Archive for the ‘cinema’ Category

mastram-poster-moifightclub

This one’s taken some coming (no pun intended). The first look of ‘Mastram’, based on the life of the mythical writer of Hindi erotica from the 90s, surfaced a few weeks before the 15th Mumbai Film Festival (MAMI) last year, where it was an official entry. However, the first trailer has only arrived today.

Those who follow this blog closely will immediately recognise Akhilesh Jaiswal as one of the writers of ‘Gangs as Wasseypur’; while that’s a strong film to have on your resume, it remains to be seen how well he’s managed to adapt this particular story — given how often “bold” themes in our cinema warp into juvenilia —  for the screen. The official Facebook page for ‘Mastram’ has been posting quite of bit of promotional material since the beginning of January: mostly posters that range from cheesy to raunchy.

The trailer itself, which was released earlier today, doesn’t say much about the film, except for putting together a mishmash of various steamy scenes and the angst of a writer. Nonetheless, a friend who watched the film at MAMI last year enjoyed the movie and believes it does well in bringing to light the sheer hypocrisy that oils the wheels of our society.

Here’s the trailer of the film, followed by the synopsis:

Rajaram, a bank clerk in a small town, dreams of traveling to Delhi and becoming a reputed writer. No one takes his aspirations seriously, least of all his uncle, who marries him off to the beautiful Renu. Although a simpleton, Renu wholeheartedly supports her husband’s ambition. Edged on by her encouragement, Rajaram starts stealing writing time from his humdrum work routine, and is eventually forced to leave his job. But being a stay-at-home writer doesn’t go down too well with prying neighbours. Rajaram becomes a butt of all jokes in the neighbourhood.

Turning a deaf ear to the all the snubs, Rajaram starts in earnest to show his work to several publishers. Each time he is rebuked. Finally, Rajaram encounters a fledgling publisher duo – Purohit and his brother-in-law, Bharti. They agree to publish Rajaram’s story about the plight of a small town girl. However, there is one hitch. Rajaram would have to add some necessary sensational elements to his dull tale – some `masala’, as they refer to euphemistically. Rajaram is initially miffed by this writing brief. He is not sure what it means to bring that to his writing – till he meets Chacha, an eccentric, old village Idiot. He introduces Rajaram to the salacious and secret world of soft pornography. It’s on everybody’s mind, but no one will admit it. Chacha does.

Rajaram, scandalized at first, accedes to the “compromise”, and thus starts discovering another facet of literature – erotica. He adopts the colorful pseudonym of `Mastram’ becomes the first author of the first pornographic novel series in Hindi. He churns out colourful stories about sex that his eager readers voraciously devour. Yet, Rajaram’s success still remains elusive to him, as all the glory is due to `Mastram’. Will the “real” Mastram finally be exposed? Will Rajaram’s sudden windfall arouse suspicion in his ever-supportive wife? How will Rajaram face the hypocrisy of a society that secretly enjoys reading porn, but otherwise treats such matters with disdain?

Cast & Crew

Starring Rahul Bagga, Tara Alisha Berry, Akash Dahiya

Produced By Ajay G Rai, Sanjeev Singh Pal
Director : Akhilesh Jaiswal
Casting : Mukesh Chhabra
Costume Designer : Subodh Srivastava
Music : Manan Bharadwaj
Background Music : Saurabh Kalsi
Digital Partner : One Digital Entertainment
Editor : Apurva Motiwale Ashish Mhatre
Production Designer : Dhananjoy Mondal
Director Of Photography : Gavemic Ary
Writer : Akhilesh Jaiswal Gunjan Saxena
Lab : Prime Focus
Co Producer : The Film Label &Ashoke Pandit

– For those who wish to read more, click here and here to read interviews with Akhilesh Jaiswal in which he talks about the real Mastram; the process of researching the film; and then some.

— Posted by @diaporesis

Bored and dead of watching all those mushy V-Day videos? Here we are, the cynical bunch, the anti-VD group.

And here’s the perfect VOTD for V-Day. Watch and have fun.

Tip – @kaurvaki

After the success of Pancham Unmixed, the National Award-winning film on RD Burman, filmmaker Brahmanand Siingh is now working on another feature length biopic, this time on legendary ghazal maestro, Jagjit Singh, titled “Kagaz Ki Kashti…”

“Kaghaz Ki Kashti…” is planned to be an evocative account of a down-to-earth small town boy from Rajasthan who became a legend in no time, but not without his share of struggle. In the process, the film will capture that extra something in his music that gave his compositions a certain polish and a soul at the same time which delighted millions of listeners across countries, cultures and age segments.

Through visual and sensory experiences, the film intends to take us on a journey of his choice of poetry — simple but touching world of Urdu lyrics that he chose to sing (sometimes nazms, sometimes ghazals), setting them to soulful tunes and introducing western instrumentation to make them textured, contemporary, and rich. The film will also take us back in time and trace the zigzag marathon run by a man with passion, fire, and soulful melodies within him, which kept him alight all through his luminous career as well as in some difficult personal times, all with a seamless and gripping narrative.

The lyrical film aims to use his music and the poems he chose to tell his own story of love and loss, of tribulations and triumphs. In the process, the film creates a warm portrayal of the man behind the visible, and the artist behind his creations.

Brahmanand’s previous film “Pancham Unmixed” went on to become a big success at film festivals and won two National Awards, among many others, and was a big draw at over 40 International film festivals.

– For all the updates on the film, click here to go to its FB page.

(via press release)

Echoes, the annual cultural festival of IIM Kozhikode, in association with filmmaker Shekhar Kapur had launched a short film making competition titled “I Love Paani”. We had posted about it here.

The filmmaker has picked his Top 3 favourite shorts, and has tweeted the reasons why he liked them. We are embedding the shorts below each tweet.

 

 

screenwriting-215x300WHAT : NFDC Screenwriters’ Lab 2014 gives an opportunity to six independent screenwriters to develop their skill under the guidance of a variety of industry experts from across the globe. Through one-on-one sessions with their Mentors, the Screenwriter Fellows are advised on tools and techniques required to improve their scripts and methods to pitch the same in the international domain.

WHY : The Screenwriters’ Lab is specially re-designed to prepare screenwriters with original Indian stories for working with the international filmmaking market.

– The Screenwriters’ Lab also creates a unique opportunity for these scripts to gain a direct entry to the Film Bazaar Co-Production Market.

– This two stage script development lab, now in it’s 7th Edition delivers intensive coaching tailored to the precise needs of each writer and project selected for development.

– Screenwriters bring to the lab a script in development to be part of an in-depth group and one to one creative discourse. From session one of the lab at Sarajevo Film Festival, international industry knowledge and sessions with renowned, award winning mentors will prepare the writers to present their projects during NFDC’s Film Bazaar in Goa.

Submission Requirements : 2 page synopsis

•- You will have two months to submit the screenplay if short listed.

Session 1 :

Will be held in Sarajevo, during the 2014 Film Festival. August 15 -23, 2014

Session 2 :

Will be held in Goa, prior to and during the Film Bazaar, 21 – 24 November, 2014

DEADLINE : 5th March, 2014

DETAILS : To know more about the lab, rules and regulations, how to submit, click here.

True Love Story

Gitanjali Rao’s new animation film ‘True Love Story’ bagged the Golden Conch Award for Best Animation Film at the recently concluded Mumbai International Film Festival. This 18 minute animation, set in the streets of Mumbai explores what happens when the ultimate Bollywood fantasy is applied in reality.  It gives glimpse into the influence of Bollywood on real life in Mumbai, told through puppet animation.

Here’s the trailer of the film

More about the film from Scroll – It’s a frame by frame painted 19-minute film about love, told from the eyes of two migrants who come to Mumbai and fall in love with each other. The boy in the film is hugely influenced by Bollywood and he falls in love with the girl across the street. Who will teach him how to woo her? This is a boy-meets-girl story, from the perspective of people who find themselves adrift in the big city.

As we have said million times in the past, and still keep repeating ourselves, if you have not seen Rao’s work, you have not seen the best animation that this country has produced. So we are embedding one of her popular animation films here. Do watch.

From her official website –

‘Printed Rainbow’ describes the loneliness of an old woman and her cat, who escape into the fantastical world of match box covers.

Gitanjali painted the entire film frame by frame over three years as a labour of love dedicated to her mother and cat. The film went on to premier in Cannes in 2006 and won her the first set of laurels with three Awards for the Best Short film in Critic’s Week, Cannes 2006. Then followed 22 international awards and screenings in over a hundred international festivals.

– She also did the delicious opening credits of Stanley Ka Dabba. To know more about her work and films, click here.

Gulabi Gang

So far we have been hearing about Madhuri Dixit and Juhi Chawala starrer Gulaab Gang directed by Soumik Sen. And now, there’s a twist in the tale. A documentary film titled Gulabi Gang by Nishtha Jain is all set to release before the Bollywood feature. Interestingly, both the films explore the same subject. Our guess is the bollywood film will have much more to it than just the story of Sampat Pal and her Gulabi Gang.

Gulaab Gang is set to release on 7th March, 2014. And PVR Cinemas is releasing the documentary Gulabi Gang on 21st February. Its presented by Sohum Shah, actor-producer of Ship Of Theseus. The film has been doing the festival rounds for quite some time. It also won the Best Director Award in the International Competition section of the recently concluded Mumbai International Film Festival (MIFF) of Shorts, Docus and Animation.

Here’s the trailer of the film –

With the comparisons being made, recently Nishtha clarified few things on her FB post. We are copy-pasting it here –

I’m dismayed and partially amused with a lot of wrong reporting in the print and audio-visual media about my views on the Bollywood film Gulaab Gang, about my own film and it’s theatrical release. I guess I should have expected that nuances will get lost but some of the stuff the media has been putting in my mouth is blatant lies. I just want to clarify that:

1. I have not given the name Gulabi Gang to this group of women. They have been working in Bundelkhand since 2006 under this banner. I’ve only made a documentary about their work. This is not the first or the last film on them. There have been many before and I’m sure there’ll be more. And Budelkhand is not a village it’s a linguistic region of UP and MP.

2. Also I’ve never said that the Bollywood film Gulaab Gang is based on my film. I’ve not seen the film, only their trailer. The makers of Gulaab Gang didn’t need to take permission from me but from the real group called Gulabi Gang for using their name, concept etc.

3. I have never said that mine is the first documentary to be released in India, there have been many before.

4. I have never said my film is entertaining. Yes it is in parts but the words I have been using are engaging, engrossing, disturbing, grey, complex etc. Maybe in common parlance that makes the film entertaining.

5. And this quote which is being curculated bereft of it’s original context “I’m not an ‘activist-filmmaker’. Nor am I ‘woman-filmmaker”. This is what I had said in answer to the question by Dear Cinema:

Dear Cinema: In India, most documentary filmmakers are also activists in their own right. How do you see yourself in that light?

Nishtha Jain: I’m not an ‘activist-filmmaker’. Nor am I ‘woman-filmmaker’. I don’t like all these labels. I’m a filmmaker, a feminist and when the need arises, an activist. My films grow out of my world view and interests.

– To know more about Gulabi Gang, click here.

– To read Nishtha Jain’s interview on the film, click here.

Read the poetry. Guess the film.

Posted: February 13, 2014 by moifightclub in cinema, Hollywood

It started on Twitter. Just as a casual conversation. We thought it would be fun to share it here too. So here it goes – first one in English, second one in Hindi. First one gives you all the hints. Easy to guess. Second one was written just like that. The writer saw a film and wrote it.

Here’s the first one –

BgSYIRICUAA9pEY

Now guess the film.

It’s written by Parth Vyas and was shared by Dhruve Gandhi.

Second one is written by Shashank Kumar. And came via Varun Grover.

घर में बेतरतीब पड़े हैं लम्हे:
रसोई में जाकर
कुकर से मांगता हूँ थोड़ी भाप
चश्मे पोंछने के लिए,

उम्र की गर्द इकठ्ठा है पेशानी पर,
गुसल में जाकर
साबुन से मांगता हूँ थोड़ी झाग
माथे की सलवटें साफ़ करने को

ठण्ड से सिकुड़ा हुआ है दिल
बालकनी से
थोड़ी सी धूप ले कर आता हूँ;
भीगी हुई हैं आँखें,
पर्दों पर टांग कर सुखाता हूँ

घर में बेतरतीब पड़े हैं लम्हे:
इधर उधर बिखरे हैं
बस कि काम चल जाता है जरुरत भर
लेकिन, घर बड़ा बेढब सा दीखता है

ऐसे में कोई आये तो क्या सोचेगा,
अच्छा है कि आजकल यूँ भी
आते नहीं हो तुम!

You might think of many films after reading this one. But this was the writer’s note when he shared the Hindi poetry – XXXXX YYYYYYY dekhi (paas me thi, lekin aapke ek tweet ke baad ek-a-ek yaad aaya ki dekhi nahi abhi tak), beech me hi kuchh likhne jaisa feel hua, fir socha ki aapko bhej doon so haazir hai.

Try if you can guess the movie title from number of X and Ys – XXXXX YYYYYY.

Ankhon Dekhi Poster

We are a bit late on this one, but we still thought we ought to feature it nevertheless. The poster and trailer of Rajat Kapoor’s Ankhon Dekhi arrived online sometime back- and while we are not quite sure how well they sell the film or convey what it’s really about- they give us a feel of the world it’s set in.

Some of us happened to see the film a while back and the reactions were pretty good. It’s an oddball, quirky film that goes through some distinct shifts of tone but always remains interesting and thought provoking. It’s also powered by some good performances from a strong cast led by Sanjay Mishra.

Here’s the trailer of the film, followed by the synopsis:

‘Ankhon Dekhi’ is the story about ‘Bauji’, a 55 year old man, who lives a dreary but eventful life in a joint family, that shares a small house cramped with people and drama. One day Bauji has an epiphany and decides that from that point on he would only believe what he sees with his own eyes, nothing else can be certain. There are a quite a few challenges on his onward journey- but Bauji never loses sight of what is before his eyes.

Produced by Manish Mundra, the film has been written and directed by Rajat Kapoor, who also stars in the film. ‘Aankhon Dekhi’ also features Sanjay Mishra, Seema Pahwa, Taranjeet, Maya Sarao, Namit Das, Brijendra Kala and Manu Rishi Chadha.

Varun Grover, lyricist and our editorial member, has written the songs for the film.

And here we have an interview of Rajat Kapoor where he speaks about Ankhon Dekhi and the challenges of making his brand of cinema.

what’s the best thing about 2014 so far? Well, a new A R Rahman album is already out. Hallelujah! And over to our music man Rohwit for some musing on maestro’s music.

So the periodical excite-fest for music lovers (Also known as AR Rahman’s new album release time) blessed us early this year. Lyrics are penned by Irshad ‘dependable’ kamil and Kash-Krissy

Patakha guddi – A lot of techno and synth sound accompanies the electric duo of Sultana and Jyoti Nooran who are fierce to say the least. The arrangement is not complex. As has been his habit off late, AR Rahman keeps the ‘hook’ of the song almost non existent. The song just flows and sways you in the process. The words of Irshad Kamil are no less Patakha, mind you. If you see people forming a ‘train’ on the dance floor to a 2014 film song, this would be it.

Maahi ve* – AR Rahman on the microphone again. The song gives you a feel as if it was to be (tune wise) a part of the album ‘Jaane Tu Ya Jaane Na’. No doubt this is a long drive song with a simple and ‘sticky on lips’ tune. It also gives out that feeling when (no matter how fucked up things are), you want to believe, everything is fine just because the special someone is with you.

Kahaan ho main* – is sung by Jonita Gandhi. The arrangement and the overall presentation of the song (at least when you hear it) doesn’t sound like it will fit into a film that has a truck driver and a kidnapped village girl in the lead. The extensive use of keyboard lends a very hoity-toity character to the song in context of the film. Would be interesting to see how this pans out on the screen. The song is hummable in a very ‘1990s sung by Kavita Krishnamurthy’ way. Also, the overall feel has a very ‘Meena Kumari complex’ feel to it.

Wanna mash up* –  In the days when anything ‘hep’ has to include ‘kaan-faad’ dubstep, ARR avoids the overuse of the same and gives us this vrooming piece of beauty! Kash, Krissy and Suvi Suresh have jointly penned this bombshell of a song that is guaranteed to take you back to ‘You either HATE it or LOVE it’ times of AR Rahman’s music. It teases and tempts in ways we thought were never possible with A R Rahman at the helm (Lemme dominate your body! Ahem!) . Oh the calls of ‘BOY!’ Hell with the context of the film, give me this any day! All Thumbs up on the way the song ends/climaxes! No pun intended.

Sooha Saha – Zeb and Alia Bhatt jointly present this delicate song with superlative arrangement by Rahman. Don’t worry if at times you feel someone will go ‘Kya bataaaon maa kahan hu main’ from Luka chupi. Thank God that Zeb hasn’t allowed herself to be ‘Rahat-Fateh-Ali-Khan-ised’, so you can expect something new from every song she chooses for our films. At times sounding like a doting mother, Zeb lends so much depth to the song! Alia Bhatt does a good job in adding the innocence to the song. The violins towards the end is a touch of genius. A song जो सीधा कलेजे को छूता है.

Patakha Guddi (AR Rahman) –  Many a times, I have felt that AR Rahman and Sachin Tendulkar have been put under so much pressure that they stopped having fun at work. This song is where we hear AR Rahman going bezerk! Excellent Prasanna gets mad on electric guitar towards the end in a song that is layered unlike it’s female version. Don’t get fooled by the subdued start that the song has. It is explosive by the time ends! Kudos to Rahman for attempting Punjabi and double kudos for his ‘naam rab da naam sai da’ chanting. You don’t get Goosebumps, You get Goosemountains!

Implosive Silence* – is sung by Jonita Gandhi. Kash and Krissy have penned whatever there was to ‘pen’ in the song. The arrangement remains hauntingly simple. The song appears to be sung in reverse (or treated like that). Let’s accept it, we do look forward to an ‘instrumental’ piece in A R Rahman’s album. We have been treated like royalty since ‘Bombay theme’ days and this piece here does the same and goes a step forward. Top class composition and top class atmosphere. Too much feel without words, trademark Rahman!

Tu Kuja –  a traditional song sung by Sunidhi Chauhan gives out a trance like feel from the beginning that stays throughout. An old composition in which Irshad Kamil has added Hindi words to make it relatable. Arrangement wise, the song sounds cluttered, and you are left with the feeling that it should have been sung by Rahman himself. It’s not a bad song, just that in comparison to the level of the album, it pales a bit.

Heera* –  is an old writing by Saint Kabir that has been presented by Rahman in his trademark ‘grand’ style with enough Violins to make you cry with pleasure. Shweta Pandit has sung this in an almost whisper like fashion which compliments the overall feel of the song (For a second, we thought it’s Tulsi Kumar who is singing…o the horror!)

Irshad Kamil is ‘Vishal-Gulzar’-ing with A R Rahman very fast and that’s such a delight to witness.

We have always believed that an album has to compliment the overall feel of the film. While we don’t know how the ‘hoity-toity’ numbers would compliment the feel of the film, we give a thumbs up to this album!

You see the *mark ahead of songs? Those are the songs we feel are a bit hoity-toity under the context that has been set by the teaser/trailer of the film so far.

AR Rahman saar, you remind us of the worldspace tagline…There is so much to listen (when you are at the helm!)

What we couldn’t understand – What’s with the sound quality of the album? ARR is known to be very careful around the same but this album sounds just like the old fake Jai-Mata-Di-cassettes which were a cheaper alternative to HMV cassettes. We understand T-Series owner said that he doesn’t need good musicians to sell music, but, sir, are you sure of what you are selling?