EXCLUSIVE – Bollywood’s Biggest & Deepest Song Of The Year

Posted: February 5, 2017 by moifightclub in bollywood, music

Exclusive preview to biggest and deepest Hindi film number of 2017.
(And it’s only February now!)

Recently, I had the opportunity to listen to and rate some of the best songs of 2016 (more about it in a different post). The one thing that struck me about lyrics of many songs was the rampant fake Sufism, faux Punjabiyat and false soulfulness running through them. There seems to be a random Sufi song generator app that lyricists have got their paws on.

This has prompted me to pen my own blockbuster Hindi film song for 2017. I mean, why not? I too have no talent.

This song’s got everything: Amir Khushro, Surdas (why not?), Peer Meher Ali Shah (for the undivided Punjab diaspora), Rahim (Why Kabir everytime?) and Surdas again (making up years of neglect). I have written the song below in Devanagari and provided some context to the lyrics to give you a sense of the ‘depth’ of this song.

This is the song that 2017 has been waiting for. Please spread this far and wide and help me turn into a Hindi film lyricist. 2017 will be poorer without this.

My wishlist for this blockbuster:

Composer: Pritam or anyone who needs a hit
Singers: Arijit Singh, Kavita Seth, Nooran Sisters, Mame Khan, Jasleen Royal, Benny Dayal, Shillong Choir
Picturised on: Ranbeer Kapoor /Salman Khan / Siddharth Malhotra with Alia Bhatt / Deepika / Kangana Ranaut chipping in. Though I won’t mind Chunky Pandey singing this in Sajid Khan’s next
Situation: Heartbreak song that plays randomly through the movie in surprising upbeat fashion. The Surdas elements play out to hiphop beats at nightclubs

अरब यार तोरी बसंत मनायो
सदा रखिए लाल गुलाल
हज़रत ख्वाजा संग खेलिए धमाल
खेलिए धमाल, धमाल, धमाल

The song starts off with Amir Khushro’s lines thereby immediately establishing its depth. Plus, we get Khwaja which is necessary. And, most importantly, a hook – dhamaal, dhamaal. It can’t get better. Wait, it can if you get Mame Khan Manganiyar to start this in a full-throated way.

What do these lines mean?
Just focus on dhamaal.

दिल इज़्तिरार, दिल इज़्तिरार,
है बेक़रार, है बेक़रार,
मुंतज़िर है तेरा, तू है मेरा,
चाँद को डाले जेब में, घूमे दर-ब-दर,
सब को नकार, ख़ुद को नकार
Now we get into my original song writing territory. What I have done, cleverly, is to bring some heavy-lifting Urdu words that rhyme. Look up their meaning on the web since I too didn’t know them till this morning. But they all make sense. Then, I swerve into Gulzar territory by putting the “Chaand” in the “Jeb” and round it up with a self destructive idiom (Khud Ko Nakaar). We will have Arijit Singh sing these lines in his usual short-of-breath, deep in pain but soul-less way. I can almost picture Ranbir Kapoor running the streets of London, colliding with assorted NRIs while these words ring away in the background.

दिल मचाये यह बवाल, यह बवाल
ख्वाजा संग खेलिए धमाल, धमाल

This is to be sung in chorus by Shillong Choir. See, the value of picking that dhamaal hook!

हरी ना मिले माइ जनम, ऐसे ही लाग्यो जान
जोवति मघ बासर निसि, जात जुग समान
चात्रिग पिक बचन सषी, सुने न परत कान

Ladies and Gentlemen, behold! Surdas makes an entry into Hindi film songs with these words of ‘birah’. Kavita Seth to sing this while Alia Bhatt is downing tequila shots at a LA bar.

यह वस्ल मेरा कब से मुसलसल,
बेबाक़ आरज़ू मेरी कब हो मुकम्मल,
तुझ से कुरबत चाहे, तेरा सुकून चाहे,
दिल की दराज़ में है रखे ख़ाक तेरे प्यार के,
सीने में है उठाए दर्द-ए-सकल

Back to my original lyrics territory! These lines are actually quite good. Benny Dayal can sing them normally and then do a little rap jig with them.

किथे मेहेर अली, किथे तेरी सना,
ग़ुस्ताख़ अँखियाँ किथे जा अदियाँ,
अज सिक मित्रां दी वधेरिए,
क्यूँ दिलरी उदास घनेरिए?

Pir Meher Ali Shah comes in to play now. The theme is separation as it has been through the song. But this could be interpreted as separation from the motherland at the diaspora level. The punjabiyat of the lines make them perfect for Nooran sisters to croon their hearts out.

लकीरों से कर चला हूँ मैं शिकायत,
सरफिरा मलँग हूँ ना मानु मैं हिदायत,
(ज्यों नाचत कठपुतरी, करम नचावत गात,
अपने हाथ रहीम ज्यों, नहीं अपने हाथ)
उड़ गया है परिंदा बाग़बान छोड़के,
हाथों से अपनी क़िस्मतों की ज़ंजीरें तोड़के,
ख़ुद की कही को कर चला हूँ मैं रवायत

Again, my original lines but in Amitabh Bhattacharya (AB) mould this time. Because my aim in life is to be poor man’s AB. There is enough parinde, baaghban etc to fool you into believing this is AB.

But note my subversion. In between (in brackets) I have incorporated a Rahim doha. Just to maintain the cosmic balance from overuse of Kabir dohas. That doha is perfect for Jasleen Royal to sing in a breathless, hurtful manner. All other AB like lines are perfect for Arijit Singh to cry his heart out.

जा दिन तें नैननी अंतर भय
अनुदिन मुश बाढ़ी अति बारि
मनहु सूर है सुभग सरोवर
उमगि चले मरजाद उदारि

Back to the criminally neglected Surdas with Benny Dayal this time rapping on them. Alia Bhatt tequila shots continue unabated.

दिल मचाये यह बवाल, यह बवाल
ख्वाजा संग खेलिए धमाल, धमाल

Close the song out with unlimited repeat of these lines; all building into a crescendo of the kind that will have you imagine Sufi dervishes whirling away like Hrithik Roshan in Jodhaa Akbar. Bring back Mame Khan for this.

There you have it. The perfect 2017 blockbuster number.

I have put the whole song together below for you to consume in how God meant it to be consumed.

अरब यार तोरी बसंत मनायो
सदा रखिए लाल गुलाल
हज़रत ख्वाजा संग खेलिए धमाल
खेलिए धमाल, धमाल, धमाल

दिल इज़्तिरार, दिल इज़्तिरार,
है बेक़रार, है बेक़रार,
मुंतज़िर है तेरा, तू है मेरा,
चाँद को डाले जेब में, घूमे दर-ब-दर,
सब को नकार, ख़ुद को नकार

दिल मचाये यह बवाल, यह बवाल
ख्वाजा संग खेलिए धमाल, धमाल

हरी ना मिले माइ जनम, ऐसे ही लाग्यो जान
जोवति मघ बासर निसि, जात जुग समान
चात्रिग पिक बचन सषी, सुने न परत कान

यह वस्ल मेरा कब से मुसलसल,
बेबाक़ आरज़ू मेरी कब हो मुकम्मल,
तुझ से कुरबत चाहे, तेरा सुकून चाहे,
दिल की दराज़ में है रखे ख़ाक तेरे प्यार के,
सीने में है उठाए दर्द-ए-सकल

किथे मेहेर अली, किथे तेरी सना,
ग़ुस्ताख़ अँखियाँ किथे जा अदियाँ,
अज सिक मित्रां दी वधेरिए,
क्यूँ दिलरी उदास घनेरिए?

लकीरों से कर चला हूँ मैं शिकायत,
सरफिरा मलँग हूँ ना मानु मैं हिदायत,
(ज्यों नाचत कठपुतरी, करम नचावत गात,
अपने हाथ रहीम ज्यों, नहीं अपने हाथ)
उड़ गया है परिंदा बाग़बान छोड़के,
हाथों से अपनी क़िस्मतों की ज़ंजीरें तोड़के,
ख़ुद की कही को कर चला हूँ मैं रवायत

जा दिन तें नैननी अंतर भय
अनुदिन मुश बाढ़ी अति बारि
मनहु सूर है सुभग सरोवर
उमगि चले मरजाद उदारि

दिल मचाये यह बवाल, यह बवाल
ख्वाजा संग खेलिए धमाल, धमाल

– Subrat Mohanty

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