NH10 : Girl, Interrupted

Posted: March 14, 2015 by moifightclub in bollywood, film review, reviews
Tags: , , ,



So i watched NH10 at the 2:50 show at PVR Phoenix mills yesterday. The hall was almost 60% full.  I was extremely excited about Navdeep Singh’s second directorial venture after Manorama Six Feet Under, so i armed myself with a large popcorn and coke, i munched my way through the national anthem and the anti tobacco campaign waiting with impatience and anticipation for the movie to begin.

A RED CENSOR CERTIFICATE set up the mood for what was to come.

Before everyone is up in arms about similarities with Eden Lake, the plot line is applied to a completely different context and therefore doesn’t account as plagiarism because artists are allowed to steal because  “its not about where things are taken from, but where things are taken to” (Jim Jarmusch said it so you can take it up with him),  From utopia to dystopia, Navdeep takes us for a creepy drive through Haryana, the experience of which we are unlikely to forget for a long time to come. All the moments are familiar yet original and the result is a stylish, contemporary and brilliant piece of storytelling.

Navdeep creates  a  mature modern Indian heroine that one can relate with and look up to.
Anushka’s look is fresh, dewy,  her face does not look ducky and she has taken this role by the balls and performed the hell out of it. I have never been an Anushka fan per say, initially, put off by all her bubbly cockiness.
But i am a true blue convert now because she makes the rest of the lot of the leading ladies look childish, glossy and superfluous. With one bold stroke she has knocked Kangana down to number two in the list of brilliant  mainstream female actors.

Anushka’s portrayal of Meera was so nuanced and balanced, and her descent into darkness was so effortless and easy that it is truly laudable. She was vulnerable yet steely, sensitive yet power packed. She is a heroine you are rooting for from the word GO. In comparison, her husband’s character makes me want to whack him a few times for being so silly and immature.  I hated the villians, which means there were absolutely effective.

It is fantastic to see a film of this caliber coming from a  “male director”. Especially in the wake of  all the high brow debates , Navdeep sets an example  with this work.
Now the people who are stereotyping and generalizing all Indian men, can shut up. The film entirely dealt with the idea of male gaze and yet there was no male gaze in the showing of the film at any point. There was respect for every character from its creators which is rare to find in a Hindi film.

The starkness of the rural urban divide, and the multiple manifestations of patriarchy are handled in an almost video game kind of manner.
Things get progressively harder and harder for Meera’s avatar, its almost like she takes on a virtual reality in the film, the banal is bizarre and things are just about hanging between real and surreal at all times. The moments are hellishly entertaining and suspenseful with just the right amount of comedy (mama-ji gets left behind!) which truly is a superb achievement in the Hindi film context.

I loved that there was minimal dialogue and great use of sound, all the information was relayed and never spoon fed and the images looked just right. Everything looked authentic and beautiful and dark- almost to a Hitchockian pitch.The added bonus was that the interval point came at the right time. The pace of the film was maintained with finesse through the second half and the film ended on the right pitch, without going into the “melodrama and maatam” over her husband’s death that could have followed.The loose reference to republic day where the cross-dressers are performing (to a homophobic audience), which is also Meera’s birthday in the story, and references to Ambedkar and the constitution, are interesting. Meera is a Salim Sinai kind of character. Everything revolves around her in a nationalistic kind of way, though i am glad that all this information  is just there and wasn’t pressed further. I didn’t think it was a matter of convenience on the part of the director as some reviewers have put it, but cleverness, this is a great example of a pulp film, a true ode to anime and Amar Chitra Katha.

I was not a huge fan of the music, apparently it is a demand of the industry, but one could’ve totally done without it, or maybe something other than what was.

In the end, i was happy that she got to kill those bastards with relish, i am happy she mowed them with her own car and beat them with their own sticks. There was karmic retribution, tragedy, hope, albeit it was bleak and dark but real life is much worse. I was sucked into the zone, and i’m yet to shake it off.
My experience as an average film viewer was truly satisfying,  and as a hopeful film maker, it was inspirational. The cast and crew deserve every accolade and more!

Sakshi Bhatia

  1. madhur says:

    Contains spoilers!😦

  2. colacoca says:

    so did the trailer.. dont worry you will still enjoy

  3. Aamir Anjum says:

    Now that’s unfair, the review is loaded with spoilers. The young Turks should at least given a warning or note.

  4. Durga Dalai says:

    Godard, and not Jarmusch said that.

  5. molly says:

    Spoiler replete. You’re banished permanently.

  6. Rahul Rathod says:

    yes .. it was godard ..🙂 .. but its not about who said .. its about where it applied .. hehe

  7. Correction Needed..She Mowes them down in their black car as her’s was left stranded in the middle of that road.

  8. Silverlightgal says:

    You won’t believe it Sakshi but just the other day I was thinking about you! And here you are, with this review. What a review! Whoa. Loved it absolutely! Keep ’em coming, girl.

  9. nattinutty says:

    OMFG Really?! You can’t seriously be a reviewer for a passionate film-buff audience without understanding the simple concept of spoilers! Ever heard of tagging posts with a ***SPOILER ALERT!!!*** warning?
    And the comments have been crying out loud for 2 days now .. could someone on MFC please add the tag already… pretty please?

    • All these strong words to describe a film which I found so surface level. There is no psychological layer beneath the physical reality of the film… Descriptions peppered with …’Hangs between reality and surreal’! Does the writer even know what surrealism is?…Bunuel was surreal not Navdeep singh… I felt I was watching a TV series…Crime petrol or saavdhan India maybe…

      This is a menace with modern India movie buffs… even film makers… Use high sounding phrases, the writer’s intellect should come to the fore rather than actually identifying the merits or demerits of the film…

      Grow up people… I am not a film reviewer. I do not have an intellect as good as your’s. But I at least I understand what a film is NOT about… NH 10 was NOT what you have written…

      • sakshi says:

        guys, thank you all for your words, please someone at MFC add a disclaimer about spoilers.
        i am not a professional reviewer, i just really enjoyed the film and wrote my thoughts about. everyone is free to agree or disagree.. those are just adjectives, surreal can also be about suspension of disbelief and being in a dream like or nightmarish state. did not call NH10 surrealist cinema. but neither is it entirely real, because there is plenty of creative liscences that have been taken in the telling of the tale.. . and whatever piece of work it is people only take back what they want to, so there is no question of right or wrong opinion.. this is just what i thought. a thank you to all the readers for going through it anyway.

  10. nishat eqbal says:

    why doesnt the bihari stop meera once he knows mama is after her?

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