And we continue with the bullet-point report again. Tweet after watching the film and then put all the tweets in one place. Here you go…
– With Zindagi Na Milegi Dobara, Excel completes its trilogy of “Coming Of Age” films. And since it’s a given fact that nobody wants to put money for 15 year olds going through the same, we have to settle for “it’s not about the age but mileage” when it comes to COA cinema in Bollywood. Of course there are exceptions like Udaan and no wonder it took seven years to cover the distance between script and screen.
– It’s about three men and their minor issues in life – job, marriage and daddy. If i say these are minor issues, it’s hard to believe because most films deal with just one issue and devote 2-3hours building the drama around the same, giving enough angst to the hero and finally settling for a solution. This one has nothing of that sort. And so it feels like minor issues.
– Zoya Akhtar loves to capture moments, and not melodrama. The film is full of such small moments and she captures them gorgeously. When the camera lingers on, and the characters are in that moment that matters the most, it’s easy to guess that she knows her job and her characters quite well.
– The dialogues are written by Farhan Akhtar and he has saved the best lines and the punches for himself.
– For a change, even Katrina Kaif acts. In other words, she has been used smartly – smile, show your charm and do the kiss!You cant compare her acting talent with tomatoes this time!
– There is too much of Spain in the film. Almost like a tourism film. Who goes to tourist spots on a bachelor trip? Tomato bhi le lo, bull hi dauda lo, upar se kud ja, paani me doob jao! Aha, where are the raging hormones? Oops, its 30+ coming of age. Imagine going to Bangkok (according to our budget) and visiting the Buddhist temples, right?
– The use of poetry through voiceover is a smart move and it blends in so well with the mood of the film. But such juveline stuff! The writing completely defeats the purpose. Impossible to believe that it’s written by Javed Akhtar. Always rate his poetry much better than his lyrics but this was quite shocking.
– Dear Shankar-Ehsaan-Loy, it’s time for you to take a road trip and discover some new sounds. From Dil Chahta Hai, where every song stayed with us, to Zindagi Na Milegi Dobara, where all you remember is Senorita, that’s quite a downhill journey. Now go and take a break. Spare us!
– Its feels quite long, takes it own time to unfold and things fall into place easily. No major twists or turns. Aha, the designer issues!
– And finally a bollywood heroine who travels quite a distance just for the liplock. Gimme more!
– After Luck By Chance, there is too much expectations from Zoya Akhtar. Go easy on that E factor and it will come as a breeze of fresh air.
( PS – Did she really shoot the film in Spain? Pedro Almodovar made me believe that Spain is full of transexuals. ZNMD had none.)