KAUFMAN - "Or cramming in sex, or car chases, or guns. Or characters learning profound life lessons. Or characters growing or characters changing or characters learning to like each other or characters overcoming obstacles to succeed in the end. Y'know ? Movie shit."
Kaufman is sweating like crazy now. Valerie is quiet for a moment - from "Adaptation".
We are all about CINEMA. That movie shit.
NOTHING is sacred.
NOBODY is spared.
Because we talk about films, dammit.
Not your sex life.
Films, fests, unsung, indies, undiscovered - all that and some fun. If you have dope on anything related to cinema or you would like to share something, do write to us at moifightclub@gmail.com.
The views, opinions, reviews, articles, or positions, expressed by the authors and those providing comments are theirs alone, and do not necessarily reflect the views, opinions, positions or strategies of ANY OF THE EMPLOYERS, FRIENDS, RELATIVES, PR agencies, Production houses, Media group and such third parties associated with the authors. The latter make no representations as to accuracy, completeness, currentness, suitability, or validity of any information on this site and will not be liable for any errors, omissions, or delays in this information or any losses, injuries, or damages arising from its display or use.
In short, if you have an issue with us or any post we've written, write to us at moifightclub@gmail.com
Sundance Film Festival has unveiled its line-up for the next edition. Geetu Mohandas’ debut feature Liar’s Dice has been selected for the festival to premiere in “World Cinema Dramatic Competition” section.
Here’s the note on the film from the official release – “Liar’s Dice” (India) — Directed and written by Geetu Mohandas. The story of a young woman who leaves her native land with her daughter to search for her missing husband, encountering a free-spirited army deserter along the way. Cast: Nawazuddin Siddiqui, Geetanjali Thapa, Manya Gupta. International premiere.
The film has been shot by Rajeev Ravi.
And this was our snippet review from Mumbai Film Festival daily report when it screened – Liar’s Dice – Set in difficult weather and tough terrain, Kamala (Geentajali Thapa) is looking for her missing husband. From moutains to plains, from Delhi to a single-bed room in a shady hotel, her companion is a selfish and untrustworthy stranger Nawazuddin (Siddiqui). A stark, grim and almost unsentimental portrayal of urban migration. Has a charming kid too. Looking forward to Geetu Mohandas’s next.
– To read about the complete Sundance list, click here.
– To read an interview of Geetu Mohandas on the film, click here.
Ritesh Batra’s The Lunchbox (Dabba) and Amit Kumar’s Monsoon Shootout had their premiere screenings at the ongoing Cannes Film Festival. Lunchbox is selected in International Critics Week section and Monsoon Shootout had a midnight screening. Some early reviews of both the films have been pouring in. For curious folks like us, here are the excerpts and links to the reviews.
A feel-good movie that touches the heart while steering clear of expectation, “The Lunchbox” signals a notable debut from tyro helmer-scripter Ritesh Batra. The ingredients on their own are nearly fail-proof, yet it’s the way Batra combines food with an epistolary romance between a nearly retired number cruncher and a neglected wife that hits all the right tastebuds. An indie Indian pic with the crossover appeal of “Monsoon Wedding,” it’s sure to be gobbled up by audience-friendly fests before heading into niche cinemas.
A wistful, elegant love story played out across the streets of Mumbai, The Lunchbox is an unexpectedly aromatic charmer from first-time film-maker Ritesh Batra. Eschewing the pitfalls of what appears, on face value, to be a highly schematic set-up, Batra infuses his film with warmth and humanity, while cameraman Michael Simmonds steps up to deliver delicate visuals of modern Mumbai.
There’s hardly a shot, line or gesture out of place in The Lunchbox, a hugely impressive feature debut by Mumbai-born, partly New York-based Ritesh Batra that starts out like a foodie film but spins a simple idea into a whole mini-universe of feelings.
– To watch the presentation ceremony video, click here
It’s a moody, broody downbeat drama for most of the time, a rainy noir. But along with the plot trickery, there are some unexpected turns…..It’s an entertaining popcorn-movie with a twist, for which commercial success is on the cards. There should be space for pictures like it in Cannes.
A cunningly intricate first film from India, Monsoon Shootout combines the best of two worlds – a ferocious Mumbai cops and gangsters drama, and a satisfyingly arty plot that turns in on itself to examine the outcome of three possible choices a rookie cop might make when he confronts a ruthless killer. Three times the story returns to a key moment: a boy with a gun uncertain whether to pull the trigger. Though the idea of Dirty Harry meeting Sliding Doors may sound abstract, writer-director Amit Kumar pulls it off gracefully, without losing the sense of heightened drama that earned the film a Midnight Movie slot in Cannes. The Fortissimo release should make good headway in territories open to India and exotic genre fare and put Kumar on festival radar.
Serving up a portion of Rashomon with a side of Sliding Doors, this tasty Mumbai crime story offers multiple outcomes of one fateful decision in a rookie cop’s professional life. Though it sounds like a potentially experimental premise, Monsoon Shootout is a glossy ethical drama designed to appeal equally to more upscale Indian audiences and worldwide genre fans.
The Upside: Nicely photographed; boasts decent enough lead performances, specifically the presence of Thapa as Adi’s beau; sound editing is also strikingly effective
The Downside: Aspirations towards existentialism don’t pay off well because it lazily recycles some grand ideas, but without the same level of ingenuity and entertainment value; atrocious editing stifles the action beats, which are themselves too sparse and brief to satisfy.
“Monsoon Shootout” is a racy mash-up of Tarantino-esque ultra-violence and-gritty but-hip contempo Indian actioners. Amit Kumar invests a schematic police-thriller structure with a compelling moral dilemma hinging on a standoff between a cop and his suspect.
Production companies: Yaffle Films, Sikhya Entertainment in association with Pardesi Films AKFPL, Dar Motion Pictures
Cast: Vijay Varma, Nawazuddin Siddiqui, Neeraj Kabi, Geetanjali Thapa
Director: Amit Kumar
Screenwriter: Amit Kumar,
Producers: Trevor Ingman, Guneet Monga, Martijn De Grunt
Co-producers: Anurag Kashyap, Arun Rangachari
Director of photography: Rajeev Ravi
Production designer: Mayur Sharma
Editor: Atanu Mukherjee, Ewa Lind
Music: Gingger Shankarv Sales Agent: Fortissimo Films
88 minutes
(Pics taken from various online sources/social media)
Update: TWITTER BUZZ…
Since reviews for Indian films are scarce, we decided to add some tweets into the mix.
On The Lunchbox:
THE LUNCHBOX (R Batra): Like a bonsai tree, modest but magnificent. Standout performances. Bit cloying, but only if you want to find faults. — @bgji May 20, 2013
A very well-deserved, sustained, standing ovation for The Lunchbox at Cannes. Congratulations, Ritesh!! — @Shripriya May 19, 2013
On Monsoon Shootout:
MONSOON SHOOTOUT is the ‘Choose Your Own Adventure’ of crime actioners. I’m not completely convinced, but I do respect the ambition. #Cannes— @RylandAldrich May 19, 2013
MONSOON SHOOTOUT (D-) 3 versions of the same story, except it’s not as the filmmakers abandon the logic of the conceit. Morally dubious too — @CSkinner May 19, 2013
MONSOON SHOOTOUT does somehow seem to have become the defining film of the Festival. #cannes2013— @JonathanRomney May 18, 2013
MONSOON SHOOTOUT (A Kumar): Thoroughly ordinary. Heavy handed 3 pronged narrative structure/metaphor. More imagination re: Bombay, please. — @bgji May 19, 2013
Monsoon Shootout is the Sliding Doors of cop thrillers. Fleetingly entertaining but the alt-outcomes narrative wears thin… #Cannes2013— @totalfilm May 19, 2013
Monsoon Shootout – 2/5. Slumdog Millionaire meets Run Lola Run (Run Slumdog Run?) in fecklessly bloodless gimmick thriller #Cannes2013— @ShaunMunroFilm May 19, 2013
MONSOON SHOOTOUT is the Indian RUN LOLA RUN if RUN LOLA RUN were a predictable cop drama. #Cannes2013#cannes— @FredTopel May 19, 2013
On Ugly:
UGLY (A Kashyap): A Blaft-like pulp thriller with @ankash1009 bravely pushing his style to the limits. Depressingly hilarious & brilliant. — @bgji May 18, 2013
And finally…
UGLY and MONSOON SHOOTOUT taught me not to be a person who works for, needs help from, or who is wanted by police in India. #cannes2013— @marshalclark) May 19, 2013
Cannes Film Festival has just announced its official selection list. And as expected not too many Indian films at fest this year.
As part of tribute to 100 years of Indian Cinema, Bombay Talkies will have its Gala premiere at the fest. It’s a collection of four short films directed by Dibakar Banerjee, Anurag Kashyap, Karan Johar and Zoya Akhtar.
Another selection is Amit Kumar’s Monsoon Shootout which is in Midnight Screenings section. It stars Vijay Varma, Nawazuddin Siddiqi, Tannishtha Chatterjee, Neeraj Kabi, Geetanjali Thapa.
And here’s the official synopsis – A rookie cop faces a suspected gangster in a dead-end alley and has to decide whether to shoot or not to shoot. Three separate scenarios explore the impact of his decision on other people’s lives.
Amit had earlier directed a terrific short called Bypass which won many awards. Click here and here to watch the film in two parts.
Also, Indian actor and director Nandita Das is part of the CineFoundation and Short Film Jury.
Sundance Film Festival has unveiled its line-up for the next edition. Geetu Mohandas’ debut feature Liar’s Dice has been selected for the festival to premiere in “World Cinema Dramatic Competition” section.
F.i.g.h.t C.l.u.b 