Posts Tagged ‘Robin Williams’

RIP Robin Williams – Genie, you’re free

Posted: August 13, 2014 by moifightclub in cinema, Hollywood, RIP
Tags: , ,

RW

I was around 8 years old when I saw my parents involved in a silly argument.
It was past my bedtime, and much like a sappy movie scene, I walked to them while dragging my favourite quilt along the floor.
“When are you getting a divorce?” I asked, rather hopefully. My father laughed and wondered aloud why I would ask such an inane question.
“So that you can dress up like a lady and be my Mrs. Doubtfire”, I answered with great sincerity. I hadn’t thought it through, of course. So I added, “And I will act like I don’t know it!”

In hindsight, this moment summed up the first time a movie directly affected my subconscious. And the first time I realized what Robin Williams—a pudgy old caretaker woman who transformed into a desperate juvenile father at will—did for me.
It was no coincidence that Genie in Aladdin—another defining character from my childhood—bore more than a passing resemblance to Williams’ quintessentially-underdog face: Lantern jaw, long nose, signature flappy ears, sunken cheeks, pleading eyes and the most tragic smile this side of a cocker spaniel.
It was the sad droopy smile a smitten boy would forcibly wear while cracking lame jokes to make his girl laugh. He would believe it to be hilarious, and in turn, make his awkwardness break the ice.

I remember that smile—that of a dysfunctional husband forcing it on us, when he reasoned with wife Sally Field in court in “Mrs. Doubtfire”. That wounded Oscar-winning smile when Stellan Skarsgard—his ex-friend and rival—mocked his romanticism in “Good Will Hunting”. Or that condemned smile of unrequited love when Annette Bening refused to get over her dead husband in the more recent “The Face Of Love”.

I was too young to fully grasp the experience of watching “Good Morning Vietnam” and “Dead Poets Society” for the first time. Now I’m too old to watch it without being influenced by his following work.
But I remember never being able to forgive the makers of “One Hour Photo”. They had taken my human robot (Bicentennial Man)—in my mind, a whacky invention of the lovable Dr. Kosevich (Nine Months), mutating my memories of Peter Pan into slimy Flubber, and turned him into a blonde-haired psychopathic lab technician. What made it worse is that he hadn’t really changed. Most of it was down to Williams’ own shape-shifting genius, but tell that to a dorky teen already struggling to adjust to Jim Carrey’s new dramatic persona. The barrier didn’t have to be broken in Williams’ case, because he was a naturally gifted performer blessed with an irrevocably needy face for a comedian.
When he tried too hard, he wanted it to show—it was part of his act.
All he had to do was smile more, which led to disturbing images of unstable characters in Insomnia and August Rush.

For some reason, I was forever under the impression that he appeared in an early Batman movie as the Penguin or Ridder. This made sense because if you combine Danny Devito’s old-world gravitas with Jim Carrey’s hyperactive freakishness, you’d get Robin Williams.
He was, in flesh and blood, the resurrection of Tragicomedy.

Moreover, Robin Williams looked like a broken-hearted man. Whether he was actually one, I selfishly chose not to know.
A sad man doing impersonations and silly voices to spread joy held a different kind of charm. It gave rise to a sort of hopeful laughter—not the kind of guffawing that follows stand-up comics who bring the house down, but the kind of restless smiles that made a troubled world a happier place. It was heartwarming, funny and poignant all at once.

Perhaps this is part of his act too, I’d reason—a philosophy and way of life reminiscent of the old frail Chinese magician in “The Prestige”. Was he so committed to his craft? Was life his greatest act?

“Bechaara (poor guy)”, I’d think whenever I’d saw his face on screen. And now I know why.

He was that famous old uncle. Every family has one—the life and joy of every party and festive gathering.
But nobody noticed that he arrived alone, and would always leave alone.

– by Reel Reptile aka Rahul Desai

(This was first posted on Rahul’s blog. For more posts by Rahul, you can visit his blog here)

PaaOk, make that “almost” here! Because someone decided to have some fun by editing out just the last few seconds. Though the audio is very much there. Anyway, if you have been following Amitabh Bachchan’s blog and the wah-wahs that everyone is saying after watching the trailer, then you know why we are so curious! We might have to wait for one more day till we get to see the full trailer, till then have a look.

Paa is directed by R Balki and stars Amitabh Bachchan, Abhishek Bachchan, Vidya Balan & Paresh Rawal. Music is by Ilaiyaraaja and lyrics by Swanand Kirkire. 

UPADTED – The full trailer of PAA is out today. Have a look.

Here’s one more tariler. Slightly different version of the first one.

And when Amitabh said Paa!

And as a friend said, Balki’s fascination with age factor continues. In Cheeni Kum, it was father-daughter-son-in-law mess with age. Here its father-son-son! Paresh Rawal is back again as the father!

In the film Paa, Amitabh Bachchan (Auro) suffers from a disease called Progeria, a rare genetic disorder in which a person ages three times faster than a normal person. Its a family drama in which Abhishek Bachchan and Vidya Balan are parents to Amitabh Bachchan, their 13 year old son who looks 39, and its all about how they try to deal with it. The look has been designed after much research and the make up used to take almost 4-5 hours everyday. Strangely, the basic premise of Paa sounds similar to Francis Ford Coppola’s film Jack starring Robin Williams. Inspiration, plagiarism or just coincidence ?

Amitabh Bachchan starrer new film Paa is ready for release on Dec 4th. Its directed by R Balki and also stars Abhishek Bachchan, Vidya Balan & Paresh Rawal. Music is by Ilaiyaraaja and lyrics by Swanand Kirkire. The first trailer of the film will be out on 6th November 2009. Till then its all covered up! Here is the first official poster of Paa!

Paa

Btw, click here for the official website address of the film. So far not much there but just a bit of Ilaiyaraaja’s music.

And if you are too curious to remove the carton from the pic and see how Bachchan looks as a 13 year old in 39 years body, click here.

In the film Paa, Amitabh Bachchan (Auro) suffers from a disease called Progeria, a rare genetic disorder in which a person ages three times faster than a normal person. Its a family drama in which Abhishek Bachchan and Vidya Balan are parents to Amitabh Bachchan, their 13 year old son who looks 39, and its all about how they try to deal with it. The look has been designed after much research and the make up used to take almost 4-5 hours everyday.

Strangely, the basic premise of Paa sounds similar to Francis Ford Coppola’s film Jack starring Robin Williams. To quote from IMDB….

JackThe movie is about a boy with a unique aging disorder: one that makes him age 4 times faster than normal. Movie picks up when Jack (Robin Williams) is 10 years old, but looks 40. He tries to go to public school for the first time, and tries to become friends with kids his own age. His physical appearance causes him lots of problems, however.

So, is Paa really Jack ? Inspiration, plagiarism or just coincidence ? Few more days and we will have the answer.