Posts Tagged ‘Dedh Ishqiya’

As we have done in the past, this year too we are trying to source the scripts of some of the best films of the year. As most of you know, the scripts of Hollywood films are easily available online, even the unreleased ones. But we don’t have any such database of Hindi or Indian films. So that has been the primary reason for this initiative. And it has been possible only because some of the screenwriters and filmmakers have been very supportive about it. It’s only for educational purpose and much like the spirit of the blog, is a complete non-profitable exercise.

To make an impressive debut is a difficult task. To follow it up with a sequel, and to deliver better than the first, that’s almost impossible. And Abhishek Chaubey managed to score on both counts. While Ishqiya was all rustic cool, Dedh Ishqiya was rich in tone, mood, texture and poetry, that also had Begum Akhtar, Ghalib, Bashir Badr and a delicious homage to Ismat Chugtai. All these in a bollywood film loaded with dialogues in pristine Urdu? what a beauty, what a rarity!

So thanks to Vishal Bhardwaj and Abhishek Chaubey, we are sharing the first draft and the shooting draft of Dedh Ishqiya.

Do click on the “Scripts” tab on the top right corner of the blog page to access all the other scripts (Queen, Ankhon Dekhi, The Lunchbox, Shahid, Kai Po Che, D Day, Lootera, Kahaani, Ek Main Aur Ek Tu, Agent Vinod, Dev D etc) that we have posted here so far.

Film : Dedh Ishqiya

Director : Abhishek Chaubey

Story : Darab Farooqui

Screenplay : Vishal Bhardwaj & Abhishek Chaubey

Dialogue : Vishal Bhardwaj

(PS – As a writing exercise, do check out the notes about the climax in the first draft before they managed to resolve it)

(For more from our “Rewind 2014” series : Musical Gems We Discovered This Year is here, Kaali Zubaan’s bollywood wrap is here, 18 Film Fanatics on 18 Films That Stayed With Them is here, Songs We Played In Loop is here. In Best of 2014 – Script of Queen is here, Script of Ankhon Dekhi is here)

Continuing with our Year-End series, Rewind 2014, in this post our music blogger Rohwit picks up the best sounds of the year – the songs that he loved and we played in loop. In no particular order, this post includes both films and non-films music/talent/songs/album.

(More from our Rewind 2014 series : Musical Gems We Discovered This Year is here, Kaali Zubaan’s bollywood wrap is here, 18 Film Fanatics on 18 Films That Stayed With Them is here, Best of 2014 – Script of Queen is here, Script of Ankhon Dekhi is here)

  1. Jagave saari raina (Dedh Ishqiya) – Much has been written about this underwhelming album from Gulzar-Vishal collaboration. However, Hamri ataria and Jagave saari raina were beautiful exceptions. No, the antraa of ‘Na bolu main to’ weren’t as good as the mukhda, so I won’t include that song here. Even before the videos were released, we knew this would be the song that would capitalize on Mrs. Nene’s grace and her dancing prowess. To hear Pt. Birju Maharaj just sweetened everything that much more. Did I miss mentioning about how charming was Rekha Bhardwaj in the song? Well, you knew that already didn’t you?

  1. Fandry bird theme (Fandry) – No words should endeavor to convey what this cute little piece did to us. Give it a try here. In fact the love theme here is equally good. The use of Oudh and Cello lent a solid, raw feel to the sound and two thumbs up for that! Aloknanda Dasgupta ji, take a bow!

  1. Indian Ocean – If you have been living under a rock, then perhaps you might not have noticed the release of ‘Tandanu’ by Indian Ocean which will go down as one of the best albums by the group ever! From what could be easily termed as one of the most important films of the year, Katiyabaaz, we got the track ‘Kanpoora’, a must hear if you haven’t heard it already! (and what a delightful video!)

  1. Sooha saha (Highway) – Bollywood is running from darkness towards even more darkness when it comes to giving us songs which mothers can sing to their little ones. ARRahman took cognizance of this problem and gave us this tender piece from Highway. While Alia was rightfully showered a lot of credit for this song, we mustn’t forget AR Rahman’s ‘mixing and tuning’ and a solid Zeb who made this song what it is. Heera from this album comes a close second because it’s a  delicacy of sorts when Kabir and Rahman are credited in the same song. Here is Sooha Saha…much of the song’s impact was experienced thanks to a superlative Randeep Hooda. The World would be unfair if it doesn’t acknowledge Randeep this year for Highway.

  1. Suno na sang e marmar (Youngistaan) – Now that the well deserved nomination to Oscar has been sent, it would be criminal not to mention the blockbuster Youngistaan to the list. When Jackkkkie decided to diss Mayawati’s hardwork involving sang-e-mar-mar with a song, it gave us this hummable track. Frankly, I thought it took a lot of guts to film the song right where a lot of public money was wasted on sang-e-mar-mar (wink wink). The song was perhaps too good for the film and when Jeet Ganguly and Arijit recreated the magic for the Hindi version, they added some grandeur to the sound. Here is the Bengali version and here is the Hindi version. My favorite is the Bengali version of course!

  1. Title song (Revolver Rani) – the film might have fallen flat on its face but the title track of the film was a riot thanks to the word ‘bhasad’ and Usha Uthup! Do give it a try. Had the film done well, it would have played in a the loop on ‘popular’ charts, just the way they played vomit inducing Kicks and what not! And trust me, it is much more fun than all the garbage music of  100 crore commodities. Watch this video.

  1. Sketches of Darjeeling (Bipul Chettri) – I came across this album when it was released in the month of July, 2014 but didn’t hear it because I was quite occupied with my day job. Then one of the many ‘anonymous’ people who share music with me sent me one track from this album, and I punched myself for about 40 minutes continuously for having sat on the album for so long! Do hear my favorite track from the album titled – Ode to my father here, and then buy the album. The track is free flowing and you will hear the free flowing water as well. Is the track in Hindi? No. Does it matter? No!! So do pick it up!

  1. Ding dong (Finding Fanny) – I  couldn’t make sense of fusing this Goa film with a Punjabi title song and a messy song at that, still this one oozed out a lot of love, and we love it for that! Cliched as it might sound to some of us, but the song painted a picture of an adorable Uncle ‘Pedro’, who is liked by everyone,  singing this song near a beach, on just another day in Goa. Loved Mathias for this one!

  1. Haider (Album) – It won’t be right to pinpoint a song that was good because this album was the best from 2014. The only underwhelming part was the song by Arijit. I still feel that song was composed FVBV (For Vishal, By Vishal), and Arijit came in as an afterthought. This album is the reason we wait for Vishal and Gulzar to get together more often. All songs are here. Imagine the ‘Aao na’ opening bit and now count your goose pimples. Also, while we are on the subject…here is the Roohdaar theme from Haider.

  1. Oopar oopar renn de – Tanishk and Baba Vayu gave us a laid back anthem this year and I can openly declare with no hesitation that this was the best non-filmi song by a new band I came across in 2014. Hear the song once and tell me if you aren’t of the same opinion. I do hope they put the song on sale soon and that they don’t fizzle out after setting the bar this *high*!

  1. Mikey Mccleary – We all love everything Mikey does. Why else can you explain people sticking to networks which don’t work? May be because their ads are oh-so-musical and cute! It was no surprise that the album Mikey came out with was instantly likeable. If you haven’t heard the album yet, do hear it once! Our favorite – The world is our playground (Sung by Mikey) and Just a little crush (Sung by Shalmali). That said, Mikey’s song in Sonali cable wasn’t bad either. The entire album is available here.

Let me know if you agree with my picks of the year. And yours?

@Rohwit

dedh-ishqiya3

This is a strange scenario. I read review after review after review, every damn possible review of Dedh Ishqiya. Just to figure out one thing – to see if anyone has written about the homage scene in the film, and the inspiration behind the film’s spoiler, or scratched it beyond the surface. And i was extremely disappointed to see that not a single reviewer has mentioned it.

They didn’t get it?

They don’t know about it?

They haven’t read it?

Just because the director didn’t tell or it wasn’t mentioned in the press release?

Because, for me, that is the highlight of the film. The smartest scene in the film. And that *is* the film too. Strange. Seems like we are reading a group of philistines who have been raised on a limited staple diet and don’t know how to read a film beyond their radar. Not that such funny things has never happened in the past, but this should straight go to FunnyOrDie section. So which scene i am talking about?

SPOILER ALERT (Don’t read further if you haven’t seen the film yet and if you hate spoilers)

In the scene where both Naseer and Arshad’s hands are tied and they are watching Madhuri and Huma having fun, getting physical. Naseer looks at Arshad and says, Lihaaf maang le. Arshad looks up and smiles. And then we see just a big shadow on the wall which suggests physical intimacy between Madhuri and Huma’s characters. That’s the homage to Ismat Chughtai’s Lihaaf. The setting, Begum, homo-eroticism, huge shadow play – the elements and the incident is the same as in Lihaaf.

That’s not all, the entire back story of Madhuri’s husband is also from the same story. And the spoiler – their relationship and her back story is the core idea of the film. Rest of it has been just built up to cover this plot. So it can be called a really smart adaptation of the short story. Much respect for the writers of the film – Darab Farooqui, Abhishek Chaubey and Vishal Bhardwaj.

So why is it such a big fuss?

1. Because it involves Ismat Chughtai – one of the most eminent, progressive and feminist Urdu writers.

2. Because it involves Lihaaf (published in 1942) – the most popular and celebrated short story by Ismat Chughtai.

3. Because Lihaaf created a big controversy. Ismat Chughtai was charged with obscenity and was summoned by the Lahore court in 1944. She went to court, refused to apologise and won the case. Click here to read a funny excerpt about the case from her memoir. And if possible, do watch Naseer’s play on the same which also includes Manto’s trial.

4. And most importantly, because it’s still relevant. Chughtai’s story dealt with homo-eroticism and lesbianism which created a huge ruckus then. And today, when we are still debating gay rights and article 377 in India, a mainstream Hindi film brings the subject on the big screen with mainstream actors, and connects it so smartly to such an important and controversial literary work, and to its history. And we have no fucking clue! Lilaah!

Strangely, it seems most reviewers didn’t even get the historical, social, or literary context. If i was the boss, i would have surely asked for some explanation, rejection, and resignation. Because what’s the point of reviewing films if one doesn’t know where one is coming from – our art, culture, literature and such an important bit of history. It’s utterly shocking and baffling to say the least. It might sound extremely snobbish, but am fine with me being accused of snobbery than being philistine, especially when we are talking about Ismat Aapa and Bhardwaj’s cinema.

– You can find the English translation of the story here or here or in the embedded link below (translation by different writers). Do read. And do remember it was published in 1942.

– Found another adaptation on the net – a short film based on the same story

– If you were born and brought up in some other planet, Ismat Chughtai’s wiki page is here.

– To know what we thought about the film, click here.

NotSoSnob

dedh-ishqiya-movie-poster-20

Some of us got to see Abhishek Chaubey’s new film Dedh Ishqiya at a preview show last night. Here’s all the early preview buzz from the show.

So what are you waiting for? Book you tickets and go to VB-land, sit back, relax, and get in the mood of Begum Akhtar’s Hamari atariya. Let Abhishek Chaubey dazzle you with some poetry and beauty, guns and glory, hues and adventure. This is how you are suppose to do a sequel – it’s not just about cashing in on previous success, but about being brave and ballsy.