Posts Tagged ‘Ali Sethi’

There was a lot of buzz this year about Coke Studio 10, much before even the first teaser came out, and till then that was my only grouse. I will save my angry rants about the season as a whole here, and leave you with our favourite picks from 28 songs that were aired this season in 7 episodes. Click on the playlist embedded below to play the songs as you read the post.

You can read our Coke Studio Season 8 round up here and  Season 9 roundup here.

Ranjish hi sahi – Ali Sethi should sing all the old classics that we have come to love and live with. Even though this rendition was hurried at some places for ghazal purists, the velvet-ness of Ali’s vocals rubbed on the listener and reminded us of well paced out ghazals where lyrics and not hashtags were celebrated. That Ali Sethi is probably the best contemporary singer from across the border these days isn’t ‘overdoing’ it. It’s just a fact. Jaffer Zaidi is probably the only musician who is keeping Coke Studio Pakistan’s legacy of good music with subtle presentation and production alive post-season 6.

Cha rahi kali ghata – A beautiful song composed by Sahir Ali Bagga that gave us a flavour of old times when a raga based song would be melodiously rattled by a contemporary tune in between and touch our hearts. Hina Nasrullah and Amanat Ali were top class, and the moment that took my  breath away was at 4:04 mins when Amanat got into the skin of ghazal gayaki…what a beautiful beautiful song! Thanks to good people in Youtube comment section, I have come across some real good work by Hina Nasrullah. Do google her.

Faasle – A simple heartbreaking duet that played within its zone and didn’t let too many instruments get in the way of expressing hurt. Kaavish and Quratulain Balouch gave us too many reasons to play this on repeat. Jaffer Zaidi has a voice that is a balm on the senses and when he wished well to his beloved with devastatingly helpless yet beautiful words (penned by him incidentally), it was a delight. Quratulain Balouch, who finally got  a lot of real estate this season to display her brilliance, was equally melancholic and melodious. Easily, the most underrated and under appreciated song of this season. Watch how they ended this song…jaa haha hu main…jaa rahi hu main...c’est magnifique!

Tinak din na – I am penning this post on 22 September and I still cannot understand what did Waqar ehsin  bring to the song. Ali Hamza got the solid anchor role whereas Ali Sethi glided the way only he can. Waqar was more a spanner in the works than anything else. Perhaps Ali Noor would have been a better choice. Watch Waqar lose the sense of tune at  4:11 in the song. Still, the sheer energy of Ali Hamza and Ali Sethi is enough to hear this song on repeat. I have never disliked them but there was absolutely no need for the backup vocals in the song as well. A good song that is good in spite of the back up vocals, pointless detours in the composition in between and Waqar.

Laal Meri pat A song that took me back to Rohail Hyatt days barely a second in the song. Akbar Ali (with his alaaps to die for) and the voice of God Arieb Azhar introduced the song. Quratulain Balouch’s voice provided the perfect rooting to the song. This is what old Coke Studio Pakistan fanatics would call psychedelic-meets-traditional, a brilliant brilliant song. I love the way Strings structured the song with terrific humnavas. Leaving the predictable, famous hook of the song and creating a new high point is a job that is too difficult and risky when you are tackling a generation defining song. They got it right, alright!

Naina moray –  Years ago, I came across this timeless composition for the first time in the voice of Ustad Bade Ghulam Ali khan sahab. Akbar ali is the discovery of the season for me and unsurprisingly here as well he shapes the entire song around his powerful gayaki. Yes, there is a terrific Zaki with axe in the song as well. I am somehow getting a bit tired of excessive murki filled gayaki of Javed Bashir though. It kills the mood and creates unnecessary intensity in song that don’t need it. Still, a powerful song.

Ghoom taanaSalman ahmed along with kick-ass Irteassh and talented Momina re-created the magic of this song and it sounded pretty good. Unlike the horrible Sayonee this season, Salman got the singer selection right this time round and apart from the ‘rattle and creaking’ production sound that is signature Strings, the song stood tall and made a smashing statement of hope. We could do with hope in these times.

Katay na katay – Ali Hamza gave us this cracker of the song with loads of help from Aima Baig, Rachel Viccaji and Humera arshad. I loved the energy and the melody this fusion oozed. Let’s try and think one Indian song we heard in unplugged, Coke Studio@MTV, blah-blu studios etc that comes close to the experiment of  3 super talented girls bringing the house down like this? Lastly, the tarana by Ali Hamza towards the end…stunning!

Tera naam – There is a saying in Pakistan music circle that loosely goes like – ‘Whatever you think is possible in music, Sajjad ali has already sung it’. With this song, Sajjad quietly re-affirms that position. In Coke Studio itself, barring few songs which I haven’t mentioned here, we have seen Sajjad ali give us a magnificent rang lagaa soulful Tum naraaz hoa tongue in cheek kir kir kiran insanely enjoyable suth  gana and all that was remaining was a beautiful love song…and here it is! The tune, the presentation, the sound and those lovely humnavas, everything just perfect.

That’s it for season 10 of Coke Studio Pakistan. If you want to read episode by episode review, you can click the link on the contributor’s name below. Do share with us your favourites.

– Rohit

the-reluctant-fundamentalist-posterThe latest offering by Mira Nair features various artists and the album has as many as 14 tracks.

The album starts with Kangna, a traditional qawaali performed wonderfully by Fareed Ayaz and Abu Muhammad. The accentuated bass towards the end remind us that this is for a Film and not performed for anything else. Although the duo have sung this song for Coke Studio Pakistan as well where the duration was in excess of 10 mins, this one ends in less than 6 minutes, melodious nonetheless.

Bijli aaye ya na aaye features the otherwise serious Meesha Shafi. Severely let down on the lyrics the song survives because of the lovely throw that Meesha demonstrates. Peppy. The lyrics are so bad that they actually redefine the word ‘random’. However, this for sure will be closely walking with the narrative, of which I am sure.

Kaindey ney sung by Zahara Khan is up next. Performed with just a guitar and Sarod by the side for most part, Zahara appears slightly out of sync at times in this average song.

Ali Sethi hums Dil jalaney ki baat kartey ho extremely well and leaves you wanting for more because the track is barely 2 mins long.

Atif Aslam croons Mori araj suno and even though he tries very hard, thanks to the varied versions of this ageless composition that we have come across, this track falls short. But it does sound very theatrical.

Measure of me by Amy Ray is the best song of the album. Slow, melancholic and very high on melody. The arrangement is so simple that you might even ignore it. The backup vocal arrangement is brilliant as well.

A young man has to take a stand performed by Michael Andrews is a track filled with a lot of tension thanks to the eerie arrangement and loads of violins used. Ends quickly echoing the tension in the head.

Jannissary again performed by Michael is a slow piano piece with continuous violins. Somehow reminded me of 1947 The earth, this piece. Nicely done.

Something happened – Bass and a lot of bass instills anticipation in what appears to be an anxious track. A track that is very rich on sounds. Faintly heard someone sharpening knife, someone running through a door and then it all descends to a pause. One of the best instrumental pieces in a long time. Highly recommended.

God bless America A very short track comprising of crowds cheering and a continuous beat that eventually fades out far too quickly.

Love in Urdu by Rizzle kicks is a delicately arranged all instrumental piece peppered with subtle Sarod and guitar. Not as beautiful as love in Urdu would be but a soothing and simple track.

Focus on fundamentals paints a picture of tension, yet again. Aided in just right measure with violins and a dying bass line throughout. Eerie. Tensed. Dark.

Get us both killed has got a very dark tone throughout. The riffs remind you of a particular O.S.T. Which shall not be named here. :) the tempo steadily rises but never peaks and that’s quite eerie.

Too much blood has poured into this river With near absent vocals, this track keeps the dark undertone of the album alive. Aided by flute, the overall grave atmosphere gets a touch of sadness. The almost silent alaap is a touch of class in this track.

With Mira Nair, we are sure that the music will be totally circumstantial and compliment the feel of the film. The Reluctant Fundamentalist is no different. Will I hear it as much as the O.S.T. Of ‘The Namesake’? Well, No. The reason is simple. This O.S.T. stays so closely hugged to the film’s feel that you slip into sadness with some of the tracks of this film.

2 Thumbs up! If you are an O.S.T. Collector, do not miss this at any cost!

@Rohwit

(Ed note : For more music reviews by Rohwit, you can check his blog here)