Archive for June, 2017

 

 

 

 

 

 

 

किनारा में एक चीज़ तो कमाल की थी. जो कहावत है ना कि ’बाप का माल’,
तो बाप का माल बहुत चुराया मैंने” 

Pancham

Without any doubts, one can say that Sachin Dev Burman is one of the greatest music directors of all time. His musical creations are forever, but his most special creation was his son “Pancham”, yet another musical genius whose creations stood the test of time. Pancham was born on this day 78 years ago on June 27th 1939. Pancham’s destiny was given a definite path when Dada Burman took him along from Kolkata to Mumbai, despite reservations from Pancham’s mother & naani. Pancham began his music learning and soon started contributing to Dada’s music at an early age. Dada Burman used one of Pancham’s tune in ‘Funtoosh’ for the song “Ae meri topi palat ke aa“.

Pancham continued to be a big support to Dada Burman as an assistant music director, both officially and unofficially.  A lot of musical pieces from 60s and 70s of Dada Burman carry a significant and visible Pancham. Pyaasa‘s theme for Mala Sinha, the unforgettable Harmonica play in “Hai apna dil to awaara“, the title and dance music in Teen Deviyaan along with his harmonica, to name just a few.  One of the most significant achievement of Pancham’s career was that he could come out of the shadow of the very successful father and created his own independent space with his distinct style, sound, and thirst for innovation. Yet one can always find a lot of traces of Dada Burman’s music in Pancham’s composition in the later years. Pancham had made an honest confession about it in a radio show, admitting that he recycled/reused a lot of his father’s tunes. Much more than a father-son relationship,  it was a creative collaboration of two brilliant minds supplementing & complementing each other in the musical journey where each of them supported the cause of other.    Today we explore his “Baap Ka Maal” in this post. Join in.

1.  Kandibo na Fagun gele – SD Burman / Abke Na Saawan Barse – Kinara 

Dada Burman sang and composed the Bengali non-film song in earlier years of his career. Pancham reused the tune to create Abke na saawan barse in Kinara (1977)

 

 

2. Aami Chinu Eka – SD Burman / Khali Haath Shaam Aayi Hai – RD Burman

Once again Pancham took inspiration from one of the Dada Burman’s earlier works, to come up with beautiful Khaali haath shaam aayi hai in Ijaazat(1987). The influence is primarily in the opening part as Pancham gave the composition a new look, color and mood.

 

3. Sujata Title Music – SD Burman / Aapke Kamre Me Koi Rehta Hai – RD Burman

An interesting and experimental makeover to what originally was a popular Rabindra Sangeet (Ore jhawr nemey aaye) which Dada Burman used in Sujata’s title music, and later Pancham reworked it to create the musical extravaganza as ‘Aapke Kamre me koi rehta hai‘ in Yaadon ki Baraat (1973). He has also used the tune to create a beautiful romantic number a few years earlier in a Bengali film Rajkumari (1970).

 

4. Hai ki jey kori – SD Burman / Tune O Rangeele – RD Burman

Pancham used the basic structure of the Mukhda and reworked the “Piya Piya” hook to come up with another melody in Kudrat (1983) for Tune o rangeele.

 

5. Katha kao dao saara – SD Burman / Ummeed Hogi Koi – RD Burman

Dada Burman’s version (which was not composed by him but Subol Dasgupta, as informed by Aniruddha Bhattacharjee) has minimalism in folk ambiance, while Pancham gives it a modern color for the brilliant non-film collaboration “Dil Padosi Hai” (1987). Both excel in their respective versions.  Two melancholic beauties derived from one composition.

 

6. Kuhu kuhu koyaliya – SD Burman / Kuhu kuhu bole koyaliya – RD Burman

Dada Burman sang this popular Nazrulgeeti in early part of his career. Pancham reworked it with Gulzar for the unreleased DevDas (1975). Dada Burman’s version carry the earthy/rustic feel of Jaggery, while Pancham version had the sweet flow of finished honey with the voice of Lata Mangeshkar.

 

7. Nitol paye rinik jhink – SD Burman / Jab bhi koi kangana – RD Burman

Dada Burman’s popular composition which also has traces of Rabindra Sangeet in the interlude was reused by Pancham in Shaukeen (1982).

 

 

8. Aami Soite pari – SD Burman / Kya bura hai kya bhala – RD Burman

A beautiful Karta composition again with minimal use of instrument just with the use of Sarangi & Tabla. Pancham  gave his version a modern qawwali treatment for unreleased Libaas. His second ever & last song with Lata in duets.

 

 

9. Madhu brindabone dole raadha – SD Burman / Meethe Bol bole – RD Burman

A semi classical gem by Dada Burman. Beta Burman reused it in Kinara (1977) with a lot of improvisation in treatment

 

10. Rongila rongila rongila re – SD Burman / Kuchh na kaho opening – RD Burman

The soul song of Dada Burman, a song which marked the beginning of Dada Burman’s musical journey, and Pancham used the core hook beautifully in his legendary comeback score of 1942 – A Love Story, as if he was given his last Tribute to his father & their collaboration.

 

And finally, here it is – Pancham’s confession on “Baap Ka Maal” -Hear from the Horse’s mouth.

 

 

 

NasbandiEmergency was imposed on India on this day 42 years ago, on June 25, 1975, and it lasted for about 21 months. During the emergency, Kishore Kumar was banned by Ministry of I&B on All India Radio & Doordarshan for his non-participation in one of the major public events organised by the people in power then.

When Emergency was finally revoked in 1977, India opted to form a new Government, the country saw a big turn around and supported Janta Party coalition.  With Janta Party in power, Kishore Kumar sang a protest song for the film Nasbandi (1978) and scored an interesting musical revenge.  The film was produced & directed by IS Johar.

The film version of the song was censored and curtailed for a stanza featuring names of some politicians.  The antagonistic lyrics were penned by Indeevar and the song was composed by Kalyanji-Anandji.   An unusual musical documentation of an important event in modern history.

 

 

 

kishore_gandhiteredeshme

Kishore da recording the song with Kalyanji-Anandji. IS Johar can be seen too
– Pic credits: Kaustubh Pingle

 

Full Lyrics :

जनता की आवाज़ है ये
सुन ले ओ बापू गांधी
ये कैसा हाहाकार देश मे
ये कैसी आग की आंधी

कहां गयी वो तेरी अहिंसा, कहां गया वो प्यार
गांधी तेरे देश में ये कैसा अत्याचार
बापू तेरे देश में ये कैसा अत्याचार

इक भारत में बन गये जलियांवाले बाग़ हज़ार
बापू तेरे देश मे ये कैसा अत्याचार

तूने जब आवाज़ लगाई, सारा हिंदुस्तान उठा
अंग्रेज़ों के दिल भी दहले, ऐसा इक तूफ़ान उठा
खुशी-खुशी तेरे कहने पर भारतवासी जेल गये
सीने पे गोली झेल गये, अपने प्राणों पर खेल गये
नाम पे तेरे लाखों जवां, दुनिया के सब सुख भूल गये
दुल्हन का घूंघट बिन खोले ही फांसी पर झूल गये
तू स्वराज ले आया, हम तो फिर भी रहे लाचार
गांधी तेरे देश में ये कैसा अत्याचार

आज़ादी की जंग लड़ा था क्या इसीलिये ये हिन्दुस्तां
अरे न्याय मांगने न्यायालय मे जा ना सके कोई इंसान
कितने ही निर्दोष यहां ’मीसा’ के अन्दर बन्द हुए
अंधे कुएं में कितने ही आज़ाद समंदर बंद हुए
इस्मत लूटा करते हैं जो बन कर लाज के पहरेदार
अपनी सत्ता रखने को जो छीने जनता के अधिकार
सौंप गया है ऐसे के हाथ मे देश की क्यों पतवार
गांधी तेरे देश मे ये कैसा अत्याचार

देखी कहीं कलमबन्दी, देखी कहीं ज़ुबांबन्दी
डर की हुकुमत हर दिल पर थी, सारा हिन्दुस्तां बन्दी
नसबन्दी के नाम पे जुल्म हुए वो दुखियो दीनों पर
लगता था लटका हो जैसे प्रजातन्त्र संगीनों पर
तुर्कमान वो आस्मां टूटा जहां ज़मीनों पर
चढ़ा दिये जब बुलडोज़र जब बेबस लोगों के सीनों पर
अपनो के हाथों ही अपनों पर गोली की बौछार
गांधी तेरे देश मे ये कैसा अत्याचार

सारे देश पर ज़ुल्मो-सितम के घोर अन्धेरे जब छाए
तब प्रकाश की किरणें लेकर जय प्रकाश आगे आए
विजय लक्ष्मी पंडित ने जनता का मनोबल बढ़ा दिया
राज नारायण ने नामुमकिन, मुमकिन करके दिखा दिया
मज़हब से कम नहीं मुल्क, बोले जामा मस्जिद के इमाम
प्रजातन्त्र को नव-जीवन देने आये जगजीवन राम
जॉर्ज फ़र्नांडिस तोड के आये इल्ज़ामों की जन्ज़ीरें
श्रीमोरारजी के आने से चमक उठी फिर तकदीरें
चरन सिंह और चन्द्रशेखर ने लोगों के दिलों को जीता
वापस ले आई जनता अपनी आज़ादी की सीता
अटलबिहारी, आडवानी, नाना ने किया उद्धार
गांधी तेरे नाम की अब होगी जय-जयकार

अरे जो भी हुकुमत ज़ुल्म करेगी उसकी होगी हार
जो भी हुकुमत ज़ुल्म करेगी उसकी होगी हार


फ़िल्म : नसबन्दी -1978
गायक : किशोर कुमार & कोरस
गीतकार : इंदीवर
संगीतकार : कल्याणजी-आनंद्जी

 

Abhishek Verma’s 12-minute long animated film Maacher Jhol (The Fish Curry) has won the “City Of Annecy” Award at the prestigious Annecy International Animated Film Festival. The award was started last year and was set up to support new filmmakers or films from emerging film markets, collaborative films or films that offer unique perspectives on the world we live in or the state of animation. It was selected in the “Perspectives” section of the fest. It also bagged the best short film award at the 8th Kashish Mumbai International Queer Film Festival.

Here’s the fest synopsis of the film –

Lalit, 28, decides to come out to his parents. In order to reveal his sexuality, seeking acceptance, he cooks his father’s favourite fish curry. Will his dad love the delicious dish?

Click here to read an interview of the filmmaker. And here’s the film’s trailer –