Posts Tagged ‘Zindagi Na Milegi Dobara’

And the “2011 Rewind” series continues. You can read our previous posts here (honest movie posters), here (Bollywood songs we looped), here (Non-bollywood hits of the year), here (exciting moments at the movies),  and here (films which dared to bend the rules). Also, we are scooping some of the best year-end lists here.

Like last year, in this post we have tried to dissect what we learnt at the movies  this year – the good, the bad, the ugly, and the questions that baffled us through out the year.

20 Things We Learnt At The Movies

1. Zoya Akhtar is a better filmmaker than Farhan Akhtar. 2/2 > 1.5/4. LBC + ZNMD > DCH + 1/2Lakshya

2. Nikhil Advani scored a dud hattrick and proved again that KHNH was indeed directed by Karan Johar. Patiala House.

3. Big B can’t sell tickets anymore. He is hit on the small screen but is a flop on the big screen.  KBC. BHTB. Even when he was in his best commercial avatar,  the excuses given were many – low budget, recovery before release, satellite rights.

4. Creative collaboration with spouses and family is not a bright idea. Dhobi Ghat. TGIYB. Mausam. Tere Mere Phere. Love Breakups Zindagi.

5. B for Bachchan. B for Bhagnani. B for Box Office. But you never know which way the last B will swing. Even Jackie B’s film can score better than Abhishek B’s film. Faltu. Game.

6. Tusshar Kapoor still can’t act. He was the odd man out even when the films scored – either critically acclaimed Shor In The City or commercial hit The Dirty Picture. His pillow dance in TDP can give nightmare to anyone.

Dear Ekta Kapoor, let him go. Even Aditya Chopra has given up on Uday Chopra.

7. You can’t calculate the target audience and then make films according to it. Otherwise Y Films’ Luv Ka The End and Mujhse Fraaandship Karoge would have been blockbusters. Pre-release claim – 60% (?) of theatre going audience is youth. Post-release – we recovered our costs.

8. Every filmmaker has one great film in him/her. Some people make their debut with that one. Tigmanshu Dhulia is done with it. Stop expecting. Shagird. Sahid Biwi Aur Gangster.

9. When it comes to Ramu, camera and dildo have the same purpose, interest and area of specialisation. NALS.

10. Prakash Jha creates political events but has no clue about political films now. Raajneeti was a joke,  and we are not sure how to describe the awful Aarakshan.

11. Imtiaz Ali will keep churning out films based on his single template of romance. He knows it but doesn’t  know what to do about it. Rockstar.

12. Himesh Reshammiya is not going to give up so soon. Let’s all pray. Damadamm! In 2012 he has more.

13. Dad + Sons > Mom + Daughter. Deols. Yamla Pagla Deewana. Tell Me O Kkhuda.

14. Remake is NOT a hit formula. Soundtrack was a mess.

15. We don’t need superheroes. Our heroes can do everything. Ra One. Zokkomon.

16. Bhai-porn is here to stay. We are still not bored. Ready. Bodyguard.

17. Indian Mens Are Hot. Courtesy Anil Kapoor. Mission Impossible : Ghost Protocol.

18. Sex and Shah Rukh Khan still sells. Ra One. Murder 2. Don 2. The Dirty Picture.

19. When an actress gets into film production, it means her career is officially over. Lara Dutta. Dia Mirza, Ameesha Patel. Shilpa Shetty. 

20. We still haven’t lost A R Rahman to the west. When he delivers, he is the best. Rockstar.

10 Unanswered Questions

1. Will the real Abhinay Deo please stand up? Which one to trust – Game or Delhi Belly?

2. Who read the script of Game and approved it?

3. Who thought about changing Mimoh’s name to Mahakshay?

4. In which camera do you have the option of in-built subtitles? And for ghosts? Ragini MMS.

5. Who added extra ‘B’ in Bbuddah, extra ‘K’ In Tell Me O Kkhuda, extra ‘A’s in Mujhse Fraaandship Karoge and what purpose they served?

6. Is his name Bumpy? Just Bumpy? Really? Luv Ka The End.

7. In how many more films will we see Vinay Pathak in lead role and doing the same bumbling fool act? This year he had five releases. Yes, five!

8. Can G. One fly? If so, why does he need to travel in a plane? Ra One.

9. Always Kabhi Kabhi – Who is the brain behind the weirdest title of the year?

10. Who is Nagesh Kukunoor?

And what’s your list? What all you discovered or learnt at the movies this year? And what all remains unanswered? Do let us know in comments.

This is in continuation to our “2011 Rewind” posts. You can read our previous posts here (Bollywood songs we looped), here (Non-bollywood hits of the year), here (exciting moments at the movies) and here (films which dared to bend the rules). Also, we are scooping some of the best year-end lists here.

So what is a film poster suppose to do? With so much hype around the release of first look of any film, it’s your first pitch for the audience. It might not make or break your film but it surely starts setting the mood for the film. But do they always tell what the film is all about? A good film poster is a rare thing. And recycling is the funda of the game. Click here to read an interesting piece – thirteen movie poster trends that are here to stay and what they say about their movies. And if you heart posters like we do, here‘s another interesting site for minimal movie posters.

Ok, back to honest movie posters of the year. So here are ten honest movie posters done by Jahan Bakshi, Varun Grover and Rakhi.

And for all the love that Michael Fassbender’s dingdong is getting, here’s a bon(er)us one. This one is a mashup.

This has been a bad terrible year for hindi films. Forget ten, if you can spot even five great very good films this year, you should consider yourself lucky. Try, see how many you can count. And so, we are skipping the list of top films and are counting the exciting moments at the movies this year. Moments that you remembered long after the movie was over, discussion and dissection was done with, and they defined the films. In no particular order.

1. Opening Credit (Stanley Ka Dabba) – I have still not been able to understand why we don’t give much importance to credit roll in bollywood. It’s an ART. And a difficult one too. Click here to check out some of the best credit rolls. And this is where Stanley Ka Dabba scored over all other films. The film was an indie experiment and its delicious opening credit was like a Pixar short film. Done by one of India’s best animator Gitanjali Rao, it sets the perfect mood for the story to follow.

 

2. Monologue (Pyaar Ka Punchnama) – When the lead actor doesn’t get to kick the villains, he always gets a monologue. But if the actor is a newcomer, who would dare to give him a monologue? And 5minute long monologue? That’s rare, and if it manages to hold your attention, that’s rarest of rare. I have been accused of endorsing a misogynist and myopic view of the world because i like the film 1st half of the film. It’s a long debate but you can click here to read Paromita Vohra’s observation which i agree with. It was a small film with no names, no stars, all newcomers, but the film managed to survive on its own, and everyone who liked the film, talked about two factors – Liquid and the monologue. You can call it brutally sexist but it’s fun too.

3. Slo-mo sequence (Shaitan) – Who would have imagined that a shootout sequence on a classic song would make such a deadly combo. If there is an award for the most imaginative sequence of the year, give it to Bejoy Nambiar for Shaitan. Blazing guns, characters running and jumping around, bodies piling up, blood and gore making the screen red, and Suman Shridhar belting out a classic song, i was watching it wide-eyed. Killing never looked so cool on desi screen.

 

4. Cunnilingus (Delhi Belly) – Not sure if it re-defined bollywood’s “cool quotient” or “empowerment of mahila mandal” in anyway, but it was surely a welcome change. In a year when bollywood re-discovered machismo by doing zimby zouth remakes and stunts, a hindi film hero going down to pleasure his girlfriend was refreshing. It wasn’t presented as a big deal, it was just matter of fact. As casual as the hero getting a hard-on. Even that’s rare in Bollywood. Isn’t it?

5. The Girl On The Bike who smooched (Zindagi Na Milegi Dobara) – Ten years ago if Switzerland was the desi honeymoon fantasy (blame it on YRF), now it’s Katrina Kaif. How else do you explain her success? Just item numbers can’t take you so far.  Zoya Akhtar put her on a bike to chase the hero, grab him and plant a kiss. Was it easy because it was Spain? Or was it because it’s written and directed by a woman filmmaker? Whatever it is, a machine between the legs and a kiss on the lips is much better than dancing in the rain.

6. That Girl On the Phone (That Girl In Yellow Boots) – Pooja Swaroop. Going by the screenwriting rules, telephone conversations are generally boring. But she played a character whose only job was to be on the phone throughout the film. A bit of tease, a dose of humour, a chuckle, she blabbered her away to glory. Interestingly, we never get to see or hear the person on the other side of the line. Well, because there was none. That’s acting. And this was a masterstroke, as delightful as the scene where both characters (Kalki and Pooja) are on the phone at the same time, on two sides of the wall, in the same scene and talking to two different persons.

7. S and M (7 Khoon Maaf) – We got a hint of it in Abhishek Chaubey’s Ishqiya. In 7 Khoon Maaf, Vishal decided to go full throttle with the love story between Irrfan and Priyanka’s character. Benign by day, beast by night, the shayar who loved S&M – is there anything that Irrfan Khan can’t portray and make it look convincing?

8. Tum Ho (Rockstar) – (SPOILER) I had no clue that so many people were confused about the end of Rockstar. The song Tum ho left them clueless – was she dead or wasn’t she? At first instance it looked like a compromise for commercial sake, but once you hear the song carefully, you know it isn’t. As the song played and the credits rolled, i came out of the theater with the visuals of the last song stuck in my head. This was Rumi in Rahman’s song.

 

9. Booby Balan (The Dirty Picture) – Another monologue. And I don’t remember the last time i was so distracted during a monologue. In the film, there’s a scene where Silk (Vidya Balan) is given an award and then she delivers her acceptance speech. The speech in which she states her moral stand and insults the rest of the industry which is full of people with double standards. But even in that speech, all you remember is booby Balan. Someone should have told us to just hear the scene. Because it turned out to be funny in a weird way, you are hearing something and seeing something else.

10. Videokaaran – I don’t remember watching anything more exciting than Videokaaran this year. This was the best discovery of the year. Varun Grover found it, saw it, loved it and recco-ed it to us. Click here to read Jai Arjun Singh’s column on the film which was published in the Caravan magazine recently.

11. Ek Kwhater Bodvka (Tanu Weds Manu) – This one is for the cheap thrills. She famously said “you Besshterd”. Not once but in almost every film of hers. And we thought that’s the best that we can get from Kangana Ranaut. But she delivered something better in Tanu Weds Manu – ek kwhater bodvka.

What got you excited this year? Do let us know in the comments.

The year is about to end and since the world is busy making the top ten lists, we thought why should we be left behind. We are scooping all the best lists from across the world here.  Or just scroll down and see under the tab “what we are reading”. We are starting our 2011 Rewind series with a post on the songs/albums of the year.

There are hit songs, there are chartbusters, flop songs, cult hits and then there are the songs which we played in non-stop loop. Sometimes for few hours, days, weeks or even months.  And it’s not easy to dissect why a specific song got you hooked so much. Read on to see if you agree, disagree and if you played the same songs in non-stop loop this year. In no particular order.

1. Bekaran (7 Khoon Maaf)Ek baar toh yun hoga, thoda sa sukoon hoga. Na dil me kasak hogi, na sar pe junoon hoga...It started with these four lines.  And i was hooked.  And it ended with anothem gem of a word ‘Lillah’, which slowly became a part of our dictionary. At a time when twitter asks you to be smarter and put everything in just 140 characters, you can say so much in just one word -“Lilaah“. With Vishal Bharadwaj’s voice and Gulzar’s words, it was love, longing and goose flesh all over.

Extra Playlist – Tere Liye in Suresh Wadekar’s voice and the haunting Yeshu in Rekha Bharadwaj’s voice. Well, play the entire album in non-stop loop.

2. Kun Faaya Kun/ Dichotomy Of Fame (Rockstar) – The name is A R Rahman. I am not sure where and how to start. Will say the same thing which i keep on saying – if i ever convert to Islam, blame it on Rahman. If Piya haji ali (Fiza), Khwaja mere khawaja (Jodha Akbar) and Maula maula (Delhi 6) weren’t enough, he added one more to the list – Kun Faaya Kun and this one i played in non-stop loop for days. Though Kun faaya was the starting point, the album had another beautifully arranged instrumental piece –  dichtomy of fame. A blend of shehnai and guitar created a haunting mood.

Extra Playlist – Play the entire album.

3. Yun Hi (Tanu Weds Manu) – I discovered the film and the album quite late. Realised  that this is the best musical debut of the year – Krsna (music director) and Raj Shekhar (Lyrics). The laidback charm in Mohit Chauhan’s voice almost works everytime but there is a danger of getting repetitive. Krsna and Raj Shekhar made sure that they didn’t fall in the trap.

…Kitne dafe hairaan hua, main ye sochke,
Uthti hai ibadat ki khushbuyein kyun mere ishq se,
Jaise hi mere honth ye choo lete hai tere naam ko,
Lagey ke sajda kiya, kehke tujhe shabad ke bol do,
Ye khudai chodke,
Fir aaja tu zamin pe,
Aur jaa na kahin,
tu saath reha ja mere,
Kitne dafe dil ne kaha,
Dil ki suni kitne dafe…

Extra Playlist – Rangrez, Piya, Manu Bhaiya, Jugni and Saddi Galli. Aha, another album where you can play all the songs .

4. Hawa Hawai (Shaitan) – Like this music review of Shaitan, almost all other reviews missed this Hawa Hawai remix. Because strangely, the song wasn’t available for download. So all those who downloaded the music and reviewed it, had no clue about it. The twang in Suman Shridhar’s vocals and Mikey McCleary’s arrangement added a new zing to the song.

Though after the film’s release, it was a completely different story. Everyone was just googling Khoya Khoya Chand sequence and if you have seen the film, the reason is quite obvious.

5. Saigal Blues (Delhi Belly)  – Though Mikey’s work got noticed, another superb effort by Ram Sampath went completely unnoticed. Chetan Shashital, the man who can do wonders with his voice, went behind the mike to create the Saigal Blues.

…is dard ki na hai dawai…..majnu hai ya tu hai kasai..

Extra Playlist – Switty switty, Ja ja ja chudail

6. Senorita (Zindagi Na Milegi Dobara)  – This album is Shankar-Ehsaan-Loy’s only saving grace in recent times. The song captures the casual, boisterous and celebratory mood of the Spain and Tomatino fest so well. And the use of  untrained voices of Farhan, Hrithik and Abhay made it look natural and completely  impromtu. Add to that, those perfect pauses.

Extra playlist – Khwaboon ke parindey

7. Saibo (Shor In The City) – This came as a complete surprise. The song and the film. Shreya Ghoshal’s melliflous voice and Tochi Raina’s husky vocals leaves a powerful impact. Music – Sachin-Jigar. Lyrics – Sameer/ Priya Panchal.

Extra Playlist – Karma is a bitch,

8. Main Ek Bhanwara (Sahib Biwi Aur Gangster) – Music by Amit Sial and sung by Shail Hada,  this one is an under-rated gem. A melodious track, the song instantly takes you back to the time when dhoom-dhaam noise wasn’t considered music.

9. Hona Tha Pyaar (Bol) – Purists still don’t believe that Atif Aslam can sing. But you can’t dismiss his voice so easily. There is something charming about the way he sings, though besura most of the times. This song is again one of the least played songs of the year. Heard it on FM radio first and then found out that the song is from the Pakisani film Bol.

10. Uh-ho Uh-Ho (Mujhse Fraaandship Karoge) – This album marked the bollywood debut of musician Raghu Dixit. As if the film’s title isn’t weird enough, this track is called uh-ho uh-ho. I never expected anything good from Y Films but this peppy number sung by Ash King and Shilpa Rao hooked me instantly.

11. Ban Gaya Kutta (Pyaar Ka Punchnama) – I have never laughed so much during a song. Had to play the song few times to get the lyrics and they smartly play with some of the words. Music and lyrics by Luv Ranjan and its sung by Mika.

What am i missing? What’s your non-stop loop playlist? Do let us know in the comments.

And we continue with the bullet-point report again. Tweet after watching the film and then put all the tweets in one place. Here you go…

– With Zindagi Na Milegi Dobara, Excel completes its trilogy of “Coming Of Age” films. And since it’s a given fact that nobody wants to put money for 15 year olds going through the same, we have to settle for “it’s not about the age but mileage” when it comes to COA cinema in Bollywood. Of  course there are exceptions like Udaan and no wonder it took seven years to cover the distance between script and screen.

– It’s about three men and their minor issues in life – job, marriage and daddy. If i say these are minor issues, it’s hard to believe because most films deal with just one issue and devote 2-3hours building the drama around the same, giving enough angst to the hero and finally settling for a solution. This one has nothing of that sort. And so it feels like minor issues.

– Zoya Akhtar loves to capture moments, and not melodrama. The film is full of such small moments and she captures them gorgeously. When the camera lingers on, and the characters are in that moment that matters the most, it’s easy to guess that she knows her job and her characters quite well.

– The dialogues are written by Farhan Akhtar and he has saved the best lines and the punches for himself.

– For a change, even Katrina Kaif acts. In other words, she has been used smartly – smile, show your charm and do the kiss!You cant compare her acting talent with tomatoes this time!

– There is too much of Spain in the film. Almost like a tourism film. Who goes to tourist spots on a bachelor trip? Tomato bhi le lo, bull hi dauda lo, upar se kud ja, paani me doob jao! Aha, where are the raging hormones? Oops, its 30+ coming of age. Imagine going to Bangkok (according to our budget) and visiting the Buddhist temples, right?

– The use of poetry through voiceover is a smart move and it blends in so well with the mood of the film. But such juveline stuff! The writing completely defeats the  purpose. Impossible to believe that it’s written by Javed Akhtar. Always rate his poetry much better than his lyrics but this was quite shocking.

– Dear Shankar-Ehsaan-Loy, it’s time for you to take a road trip and discover some new sounds. From Dil Chahta Hai, where every song stayed with us, to Zindagi Na Milegi Dobara, where all you remember is Senorita, that’s quite a downhill journey. Now go and take a break. Spare us!

– Its feels quite long, takes it own time to unfold and things fall into place easily. No major twists or turns. Aha, the designer issues!

– And finally a bollywood heroine who travels quite a distance just for the liplock. Gimme more!

– After Luck By Chance, there is too much expectations from Zoya Akhtar. Go easy on that E factor and it will come as a breeze of fresh air.

( PS – Did she really shoot the film in Spain? Pedro Almodovar made me believe that Spain is full of transexuals. ZNMD had none.)

Zoya Akhtar made an assured debut with Luck By Chance. And her next film Zindagi Na Milegi Dobara is ready for release. The film stars Hrithik Roshan, Abhay Deol, Farhan Akhtar, Katrina Kaif and Kalki Koechlin. It’s written by Zoya and Reema Kagti, dialogues by Farhan Akhtar and has music by Shankar Ehsaan Loy.

And here is the trailer….

Aha, Senorita seems fun. And here’s the official synopsis…

Kabir ( Abhay Deol) has just met Natasha. 6 months later they are engaged.

He wants to go on an extended bachelor party. A 3 week road trip with Imraan (Farhan Akhtar) and Arjun (Hrithik Roshan) – his 2 friends since school. The only problem is Arjun is too tied up with work. After much emotional blackmail and cajoling the boys set off on a journey they were meant to take 4 years ago.

A fantasy holiday they had planned to take after college but never happened. A road trip where each one gets to do the ultimate sport of his choice and other two just have to do it with him. Whether they want to or not.

Kabir, Imraan and Arjun meet up in Barcelona and set off on an adventure that will not only make them iron out their differences but also face their fears, alter their perception, unravel their fabric, force them to break out of the box and teach them to seize the day.

In other words, a holiday that will change their life forever.

Rock On was Dil Chahta Hai with mid-life crisis, and this one also seems to be DCH Redux. What do you think?

You don’t need too much talent to put three guys on the poster. You surely don’t need talent to decide who should be shirtless if it’s a competition between Hrithik Roshan, Farhan Akhtar and Abhay Deol. And may be, you need bit of talent to decide that their faces should not be entirely visible. Just cut at the right point. Have you seen the poster of Zoya Akhtar’s Zindagi Na Milegi Dobara? Do check out.

And strangely this poster looks quite similar to the poster of Lords Of Dogtown. And the similarity is more than just the three guys on the poster. Do check it out.

What do you think? Do comment.

Tip – Gobbledyspook