Archive for the ‘VOTD’ Category

First came the desi version of Coke Studio, then MTV Unplugged and now The Dewarists. In a country where bollywood music has almost killed every other kind of sound in the mainstream space, it’s a refreshing change to see so much good television involving non-bollywood music.

Have been reading all kinds of reactions to all the three shows. Any kind of criticism is good as long as you are honest. But the point is, on indian television, for such a long time we had almost nothing to watch. Now when people are trying to create something, explore that tiny space for us, and that’s not really bad tv, let’s be little more encouraging, appreciate the efforts, and then bring out the knives. If it was completely worthless, then it’s fine to kill it. But let’s watch it and spread the good word first.

Here’s the third episode of The Dewarists, where Indian Ocean meets Mohit Chauhan to create Maya. Had no clue that Indian Ocean has a new address now. I used to like that old place – messy, old-world charm, the wooden chair and Beware Dogs. This is Indian Ocean’s first composition with the new team. Click the play button, hear their story, and let the music play.

(PS – While watching this episode, I was thinking it would be great if then can feature Agnee here. The band deserves more space, more visibility and more audience. And then i saw next week’s teaser. Those of you who are behind the show, time to pat your back. Great job with the show. And give us more)

VOTD : Rabbi’s Ganga on MTV Unplugged

Posted: October 2, 2011 by moifightclub in music, VOTD
Tags: , ,

MTv finally redeemed itself with MTv Unplugged. Though the desi Coke Studio was a nice initiative, they messed it up badly by mixing too much Bollywood and all that jazz with camera angles and edit. This time it was just music. No razzmatazz. And the best part – the season opened with Rabbi Shergill.

If you missed the show, you can watch it on Youtube, and in gorgeous HD. Here’s Ganga – the song from Rabbi’s new album which should release by the year end. Reason enough to buy his next. Play!

(PS – Don’t forget to tune in next Saturday – 8pm and 10:30pm. They have Mohit Chauhan. Indian Ocean, Rekha Bhardwaj and Susheela Raman also coming soon.)

What’s the point of being a filmmaker if you don’t have fanboys, right?

So here’s a fanboy video made by the “usual suspects” which is inspired by Anurag Kashyap’s latest film That Girl In Yellow Boots. It’s easy to guess who the suspects  (read carefully) are but since it came from an anonymous mail id, we will let them be.

Click on the play button and check it out.

TehelkaTv is doing an interesting video series – Cinema and Me. We are embedding two video interviews here, Kundan Shah and Tigmanshu Dhulia talking about the Cinema that they grew up with and what it means to them now.

Tip – Manish Rathore

Every time a Shammi Kapoor song plays on tv, I stop everything and stare at the screen with eyes wide open. Grinning from ear to ear, my face looks like McDonald’s Ronin. And his songs needs to be seen because there is so much fun and energy in the way he danced. Nobody entertained like him.

Now obits have been written, wikipedia page has been edited and his songs have been played non-stop though the day. Putting three songs/videos in this post which you might not have seen/heard.

First one is a special tribute to Shammi Kapoor by one of the greatest actors of our time, Naseeruddin Shah. This song is from his film Sitam in which he played a Shammi fanatic. And I have been told that he is Shammi fan in real life too. Play on.

And here’s another tribute to him…this song’s lyrics is all about Shammi Kapoor’s film titles.

And the last one. After Shammi Kapoor married Geeta Bali, he was doing a film with Kidar Sharma, Rangeen Raaten. And Geeta Bali wanted to be with him. She requested Kidar to have her as the heroine but Mala Sinha was already signed on for the film. Since Geeta had no female role, she played the role of a man, not in disguise but a male character in the film Rangeen Raaten.

All info and videos via Pavan Jha.

The madness was always there. Click on the play button to watch Bonga – the FTII Diploma film of Kundan Shah. It’s no surprise that he went on to make the cult film Jaane Bhi Do Yaaron.

Shlok Sharma’s short film Tubelight Ka Chand has been doing the festival rounds since sometime and winning accolades too. The film is finally online. Do check it out.

It seems there is some problem with the upload quality though because the colours look much better if you see it on screen. A delightful film about a kid called Tubelight and his weird dream.

Also, i loved the credit roll done by Vijesh Rajan. Is there anything done by Vijesh that i don’t like? Sooper talented guy!

Do watch and post your comments.

Experimental, obscure, tangential, inaccessible and over indulgent. These are just some of the adjectives commonly used to define the cinema of Mani Kaul. If you ever tried watching (or watched) any of Kaul’s film, you will understand what these adjectives mean. And if you haven’t, then you must give it a try. Because if artists don’t indulge, experiment and  go off tangent, then who will? The result might be inaccessible for the majority but when has the majority ever voted for anything that’s cult.

And the bigger problem is to find the resources to figure out what Kaul tried to say through his cinema. Thanks to our lack of interest in any kind of artistic documentation, we have access to best of cinema from across the world, but we don’t know where to look for the desi ones. So, in this post we are putting all the links related to Mani Kaul. If you have any, do comment or let us know.

Kaul’s essay – Beneath the surface: Cinematography and Time

The Films of Mani Kaul by Just Another Film Buff. Quite elaborate post that covers Uski Roti, Duvidha, Satah Se Uthata Aadmi, Dhrupad, Siddheshwari, Nazar, Naukar Ki Kameez and Een Aaps Regenjas (A Monkey’s Raincoat).

Filmmaker Sudipto Chattopadhyay’s tribute –  The Magic Of Mani Kaul.

Kaul’s documentary Dhrupad in seven parts.

His short film The Cloud Door.

MUBI’s page on Mani Kaul and his films.

Mani Kaul’s interview in Tehelka and another interview.

Short film Arrival – Part 1 and Part 2.

Profile of Mani Kaul and his movies on Upperstall.

Excerpts from Satah Se Uthta Aadmi which was screened in Cannes’ Un Certain Regard section – click here, here and here.

Understanding Mani Kaul and his films by Devdutt Trivedi on DearCinema.com

Shubhra Gupta’s column His Visuals Talked.

Girish Shahane on Kaul and his cinema on his blog  Shoot First, Mumble Later

Ode To A Guru by Bina Paul, Artistic Director of the IFFK.

An Interview with Mani Kaul by Tushar.

To Mani With Love by Neville Tulli.

RIP.

If you are not familiar with Umesh Kulkarni’s cinema (features and shorts), you surely are missing something. And you also don’t have the right to crib about the state of the Indian cinema.

Starting with his FTII diploma film Girni (which bagged three National Awards), Umesh has been constantly making shorts between his features. Here’s Three Of Us, the film which bagged two National Awards ( in Non-fiction category) last year – one for direction and another for cinematography.

On July 3, 2003, Deepanker Gohain, the 23-year old student of the College of Visual Arts, Baroda (India), committed suicide, which shocked the campus.

What saddened the students was the way the college authorities handled the matter, shielding the facts from the media.

Deepanker’s batch-mate Amitabh Pandey witnessed the suicide, capturing all of it on his Handycam. Pandey came from a well-connected political family. When college sided with him on this incident, the other half of the story got buried in police records.

Watch it.