Archive for the ‘Film Festival’ Category

Mumbai Film Festival, 2013 – Films we saw [Day 1]

Posted: October 19, 2013 by moifightclub in cinema, Film Festival, film review, reviews, World Cinema
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And we are also back with our daily fest diary. As long as our brains keep working after 5 back to back shows, we will try to do a post daily. Here’s Kartik Krishnan‘s to Day 1 wrap.

matterhorn

Matterhorn – a normal middle class devout time table wala Ram Gopal Bajaj (Andaz apna apna – Paresh Rawal) character’s life changes when he takes a mentally challenged drifter as a ‘flatmate’. Dealing with themes of ‘मोह’, church, conformity, redemption, cognitive disability, pity, homosexuality, relationships and a dash of black humor – this dramedy is crisply directed with minimal flab. The usage of BGM is particularly striking.

Pussy Riot – A Punk Prayer – This documentary immediately reminded me of Ismat Manto Haazir hain & Howl (the brilliant film screened few years ago at MAMI). Bunch of girls perform anti establishment punk rock songs at the Sacred Cathedral in Moscow and the ‘orthodox’ residents are outraged – following which the administration slaps a case on them. And then we delve into the characters’ of the three girls and the courtroom drama that follows. Gandu-equivalent music (though with more political content), the girls claim they have not done anything blasphemous. Provocative, entertaining, subversive, satirical.

Blackfish – Docu on Killer whales exhibition and how the greed of Seaworld (no different from any of the conscience-less corporates ruling the roost we’ve seen before) led to the death of many trainers. The fondness & familiarity with which everyone talks about the ‘culprit’ whale – Tilakam almost makes this docu like a thriller with an unpredictable eccentric protagonist at the center. Candid videos of training gone wrong – there is a particularly chilling sequence with a trainer being forced entertain Tilakam’s ‘eccentric’ behaviour, and being dragged underwater for as long as 60 seconds – repeatedly.

Wajma – An Afghan Love Story – turned out exactly what the trailer promised. An Afghani Julie. Made with low budget & minimal production values, shot on HDV, candid shooting style. While the film lacked the ‘professional’ touch it had a lot of heart in it. The lead actress gave an arresting performance, and particularly the honor-beating scene stays in your memory more so perhaps due to the rawness of the film. Want to see more films from Afghanistan.

The Weight of Elephants – starts out on a promising note and a mis direction – I was wondering(hoping) perhaps it is going to go in Prisoners’ zone with kids gone missing. But this New Zealand film stays with the drifter protagonist – the young Adrian and his life in an around his school friends, next door neighbors and troubled home, and eventually becomes a coming of age film. The kids look so natural and impressive that their scenes alone tower over the nothingness which is so present in the film. Disappointing except for the lovely Kiwi locales and the Gulzar-ish/Masoom-ish kids.

Tales from an Organ Trade – This docu shot all over the eurasia, middle east, canada, thailand covers the complex nature of the Organ Trade, specifically the kidney racket. Why do slumdwellers in Manila happily become kidney donors for as little as 2000USD? How do the doctors performing such clandestine surgeries look at themselves in the mirror? Is only voluntary organ donation ethical ? What other option does a long suffering renal patient have if he/she has been waiting for 7-8 yrs for a ‘legal’ kidney? The docu puts forth these and many more important questions in an entertaining engaging manner.

The Armstrong Lie – This documentary focuses in detail on the confessions made by the cycling champ cancer survivor famous oprah interview. Slightly long and rambling, it turned out to be nevertheless an eye opener on the life of Lance (I must confess- knew little about him before this docu). How can one be so convincing as a liar for so many years ? Why is every genius a narcissistic aatm-mugdh asshole ? With lots of in depth interviews and candid conversations, this one really made my day. Another must watch.

Locke – Tom Hardy. Driving a car. One night in London. Travelling from one end of town to another. All the time on phone. The premise sounds like a thriller but it is a superlatively shot human drama about a man trying to face his demons. Doesn’t get repetitive despite being a single ‘setup’ film. Wish we could see a hindi film like this but which actor is confident and daring enough to pull off something like this ? I wish subtitles were there because the Brit accent sometimes flew over my head. Now I want to see the writer-director’s Humming bird.

– Kartik Krishnan

(PS – If you are wondering how KK managed to watch 8 films on one day, well, he did his homework well. Watched three films from #youknowwhere)

Amit Dutta’s Saatvin Sair to close Rome Fest’s CinemaXXI – official synopsis out

Posted: October 18, 2013 by moifightclub in cinema, Film Festival, Indie, News
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SS1

The Seventh Walk (Saatvin Sair) by Amit Dutta will be the closing film of CinemaXXI, the programme section which the Rome Film Festival (November 8-17, 2013) dedicates to new trends in international cinema. The latest film will be screened Out of Competition.

Dutta, who graduated with a degree in film directing in 2004, captured the attention of international critics early on, winning important acknowledgments for his short films, starting with the FIPRESCI award which he won in 2007 in Oberhausen for To Be Continued (Kramasha). Several of his works have also been screened in the most important museums in the world, including the Tate Modern in London and the Centre Pompidou in Paris. In Saatvin Sair, he continues to explore a theme that has distinguished his production since the very beginning, the relationship between film, painting and music. In the film, Dutta tells the story of a wandering painter who heads into a forest after noticing a strange footprint and hearing a strange melody. This walk into the depths of nature will lead him to face his most intimate self.

SYNOPSIS

THE SEVENTH WALK / SAATVIN SAIR by Amit Dutta, India, 2013, 70’

The extraordinary landscape of the Kangra valley, which Amit Dutta had already filmed in Nainsukh (2010), is the setting once again for the latest film. But whereas Nainsukh was based on the artistic history of an XVIIIth century painter whose work was figurative, Saatvin Sair is inspired by the works of a contemporary Indian artist who paints abstract landscapes, giving free rein to the imagination, as is customary in the modern Western tradition (oil on canvas).

In the film, wandering through a forest a painter sees a mysterious footprint and hears the strains of music, which lead him deeper into nature in pursuit of its source, hoping that it might lead to his innermost seeking. As he wanders, he rests under a tree; in his sleep he sees himself walking, painting, stones defying gravity, a small girl taking the sky-route to deliver his daily fruit and milk, seasons changing and years passing. He wakes up and walks into the landscape made-up of his own paintings where the object of his quest might await him.

Amit Dutta

Born in Jammu (India) in 1977, he graduated in 2004 with a degree in film directing from the Film & Television Institute of India. Since the earliest days of his career, his films – in which he associates the painterly image with the cinematic image – have been acclaimed by critics and won many awards: four national prizes, including a “Rajat Kamal” and the National “John Abraham” Prize (Federation of Film Societies of India), the FIPRESCI (International Film Critics Award) at the Oberhausen Film Festival, the Golden Mikaldi in Bilbao, the Golden Conch at the Mumbai Festival. His first feature-length film, composed of three episodes, The Man’s Woman and Other Stories (Aadmi Ki Aurat Aur Anya Kahaniya, 2009), won the Special Jury Mention at the 66th Venice International Film Festival. In 2010, he made his second feature-length film, Nainsukh (2010), and in 2011 he filmed The Golden Bird (Sonchidi), all presented in Venice in the Orizzonti section. Dutta teaches at the National Institute of Design (NID) in Ahmedabad and at the Film & Television Institute of India. The Tate Modern and the Centre Pompidou have held screenings of several of his short films.

(from official release)

Mumbai Film Festival, 2013 – What to watch

Posted: October 17, 2013 by moifightclub in cinema, Film Festival, Movie Recco, Mumbai Film Festival
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The Great Beauty

It’s that time of the year again. Mumbai Film Festival is about to start and here’s our recco list for the fest.

At first glance this year’s selection doesn’t look as strong as last year’s. After much research and googling, here’ what we recommend.

MUST WATCH

1. Inside Llewyn Davis – Coen Brothers. Great reviews. New York’s folk music scene in the 60s. And a cat. Yes, a cat.

2. Blue Is The Warmest Colour – The film that the world is talking about. Bagged the Palme D’Or at Cannes, got unanimously superb reviews, the lead actors hate the director, and is in news for explicit lesbian sex scene. Plus, you can’t say the name of the director and both the lead actors name in one go. If you can, spot me at the fest and ask for a 5 star.

3. The Past – Asghar Farhadi’s latest one after The Separation. Not a clean winner like the last but still a solid film. Farhadi peels the story slowly as you keep wondering who is the culprit.

4. Mood Indigo – Michel Gondry goes on another fantastic visual journey. Everything is deliciously crazy in this one. Every frame is packed so much, you blink and you will miss some elements.

5. The Great Beauty – Peter Bradshaw initially gave it 4 stars and then made it full 5 after watching it again. He described it as a swooning love letter to Roman decadence, La Grande Bellezza is the Paolo Sorrentino’s greatest film yet. We trust what Unkle Peter says.

6. Ilo Ilo – brims with love, humor and heartbreak. 15 minutes standing ovation at Cannes (for real, not what Indian media says about desi films at every fest) and the prestigious Camera d’Or prize. TRAILER.

7. All Is Lost – One-man-stuck-in-one-place cinema. Chandor’s film has been getting great rave reviews since it premiered at Cannes. Robert Redford’s one man show.

8. Before Midnight – Linklater’s last film in the trilogy in which he blows up every notion of ideal love that he sets in the first two parts.

9. The Missing Picture – Won the Un Certain Regard prize at this year’s Cannes. This film uses handmade clay figurines and detailed dioramas to recount the ravages that Pol Pot’s regime visited upon the people of Cambodia following the communist victory in 1975.

10. Heli – Amat Escalante bagged the Best Director’s award at Cannes. Drugs, violence, corruption, and Mexican.

11. Parde (Close Curtain) – Panahi. Naam hi kaafi hai. It premiered at Berlin Fest. Panahi won the Silver Bear for Best Script. The film was shot secretly at Panahi’s own beachfront villa.

12. The Act Of Killing – One word – Terrific. Our previous recco post is here.

13. Fandry – If the film is as good as its soothing 30 second teaser, it should be fine. Looks like Shala redux. And just when we were wondering about it, Nikhil Mahajan, director of Pune 52, came to our rescue. He tweeted, straight up there with Vihir. An immensely, immensely powerful film.

14. Taak Jhaank (Sunglass) – Rituparno Ghosh’s film which is yet to get a release and we are not even sure when it will. “When she wears her sunglasses, Chitra can picture what the other person is thinking”, knowing that it’s Ghosh’s film, that line in the synopsis was suffice. Add to that the strong acting talents like Jaya Bachchan, Naseeruddin Shah and Konkona Sen Sharma in the lead.

15. Katiyabaaz – The docu of a desi and unique superhero that you probably haven’t heard about. After Berlin, Tribeca and Berlin, it comes to Mumbai. The trailer is good enough to sell the film. Go here.

MOOD INDIGO

If you like to take a chance and experiment a little at film fests, this list is for you. These films can swing either way – from offbeat, non-mainstream and meditative to outrageously experimental. Go with some patience.

1. Halley – Contemporary Gothic story with an unusual twist. A disturbingly stylish and surrealistic drama, Sebastian Hofman’s impressive Halley is hard to define and very much a niche sale, but it could well attract critical support given its strangely compelling story, impressive performances and strange sense of the grotesque – SD. Got it? More – a zombie film without the horror of the zombies and, but its core story of physical decay and deathly illness would fit into any perverse horror film, with the film’s ‘hero’ essentially one of the walking dead. And TRAILER.

2. Matterhorn – Absurd Dry Humour. A strict old man has lost his wife and son. Gets an unexpcted guest. TRAILER

3. The Selfish Giant – The Telegraph gave it 5 stars and called it Clio Barnard’s brilliant, sour-scouring fable about growing up in Britain today. TRAILER.

4. Qissa – A film based on partition, in Punjabi, starring Irrfan and Tillotama Shome and Rasika Duggal and Tisca Chopra! I was already sold. And though it deals with partition in a more symbolic, metaphoric, allegorical way – I was moved immensely by it. Many friends had issues with the logic and amount of suspension of disbelief it demands (basic premise of a father who brings up his daughter as a son without letting anybody else know is a bit of a stretch, yes) – but it still managed to disturb and involve me probably because of the magic realism zone it enters in the 2nd half. And also because of Rasika and Tillotama’s terrific performances. Probably it’s only me but I think the film gives a solid theory on why Punjab has the maximum cases of female foeticide/infanticide. (Qissa won the NETPAC Award at TIFF) – Varun Grover’s recco post.

5. Stray Dogs (Jiayou) – Tsai Ming-Liang bagged the Grand Jury Prize at Venice Film Festival. TIFF described it as “Imbued with mystery, sly humour, and an enormous heart, the latest film from visionary director Tsai Ming-liang links together a series of sumptuously composed scenes that tell the story of a broken family living on the margins of Taipei society.”

6. A Touch Of Sin – Bagged the Best Screenplay Award at Cannes Film Festival. Based on four shocking true events that examines the current fabric of Chinese society. TRAILER

7. Tom At The Farm – That talented kid at the world cinema scene keeps on making movies. The latest one is on same tangent. Xavier Dolan’s film was in competition at Venice Fest. A grief-stricken young ad copywriter who visits his dead lover’s parents — only to get drawn into a savage game rooted in the rural family’s dark past.

8. Shield Of Straw – Takashi Miike’s latest one. Naam hi kaafi hai.

9. Faith Connections – Pan Nalin goes to Kumbh and gets all the exotic sights and sounds. Again, the Trailer is good enough to sell the film.

10. Locke – Another one-man-stuck-in-one-place cinema. This one belongs to Tom Hardy as he takes the driver’s seat. Premiered at Venice Fest. Minimal in approach.

11. For Those In Peril – The strikingly original maritime fable examines the aftermath of a fishing accident – THR. Mark Kermode has given it 4 stars. Was at Cannes Critics Week. Trailer is here.

12. Mamay Umeng – In a quaint provincial town, an elderly man awaits his inevitable fate – death. If you love posters, here. TRAILER.

13. The Voice of The Voiceless (La voz de los silenciados) – Seems scary and interesting. Based on a true story of a modern day slavery. Trailer.

14. The Strange Little Cat – Loosely inspired by Kafka’s The Metamorphosis, this enchanting, minimalist gem by first-time feature director Ramon Zurcher has won admiring comparisons to the work of such masters as Jacques Tati, Robert Bresson and Chantal Akerman – TIFF. Click here for its very strange and very funny trailer.

15. The Japanese Dog – A satisfying, unexpectedly upbeat film, superbly played, in which hope is always just about visible through the tragedy – THR. And trailer looks interesting. Gentle and charming.

50/50

And then there are few more which looks interesting. But either we are not completely sure how good they are, or they have  been getting mixed reactions.

1. The Rocket – It got Best debut film at Berlin and Audience Award at Tribeca. A kid is cursed for everything that goes wrong, and then he claims it all back. Rite-of-passage film

2. The Immigrant – The film has been getting some extreme reviews. But with Joaquin Phoenix and Marion Cotillard in the lead, hopefully they might be worth the time.

3. La jaula de oro – Powerful yet unsentimental thriller keeps audiences guessing as four Central American kids head to the U.S. by train – Variety. Was at Cannes Un certain regard. In Sin Nombre space.

4. Autumn Blood – Quiet. Serene. Young brother and sister in the mountains. And then things go wrong. Trailer

5. Liar’s Dice – Rajeev Ravi’s wife Geetu Mohandas goes behind the camera. About a young mother and her 3-year old daughter’s journey to find her missing husband. Has Nawazuddin Siddiqui and Geetanjali Thapa in the lead.

6. The Only Real Game – Heard about baseball in Manipur? No? Here you go. Aseem Chhabra’s column on this one.

7. Siddharth – Richie Mehta’s film was at Toronto and Venice. More about the film here.

8. Suleimani Keeda – Desi slacker comedy involving two bollywood screenwriters. More about it here.

9. The Armstrong Lie – What was Armstrong thinking? The film tries to tackle that million dollar question.

If you have seen anything interesting and would like to recco it, do let us know in the comments.

Kamal Swaroop and Amit Dutta’s films at Rome Fest

Posted: October 16, 2013 by moifightclub in cinema, Film Festival, Indie, News
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Rangbhoomi

Rome Film Festival has announced its first list of selection for this year. It includes two interesting films from India.

Rangbhoomi by Kamal Swaroop and The Seventh Walk (Saatvin Sair) by Amit Dutta have been selected in the CinemaXXI section of the fest.

I have always believed that Amit Dutta is country’s best experimental filmmaker who has a distinct strong powerful visual style. Though you will hardly get to read about him or his films in mainstream media, it’s heartening to know that he quietly keeps on making films.

The CinemaXXI section is dedicated to new trends in world cinema and will feature 16 Feature films, 6 Medium-length films and 13 Short films.

Kamal Swaroop’s Rangbhoomi is in competition in the CinemaXXI section of the festival. The film is based on the autobiographical play written by Dadasaheb Phalke, considered as the father of Indian cinema.

Amit Dutta’s The Seventh Walk will be the the closing film of CinemaXXI Section and is not in competitive section.

The festival will run from November 8 to 17, 2013.

UPDATED (26th Oct, 2013) – Rome Film Festival has added two more Indian films in its list.

– MAKARA by Prantik Basu, India, 2013, 20’ (World Premiere) in the Medium Length and Short Film Competition

– OM DAR BA DAR / I AM DOOR BY DOOR by Kamal Swaroop, India, 1988, 101’. Special Screening of the World Premiere of the restored version, on the occasion of the 100 Years of Indian Cinema.

Apart from these two films, Indian filmmaker Ashim Ahluwalia will also be at the fest as Jury member on the CineMAXXI.

First Look : Sushrut Jain’s documentary ‘Beyond All Boundaries’ on country’s cricket mania

Posted: October 14, 2013 by moifightclub in News, first look, Story / Plot / Synopsis, Film Festival, film, Trailer, Documentary, Indie, Mumbai Film Festival
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A documentary film titled ‘Beyond All Boundaries’ directed by Sushrut Jain will have its Indian premiere at the Mumbai Film Festival this year. The film is produced by Kunal Nayyar (of Big Bang Theory fame) who also helped Sushrut raise funds for the project.

TRAILER

OFFICIAL SYNOPSIS
This 98 minute documentary tells three true life stories of cricket lovers and fanatics who gave up everything to pursue their passion. Woven through the tale of India’s progress in the 2011 World Cup are three separate story arcs that speak of the roles cricket can play in the lives of ordinary Indians, for whom the game becomes a source of aspiration, desperation and devotion.
BABPosterFinalsmallDETAILS
Beyond All Boundaries takes a look at the life of three people
1. Sudhir Kumar Gautam, the well known Indian cricket fan who loves his team, his stars, and at the heart of it, eventually the game.  He is India’s most recognizable fan who turns up at matches, his torso and face painted in the colours of the Indian flag, and “Tendulkar” and the number 10 on his back.
2. Prithvi Shaw, a 12-year-old batting prodigy from one of Mumbai’s distant suburbs, whose life and career are driven by the prototype sporting parent – a single father obsessed with turning his son into a professional cricketer.
3.  Akshaya Surve, an 18-year-old girl trying out for the Mumbai Under-19 team. Cricket is the centre of her existence and a potential exit for her and her mother, trapped in a single room in one of Mumbai’s many narrow bylanes.
– To know more about the film, click here for its website

Mumbai Film Festival, 2013 – Date wise schedule

Posted: October 14, 2013 by moifightclub in cinema, Film Festival, Mumbai Film Festival, News
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The schedule of this year’s Mumbai Film Festival is out. Click here to access it. But like every year the organisers didn’t release the date-wise schedule of the fest which is the best thing when you plan to watch movies all through the day. And so like every year, good ol’ Kartik Krishnan spent hours and did it for us.

Have embedded both the schedules on the post. You can download them from here. To directly donwload and in better format, click here for Metro and Liberty’s datewise schedule, and click here to get the Cinemax one. And say thanks to KK.

Metro and Liberty

IC: International Competition     ATC: Above The Cut    WC: World Cinema    IG: India Gold 2012    RDV: Rendez-vous with French Cinema    CSC: Celebration of Spanish Cinema    NF: New Faces    SC: Spotlight on Cambodia    CA: Celebrate Age    FIW: Film India Worldwide   TRR: The Real Reel    RC: Restored Classics    KF: Kabul Fresh 2013    NSC: New Spanish Cinema   LC: Leos Carax Films    CG: Costa Gavras

– Films Schedule is subject to change. Persons below 18 years are not allowed

– For the complete lineup of the fest, click here.

– To know more about the fest, click here for its FB page and click here for its Twitter account.

– For registration, you can go to its official website here.

Fahad Mustafa and Deepti Kakkar’s docu “Katiyabaaz” gets a new trailer

Posted: October 7, 2013 by moifightclub in cinema, News, first look, Story / Plot / Synopsis, Film Festival, film, Trailer, Documentary, Indie, Mumbai Film Festival
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Fahad Mustafa and Deepti Kakkar’s documentary Katiyabaaz (Powerless) was selected for Berlin and Tribeca Film Festival. The film will have its screening at this year’s Mumbai Film Festival. Ahead of the fest, it has got a new trailer. Have a look.

The song in the trailer is sung by Indian Ocean and is written by Varun Grover who is also a regular contributor to this blog.

About the film :

In Kanpur, India, Loha Singh is the local robin-hood, stealing electricity so that homes and businesses could function normally in the face of day-long power-cuts. Meanwhile, the first female chief of the electricity supply company has vowed to rid the town of illegal connections and increase supply. In a summer of crisis, sparks will fly.

Description :

Powerless is a documentary film about the electrical supply shortage in an industrial suburb of Kanpur, India. The story unfurls along miles of tangled copper wires which mirror the diabolical complexity which unfolds in several towns and cities across the country. A picture emerges of a modern dystopia encompassing urban decay and desperation due to the lack of electricity. Underlying the localized crisis in Kanpur is the glaring energy poverty in India, where a third of the population is often without power and the rest grapple with frequent power-cuts that dictate their own terms. Powerless points to the universal need for dependable electrical power while exploring this theme in one of the world’s most ascendant economies.

– To know more about the film, click here to go to its official website.

– To read the Hollywood Reporter’s review of the film from Berlin fest, click here.

Movie Reccos – from Toronto International Film Festival, 2013

Posted: September 25, 2013 by moifightclub in cinema, film, Film Festival, Movie Recco, movie reviews
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Screenwriter and lyricist Varun Grover‘s script Maa Bhagwatiya IIT Coaching was selected for NFDC-TIFF’s ScriptLab this year. He not only went to the lab but also managed to catch some of the interesting films at the fest. So over to him for all the dope on the fest and some film reccos.

disappearanceofeleanorrigby_01

Thanks to NFDC’s script lab in association with Toronto International Film Festival (TIFF), I got to attend this year’s fest (from 5th to 15th September) in Toronto. Though the first 5 days were devoted mostly to the script lab sessions (with our excellent mentors – Marten Rabarts, Olivia Stewart, and Esther van Driesum – who got the nuances and layers of our scripts so bang-on in spite of being from a culture far removed from ours), I stayed for 5 more days to watch cinema. And I think Toronto has been getting the best line-up of films for the last few years. Oscar season is close-by, TIFF Director Cameron Bailey’s film-hunting/sourcing skills are legendary, and TIFF doesn’t shy away from seemingly non-festival stuff like Gravity and The F Word (on two ends of commercial spectrum) – resulting in a film fest with so many options (with ample repeat screenings) that out of the 16 films I could catch, at least 10 were absolutely stunning and another 3 in #MustWatch category. And I missed at least 7 big films, in addition to many small ones, that I so badly wanted to see. (People’s Choice winner ‘12 Years a Slave’, FIPRESCI winner ‘Ida’, Cannes winners ‘Blue is the warmest color’ and ‘A Touch of Sin’, Richard Ayoade’s ‘The Double’, Reitman’s ‘Labor Day’, and Miyazaki’s last ‘The Wind Rises’.)

But what a smooth fest it was. Never seen volunteers this organized, informed, helpful, cheerful, and above all passionate for cinema! Most of them were students who chose to volunteer because for every 6 hours of work they used to get one movie ticket free. And then there were some who had been doing it for many years – and some (like this 80-year old lady scanning barcodes on our cards outside the venue) who loved being part of the buzz. Every volunteer inside the venue I went to (Scotiabank) knew which movie was playing on which screen, who had directed it, and what was the duration. And they would make a human-chain in the theatre gallery for really crowded screenings (like Gravity’s) so that no one jumps the queue. Met two young filmmakers while waiting in a queue who had volunteered at the fest 3 years ago and they said the recruitment for next year’s volunteers will start soon after this is over, and they prepare for close to 10-months for this level of professionalism.

So here’s the list of films I watched and my 2-line reactions to them:

fifth estateThe Fifth Estate (Bill Condon): Hugely underwhelming. No insights into Assange’s mind or workings or flaws, and more like a Madhur Bhandarkar attempt at cashing-in on the hype around the man. Wannabe Social Network, but with writing so clichéd that even Cumberbatch couldn’t save this one. And later I realized the director, Bill Condon, had made 2 Twilight films before this. That figures.

PrisonersPrisoners (Denis Villeneuve): Sirf naam hi kaafi hai. Villeneuve’s last (Incendies) was one of the best, most explosive film 2 years ago, and hence was really looking forward to this. Turned out it had (my fav) Paul Dano too in it, with (Prestige-faced) Hugh Jackman and Jake Gyllenhaal. And what a spine-chilling film it was! Definitely among the top 3 I saw at TIFF. Villeneuve (with his writer Aaron Guzikowski) enters a David Fincher world but brings much more art-house sensibility (with a Korean psycho fetish angle) and Roger Deakins’ absolutely gorgeous aesthetics to it. Won’t talk about the plot as this film is best savored with a blank slate mind. Doubt we will see a better thriller this year.

Gravity (Alfonso Cuaron): This one was a safe bet – and it still managed to exceed my expectations. By around a 100 light-years. I don’t think I breathed for the 90-minutes it played. Best use of 3-D, green-screen, Sandra Bullock, and space debris yet in cinemas. Watch it on the biggest screen in 3-D please.

The-Strange-Colour-Of-Your-Bodys-Tears-posterThe Strange Color of Your Body’s Tears (Helene Cattet, Bruno Forzani): I don’t really know what I saw. 4-5 people walked out every 5 minutes and by the time the film ended, only 30-35 of us were left. Something that would make the much acclaimed mad-duo of Belgian cinema happy. Weirdia of the highest order. Lots of blood, nudity, absurdism, zero narration or attempt at it, but everything done with so much class and aesthetic value that difficult to dismiss it. Colors, mood, performances – all screamed ‘installation art’ of highest order.

R100R100 (Hitoshi Matsumoto): One of the best discoveries at TIFF. Directed by Japan’s most absurdist filmmaker and leading comedian, this was weird, funny, cutting-edge satire, and sexual fantasy in equal measures. Brilliantly, genuinely subversive. (And he called it R100 to take a swipe at censor boards who’d give it a rating ‘suitable only for 100-years or older’). Wait for this one!

Enemy posterEnemy (Denis Villeneuve): Yup, DV had two films at the fest. Both with Jake Gyllenhaal in a major role. He apparently shot them back to back and then edited parallel – and seeing how different the genres and mood was, he has to be having two separate brains to do it with so much perfection. Enemy, based on a Jose Saramago novel (yup!) though reminding me of a Satyajit Ray short story ‘Ratan Babu’, has terrific Melanie Laurent and Sarah Gadon giving company to Jake finding his exact double accidently, and is so moody that it feels like a tarantula spider creeping up your back. Just a bit underwhelming when compared to ‘Prisoners’, but is comparison even valid?

MoebiusMoebius (Kim ki Duk): You walk into a Kim ki Duk film expecting bizarre but this one, as far as I know, is bizarre level max he has ever reached. This one is bizarre level ‘eating a dick after cutting it’. This one is bizarre level ‘mom eating son’s dick after cutting it’. (No, it’s not a spoiler, just a warning. This particular sequence is right in the beginning of the film.) And it’s a silent film – completely silent. And it could have been called ‘Dick of Theseus’. And it was the funniest, goriest, sexiest, most disturbing, and thrilling, and taali-seeti worthy film I saw at TIFF. And somehow, Duk manages to push his Buddhist agenda through all this weirdness too. Takes a genius for that. Also among my top 3 there. Must watch if you can handle bleeding dicks.

Gopi GawaiyyaGopi Gawaiyya Bagha Bajaiyya (Shilpa Ranade): The only film at the fest that left me disappointed. Had high hopes with this one – and the art of the film is top-notch. Beautiful frames, decent level of animation, but where it faltered badly was in the dialogues and technicalities of animation. Lines written in clunky, orthodox Hindi and making the background out-of-focus to give depth (in a 2-D animation!) made the film look way tackier than it should have been.

QissaQissa (Anup Singh): A film based on partition, in Punjabi, starring Irrfan and Tillotama Shome and Rasika Duggal and Tisca Chopra! I was already sold. And though it deals with partition in a more symbolic, metaphoric, allegorical way – I was moved immensely by it. Many friends had issues with the logic and amount of suspension of disbelief it demands (basic premise of a father who brings up his daughter as a son without letting anybody else know is a bit of a stretch, yes) – but it still managed to disturb and involve me probably because of the magic realism zone it enters in the 2nd half. And also because of Rasika and Tillotama’s terrific performances. Probably it’s only me but I think the film gives a solid theory on why Punjab has the maximum cases of female foeticide/infanticide. (Qissa won the NETPAC Award at TIFF.)

Why_Dont_You_Play_In_Hell_Banner_4_25_13-726x248Why Don’t You Play In Hell (Shion Sono): Shion Sono of Cold Fish fame is a rockstar already and this film (recommended strongly by my script lab friend Nikhil Mahajan who wanted to watch all the films in Midnight Madness section, a section devoted to all the mad-horror-slasher-campy films, with titles like ‘All Cheerleaders Die’) came with huge expectations. And the first 15-minutes just raise your expectations to the skies. A spoof on Yakuza cinema of Japan, film sags a bit in the middle with spoofs being so subtle that it starts looking serious, but the last 30-minutes or so Sono comes back full-steam and blows your head. And the very last shot adds another magical layer to the entire film! Super-ambitious and super-welldone. (WDYPIH won the best film in Midnight Madness section.)

under-the-skinUnder the Skin (Jonathan Glazer): The creepiest film at TIFF, in spite of it being non-gory, non-gross. Scarlett Johansson plays an alien (nudity is there, perverts) and nothing much happens beyond a pattern (which may be a minor spoiler so avoiding), but the mood, location (cloudy, wet Scotland), Glazer’s solid craft, and Mica Levi’s trance-type BG score make it a super-juicy watch.

Half of a yellow sunHalf of a Yellow Sun (Biyi Bandele): Knew nothing about this film but then Aseem Chhabra recommended it and I found out it’s based on a novel by Chimamanda Adichie (always a big plus for me when a film is based on a book). And it was like a fulfilling novel – a sprawling, excellently recreated epic of 2 sisters and their 2 lovers in the middle of Nigeria-Biafra conflict of the late 60s. Would have been a strong Oscar contender in many categories if it didn’t have an all-black cast and ethos and history. And to make it even more worth it – Thandie Newton and flavor of the season Chiwetel Ejiofor (of 12 Years A Slave fame) hit it out of the park with their excellent performances.

Walesa, Man of HopeWalesa: Man of Hope (Andrzej Wajda): Another of my favorite genres – biopics. And this one is as solid as any I’ve ever seen. Based on the life of Lech Walesa, a man I knew nothing about except vague memories from GK books that he won a Nobel Peace Prize, the film is a bit too political-jargon heavy, but none of it stops it from being a great, engaging film with some godlevel period-recreation detailing. And the use of Polish punk-rock music as a thematic narration device adds so much to the mood of the era. Plus the main lead Robert Wieckiewickz has the charm and power of early Robert De Niro and the actress playing his wife (Danuta Walesa), Agnieszka Grochowska, had a face with so much beauty, pain, and understanding ki mujhe us-se pyaar ho gaya. Triple Ace!

ElanorThe Disappearance of Eleanor Rigby – Him and Her (Ned Benson): A mouthful of a title, a seemingly simple drama about a couple’s separation but dive into the film and realize it’s almost as ambitious as Gravity. Two films (of 90 mins each) showing the perception of events through husband’s and wife’s perspective – and so many layers added by just one more perspective to a particular event. And the best part – the film showed as Him-Her and then in another show as Her-Him (the order of perspectives reversed) and that changed the meaning of many scenes for viewers, including the climax. So in a way, it’s a film as well as a perception game! Interactive cinema done so simply. And I’ve not even started on how sensitive, brilliant, and insightful Ned Benson’s writing is. This one too, among my top 3 at TIFF.

ThouThou Gild’st The Even (Onur Unlu): Shot in crisp 35 mm black and white and great to look at, but kuchh samajh nahin aaya so walked out after 30 minutes. Read more about it here and go WTF.

The f wordThe F Word (Michael Dowse): Don’t even ask me why I went to see this one. (There wasn’t anything else playing at that time, mainly that’s why. Also ‘cos Dowse made the terrific ‘It’s All Gone Pete Tong’.) A standard rom-com, most likely to make profit if it releases during Christmas or Valentine’s Day, with some very funny lines, and some very average clichés, but done well. Zoe Kazan is excellent, crush-worthy, yet again after Ruby Sparks (which she by the way wrote too), and Daniel Radcliffe is stuck in that odd place/age where Kunal Khemu and Jugal Hansraj have already been.

Mumbai Film Festival, 2013 unveils its complete lineup

Posted: September 25, 2013 by moifightclub in cinema, film, Film Festival, Mumbai Film Festival, News
Tags: , , , , ,
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528185_574243075956739_144188067_nThe 15th Mumbai Film Festival has just announced its lineup for this year.  The fest will screen over 200 films from 65 countries. Costa-Gavras and Kamal Hassan will be given the Lifetime Achievement Awards at the fest. Among the filmmakers, Asghar Farhadi and Leos Carax are expected to attend.

The fest will also have spotlight on Spanish, Cambodian and Afghan cinema alongwith retrospective of Costa Gravas and a special tribute to Leos Carax.

Dates – 17-24 October 2013

Venues – Liberty Cinema, Metro Big Cinema, Marine Lines are the main festival venues and Cinemax, Versova  as the satellite venue.

– To know more about the fest, click here for its FB page and click here for its Twitter account.

– For registration, you can go to its official website here.

Here’s the complete lineup of the festival

Opening Film

The Butler Dir.: Lee Daniels (USA / 2013 / Col. / 132’)

International Competition for the First Feature Films of Directors

The Rocket Dir.: Kim Mordaunt (Australia-Laos-Thailand / 2013 / Col. / 96’)

La jaula de oro Dir.: Diego Quemada-Díez(Mexico / 2013 / Col. / 102′)

Ilo Ilo Dir.: Anthony Chen (Singapore / 2013 / Col. / 96′)

Mamay Umeng Dir.: Dwein Baltazar (Philippines / 2012 / Col. / 75′)

For Those in Peril Dir.: Paul Wright (UK / 2013 / Col. / 90′)

The Japanese Dog (Cainele Japonez) Dir.: Tudor Cristian Jurgiu (Romania / 2013 / Col. / 85′)

The Plague (La Plaga) Dir.: Neus Ballús (Spain / 2013 / Col. / 85′)

The Strange Little Cat (Das merkwürdige Kätzchen) Dir.: Ramon Zürcher (Germany / 2013 / Col. / 72′)

Another House (L’autre maison) Dir.: Mathieu Roy (Canada / 2013 / Col. / 100′)

Medeas Dir.: Andrea Pallaoro (Italy-Mexico-USA / 2013 / Col. / 98′)

The Voice of The Voiceless (La voz de los silenciados) Dir.: Maximón Monihan (Guatemala-USA / 2013 / Col. / 92′)

Don Jon Dir.: Joseph Gordon-Levitt (USA / 2013 / Col. / 90′)

Fandry Dir.: Nagraj Manjule (India (Marathi) / 2013 / Col. / 103′)

Above The Cut

The Weight of Elephants Dir.: Daniel Joseph Borgman (Denmark-New Zealand-Germany-France / 2013 / Col. / 83′)

A Fold in My Blanket (Chemi sabnis naketsi) Dir.: Zaza Rusadze (Georgia / 2013 / Col. / 75′)

Giraffada Dir.: Rani Massalha (France-Austria-Germany-Italy / 2013 / Col. / 100′)

The Selfish Giant Dir.: Clio Barnard (UK / 2013 / Col. / 95′)

Five Years (Fünf Jahre Leben) Dir.: Stefan Schaller (Germany / 2013 / Col. / 95′)

Diego Star Dir.: Frédérick Pelletier (Canada-Belgium / 2013 / Col. / 91′) The

Amazing Cat Fish (Los insólitos peces gato) Dir.: Claudia Sainte-Luce (Mexico / 2013 / Col. / 88′)

Matterhorn Dir.: Diederik Ebbinge (Netherlands / 2013 / Col. / 87’)

Halley Dir.: Sebastian Hofmann (Mexico-Netherlands / 2012-Nov. / B&W-Col. / 83’)

Autumn Blood Dir.: Markus Blunder (Austria-USA / 2013 / Col. / 97′)

Burned Wings Dir.: Zheng Kuo (China / 2013 / Col. / 105′)

World Cinema

Closed Curtains Dir.: Jafar Panahi, Kamboziya Partovi (Iran / 2013 / Col. / 106’)

Shield Of Straw (Wara No Tate) Dir.: Takashi Miike (Japan / 2013 / Col. / 124’)

On My Way (Elle s’en va) Dir.: Emmanuelle Bercot (France / 2013 / Col. / 116′)

All Is Lost Dir.: J.C Chandor (USA / 2013 / Col. / 106’)

A Long and Happy Life (Dolgaya schastlivaya zhizn) Dir.: Boris Khlebnikov (Russia / 2013 / Col. / 80′)

Vic+Flo Saw a Bear (Vic et Flo ont vu un ours) Dir.: Denis Côté (Canada / 2013 / Col. / 90′)

A Castle in Italy (Un château en Italie) Dir.: Valeria Bruni Tedeschi (France / 2013 / Col. / 104’)

The Great Beauty (La grande bellezza) Dir.: Paolo Sorrentino (Italy / 2013 / Col. / 142’)

Mood Indigo (L’écume des jours) Dir.: Michel Gondry (France-Belgium / 2013 / Col. / 125’)

The Nun (La religieuse) Dir.: Guillaume Nicloux (France, Germany, Belgium / 2013 / Col. / 114’)

Michael Kohlhaas Dir.: Arnaud des PALLIÈRES (France-Germany / 2013 / Col. / 122′)

Grigris Dir.: Mahamat-Saleh HAROUN (France / 2013 / Col. / 101′)

Heli Dir.: Amat Escalante (Mexico / 2013 / Col. / 105’)

In The Name of (W imie…) Dir.: Malgoska Szumowska (Poland / 2013 / Col. / 97′)

A Touch Of Sin (Tian Zhu ding) Dir.: JIA zhangke (China-Japan / 2013 / Col. / 133’)

Gold Dir.: Thomas Arslan (Germany / 2013 / Col. / 101’)

Layla Fourie Dir.: Pia Marais (Germany / 2013 / Col. / 105’)

Young & Beautiful (Jeune & Jolie) Dir.: François Ozon (France / 2013 / Col. / 95’)

Blue Is The Warmest Color (La Vie D’adele – Chapitre 1 Et 2) Dir.: Abdellatif Kechiche (France / 2013 / Col. / 179’)

The Spirit of ’45 Dir.: Ken Loach (UK / 2013 / Col. / 94′)

Inside Llewyn Davis Dir.: Ethan Coen, Joel Coen (USA / 2013 / Col. / 105’)

The Immigrant Dir.: James Gray (USA / 2013 / Col. / 120’)

Only God Forgives Dir.: Nicolas Winding Refn (Denmark / 2013 / Col. / 90’)

The Face Of Love Dir.: Arie Posin (USA / 2013 / Col. / 92’)

Before Midnight Dir.: Richard Linklater (USA / 2013 / Col. / 109′)

Le Passé (The Past) Dir.: Asghar Farhadi (France / 2013 / Col. / 130’)

Bekas Dir.: Karzan Kader (Sweden-Finland-Iraq / 2013 / Col. / 97′)

The Canyons Dir.: Paul Schrader (USA / 2013 / Col. / 99’)

Short Term 12 Dir.: Destin Cretton (USA / 2013 / Col. / 96′)

Saving General Yang Dir.: Ronny Yu (Hong Kong-China / 2013 / Col. / 102′)

Killer Toon (Deo Web-toon: Ye-go Sal-in) Dir.: Yong-gyun Kim (South Korea / 2013 / Col. / 104′)

3x3D Dir.: Jean-Luc Godard, Peter Greenaway, Edgar Pêra (France-Portugal / 2013 / Col. / 70′)

Sunlight, Moonlight, Earth (Aftab, Mahtab, Zamin) Dir.: Ali Ghavitan (Iran / 2013 / Col. / 80′)

Tom at the Farm (Tom à la ferme) Dir.: Xavier Dolan (Canada-France / 2013 / Col. / 105′)

The Circle Within (Içimdeki Çember) Dir.: Deniz Çınar (Turkey / 2013 / Col. / 72′)

Wajma (An Afghan Love Story) Dir.: Barmak Akram (Afghanistan-France / 2013 / Col. / 85′)

Le démantèlement Dir.: Sebastien Pilote (Canada / 2013 / Col. / 111′)

Bad Hair (Pelo Malo) Dir.: Mariana Rondon (Venezuela / 2013 / Col. / 95′)

The Major Dir.: Yury Bykov (Russia / 2013 / Col. / 99′)

Stray Dogs (Jiao You) Dir.: Ming-liang Tsai (Taiwan / 2013 / Col. / 138′)

The Mute (El mudo) Dir.: Daniel Vega, Diego Vega (Peru-France-Mexico / 2013 / Col. / 86′)

Jealousy (La jalousie) Dir.: Philippe Garrel (France-Germany / 2013 / Col. / 77′)

Mr. Morgan’s Last Love Dir.: Sandra Nettelbeck (Germany-Belgium / 2013 / Col. / 116′)

Hush…(Suti) Dir.: Lukas Nola (Croatia / 2013 / Col. / 86′)

Burning Bush (Horící ker) Dir.: Agnieszka Holland (Czech Republic / 2013 / Col. / 240′)

The Fifth Estate Dir.: Bill Condon (USA-Belgium / 2013 / Col. / 124′)

Miss and The Doctors (Tirez la langue, mademoiselle) Dir.: Axelle Ropert (France / 2013 / Col. / 95′)

Locke Dir.: Steven Knight (USA-UK / 2013 / Col. / 85′)

Brahmin Bulls Dir.: Mahesh Pailoor (USA / 2013 / Col. / 96′)

Village of Hope Dir.: Boonsong Nakphoo (Thailand / 2013 / Col. / 72′)

The Armstrong Lie Dir.: Alex Gibney (USA / 2013 / Col. / 122′)

The Keeper of Lost Causes (Kvinden i buret) Dir.: Mikkel Nørgaard (Denmark-Germany-Sweden / 2013 / Col. / 97’)

Dallas Buyers Club Dir.: Jean-Marc Vallée (USA / 2013 / Col. / 155′)

New Spanish Cinema

Son of Cain (Hijo de Cain) Dir.: Jesús Monllaó (Spain / 2013 / Col. / 91′)

Picasso’s Gang (La banda Picasso) Dir.: Fernando Colomo (Spain / 2013 / Col. / 100′)

Combustión Dir.: Daniel Calparsoro (Spain / 2013 / Col. / 103′)

The Liberator (Libertador) Dir.: Alberto Arvelo (Venezuela-Spain / 2013 / Col. / 119’)

Celebration of Spanish Cinema

Viridiana Dir.: Luis Buñuel (Spain-Mexico / 1961 / B&W / 90′)

El verdugo Dir.: Luis García Berlanga (Spain-Italy / 1963 / B&W / 91′)

The Hunt (La caza) Dir.: Carlos Saura (Spain / 1966 / Col. / 91′)

The Spirit of the Beehive (El espíritu de la colmena) Dir.: Víctor Erice (Spain / 1973 / Col. / 97′)

Seven Days in January (Siete días de enero) Dir.: Juan Antonio Bardem (Spain-France / 1979 / Col. / 180′)

Volver a empezar Dir.: José Luis Garci (Spain / 1982 / Col. / 87′)

Lovers of the Arctic Circle (Los amantes del Círculo Polar) Dir.: Julio Medem (Spain-France / 1998 / Col. / 112′)

Your Next Life (La vida que te espera) Dir.: Manuel Gutiérrez Aragón (Spain / 2004 / Col. / 100′)

Welcome Mr. Marshall (Bienvenido Mister Marshall) Dir.: Luis García Berlanga (Spain / 1953 / B&W / 78′)

El barbero de Sevilla Dir.: Benito Perojo (Germany-Spain / 1938 / B&W / 90′)

An Andalusian Dog (Un Chien Andalou) Dir.: Luis Buñuel (France / 1929 / B&W)

Carmen (la de Triana) Dir.: Florian Rey (Germany-Spain / 1938 / B&W / 110′)

The Real Reel

Beyond All Boundaries Dir.: Sushrut Jain (USA-India / 2013 / Col. / 97′)

Brave Miss World Dir.: Cecilia Peck (USA-Israel-Italy-South Africa / 2013 / Col. / 97′)

Blackfish Dir.: Gabriela Cowperthwaite (USA / 2013 / Col. / 82′)

Who is Dayani Cristal Dir.: Marc Silver (UK-USA-Mexico / 2013 / Col. / 80′)

For I Know My Weakness Dir.: John Dentino (USA / 2012 / Col. / 100′)

Fatal Assistance (Assistance mortelle) Dir.: Raoul Peck (France-Haiti-USA-Belgium / 2013 / Col. / 99′)

Stop Over (L’escale) Dir.: Kaveh Bakhtiari (Switzerland-France / 2013 / Col. / 104′)

In the Shadow of the Sun Dir.: Harry Freeland (Tanzania-UK / 2012 / Col. / 84′)

Tales from the Organ Trade Dir.: Ric Esther Bienstock (Canada / 2013 / Col. / 82′)

Pussy Riot: A Punk Prayer Dir.: Mike Lerner, Maxim Pozdorovkin (Russia-UK / 2013 / Col. / 88′)

The Only Real Game Dir.: Mirra Bank (USA-India / 2012 / Col. / 82′)

Little big People Dir.: Khalid Mohamed (India (English-Hindi-Marathi) / 2013 / Col. / 52′)

The Act of Killing Dir.: Joshua Oppenheimer (Denmark-Norway-UK / 2012 / Col. / 115′)

What’s Love Got to Do with It? Dir.: Rohena Gera (India / 2013 / Col. / 84′)

Salinger Dir.: Shane Salerno (USA / 2013 / 120′)

Celebrate Age

60 going on 12 (12 ans d’âge) Dir.: Frédéric Proust (France / 2013 / Col. / 89’)

Seventh Cat Dir.: Hiroshi Toda (Japan / 2013 / Col. / 77′)

Good to Go (Srecen za umret) Dir.: Matevz Luzar (Slovenia-Croatia / 2013 / Col. / 100′)

At the Crossroads Nondon Bagchi Life and living Dir.: Rajdeep Paul, Sarmistha Maiti (India (English-Bengali) / 2013 / Col. / 70’)

Barefoot To Goa Dir.: Praveen Morchhale (India (Hindi) / 2013 / Col. / 80’)

I’m watching over you (Je veille sur vous) Dir.: Elodie Fiabane (France / 2013 / Col. / 19′)

Arefi, the shepherd (Arefi, der Hirte) Dir.: Daniel Asadi Faezi (Iran-Germany / 2013 / Col. / 9’)

Oh, How I Long Dir.: Riyad Deis (Palenstine / 2013 / Col. / 39′)

Road to Disneyland Dir.: Jamil Hendi (Germany-Romania / 2013 / Col. / 33′)

Mohan Kaka Dir.: Aditya Gowtham (India / 2013 / Col. / 22′)

Shuruaat Dir.: Suresh Shelar (India (Hindi) / 2013 / Col. / 16′)

By Way of the Mountains (Par les montagnes) Dir.: Frédéric Aspisi (Fiji / 2012 / Col. / 44′)

Late Shift – Gunter Grass working on etching for “Dog Years” Dir.: Sigrun Matthiesen (Germany / 2013 / Col. / 20’)

Spotlight on Cambodia

Golden Slumbers (Le sommeil d’or) Dir.: Davy Chou (France-Cambodia / 2011 / Col. / 96′)

A River Changes Course Dir.: Kalyanee Mam (Cambodia / 2013 / Col. / 83′)

The Missing Picture (L’image manquante) Dir.: Rithy Panh (Cambodia-France / 2013 / Col. / 90′)

Red Wedding Dir.: Guillaume Suon, Lida Chan (Cambodia-France / 2012 / Col. / 58′)

Where I Go Dir.: Neang Kavich (Cambodia / 2012 / Col. / 55′)

Two Girls Against The Rain (Bopha Pitorng Chhomnas Tekpleang) Dir.: Sao Sopheak (Cambodia / 2012 / Col. / 11’)

Film India Worldwide

Jadoo Dir.: Amit Gupta (UK / 2013 / Col. / 90′)

Good Morning Karachi Dir.: Sabiha Sumar (Pakistan / 2013 / Col. / 85′)

Red Monsoon Dir.: Eelum Dixit (Nepal / 2013 / Col. / 88′)

Siddharth Dir.: Richie Mehta (Canada / 2013 / Col. / 96′)

Faith Connections Dir.: Pan Nalin (India-France / 2013 / Col. / 115′)

LEOS CARAX FILMS

Bad Blood (Mauvais sang) Dir.: Leos Carax (France / 1986 / Col. / 116′)

The Lovers on the Bridge (Les amants du Pont-Neuf) Dir.: Leos Carax (France / 1999 / Col. / 125′)

Holy Motors Dir.: Leos Carax (France / 2012 / Col. / 115′)

COSTA GAVRAS FILMS

Z Dir.: Costa Gavras (France-Algeria / 1969 / Col. / 127′)

State of Siege Dir.: Costa Gavras (France-Italy-Germany / 1972 / Col. / 120′)

Amen Dir.: Costa Gavras (France-Germany-Romania / 2002 / Col. / 132′)

The Ax Dir.: Costa Gavras (Belgium-France-Spain / 2005 / Col. / 122’)

Eden is West (Eden à l’Ouest) Dir.: Costa Gavras (France-Greece-Italy / 2009 / Col. / 110′)

Capital (Le capital) Dir.: Costa Gavras (France / 2012 / Col. / 114′)

Restored Classics

The Floorwalker Dir.: Charles Chaplin (USA / 1916 / B&W / 30′)

Blackmail Dir.: Alfred Hitchcock (UK / 1929 / B&W / 85′)

The King of Comedy Dir.: Martin Scorsese (USA / 1982 / 109′)

Downpour (Ragbar) Dir.: Bahram Beizai (Iran / 1972 / 128′)

Tokyo Story Dir.: Yasujirô Ozu (Japan / 1953 / B&W / 136′)

Time to live and Time to Die (Tong nien wang shi) Dir.: Hsiao-hsien Hou (Taiwan / 1985 / 138′)

All About Eve Dir.: Joseph L. Mankiewicz (USA / 1950 / B&W / 138′)

Experimental Films

A+ Dir.: NobuAdilman (Canada / 2012 / Col. / 6’)

Days of Future Past Dir.: Joe Hambleton (Canada / 2012 / Col. / 7’)

Pulse Dir.: Anuradha Chandra (India / 2012 / Col. / 23’)

Burning Star Dir.: Joshua Gen Solondz (USA / 2011 / Col. / 4’)

Serious Ladies Dir.: Susanne Sachsse (Germany / 2013 / Col. / 21’)

Play Life Series Dir.: Ella Raidel (Austria / 2012 / Col. / 11’)

Item Number Dir.: Oliver Husain (Canada-India / 2012 / Col. / 16’)

Artists Films

Nayi Kheti Dir.: Pallavi Paul (India / 2013 / Col. / 12′)

Iceboat Dir.: Neha Choksi (USA / 2013 / Col. / 10′)

To Dance like your Dad Dir.: Hetain Patel (UK / 2009 / Col. / 6′)

Narcissicon Dir.: Kiran Subbaiah (India / 2009 / Col. / 43′)

Forerunner Dir.: Sahej Rahal (India / 2013 / Col. / 13′)

People to be Resembling Dir.: The Otolith Group (UK / Col. / 22′)

Kabul Fresh 2013

Eye witness Dir.: Rafi Behroozian & Alka Sadat (Afghanistan / 2011 / Col. / 12′)

Driving Test Dir.: Mahbouba Ebrahimi (Afghanistan / 2011 / Col. / 26′)

A Time Called Oldness Dir.: Hamed Alizadeh (Afghanistan / 2013 / 22′)

End of Love Dir.: Ghafar Azad (Afghanistan / 2013 / Col. / 13′)

Life Imprisonment Dir.: Gholamreza Majedi (Afghanistan / 2013 / Col. / 4′)

One Wish Dir.: Mohamed (Aref) Abedin (Afghanistan / 2013 / Col. / 4′)

The Glasses Dir.: S Hussein Mousavi (Afghanistan / 2011 / Col. / 11′)

Kabul Ambulance Dir.: Taj Mohammad Bakhtari (Afghanistan / 2011 / Col. / 26′)

Amir and Sara Dir.: Jalal Hussaini (Afghanistan / 2013 / Col. / 16′)

India Gold 2013

Liar’s Dice Dir.: Geethu Mohandas (India (Hindi) / 2013 / Col. / 104′)

Crossing Bridges Dir.: Sange Dorjee Thongdok (India (Sherdukpen) / 2013 / Col. / 102′)

The World of Goopi and Bagha (Goopy gawaiya bagha bajaiya) Dir.: Shilpa Ranade (India (Hindi) / 2013 / Col. / 78′)

Virgin Talkies (Kanyaka Talkies) Dir.: K R Manoj (India (Malayalam) / 2013 / Col. / 115′)

A Silent Way (Ko: Yad) Dir.: Manju Borah (India / 2012 / Col. / 90′)

Monologue (Maunraag) Dir.: Vaibhav Abnave (India (Marathi) / 2013 / Col. / 92′)

Invincible (Ajeyo) Dir.: Jahnu Barua (India (Assamese) / 2013 / Col. / 116′)

Powerless (Katiyabaaz) Dir.: Fahad Mustafa, Deepti Kakkar (India-USA / 2013 / Col. / 84′)

Qissa: The Tale of a Lonely Ghost Dir.: Anup Singh (India (Panjabi) / 2013 / Col. / 109′)

Oonga Dir.: Devashish Makhija (India / 2013 / Col. / 98′)

Sunglass (Taak Jhaank) Dir.: Rituparno Ghosh (India / 2013 / Col.)

Mastram Dir.: Akhilesh Jaiswal (India / 2013 / Col.)

New Faces in Indian Cinema

Bakrapur (The Goat Vote) Dir.: Janaki Vishwanathan (India (Hindi) / 2013 / Col. / 82′)

Wild Berries (Kaphal) Dir.: Batul Mukhtiar (India (Hindi) / 2013 / Col. / 90′)

Sulemani Keeda Dir.: Amit V Masurkar (India-USA / 2013 / Col. / 90′)

Munsif Dir.: Umashankar Swamy (India (Kannada) / 2012 / Col. / 106′)

Dimensions Mumbai

Seat Down Dir.: Sachin Sanjay Kadam Share

Dir.: Abhiraj Rajadhyaksha

Monsoon Drive Dir.: Mohit Modi

The Zero Mile Storm Dir.: Jehanin Pajnigar,

Radhika Boontra Raah (Path) Dir.: Dhruv Dilip Datar

…Till Debt Do Us Part Dir.: Kenneth.A.Lawrence

To you both Dir.: Ridhesh Seipal

Jaun Kahaan Dir.: Ankita Mishra

Kabutarkhana Dir.: Markand Bhaskar Sawant

Jashn-E-Dawaat Dir.: Karan Asnani

The Handicapped Colony Dir.: Sameer Nerkar

In This City Dir.: Keyur Kajavadara S.

Crab Catchers Dir.: Prem Hessenkamp

Rickshaw Roko Mitra Mandal Dir.: Sristi Jain

Shukriya Mumbai (Thank You Mumbai) Dir.: NIkhil Gupta

Mumbai Cha Vadapav Dir.: Akshay S. Dhanavale

1992 Negative Dir.: Dixit Parkar

Mascara Dir.: Daria Gaikalova

Matryoshka Dir.: Mayank singh Addiction Dir.: Bhaumik Mevada

*Subject to change before the festival*

Jagran Film Festival (24-29 September) – schedule out

Posted: September 16, 2013 by moifightclub in Film Festival, News
Tags: ,
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Jagran Film Festival has announced its Mumbai schedule. The festival will run from 24th to 29th September. You can register yourself here. There’s no registration fee.

The venue for the fest is Fun Republic, Andheri (West). The schedule follows. If you can’t read the titles clearly, do click on the schedule.

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