Archive for the ‘film’ Category

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Rahul  Gandhi’s visit to the FTII campus has breathed new fire into the controversy with the pro-government forces accusing the students of politicizing the issue. This timing of his appearance, just in advance of the August 3 protest in Delhi, outside the parliament makes it furthermore interesting. Not only has this event escalated the issue to a different level, it has also opened up its prospect of becoming a major challenge during the monsoon session. BJP sympathizers, who had unleashed an online character assassination campaign against FTII students, are left infuriated. This event also seems to be a win-win for both parties, (Rahul and the FTII students) since not only will it give a new political boost  to the students’ demands but it will also help Rahul combat the political irrelevance he has been reduced to post election.

Before fingers are pointed towards the students, some facts must be set clear. Rahul Gandhi was not exclusively invited to the campus. The students of the institute had been constantly trying to engage the government in a dialogue process but all their appeals fell on deaf ears. The first meeting with the I&B Minister Mr. Arun Jaitley could take place only after a fortnight of agitation, and that meeting too was more of a one sided speech than a dialogue. The ministers exploited all their tools to pressurize the students into withdrawing their strike without paying any heed to their complaints. Having left with no option, the students decided to write letters to forty five members of parliament seeking their support, including three belonging to BJP (Prakash Javadkar, Vinod Khanna and Shatrughan Sinha).

Among all of them if Rahul Gandhi has decided to visit FTII, then students are in no position not to give him an audience for the sake of keeping things “apolitical”. It should be noted that the students never invited any politician to the campus exclusively. In fact, the letters sent to the MPs were for seeking support, not requesting appearance at the strike. However, if anyone chose to come and express their solidarity, the students have welcomed . In fact, some right wing organizations have also protested outside the gates of FTII. Installation work made by the students have been vandalized by unknown people the night before. The students didn’t raise any objection. Members of ABVP, including individuals who had attacked the students earlier, came to the institute and threatened them again (albeit in a veiled manner). The students showed restraint.

If the students could tolerate unruly elements from ABVP coming and threatening them at the gates of their very own campus, then in which moral universe are they supposed not to allow Rahul Gandhi in? Let us not forget that Mr. Gandhi had made his appearance on the 50th day of the strike. If anyone is responsible for awarding that opportunity to him, it is the government itself, whose constant reluctance at establishing a meaningful dialogue with the students has led the strike go on for so long. Instead of showing any sign of goodwill, the government tried out several arm twisting tactics. First, it started to pressurize the students through bureaucracy,  then it went on with a character assassination campaign calling the students freeloaders, elitist, naxalites, anti-hindus, and what not. The whole institute, its purpose and its existence was maligned and this educational enterprise (whose entire budget is loose change for the government) was evaluated  against its fiscal utility. Counter narratives based on incomplete and disingenuous interpretation of factoids were released and circulated by online bhakt network.

At the extreme, an attempt to sabotage the strike was made by filing ridiculous police complaints against the students exploiting the services of some controversial staff members. None of these could deter the students. On the contrary, by indulging in such cheap tactics, the government has ended up lowering its status further. The outpourings of public support online (often consisting of bullying tweets and profane commentaries) can give the government a sense of fake achievement but in a democracy like India, living in denial can be deadly, and who else than the BJP has the taste of it? But alas, overconfidence induced amnesia is a typical BJP problem.

Instead of trying all these futile exercises, had the government spent some time trying to understand the institute and its needs, the issues might have been resolved rather amicably. Having evaded that responsibility for 50 days, the government has no moral right to accuse the students of politicizing this issue. In fact, they should be thankful to the opposition for giving them a grace period of 50 days.

But, above all, the basic premise that a democratically elected opposition leader involving himself directly with people is something politically vicious, is outright preposterous. People (and especially the BJP and its supporters) should not forget that the constitution has enshrined the concept of opposition in our democracy, not for decoration but for some real practical purpose. And leaders of opposition have every right to involve themselves with issues of the people. In fact, direct involvement with the people is something that should be appreciated and practiced by politicians of all colors. It is true that Mr. Gandhi does not have the oratory skills of Prime Minister Modi and more than often, he is referred to as incapable and mediocre. But one thing that is visibly good about him is that he actively meets people and involves himself in their issues directly, no matter whether it brings any tangible results to his party or not. You can criticize him for a million shortcomings, but the last thing you can chastise him for, is meeting people.

And the BJP should not forget that it owes its present strength to its existence as opposition party for so many years. The full majority that the BJP has in the parliament today, is not just attributed to its pre-election campaign, but to the years of hard work done by veteran leaders like  L.K. Advani, A.B. Vajpayee and Shyama Prasad Mukherjee as “opposition leaders”.  If the role of opposition were to be so trivial, so insignificant and so limited then there would be no BJP today. The 2014 elections have decimated the Congress to a paltry 44 seats. And perhaps, this is the worst phase in the history of the party. But despite that low score, it still represents the mandate of the people of this country. No matter how small it is, it is still significant and commands the respect of democracy. Now it is the responsibility of the BJP to treat its opposition with the same respect and significance, it has demanded for itself for so many decades. If the BJP tries to constrict the opposition using hard line (and often, below the belt) tactics, it will insult the legacy of its own great leaders.

Surya Samaddar, FTII Student

Script of Sujoy Ghosh’s Short ‘Ahalya’

Posted: August 4, 2015 by moifightclub in film, Scripts, short film
Tags: , , ,

With Sujoy Ghosh’s short film ‘Ahalya‘ doing exceptionally well on youtube, many of you had asked for the script of the film. So here we are. Thanks to Sujoy, we are uploading the script of the short. Enjoy reading!

 

10409588_391302141077650_8545138430389074028_nWith Vicky Kaushal getting rave reviews for his debut performance in Neeraj Ghaywan’s Masaan, it seems like the perfect time to launch the first look of another film starring him – debutant Mozez Singh’s Zubaan.

The film has Vicky Kaushal, Sarah Jane Dias, Manish Chaudhary, Meghna Malik and Raaghav Chanana in lead roles.

The official FB page has only one line description so far – Zubaan is a coming-of-age musical drama about a young man who has a fear of Music!

Do check out the trailer.

Trailer

Crew

Story & Directed by: Mozez Singh
Produced by: Guneet Monga, Shaan Vyas, Mozez Singh
DOP: Swapnil Sonawane
Editor: Deepa Bhatia
Action: Sham Kaushal
Sound Design: Anthony Ruban
Screenplay: Thani, Sumit Roy, Mozez Singh
Dialogues: Sumit Roy
Music: Ashutosh Phatak
Additional Songs: Ishq Bector-­‐Shree d, Manraj Patar
Lyrics: Surjit Patar(Punjabi), Varun Grover(Hindi)
Costumes-: Aki Narula
Production Designer: KhyateeKanchan
Choreography: Uma‐Gaiti

For more info, FB page is here, and Twitter feed is here.

Phantom Films Is Looking For Horror Stories

Posted: July 20, 2015 by moifightclub in bollywood, film, News
Tags: ,

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Phantom Films is looking for Horror stories. It shared the news on its FB/Twitter timeline.

Phantom is looking for stories, scripts, treatments or even scriptwriters in the horror genre – the scarier the better!

We’re not afraid, so you shouldn’t be either!

Send your scripts/ideas to: horror@phantoms.in

So all those who keep complaining about having not enough opportunities to break into bollywood, here you go.

Their FB page is here. Twitter handle is here.

11221886_10154045180829863_6005978746482162900_nAcclaimed production designer Samir Chanda made his directorial debut with a Bengali film titled Ek Nadir Golpo (Tale Of A River). The film stars Mithun Chakrabaorty, Shweta Prasad and Jisshu Sengupta. It’s an adaptation of a short story by well known Bengali writer Sunil Gangopadhay.

Unfortunately, because of his untimely death in 2011, he could not see the release of the film.

Now, his son Sandeepan Chanda shared the good news about its release on a FB post.

So here is a little story for those who might not know about it.

Back in 2006, my father decided to take a break from being a production designer and make his directorial debut. He chose to adapt a small Bengali story he had read and was deeply moved by when he was in his college days. After borrowing money from his friends and also putting in all his savings, he jumped head first into the project. We all became involved in it, all his family members, most of his friends and then by his sheer enthusiasm and passion, we finished the film a year later. It went on to be screened at various prestigious film festivals and was critically lauded by all. He now only needed to share his labor of love with the audience.

But unfortunately he struggled to find a distributor/exhibitor who would buy the film and release it in theaters. A struggle that went on for the next four years before his untimely death in 2011. His wish remained unfulfilled.

My mother then took on the responsibility to shop the film to various production companies and distributors. And now because of her persistence and having the patience to endure smaller setbacks, the film, 8 years after being filmed, is all set to release in theaters on 14th of August, this year. A dream which started with my father, soon became ours and is now on its way to become a reality.

‘Ek Nadir Galpo – Tale of a River’
A film by – Samir Chanda

Trailer

https://www.youtube.com/watch?v=0XV5JpMwhSE

Crew

Produced by Leela Chanda & Kaustuv Ray

Screenplay, Dialogues & Direction : Samir Chanda

Executive Producer : Chintu Mohapatra & Sanjay Pathak

Lyrics & Music : Nachiketa

DOP : Rajen Kothari

Editor : Sanjib Dutta

Trailer/Making : Subrata Dey, Debashis Mondal

Kaaka Muttai – it’s a small film that’s winning hearts and making headlines. Thanks to the makers and distributors of the film, it has released with subtitles in Mumbai. Here’s a recco post of the same by @Navjot Gulati.

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My favourite pizza topping is onion, capsicum, mushroom with extra cheese. For those people who are familiar with Delhi’s famous Nirula’s pizza, they would remember it as OCP. The pizza from Nirula’s remains my favourite but that’s only if it’s outside the home. The best pizza that i have ever eaten is the one which my mom used to make when we were kids. Me and my brother used to save up money for it by selling raddi (scrap). I’m talking about the days when making a pizza in the house was nothing less than an event, unlike today when its available everywhere, and at a cheap price. It was like you are eating something very important today. Back in the nineties, much before the Domino’s and Pizza Huts came to the country, Pizza was a luxury for every middle class household.  The movie Kakka Muttai made me time travel to that era.

It’s the story of two brothers who make money by selling coal that drops from the trains which passes through their slum area, and with that money they support their family. The kids like to call themselves Big crow egg and Small crow egg. The film centers around the story of these two kids struggling and trying all means to buy a pizza. The fact that two kids are struggling to buy a pizza worth Rs 300 even in 2015, tells us that not much has changed. Acche Din maybe here but only for the privileged ones like us who are reading this on a fast internet connection in the comfort of our air-conditioned homes. There is an India outside our internet which we seem to have forgotten. And films like these connect you humanely with lives and emotions that we don’t even realise. A strange guilt, a bit of happiness and a dip of nostalgia.

The movie pretty much sums up the state of this country through the eyes of these two slum kids – wanting to eat pizza from a new fancy shop which has come up in place of their playground where they used to drink yolk from the crow’s egg. It makes you wonder what our kids deserve more – playground or pizza shops? Long live consumerism.

And the kids are considerate enough to leave one for the crow. Yeah. Check. As i look back, it feels i was also considerate as a kid. Maybe all kids are. Adulthood spoilt me. Now i’m even mean sometimes. But aren’t we all then. And i hate that. Anyway, coming back to the movie. Though it starts with the struggle of these two trying to get and eat a pizz but then it becomes much more. It becomes about our society and how each person here is trying to use the situation to their advantage – be it the politician, the middleman, or the women from the slums protesting against what happened to the kids. These situations might read cliched on paper but the way director M. Manikandan has handled the scenes and his actors, it make you overlook that. The best thing about the film is that it never goes overboard trying to exploit your emotions. Lets face it. Two-poverty-stricken-kids-wants-a-pizza has a lot of scope for that as we have seen in many movies in the past.

I generally used to associate Tamil cinema with loud scape and over dramatic tones, but with Kaaka Muttai my perspective has got a paradigm shift. Next time someone recommends me a Tamil film, i won’t make a face but instead make the effort to give it a fair chance. A special mention to my friend Niren Bhatt (co-writer of the Gujrati smash hit BeYaar and the upcoming All is Well)  who insisted that i watch this movie at any cost. This post is nothing but me insisting all of you to give Kaaka Muttai a chance before it goes out of the cinemas.

Please go see this film. And this film recco comes from someone who is not a great fan of manipulative poverty porn. This one is not. It is much more. It is in-fact the Salaam Bombay of this generation. Don’t miss this gem. Go see it.

Navjot Gulati

(ps – If you watched and liked the movie, then do tell me which is your favourite scene. Mine is the one in which our Kaaka Muttais meet two rich kids outside City Centre)

Labour of Love Poster #2-0

Aditya Vikram Sengupta’s debut feature “Labour Of Love” (Asha Jaoar Majhe) has been doing the fest rounds for quite some time. It premiered at Venice Days, an independent section at the Venice Film Festival which is promoted by the Italian Association of Filmmakers and authors. And recently, it picked up 2 National Awards too – Indira Gandhi Award for Best Film by a Debut Director and for Best Sound Designer.

The film is getting a limited release via PVR Directors Rare. It will release in Kolkata, Mumbai, Delhi and Bangalore on 26th June, 2015. The film is without any dialogues. Aditya Vikram not only directed the film but he also wrote, shot and edited it. Woah!

It features Ritwick Chakraborty and Basabdutta Chatterjee in lead roles.

Watch its trailer.

And here is the official synopsis :

Set in the crumbling environs of Calcutta, Labour Of Love is a lyrical unfolding of two ordinary lives suspended in the duress of a spiraling recession. They are married to a cycle of work and domestic routine, and long stretches of waiting in the silence of an empty house. They share each others solitude in pursuit of a distant dream that visits them briefly every morning.

Click here to read an interview of the director on the film’s making.

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If you follow this blog regularly, you know how much we love Avinash Arun’s Killa. And the good news is the film is finally ready for theatrical release. A new trailer of the film has just hit the internet. Have a look. And thanks to the smart producers of the film, it has English subtitles too.

https://www.youtube.com/watch?v=5ORlbsJLJuQ&feature=youtu.be

Beautiful. And so lush, feast for eyes. This is almost a short in itself.

The film releases on 26th June. It’s easily one of the best films of the year.

Don’t miss it.

To know more about the film and its director, click here.

Film’s FB page is here.

Exactly two years ago, the crew of Coffee Bloom was doing their last minute prep in Coorg, to prepare for the shoot. Within me the moths in my stomach were ready to be butterflies soon, as it will probably the first time in my life I will be calling the words “Action” in front of a professional crew. Looking back, with a perspective of an outsider, I am really a nobody who had got this opportunity to make a feature film, thanks to Harish Amin and Sharath Parvathavani. It feels too good to be true that an outsider without any experience of making films or assisting anyone, besides few DIY short films, managed to be on that shoot calling action. Thanks to an incredible team who gave me a fair chance and believed in the script we wrote. Over the next two years with many passionate creative arguments and reworks, Coffee Bloom gradually assembled itself part by part, thanks to a producer, who unconditionally continued pumping money into it believing in the film. We all knew as a team, it wasn’t perfect, there were issues we were all aware, but with whatever resources we had given it all and the film that was ready to go out. We had done our best with whatever we could do.

The MAMI screening gave us a lot of encouragement, but the beast called Distribution was sleeping on our path. When things had hit a lull, Shiladitya Bora, one day sends me an SMS saying, he wants to see the film. The next thing I know within weeks we were getting a release, Shiladitya along with Harish Amin, was on ground tackling the beast and clearing the path for us to move. Is it for real? I am probably living a dream, and the dream had goodies, it included US and Canada release. Very soon, the PR and marketing activity started, giving back to back interviews, cluelessly posing in front of flashbulbs to screwing up the first media interaction fumbling for words. Seeing your own name on the hoardings, makes up for the all the silly little struggles, that every film maker complains of. All this while, I kept pinching myself, it’s a dream ok no maybe it’s real, regardless enjoy the ride dude. The committed cast (Arjun, Sugandha, Mohan and Ishwari) and crew members, pull all stops to make a premiere happen and before you know, it is the morning of March 6th. So far the flight was fine, but rough weather and turbulence is part of every journey.

The reviews started pouring in, for your first film to be called Awfully pretentious, self indulgent, “Shouldn’t have been funded”, to some glowing reviews from the best critics who saw merit in the film calling it “well acted drama”, poetry in motion, “complex relationship film that couldn’t have been smoother”,” with an arresting soul” and comparison to Ray etc. it was emotionally overwhelming from where I come from. They say you have to be thick skinned, I admit my skin needs to get thicker, cause this emotional roller coaster has changed a part of me forever. I sincerely hope it never affects my writing or film making. Many comments and feedback were genuine, many people called personally to tell me, a part of them had connected with the film and they were not able to shake off the experience. Every time I see any merit in the criticisms, be it good or bad, a part of me wishes I want to relive these two years of my life and rework things. I always regretted I couldn’t go to film school, I still do have plan to go in future, but Coffee Bloom has been the best film school, I have experiences and lessons for life. To all my family, friends and fraternity, it happened because all of you gave the film a fair chance and I am again and again forced to repeat the most cliche words sincerely, cause there is no better way to say it “Thank you from the bottom of my heart” for helping me get the buzz out there to taking the effort to making it to theaters and personally sending your feedback and love.

Every morning is a high, to know the film you worked on is playing in theaters. As Oscar Wilde puts it, “Life is never fair and perhaps it is a good thing for most of us that it is not”, the dream may soon end, by Thursday,economics will decide the fate of the film. It may or may not cross the Thursday bridge, the number of shows might go down, life is unfair, it’s probably a secret message from the universe, “do better dude”, internalise the lessons of Coffee Bloom, the weapons for the next battle is already being polished with this message. To those who haven’t caught the film, I am hoping you will give me the privilege of your time and a part of you over the next three days cause the ride will soon end. Thanks in advance smile emoticon

Humbled, Sincere Love and Thanks to all who were closely and remotely part of this journey (Yes, this moment I am living “now” is bigger than any award in this world.)

Manu Warrier

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Coffee Bloom

After having its premiere at the last edition of Mumbai Film Festival, Manu Warrier’s indie feature Coffee Bloom is all set to hit the screens on 6th March, 2015.

Directed by Manu and produced by Harish Amin,  the film will now be receiving a major international release as it releases simultaneously in India, USA and Toronto.

Here’s the official synopsis of the film –

Coffee Bloom’ is the story of Dev Anand (Arjun Mathur), who is a self proclaimed wise man and has given up on life as a result of a love gone wrong. A life changing event takes him on a journey to a coffee plantation. There he meets Anika (Sugandha Ram), his long lost love, currently his boss. Love blooms in an idyllic setting, bringing Dev out of his self imposed funk and Dev finds a new reason to live. Coffee Bloom also stars veteran actor Mohan Kapoor and Bengali actress Ishwari Bose in supporting roles.

Starring Arjun Mathur, Sugandha Ram, Mohan Kapoor and Ishwari Bose, Coffee Bloom is all set to hit theatres in India (Delhi, Mumbai, Kolkata, Chennai, Bangalore, Ahmedabad, Pune, Jaipur), US(San Francisco, LA, Seattle, New Jersey, Chicago) and Canada(Toronto).

And here’s the trailer –