Posts Tagged ‘Satish Kaushik’

Remembering Om Puri

Posted: January 20, 2017 by moifightclub in cinema, Gods of Cinema, RIP
Tags: , , , ,

Om Puri

CINTAA, IMPPA and IFTDA, the three film bodies recently organised a memorial event for Om Puri where his friends and fans from the film industry got together and shared their memories.

Varun Grover was there and managed to record some of it. Do check out the playlist. It has Rakesh Bedi, Satish Kaushik, Neena Gupta and Johnny Lever talking about their memories of the actor.

i201632803

The 63rd National Film Awards were announced recently, and then we read all the reports in various newspapers and sites. Strangely, they all sounded the same without any homework, or didn’t even give any extra information other than what the official press release says. So we were forced to step in, do some homework, and BOOM!

Since we strongly believe that any award always say more about the jury and less about the film, we had to figure out this jury panel which went with Baahubali as the Best Film. A decision which was criticised strongly by many. In an era when most prestigious film awards brag about their strong jury, two desi jury panels are still kept as a secret – National Film Awards and the jury which selects India’s entry to Oscar Foreign Language Film. Strange. Why? We are scared of being answerable for making bad choices?

We met one of the jury member from the South panel, and he spilled out all the beans.  So here’s more on this year’s jury and the selection process. All the inside dope. #JanhitMeJaari

– At first stage, 5 regional panels were formed with 5 jury members in each panel. Every panel represented one region – like one for North, West, East each, and 2 for South as it has too many languages in which films are made. If North panel was responsible for shortlisting films/talent from Hindi, Punjabi, Haryanvi films, West panel was responsible for Marathi/Gujrati/Konkani language films, and East panel was responsible for Bengali/Oriya/Mizo/Manipuri and others.

– These 5 panels watched all the films which were submitted and shortlisted names in each category. These names were then sent to the Central panel.

– After the first phase of shortlisting was done, 1 member from each panel moved to the Central Panel. So that’s 5 members in Central Panel. 6 more members including the Jury Chairman Ramesh Sippy  joined the panel making it a panel of 11-member jury.

– So who were these 11 members who took the final call?

  1. Ramesh Sippy
  2. Satish Kaushik
  3. Munin Barua (from Assam)
  4. K Vasu (Andhra Pradesh)
  5. S R Leela (Karnataka)
  6. Shyamaprasad (Kerala)

– The 5 members who came from 5 regional panels are as follows

      7. Dharam Gulati (South panel)

      8. Gyan Sahay (East panel)

      9. Sanjib Datta (North panel)

     10. Gangai Amaran (West panel)

      11. John Mathew Matthan (South panel)

– When we asked how come Hindi/bollywood films bagged a whopping 22 out of 32 awards in main categories? The jury member said that it’s the case of old joke of Railway Ministry. Earlier they used to joke that from whichever state the Minister comes from, all the new trains start going towards the same state. It seems to be the same case this time. Look at the 11-member panel. More than half are from bollywood, and 2 senior strong members were there who dictated almost every choice. Rest were just yes-men. And that’s why some weird process was followed in the Central panel.

– The jury member told us that he was informed about the strict rules and regulations which clearly state that if you have any close relatives in the running, you shouldn’t be part of the jury. Now, Gangai Amaran is Ilaiyraaja’s real brother. And Ilaiyraaja won the award for the Best Background music in Tharai Thappattai. Hmmm. Either our jury member was misinformed or such rules don’t exist. Enlighten us please.

– In one of the acting category, the final choice that was made was not even recommended by any of the panel. The choices that were given was discarded by the Jury Chairman and he proposed a new name, and strongly struck to it. The chairman discarded one of the proposed names (who is easily one of country’s best actor) saying he is not in lead role in the film. When one of the members pointed out that by the same logic, the name that he is proposing is also not in lead role, the argument was dismissed blatantly.

-Similarly, in another acting category, the Chairman proposed a new name out of the blue and decided that she should win when her name was not recommended by any panel.

– The voting happened in only 2 categories.

– A film which got unanimous rave reviews (nationally and internationally) when it released, had got strong recommendation in 4 categories (debut, screenplay, best supporting and special jury). But none of them were considered. There was an unwritten rule that nothing will go to this film as one of the producers of the film had made headlines when he returned his previous National Award.

– Another film which had a great production design (for its period setting) and was close contender for best production design as it was strongly recommended by the first panel,  it was also dismissed because of same reason – the director was part of #awardwapsi gang.

– The Central panel went with the recommendation of regional panels for best film in various languages except for Hindi and English language.

– For Best Hindi language film, two two names that were proposed by first panel were discarded as one of the Jury member proposed a new name and strongly stood for it. The joke in the Central panel was the theme of the film must have resonated with the jury member as he has similar features like one of the film’s lead.

– An actress was in running for Special Jury Award for an unreleased film. But since she had voiced her opinion strongly about a recent news event, and had even written about it, her name was quickly dropped.

– A major talent who is not really pro government, has bagged an award this year. The jury member said there was no chance that he was going to win. Luckily, there was hardly any good submission in the category. And his work was exemplary in that category. So they had no choice but to award him. Last time when his film bagged few awards, his name was put in the “to be watched” list.

For complete list of National Film Awards, click here.

– Team mFC

UPDATE – As pointed out by @atlasdanced, it seems  Gangai Amaran has clarified that he abstained from voting when Ilayraja’s work was discussed. One more report here. Anyone has more clarity on the rule and the process?

Most probably you haven’t heard about any of these titles mentioned in the header of the post. But they seem to be interesting films, and hopefully we will get to hear more about them in the coming months. So here’s the official synopsis of all these films.

DEKH TAMASHA DEKH

Away from any media attention, Feroze Abbas Khan has completed his next film titled Dekh Tamasha Dekh. He had earlier directed Gandhi, My Father.

Synopsis : The story revolves around the search for the religious identity of a poor man crushed under the weight of a politican’s hoarding. A social and political satire, the film explores the impossible India, where bizarre is normal.

Directed by Feroze Abbas Khan.
India 2012, 108 Minutes, Hindi with English subtitles.
Cast: Satish Kaushik, Tanvi Azmi, Vinay Jain, Sharad Ponkshe, Ganesh Yadav, Apoorva Arora, Alok Rajwade

CHENU

Manjeet Singh’s directorial debut Mumbai Cha Raja did a good round of film fests and now he is working on his next film titled Chenu. It has been selected for the 9th edition of L’Atelier organized by the Cinéfondation of the Cannes Film Festival.

Synopsis : Chenu, a low caste Dalit boy living in rural North India, is drawn into an ongoing war between the extremely violent leftist “Naxal” militia and the fascist landlords’ gang. One day his younger sister Chano’s fingers are chopped off by landlord Teer Singh for plucking mustard leaves from his farm. When Chenu’s family is denied justice, the Naxals come to their rescue. They huntdown Teer Singh forcing him to take refuge under the protection of Bhagwan Sing, the leader of a landlord gang who has just cremated a cart full of dead relatives killed by the Naxals. The Naxals then involve Chenu in their operations and he comes to know where their weapons are hidden. When physically beaten by the rich village kids for playing on their turf, Chenu learns to fire a handgun himself. Meanwhile Bhagwan Singh, in thirst of revenge, consolidates other landlord gangs to form a powerful private army. A bloody cycle of violence unleashes, engulfing Chenu’s innocence while setting him on the cours of his own journey.

OONGA

I have been hearing about Devashish Makhija for a long time. Good to know that he is ready with his debut feature.

Synopsis : Little Oonga missed his village school trip to the faraway big city Lohabad to see a play called ‘Ramayan’. Unable to handle the pressure of being the only kid around who has not seen the fantastic warrior-king ‘Rama’, Oonga runs away. He goes on a perilous journey across forest, river, mountains and roads – bigger than any he’s ever seen, and valleys lain to waste by the mining industry… until he reaches the large, cold, chaotic, blinding city. When he emerges from the play he believes he has become Rama! But he is now returning not to the warm confines of his little village, but to a battlefield where the ‘company’ will do anything to take the adivasi’s land away from them. Only, Oonga doesn’t know it yet.

Directed by Devashish Makhija.
India, 2012, Feature Film, 98 Minutes, Hindi and Oriya with English subtitles.
Cast – Alyy Khan, Anand Tiwari, Nandita Das, Priyanka Bose, Salim Kumar, Seema Biswas, Vipin Sharma

FILMISTAAN

Filmistaan22012 was a good year for Bollywood. But beating all those films, Nitin Kakkar’s debut feature Filmistaan bagged the National Award for the Best Feature Film in Hindi Language. And if you read the synopsis, you might know why. It sounds delicious.

Synopsis : This National Award winning movie is set in Mumbai where, affable Bollywood buff and wanna-be-actor Sunny, who works as an assistant director, fantasizes on becoming a heart-throb star. However, at every audition he is summarily thrown out. Undeterred, he goes with an American crew to remote areas in Rajasthan to work on a documentary. One day an Islamic terrorist group kidnaps him for the American crew-member. Sunny finds himself on enemy border amidst guns and pathani-clad guards, who decide to keep him hostage until they locate their original target. The house in which he is confined belongs to a Pakistani, whose trade stems from pirated Hindi films, which he brings back every time he crosses the border. Soon, the two factions realize that they share a human and cultural bond. The film shows how cinema can be the universal panacea for co-existence.

Directed by Nitin Kakkar.
India 2012, 117 Minutes, Hindi with English subtitles.
Cast – Sharib Hashmi, Kumud Mishra, Gopal Datt, Inaamulhaq

FIREFLIES

Synopsis : ‘Fireflies’ is the story of two estranged brothers – Shiv and Rana. Shiv, a successful banker, lives in the superficial glitter of corporate Bombay. The younger brother, Rana, is a law school dropout who lives by the day. Though worldly experiences and illusions briefly illuminate the brothers’ journeys, a tragedy that befell them fifteen years earlier seems destined to repeat itself, just in new incarnations. Flames suddenly extinguish again, in an eerie heartbeat. The journey ahead echoing with voices and visions from the past, and the magic realism of the years gone by, beckons the brothers to find each other again. And the picture in the puzzle that was scattered so long ago. Fireflies come out in the night, just to light up the darkness. They live as long as the glow lasts. Even if it is a lifetime, being lived in a day.

Directed by Sabal Singh Shekhawat.
India, 2012, 102 Minutes, Hindi & English.
Cast – Arjun Mathur, Monica Dogra, Rahul Khanna, Shivani Ghai, Aadya Bedi

Its always nice to bump into someone whose work you are familiar with and about whom you have heard some good stories. Met Sukant Panigrahy at Film Bazaar (IFFI Goa) today. Though I had never met him but we had some movie connection too. A box of dvds (from USA) sent to me by a common freind of ours landed up at his place because I was too lazy/busy to collect. And Sukant knew that the second box of dvds sent by the same freind reached my place.  Ok, time to barter then.

Sukant started out as a production designer and has worked on some big budget films (Gangajal, Tashan, Chak De India, Jhoom Barabar Jhoom among others. Click here for the IMDB list). He candidly admits that its all bullshit for Bread & butter. His last release which got noticed was Anurag Kashyap’s Dev D. And now he has turned director with a film titled Atlas.

Atlas is the story of a waiter in a beach side bar, who has a fragmented isolated existance. His lonely life is alieviated by an obsession with Laila, a free spirited woman of the night. Satish Kaushik &  Helen Jones are in lead roles. With whatever funds he could manage, Sukant has shot some portion of the film and has cut a trailer out of it. He is now looking for a producer who can help him complete the film. Do check out the trailer and if you like it, do spread the word.

 

Milenge MilengeNo pun intended. But Milenge Milenge sounds really weird after Jab We Met and jab they split! And she happily moved on to Saif Ali Khan. The first look of long in the making and long time dabba-band Milenge Milenge is finally out. The film stars Kareena Kapoor and Shahid Kapoor and is directed by Satish Kaushik.

Boney Kapoor must be scratching his head to figure out a promotional campaign for this one. And if he manages to get both the stars together for atleast one event, rest assured, his film will make headlines the next day.

Vodpod videos no longer available.

 

 

Road, MovieFinally, here comes Desi Cinema Paradiso. No, make that Cinema Para-desi!

The first trailer of Dev Benegal’s Road, Movie is out. The film stars Abhay Deol, Tannistha Chatterjee and Satish Kaushik. The screenplay was selected for the L’Atelier section at the Cannes Film Festival 2006. Its having its world premiere at the ongoing Toronto Film Festival. Deol plays a truck driver who makes a life changing journey across India as he hits the road with  a travelling cinema.

And here is the 2min trailer..

And the synopsis of the film..

A young man’s journey into the unknown becomes the odyssey of a lifetime.

Vishnu, a restless young man, comes up with a plan to save his father’s faltering hair-oil business. It’s madness: an excursion into the unknown, driving an old, decrepit lorry across a harsh but stunning terrain.

His personal journey becomes an odyssey across the mythical Indian landscape as he discovers he’s transporting not just a battered vehicle, but an old touring cinema.

The expedition takes on carnivalesque proportions of endurance as Vishnu confronts a young runaway, a wandering, old entertainer with a bear, a beautiful gypsy woman, corrupt cops and a notorious water-lord.

The key to his freedom is the eccentric collection of films and the two 40-year-old film projectors that lie inside the bowels of the lorry. Like “1001 Nights” if the films are good he gets to live and move on, otherwise he faces death in the isolated countryside.

The road trip is to change the life of each of the travellers, especially that of Vishnu, who discovers life, love and laughter along the Indian highway.