Archive for March 30, 2012

To celebrate 30 years of making cinema, Vinod Chopra Films is having a retrospective of its films at PVR Cinemas. From 29th March to April 4th, VCF is showing almost all its films, from Sazaaye Maut to 3 idiots. Check out your local listing or you can check out PVR’s website.

– The films have also been digitally restored and their sound has been re-done in 5.1 Surround Sound.

– Screenings will be followed by discussions moderated by well-known filmmakers at PVR Juhu, Mumbai.

Here’s the schedule for the panel discussion –

1. 30th March – 5.30 – 6.30 pm : Discussion on Parinda.

Moderator – Anurag Kashyap and Sudhir Mishra.

Director : Vidhu vinod Chopra.

Cast – Anil Kapoor, Jackie Shroff, Nana Patekar, Anupam Kher, Suresh Oberoi

2. 30th March – 7 – 8 pm : Discussion on Parineeta.

Moderator – Sujoy Ghosh.

Director : Pradeep Sarkar.

Cast : Vidya Balan, Raima Sen, Dia Mirza

3. 31st March – 7 – 8 pm : Discussion on Munna Bhai MBBS + Lage Raho Munna Bhai.

Moderator – Sriram Raghavan.

Director – RajKumar Hirani.

Cast – Sanjay Dutt, Arshad Warsi, Boman Irani, Dilip Prabhavalkar.

Screenwriter – Abhijat Joshi

4. 1st April – 7-8pm : Discussion on Khamosh.

Moderator – Rohan Sippy.

Director – Vidhu Vinod Chopra.

Cast – Shabana Azmi, Amol Palekar, Sudhir Mishra

5. 2nd April – 7-8pm : Discussion on 1942 – A Love Story.

Moderator – Imtiaz Ali.

Director – Vidhu Vinod Chopra.

Cast – Anil Kapoor, Jackie Shroff, Manisha Koirala, Danny Denzongpa

6. 4th April – 7-8pm : Discussion on 3 Idiots.

Moderator : Ram Madhavani.

Director – RajKumar Hirani.

Cast – Cast -Aamir Khan, Sharman Joshi.

Screenwriter – Abhijat Joshi

And here’s a nice video feature on VVC films

WHAT: IMAGING CINEMA 2012: An International Screenwriting and Filmmaking Course

DATES:  1-10 JUNE  2012

VENUE: IIT Madras

Resource people :

▪    Atul Tiwari (Mission Kashmir, Dasavataram, Viswarupam, forthcoming with Kamal Haasan)

▪    K Hariharan (Director, LV Prasad Institute of Film & Television Chennai)

▪    Rohan Sippy (Dum Maro Dum, Bluffmaster,  Taxi NO 9211, Kuch naa  kaho, The President is Coming)

▪     Shridhar Raghavan ( Screenwriter: Khakee, Dum Maro Dum, Apaharan)

▪     Sriram Raghavan (Director: Agent Vinod, Johnny Gaddar, Ek Haseena Thi)

▪     Anurag Kashyap (Dev D, No Smoking, Gulaal, That Girl in Yellow Boots, Shaitan)

▪     Patricia Gruben (Director, Praxis Screenwriting Programme, Simon Fraser University, Vancouver)

 COURSE :

Hands on training with experts in screenwriting and discussion of mechanics of screenwriting and direction with major industry figures.

– The course will be divided in four parts-

1. THE MAGIC OF CINEMA – This capsule in the first 3 days will introduce the participants to the magical world of Cinema, by making them go through a FILM-APPRECIATION module. How to read a film is the basic theme of this section.

2. THE MECHANICS OF CINEMA – This section for next two days will introduce the participants with the mechanics that goes into making a film including Camera, Lighting, Sound, Sets, Editing, Special Effects etc- to demystify and tell how the magic is created.

3. THE METHOD OF CINEMA– This section will introduce the participants to the most basic & important aspect of any film – the Blueprint, the Map, the Method behind the madness – THE SCRIPT. This will go on for next 4 to 5 days and the emphasis will be to make the students WRITE scripts and to dissect and discuss their work in class. It will be a group exercise where a group of 4-5 students will work together on mini-scripts to understand the process of film-script construction. At the end of this the groups will be ready with one short 3-5 minute executable script.

4. THE MAKING OF CINEMA – For Next 2 days – this will be very interesting hands on exercise with the students,  where they will have to shoot, act, record sound, edit, do post-production and be ready with their films within 48 hours. Candidates can bring their video cameras or use cell phone cameras.

5. THE MAJESTY OF CINEMA – The last day will be a ‘red carpet’ event where the films made by the student groups will be seen by all. A jury will then rate them and announce the AWARDS to the films – with
analysis – so that this too is a time to learn. The certificates will be given to all at the end of the event.

– An IIT-M CERTIFICATE OF PARTICIPATION WILL BE GIVEN AT THE END OF THE COURSE

Fee structure:

▪  Rs 10,000/ for professionals

▪  Rs 9000/ for attendees of 2009 & 2010 events

▪  Rs 8000/ students with valid ID and documents

$250 for NRI’s and International Students/professionals.

Last date of application : April 30

Application Forms can be dowloaded from Application form IIT Madras Screenwriting Filmmaking Course

– Limited rooms available in IITM guest house (AC), based on the date of applying.

– Few rooms available in hostels (Non ac).

– The course fee does not include accommodation payment.

– Application form duly filled in can be mailed to : draysha@iitm.ac.in

– For daily updates, visit www.imagingcinema.wordpress.com

It was supposed to be Mallika Shehrawat’s international debut. The director had a world famous surname – Lynch. But by the time the film got released, the director, Jennifer Lynch claimed that she didn’t make Hisss. She was nowhere in sight too. During the release, it was Mallika and her good friend Govind Menon (director of Khawish, Kis Kiski Kismat, Bachke Rehna Re Baba) who handled everything. So what really happened? Did she quit or was she forced to? And if so, why and how?

A new documentary, Despite The Gods, seems to have all the answers. Penny Vozniak’s making-of documentary will premiere at HotDocs in Toronto.

Here’s the description from the official release..

Upscale Font Jennifer Lynch, daughter of cult film auteur David Lynch, made her auspicious directorial debut in 1993 with Boxing Helena at the Sundance Film Festival. A box office disaster, the film was viciously mauled by critics and became the focus of multiple lawsuits. Fifteen years later, a recovering addict and hard-working single mother, Lynch returns to the director’s chair with an ambitious project that will test her skills and the entire crew’s sanity.

Despite the Gods brings us behind the scenes on the set of Lynch’s Bollywood/Hollywood action film about a man-eating snake goddess. Out of her depth shooting on location with an Indian crew and two top Bollywood stars, Lynch turns her production into a vehicle for her own self-actualization, paying no regard to timeline, budget or reality. As the story in front of the camera derails, the story behind the camera explodes.

And the trailer. Do watch.

Via Slashfilm