Agent Vinod was one of the most anticipated films of the year. Those who know the filmmaker and love Ek Haseea Thi and Johnny Gaddar, they know what #JaiSriram means. So did he score a hattrick? The Matunga Fanboy is disappointed for sure.
“Hey! Johnny, matlab hi hai aasli yaar…”
Greed, vengeance, love, doom, betrayal, survival.
With little budget and a story to tell, it was all packed in awesomely in his earlier attempts. With more resources to film, more chases and explosions, and a lead actor/producer with adequate passion to “make-it-large”, there was little to tell and a lot to show in quick cuts.
Agent Vinod dangerously fell into the “we-got-a-Great-Title-now-what-to-do” films/PROJECTS. With everything sounding great at the onset – Title, Concept, Cast, Budget, it seems a kick-ass script was the only thing that was left. Probably keeping that as the last thing to do without any other worry puts too much pressure on the one most important thing to begin a film with…and that being kept last, with everything being taken care off, “shayad joote pasand nahi aaye” – One might not be able to pin point what exactly is going right as the support and resource is right there. Tough task and especially for a super self-critical person, that must have been one exhaustive task. It shows. It’s complicated and ironic how one manages with little resource and more imagination and…
A mild mannered middle-class Matunga boy with loads of pulp movies and literature consumed, and some-corner-room-twisted perspectives could add his mild humble magic to anything he touches with his “not so sure” demeanor beneath a killer observer. RABTA being just one Single Shot example of that. The simplicity of those couple of minutes completely overshadows the rest of the Millions spent on the quick cut Peter Hein action.
60% of the times I was either looking at a Peter Hein shot or a second unit exotic pick up shoot. I sorely missed my Desi Jim Gordon’s smooth humble touch to it. There were glimpses of it. But far and few, or maybe when it’s someone who grants some access inside his “Hard-Case” Adventureland gates only once in 5 years, it better be all him – A 100% Sriram Raghavan affair.
Plus, when you have a great title, why not exploit it? Casino Royal played it quite well with “Bond James Bond” coming just about when the End Credits began to roll but then that was the 21st Bond film. Why not use Agent Vinod to full effect throughout the film? It’s anyways a kickass name, why guise it, guard it and hold it and not let it breath? As Vinod says, he wants to go back for those 8 minutes on the cable, I too just wanted that feel of those 8 minutes and not the entire film to be about those 8 minutes. What makes Bond and Bourne is that they push me precariously close to those 8 minutes but then get me out and show me more of what happened before and after. Where we cherish those 8 minutes and treasure them, we wanted Sriram to give me those 8 minutes (Rabta give me a couple for sure) not Peter Hein.
Waiting for the next.