also known as violence interrupters, their job is to protect their community from the urban violence of the city. This is a side of America not many are aware of. The characters are, in my opinion, real-life superheroes. Steve James and his crew fearlessly film every detail they can. They are always there in the middle of conversations, danger, and threat. The Interrupters is powerful, dark and hopeful at the same time. Without a doubt, the best documentary of 2011.

Take some time out from mainstream movies and seek out these masterful films. There’s a whole lot out there!

Happy New Year!

– Mihir Desai

( PS – For more film posts by Mihir, click here.)

Movie Recco : Never Let Me Go because it’s profound, unsettling and hauntingly biutiful

Posted: May 6, 2011 by moifightclub in cast & crew, cinema, movie reviews, Must Watch
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This recco post is by Gyandeep Pattnayak. You can read his previous recco posts here (Chaser), here (The Proposition) and here (Tell No One).

Are we ever satisfied with the way we define love? Ask yourself this question. Cut out the entire philosophical dialog-pedia such as, “Love is friendship” or “Love is when you don’t know you are in love”. Think deep and you will come to realize that love can not only be not defined but can also be an emotion which you know intuitively but you don’t know why you know it. The question that lurks at the core of Mark Romanek’s hauntingly beautiful Never Let Me Go is a difficult one, to begin with. It’s not difficult in the sense that it can be or can’t be answered; it is difficult because it HAS to be asked.

Based on Kazuo Ishiguro’s bestselling (and said to be unfilmable) novel of the same name, Never Let Me Go begins with a school called Hailsham where kids are told that they are special and that Hailsham is a special school. Kids here are required to swipe in their attendances with the help of a metal wrist band. Intriguing? Even more so because the year is 1978 and a title card suggests that breakthrough in medical science came when it was discovered in 1952 that human life can be extended beyond the normal 100 years. We are introduced to the three principal characters – Tommy, a lonely boy who finds it difficult to mingle with his friends; Kathy, a girl who takes a liking to Tommy because he behaves strangely; Ruth, a manipulative girl who decides to come in between Kathy and Tommy for seemingly no particular reason.

The children of Hailsham are brought up like normal children – they are given food, clothing and shelter. They are taught everything that normal kids should learn, they are taught to actively take part in arts. But, there is one exception – a rule is imposed on all of them that nobody should cross the school boundaries. The world outside is dark and violent, they are told. As any normal kid would, they believe in the stories. There is no reason for them to question these rules. Tell me, if you were taught right since your childhood that a horse is called a rabbit, you will definitely call it a rabbit – unless somebody tells you otherwise. Anyway, the kids grow up and leave Hailsham and move to a new place – ‘The Cottages’. It is here where they start questioning their choices and the reasons why they are called ‘special’. I don’t want to give out any spoilers and ruin the show for you. Let me be extra careful here — when our protagonists get into the ‘conflict’, they do not understand what to make of their existence. Slowly, Kathy makes peace with everything but Tommy is devastated. Everything he has been living for is a lie. I can’t even begin to imagine how nightmarish it would be for me if everybody around me told me tomorrow that we all are not called humans but “zodpackia”. (Don’t make too much of the word, I’m just giving you a hypothetical scenario)

Andrew Garfield’s performance can be described in one and only one word – heartbreaking. Piece by piece, we see him disintegrate into nothing, literally. Physically delving into the role, Garfield creates one of the most endearing characters on screen in recent times. Nothing I say will be a perfect measure of what Garfield brings to his performance. He is as vulnerable and as earnest as a kid sitting next to you in the exams asking you the answer to question number 5 because if he doesn’t answer that particular thing, he’s going to fail. (Please don’t assume that I am making a lousy comparison.) Tommy is searching for answers and he is pretty confident that he has it all figured out. Just watch the scene in which Garfield lets out a wail of anguish at nothing in particular when he realizes that he has been denied something which he deserves so rightfully. It might have been a loud, uneven scene had it been in a different film or performed by a different actor. Garfield makes the pain his own.

Carey Mulligan portrays Kathy as a person who has a sensible understanding of what’s going on around her, even if she believes some of the stories which she has heard at Hailsham. “My name is Kathy H.” she says and thus begins the film. Take one look at her expression and listen to the lines as she speaks and you’ll know why she is one of the brightest talents to have emerged from British cinema. Kathy is, let’s say, too mature for her age and Mulligan nails it by going a bit further and portraying Kathy as someone who can accept defeat and still be satisfied that she ‘lived’ to accept defeat. Keira Knightley essays the role of the manipulative Ruth, who decides she must love Tommy even if she doesn’t understand why she has to love Tommy. Or anyone. Didn’t I just tell you that love is a strange emotion? Strangely, I found myself sympathizing with the Ruth character even when I knew that she had to do something with the gradual separation of Tommy and Kathy. I believe you will too. And it is to the abundantly talented actress’ credit that she doesn’t make Ruth the caricature that she could have so easily been.

One word about the child actors Charlie Rowe, Isobel Meikle-Small and Ella Purnell who portray Tommy, Kathy and Ruth respectively – that their faces resemble so much of the adult actors isn’t the only thing to be admired here. These kids actually become Tommy, Kathy and Ruth when they grow up. May be it is the other way around – because Garfield, Mulligan and Knightley definitely behave like these kids once they start playing their adult versions on screen.

The screenplay is by Alex Garland, the man behind the ingenious Sunshine, which was cruelly overlooked when it released in 2007. Garland distinctly separates the two facets upon which the premise of Ishiguro’s novel is based – love and death – and then makes us question these themes, about what really are our choices. There is a slight sci-fi bend in this love story and thankfully nothing is overdone. What I mean to say exactly is there are no futuristic machines, no jargon-spewing people and no undecipherable mess. Garland is not an ordinary writer; I never had any doubt about that. But, when he hangs up his boots (which I hope he never does), Never Let Me Go will feature prominently as one of his best works ever. This is Mark Romanek’s debut film as a director and I feel Romanek’s importance as a director has been established, given that he has an impressive number of music videos on his resume. He is a director with a vision. Going for restrained shots and a bleak setting and loads of melancholia, Romanek delivers a spectacle of a movie aided by Garland’s brave and uncompromising screenplay.

You may have seen love stories but none as profound as this, none as unsettling as this. And it is not disturbing because of some gratuitous elements; it is disturbing because you will have to answer the fundamental question posed by this movie. You know the answer. It isn’t a puzzle but sometimes, the truth isn’t meant to liberate.

Often done to death and diabetically sweet, love stories are a tricky genre. Hopefully, the times are changing. Because after 2009’s excellent (500) Days of Summer, we not only have a great love story but also something that can be hailed as one of the best films of the year gone by.

P.S. – There is a solo-violin piece in the movie called ‘We All Complete’ by Rachel Portman and I haven’t been able to get it out of my head ever since I heard it.

Movie Recco : The Chaser because clenching your teeth & gasping for breath might be good for health

Posted: December 26, 2010 by moifightclub in cinema, Movie Recco, Must Watch
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We have decided to open our “Movie Recco” posts for our readers and movie buffs. There is a great joy in discovering a gem – one that is obscure, not mainstream, and none of your friends have heard about. You watch it and then want to shout out from the roof-top and tell everyone to catch it soon. Though The Chaser doesn’t strictly fit into that category but it surely deserves a recco. A kickass debut by Na Hong-jin. This  recco is by Gyandeep Pattnayak. If you want to contribute “Movie Recco” posts, do write to us at moifightclub@gmail.com

There must have been times when you wanted nothing more than to yank the head of the villain of a movie and bang it hard on a concrete surface, watch the blood spurt out, feel it on your hands and love it even more.

Hong-Jin Na’s Chugyeogja (The Chaser) is exactly that type of a film. It gets to you in a way most thrillers don’t. You often sit through a movie and see it, just for the heck of it. Few films (The Chaser included) have the power to extract an extreme reaction out of you. Speaking from my perspective, by the time this movie ended, my left jaw was in a terrible pain after having clenched my teeth hard for a while.

Without saying an awful lot about the story, let me just say that it involves an ex-cop-turned-pimp Joong-Ho trying to track down one of his call-girls Mi-Jin. It seems as if she has been kidnapped because a few others have mysteriously disappeared and haven’t shown up as well. Soon enough, a serial killer is on the run, with Joong-Ho in his pursuit. In relentless pursuit because there is some hope that the girl might still be alive.

It is spectacular in the sense that this movie is shot on real locations — the rain soaked alleys, the crowded marketplace, those dark and dingy rooms — you can almost smell them. The director uses violence liberally but only in a manner that is relevant to the whole story. It sounds clichéd — the whole violence-needed-for-the-story stuff. But, this is a thriller. A serial killer movie. A brutally effective one. One that was made with every intention of entertaining the audience. One that, as it turns out eventually, doesn’t end conventionally. Hell, it never once takes the trodden path. You see, chase sequences are now a must-have in most thrillers. This movie has one too. But one that rivals the very best chase sequences in films such as the Bourne Series. This very scene leaves you white-knuckled and gasping for breath.

Also interesting is the fact how director Hong-Jin separates the storyline into three equal perspectives – one of the ex-cop, one of the call girl and one of the killer. And we, as the audience are equally involved in each of their stories, never once feeling the shift from one segment to another.

Arguably, this movie might not be better than Oldboy but when it wants to be, The Chaser is pretty explosive stuff. Here’s a thriller that re-instates the faith that the darkness of a thriller is always to overwhelm you. Not to leave you satisfied but to make you feel, to make you loathe, to make your face turn away only to check back again to see if everything is alright.

Movie Recco – Samuel Maoz’s Lebanon because it will make you go breathless

Posted: September 3, 2010 by moifightclub in cinema, Movie Recco, Must Watch
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We have been thinking of starting a Movie Recco section for a long time. Finally, here it is. Starting it with Samuel Maoz’s Lebanon.

Because if you are wondering what new can be there in another war film, then Lebanon is a must watch. Because if you felt that you are in the middle of a war zone while watching The Hurt Locker, then Lebanon will make you go breathless in those 90 minutes. Because as the movie got over, I  felt am choking to death and desperately need some fresh air.

Accoring to IMDB, here is the synopsis of the film…

June, 1982 – The First Lebanon War. A lone tank and a paratroopers platoon are dispatched to search a hostile town – a simple mission that turns into a nightmare. The four members of a tank crew find themselves in a violent situation that they cannot contain. Motivated by fear and the basic instinct of survival, they desperately try not to lose themselves in the chaos of war.

While watching the film, was also wondering why nobody came up with this idea before. The entire film inside a tank. The answer is simple. Because those who make films, don’t go inside a tank. And those who are inside the tank, rarely make films. This is Samuel Maoz’s own story. And so, as the saying goes, if we don’t tell our stories, who will.

Because a filmmaker’s story always interests me more than the film, I never miss out the extra features. The dvd doesn’t have any making of videos but there is some text material in it, in very small font. Had to go close to the tv set to read it. To quote Samuel – I wrote what i felt…a story that was not to be found in the body of the plot but derived from deep within it.

At 20, he was in a war. Killed someone for the first time. At 45, he wrote and directed a film based on his experiences, without bothering about the story, the characters or the plot points.

And watch Lebanon, because I don’t remember when was the last time I saw a film in which a man talks about having a hard-on  and his father’s death in the same breath. Its devastatingly brutal. And brutally honest. Watch it because it will grab your throat. And thats a rare experience these days.

The film won the Golden Lion in 2009 Venice Film Festival. Click on the play button to watch its trailer.

(PS – Movie Recco will not discuss and dissect the film in details, but will recco those films which we think are must watch. Also, we are not going to recco all those films which have been discussed and dissected million times before (like Godfather & million others). If you haven’t seen all those, you are on the wrong page. Its for new films and for underrated or undiscovered gems)

Umesh Kulkarni’s Vihir (The Well) is bloody brillant, cinematic masterstroke and a must watch!

Posted: March 19, 2010 by moifightclub in cast & crew, cinema, film review, Must Watch, News, pics, Regional, reviews, songs & videos, Story / Plot / Synopsis, Thoughts
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Now that the post header has made you curious enough to book your tickets, do give the film some time and space. Its not your corn and cola cinema. For that you can wait for pottymaker’s Housefull!

As I returned home after the screening and looked at the bucketful of water in the bathroom and the reflection of the light on its surface, I could not look beyond. A bucketful water never meant so much. Never held my attention. When you go to a theatre to watch a film, its entertainment but when you come back home with a cinema inside you, you know its a masterstroke.

Vihir is one such cinematic masterstroke. Directed by Umesh Kulkrani and written by Girish Kulkarni & Sati Bhave, its devastatingly gorgeous, warm and heartwrenching tale of two freinds and their adolescent days. Of lost and found. Of life and death. Of hide and seek. Of love, lost and longing.

According to the official release, the synopsis of Vihir is as follows…

A story of two adolescent boys Sameer and Nachiket (cousins who are best friends) standing on the crossroads of life… to choose between the life that leads to petty worldly small existence or the life of free existence that would let them spread their wings and soar high in open skies…

They play a game of hide and seek in a rather unusual way. Where one cousin hides in death and the other is looking for him in the life around him. . . . Samir’s search leads him towards the experience of oneness where he can unite with Nachiket again!

Scratch the surface and you will find that the water runs really deep. There is family politics, pain of growing up, existensial crisis, chinese whispers, detachment and finding that “best friend” during one of the most difficult & exciting time of life – adolescent days. When suddenly one day you spot some soft hair strands slowly making a thin line just below your nose, you dont remain the same anymore. You want to talk to someone who belongs to the same club. You try to make sense of the world.

And like me, if you have spent your summer vacations at your nanihaal or mamabadi or mamaghar or Grandma’s place, you will instantly connect with it. Uncles, aunts, cousins, grandparents – all under one roof. Things that you should not have known, tales that you should not have heard and incidents that you should not have been part of – you grow up then and there. You become Adult. Vihir moves in similar territory as Sameer & his Nachiketdada try to decipher the meaning of life around them. They are not only cousins but best friends too. One (Sameer) idolises the other but the other is lost. He is also trying to find himself. And its through one’s loss, that the other discovers himself.

But what kind of loss is it ? Is it just being invisible ? Or more than that. Here comes the maturity in the writing and direction part.  And now slowly all the dots connect. The simple game of hide and seek & chinese whispers dont remain the same anymore. Dont want to write more here to spoil the experience for you.

The character actors are all familar faces of marathi cinema. Lead actors Madan Deodhar (Sameer) & Alok Rajwade (Nachiket) say it more through the silences and gestures than the dialogues. Alok was also the lead in Siddharth Sinha’s FTII diploma film Udhedbun which bagged the Silver Bear at Berlin Film Festival in 2008. Shot gorgeously by Sudheer Palsane, the camera takes you straight inside the family affairs. The acting across the board is so natural that it looks like someone just put a camera there. Am not sure if the actors spent some time together before the shoot or what lead to such strong bond on screen but its pure magic.

When the first half got over, I was bit lost wondering if its the end of the film. And it could have been a superb end there. As i came out and met few other film buffs, realised that others also felt the same. So now what ? What will he do in the second half ? How will he wrap up ?

Fuck Syd Field and fuck all plot points. Umesh Kulkarni’s second half is pure visual delight. Mood piece. At one point, some 20 minutes of the film is complete silence. No dialogues. And once you are with the character, you know what that silence means. If you have ever loved and lost someone, you know its difficult to find a way out.  You dont want to hear people talking. They just dont make sense. You need no gyaan. You need that journey to nowhere. Remember last year’s Dev D ?

In the secod half, I felt the same once again. When “the well” scene comes, I thought here is one more end. But then there is some more. Its a journey of self-discovery. So, no point trying to figure out an end to join the dots. Let it go on.

And as a killer line in Rocket Singh song goes…Uljhe nahi to kaise suljhoge…bikhre nahi to kaise nikhroge. Nobody grows up in years, its always in deeds.

Water is life. And death too. In every drop. Everywhere. The subtle hints, the subtext and the layers – by the end it seems nothing is as simple as it looks.

(PS – Its great that AB Corp produced it. All respect. Hope they do more such films. And those of you who still think that am biased against the Bachchans, doesnt this post say enough to shut you up! We all love to champion a film that we like. Rest doesnt matter. It seems Jaya Bachchan was the key person for making this happen. This surely is one tight slap on the face of Raj Thackeray and his supporters who claimed Guddi buddhi zali, tari ajun akkal nahi aali. And do watch it on big screen. You need to dive into that water. The dark theatre and the big screen sets the perfect mood. )

Click on the play button to see the opening scene of Vihir

For more on Vihir, click here.

Jaideep Varma’s Leaving Home (documentary on Indian Ocean) is a must watch!

Posted: January 25, 2010 by moifightclub in bollywood, cast & crew, cinema, film review, Must Watch, News, reviews, songs & videos, Thoughts
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Because its Indian Ocean. Its their story. Its all about their music. And if you are not a fan of Indian Ocean, what are you listening ? Or what are you smoking, dude ?

From Kabir to Kashmir, Narmada to North-East, Indian Ocean’s music has the sound and soul of India. The roots that makes it an original and unique voice. And they just dont sing those songs, they believe in it, they live by it.

Jaideep Varma’s documentary Leaving Home starts with a really funny and smart line, the funniest I have ever read on a film’s opening credit. Actually even before the credit rolls. Am not going to spoil the fun by telling you the line.

The documentary unfolds in different chapters, based on their songs and tells the story of all the four band members, one by one. Susmit Sen, Rahul Ram, Amit Kilam & Asheem Chakravarty. How the band was formed, new members, entry, exit, girl in the band, girl gone, days of struggle, no money, first performance, first song, first album – many unknown and known stories are documented through family members and freinds.

Sometimes you cringe at the way the handheld shaky camera is used, you can spot the boom mike, its shadow, the lapel mike wires, the second camera in the frame while the first one is shooting and wonder why the makers could not cut it out at the edit or just be little more careful during the shoot. But if you are an Indian Ocean fan, you just sail through without wondering much about it. Because this is one untold story that needs to be told.

The tone is intentionally raw & rugged, the space has not been polished to make it look better, much like what the music of Indian Ocean is all about. Also, as a friend pointed out, there is enough drama in their story to convert it into a feature film but here everything has been kept subtle without hammering it down the throat with loud music and going extreme close up to record the tears rolling down, as the news channels intentionally do in their features.

At one tense moment, the camera remains on Asheem, when he is talking about his childhood and then he goes silent for few seconds and you wait and wait, not knowing what is he going to say next. But Jaideep holds it back without intruding his space for any kind of emotional manipulation.

The film was edited much before Asheem’s death but now it seems too uncanny. May be it was all written. The film opens with Asheem’s voice, it closes with his story and there is a clip of him singing “wahan kaun hai tera… musafir…jayega kahan…dum le le ghadi bhar…yeh chaiyaan payega kahaan! Gave me goosebumps all over. Still seems unbelievable that the man on the screen is not anymore with us.

Towards the end, at another point, the director even asks the band members about their future plans. What will they do when they grow old or are the worried about tomorrow ? what will happen next ? Then, they didnt. Now, we know something.

And thats why this documentary is important. We dont have the tradition of documenting our cultural history. Films, music, art, theatre…we never bothered. Lost it all. Its great that someone thought about Indian Ocean and documented their times and music because with one core member gone, it will never be the same again. I know that they got new members, they will continue with their music but somehow I already have a mental block. May be, am thinking too much. But there is some good news too. Have been told that there are many pending tracks that has Asheem’s contribution in many way.

So, three cheers to their music. And more cheers for documenting the tales of their music. Jaideep is trying to get a theatrical release for it. Hope it happens soon. And those of us who saw the film, were expected to talk about it, if we liked it, so that atleast twenty people would buy the ticket when it releases. I hope it goes much beyond twenty.

Do this favour to yourself. When it releases, buy the ticket. Its one ticket for lot of music. And if you know & love Indian Ocean, I know you will do it for sure.

For more about the film, click here.

PS – As always, Sudhir Mishra’s sound bites are priceless, with Che Guevara on the back wall and Hazaroon Khwashein Aisi on the side wall.

PS1 – Jaideep is also planning a four hour version of it with more music and more stories. May be for the dvd.

PS2 – A friend made a very relevant comment after the screening. If your kid is still feeling suicidal, forget Aamir Khan & 3 Idiots, go watch this film. Who said life is going to be easy. But see, there is way to do it. These guys did it, lived it, enjoyed it. And then you would not mind dying for it too. Just dont waste it.

Here is an excerpt from the documentary…Asheem and more…

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