Archive for the ‘Indie’ Category

First came the posters and the stills. And now, the trailer is out. As the Cannes festival is all set to kick off, this seems to be the apt time to drop the trailer of Anurag Kashyap’s Raman Raghav 2.0. The film will have its world premiere at the fest in Directors’ Fortnight section.

Do check it out.

And if you are twitter, do participate in your poll.

13177326_884735191649046_4481842317797411431_nThe film stars Nawazuddin Siddiqui, Vicky Kaushal and Sobhita Dhulipala in the lead. The film will release on 24th June, 2016.

And here’s the official synopsis – Set in present day Mumbai the story follows the life of a serial killer Ramanna who is inspired by an infamous serial killer from the 1960s Raman Raghav.
His strange obsession with Raghavan, a young Cop keeps growing as he closely follows him without his knowledge and often creates situations where both of them come face to face.

 

After doing the festival rounds and bagging a bunch of awards, Raam Reddy’s Thithi has released in the country. Though it’s a limited release in Bengaluru, Mysore, Hubli, Mandya as of now. Check the enclosed pic for show timings.

The film has released with English subtitles. If it gets a good response in limited release, hopefully we will be able to see the film in other cities too.

Recently, the film bagged the National Award for Best Film in Kannada. Last year, it also won two Golden Leopards at the Locarno Film Festival.

According to official release, Thithi is a realistic, light-hearted Kannada-language film about how three generations of sons react to the death of their patriarch, Century Gowda: a locally renowned, highly cranky 101-year-old man.

If you haven’t seen its trailer yet, click here.

Don’t miss this one.

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Honoured and so happy to receive the National Film Award yesterday. Here’s the picture for you to like!

GS

This is the image that filmmaker Gurvinder Singh posted on his FB with a status update. A post with such black humour, we couldn’t resist the urge to share it with our readers.

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Gurvinder’s film Chauthi Koot was awarded the National Award for Best Punjabi Film, and the citation reads as follows –  ‘Effectively captures the sense of fear psychosis and tension during the times of insurgency in Punjab’. The Rajat Kamal Award includes cash prize of Rs 1,00,000/- each to the Producer and Director. He refused the award as a mark of protest for the choices the jury made, especially for Baahubali winning the Best Film Award. We had written about it earlier. Though he made it clear that his producer friend will accept the Producer’s award.

Recently, he shared another anecdote on his FB questioning the choice of National Film Awards jury.

Accosted by a young man dressed smartly in a black suit at the Kayseri bus station helping us book a bus to Ortahisar in Cappadocia, the land of magical landscapes and cave homes where Nuri Bilge Ceylan shot “The Winter Sleep”, we drink Turkish tea to kill time as he tries to communicate with us jovially in his bare knowledge of English, sometimes with the help of ‘Google Translate’ on his mobile. Once he knows we are from India, the topic veers towards Indian movies. He tells us that Indian movies are very popular in Turkey and they like the songs and dances. This after a woman in a shop in Istanbul had said she loves Paro, but cannot remember her name as its too difficult to pronounce. Aishwarya Rai, we told her. Yes yes, she nodded enthusiastically. And after a man in the same market had proudly proclaimed to us that he is Shah Rukh Khan’s father!

Now the young man at the Kayseri bus station asks us if we have seen ‘Baahubali’? My jaw drops. Sunayana laughs. We ask him whether he likes the movie? Then he goes on to type something on his mobile in Turkish on Google Translate. It gets translated into English as ‘nonsense’! We all laugh and I heave a sigh of relief. To reiterate, he says its crazy and stupid.

This ‘nonsense’ will be awarded the Best Indian Film of 2015 at the National Film Awards tomorrow. Hats off to the esteemed jury for this remarkable selection.

An alumni of FTII, Gurvinder is one of the most promising and fearless young filmmaking talent in the current generation. Chauthi Koot (The Fourth Direction) premiered at Cannes Film Festival in 2015. His debut feature film, Anhe Ghorey De Daan, was selected to premiere at Venice International Film Festival. And it bagged 3 National Film Awards – For Direction, Cinematography, and for Best Punjabi Film.

And as long as Singh’s fearless sense of (black) humour is intact, we will always be cheering for him.

Hardik Mehta’s documentary, Amdavad Ma Famous (Famous In Ahmedabad), bagged the National Award For Best Non-Feature film (Swarna Kamal) this year. Its next stop is the prestigious Hot Docs aka Canadian International Documentary Festival. The fest has put up the first trailer of the film.

Do check it out

AMFAnd here’s the official synopsis from the fest site –

Zaid is a playful kid with a love of kites that quickly spirals into an addiction. He starts skipping school, risking life and limb in traffic and trespassing on rooftops, all in pursuit of high-flying fun. Is he just being a kid—or is he becoming a criminal? A sublime social commentary on adult hypocrisy and childhood curiosity.

Crew

Director : Hardik Mehta
Producer : Arya Menon, Akanksha Tewari
Editor : Hardik Mehta
Cinematographer : Piyush Puty
Composer : Alokananda Dasgupta
Sound: Manoj Goswami
Website: https://www.facebook.com/amdavadmafamous/

 

The first look of Anu Menon’s new film, Waiting, is out. Do check out the trailer.

WaitingThe film stars Naseeruddin Shah and Kalki Koechlin in the lead, and it also has Rajat Kapoor, Sushasini Maniratnam, and Arjun Mathur.

Going by official release – WAITING is a film about the special relationship between Shiv (Naseeruddin Shah) and Tara (Kalki Koechlin), who befriend each other unexpectedly in a hospital while nursing their individual spouses in coma. It is a film about grief, yes, but it is also about confronting it with optimism and learning to live with courage, love with faith and laugh with hope.

Minor grouse – the way the song is laid out in the background of the trailer, with dialogues coming on top of words (of the song), its difficult to hear either. Wish it was just music, and not words, when there are dialogues on top. One really has to strain hard to get everything

Cast & Crew

Ishka Films & Drishyam Films PRESENT

WAITING

DIRECTED BY Anu Menon

CAST: Naseeruddin Shah, Kalki Koechlin, Rajat Kapoor, Sushasini Maniratnam, Arjun Mathur

PRODUCED BY: Priti Gupta, Manish Mundra

SCREENPLAY: Anu Menon, James Ruzicka

DIALOGUE: Atika Chohan

DIRECTOR OF PHOTOGRAPHY: Neha Parti Matiyani

EDITING: Nitin Baid, Apurva Asrani

MUSIC: Mikey McCleary

SOUND: Roland Heap, Udit Duseja, Mandar Kamalapurkar

CASTING: Shubham Gaur, Gautam Pisharody

PRODUCTION DESIGNER: Prajakta Ghag

CHOREOGRAPHY: Shampa Gopikrishna

VFX: Bibek Basu

EXECUTIVE PRODUCER: Nancy Nisa Beso

ASSOCIATE PRODUCERS: Poonam Punjabi, Shiladitya Bora

(click on the image to enlarge and start slide show)

Cannes Film Festiva’s Classics section has unveiled its line-up for this year’s edition. Indian filmmakers Shirley Abraham and Amit Madheshiya’s doucmentary ‘The Cinema Travelers’ will be screened in the section.

Here’s the description according to official synopsis – The portrait of a traveling movie theater in India, which continues to bear the magic of the images to a stunned audience, is faced with technological, numerous and complex changes. A projector repairman narrates film changes with poetry, philosophy and pragmatism.

The film is 1hr36 min long. To know more about the film, click here.

The Classics section will also screen eight other documentaries about cinema. For complete line-up of Classics section, click here.

GudhThe year’s fest has another Indian film – Saurav Rai’s short film Gudh (Nest) in Cinefoundation selection. Rai is a graduate of Satyajit Ray Film & Television Institute, Kolkata, and this 28-min short is his diploma film.

To know more about Rai and his short, click here.

To mark its 19th year, the Cinéfondation Selection has chosen 18 films (14 works of fiction and 4 animations), from among the 2,300 works submitted this year by film schools from all over the world. Fifteen countries from three continents are represented. Seven of the films selected come from schools taking part for the first time, and it is also the first time that a film school from Venezuela has reached the selection stage. More than half of this edition’s movies are directed by women, with 10 out of the 18 films selected. The complete list of selection is here.

The three Cinéfondation prizes will be awarded at a ceremony preceding the screening of the prize-winning films on Friday 20th May in the Buñuel Theatre.

After doing the fest rounds, Raam Reddy’s debut feature Thithi is all set to release in India on 6th May, 2016. And its trailer is out today.

Recently, the film bagged the National Award for Best Film in Kannada. Last year, it also won two Golden Leopards at the  Locarno Film Festival.

According to official release, Thithi is a realistic, light-hearted Kannada-language film about how three generations of sons react to the death of their patriarch, Century Gowda: a locally renowned, highly cranky 101-year-old man.

Cast & Crew

Director: Raam Reddy
Writers: Eregowda, Raam Reddy
Producers: Pratap Reddy, Sunmin Park
Director of Photography: Doron Tempert
Editors: John Zimmerman, Raam Reddy
Sound Design: Nithin Lukose
Lead Cast: Thammegowda S., Channegowda, Abhishek H.N., Pooja S.M.
Production Companies: Prspctvs Productions (India), Maxmedia (USA)

After doing the fests round, Nagesh Kuknoor’s new film Dhanak finally has a release date. The film is scheduled to release on 10th June, 2016. The film picked up the Grand Prix award at the Berlin Film Festival in Generation K Plus section.

Here’s a new trailer of the film

SYNOPSIS:

Pari has promised her little blind brother Chotu that she’ll help get his eyesight back before he turns 10. When she spots her favorite star Shah Rukh Khan on the poster for an eye-donation drive, she is convinced her hero will help her on her mission.

And so Pari sets out with Chotu on a magical journey through Rajasthan where they encounter a bunch of colourful characters.

CAST:

Hetal Gada, Krrish Chhabria, Rajiv Lakshman, Vipin Sharma, Fllora Saini, Ninad Kamat, Suresh Menon, Vibha Chhibber, Vijay Maurya, Chet Dixon

CREW

Written and Directed by Nagesh Kukunoor
Produced By Manish Mundra, Nagesh Kukunoor and Elahé Hiptoola

Director of Photography: Chirantan Das
Editor: Sanjib Datta
Sound Design: Vipin Bhati, Boby John
Lyrics: Mir Ali Husain, Manoj Yadav
Music and Background Score: Tapas Relia
Art Director: Haris Umar Khan
Costume Designer: Aparna Shah
Production Designer: Devika Bahudhanam
Executive Producers: Jhelum Ratna, Shiladitya Bora

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The 63rd National Film Awards were announced recently, and then we read all the reports in various newspapers and sites. Strangely, they all sounded the same without any homework, or didn’t even give any extra information other than what the official press release says. So we were forced to step in, do some homework, and BOOM!

Since we strongly believe that any award always say more about the jury and less about the film, we had to figure out this jury panel which went with Baahubali as the Best Film. A decision which was criticised strongly by many. In an era when most prestigious film awards brag about their strong jury, two desi jury panels are still kept as a secret – National Film Awards and the jury which selects India’s entry to Oscar Foreign Language Film. Strange. Why? We are scared of being answerable for making bad choices?

We met one of the jury member from the South panel, and he spilled out all the beans.  So here’s more on this year’s jury and the selection process. All the inside dope. #JanhitMeJaari

– At first stage, 5 regional panels were formed with 5 jury members in each panel. Every panel represented one region – like one for North, West, East each, and 2 for South as it has too many languages in which films are made. If North panel was responsible for shortlisting films/talent from Hindi, Punjabi, Haryanvi films, West panel was responsible for Marathi/Gujrati/Konkani language films, and East panel was responsible for Bengali/Oriya/Mizo/Manipuri and others.

– These 5 panels watched all the films which were submitted and shortlisted names in each category. These names were then sent to the Central panel.

– After the first phase of shortlisting was done, 1 member from each panel moved to the Central Panel. So that’s 5 members in Central Panel. 6 more members including the Jury Chairman Ramesh Sippy  joined the panel making it a panel of 11-member jury.

– So who were these 11 members who took the final call?

  1. Ramesh Sippy
  2. Satish Kaushik
  3. Munin Barua (from Assam)
  4. K Vasu (Andhra Pradesh)
  5. S R Leela (Karnataka)
  6. Shyamaprasad (Kerala)

– The 5 members who came from 5 regional panels are as follows

      7. Dharam Gulati (South panel)

      8. Gyan Sahay (East panel)

      9. Sanjib Datta (North panel)

     10. Gangai Amaran (West panel)

      11. John Mathew Matthan (South panel)

– When we asked how come Hindi/bollywood films bagged a whopping 22 out of 32 awards in main categories? The jury member said that it’s the case of old joke of Railway Ministry. Earlier they used to joke that from whichever state the Minister comes from, all the new trains start going towards the same state. It seems to be the same case this time. Look at the 11-member panel. More than half are from bollywood, and 2 senior strong members were there who dictated almost every choice. Rest were just yes-men. And that’s why some weird process was followed in the Central panel.

– The jury member told us that he was informed about the strict rules and regulations which clearly state that if you have any close relatives in the running, you shouldn’t be part of the jury. Now, Gangai Amaran is Ilaiyraaja’s real brother. And Ilaiyraaja won the award for the Best Background music in Tharai Thappattai. Hmmm. Either our jury member was misinformed or such rules don’t exist. Enlighten us please.

– In one of the acting category, the final choice that was made was not even recommended by any of the panel. The choices that were given was discarded by the Jury Chairman and he proposed a new name, and strongly struck to it. The chairman discarded one of the proposed names (who is easily one of country’s best actor) saying he is not in lead role in the film. When one of the members pointed out that by the same logic, the name that he is proposing is also not in lead role, the argument was dismissed blatantly.

-Similarly, in another acting category, the Chairman proposed a new name out of the blue and decided that she should win when her name was not recommended by any panel.

– The voting happened in only 2 categories.

– A film which got unanimous rave reviews (nationally and internationally) when it released, had got strong recommendation in 4 categories (debut, screenplay, best supporting and special jury). But none of them were considered. There was an unwritten rule that nothing will go to this film as one of the producers of the film had made headlines when he returned his previous National Award.

– Another film which had a great production design (for its period setting) and was close contender for best production design as it was strongly recommended by the first panel,  it was also dismissed because of same reason – the director was part of #awardwapsi gang.

– The Central panel went with the recommendation of regional panels for best film in various languages except for Hindi and English language.

– For Best Hindi language film, two two names that were proposed by first panel were discarded as one of the Jury member proposed a new name and strongly stood for it. The joke in the Central panel was the theme of the film must have resonated with the jury member as he has similar features like one of the film’s lead.

– An actress was in running for Special Jury Award for an unreleased film. But since she had voiced her opinion strongly about a recent news event, and had even written about it, her name was quickly dropped.

– A major talent who is not really pro government, has bagged an award this year. The jury member said there was no chance that he was going to win. Luckily, there was hardly any good submission in the category. And his work was exemplary in that category. So they had no choice but to award him. Last time when his film bagged few awards, his name was put in the “to be watched” list.

For complete list of National Film Awards, click here.

– Team mFC

UPDATE – As pointed out by @atlasdanced, it seems  Gangai Amaran has clarified that he abstained from voting when Ilayraja’s work was discussed. One more report here. Anyone has more clarity on the rule and the process?

It’s been a good year for Hindi films so far. Good films making good money and getting critical acclaim too. Just what should happen in an ideal world. And it seems like Ashwiny Iyer Tiwari’s debut feature Nil Battey Sannata will carry the baton forward.

Do check out its recently released trailer.

12799155_10153278624992676_2398086390787374748_nThe film stars Swara Bhaskar, Ratna Pathak, Pankaj Tripathi & Ria. It’s produced by Aanand L. Rai, Ajay G. Rai, Alan McAlex, Sanjay Shetty & Nitesh Tiwari. Eros is presenting the film.

In an industry where most actress shy away from any mature roles, and even the actresses from previous generation doesn’t want to play any mother/sister role, it’s quite brave of Swara to take up the challenge. Some of us have seen the film. An assured debut by Ashwiny, it’s a heartwarming film backed by good writing and sincere performances.

Nil Battey Sannata releases on 22nd April, 2016.