Archive for July 23, 2017

Tilt Shift Labs is organising its first ever certified workshop with National film award winning director Kamal Swaroop. The workshop titled ‘Grammar of Film Direction’ is a two-weekend intensive workshop for amateurs/students of cinema who are looking towards making a career in films.

– In two short weekends, students will be instructed on the basics of writing, directing, camera, and each student will write a short film project which will be guided and mentored by Kamal Swaroop.

– About the director:
Swaroop is a well acclaimed filmmaker and screenwriter. He graduated from Film and Television Institute of India in 1974, and later on did his postgraduate studies at the Institute. In 1982, he assisted Sir Richard Attenborough in the filming of Gandhi. His feature, Om-Dar-B- Dar (1988) is still considered a path breaking film, and it has a massive cult following among cinephiles.
Swaroop’s career, spanning 42 years, covers a broad range of films, channel promos for Channel V India, ads and Radio Spots. In 2014, he directed The Battle of Benaras, produced by Medient, and went on to release Tracing Phalke in 2015 for Films Division of India. Later on, he made Pushkar Puran (2016), and Atul (2016), based on the world renowned Dadaist artist Atul Dodiya.
Battle for Benaras premiered at Cinema Du Reel, Paris, while Atul premiered at the Cochin Biennale. He is currently working on a musical, Miss Palmolive All Night Cabaret and The Third Police Man, a metaphysical murder mystery.

Weekend I 

Session I
Camera Angles
Scene, Shot & Sequence
Types Of Camera Angles: Objective, Subjective, Point-Of-View
Objective Camera Angles
Subjective Camera Angles
Subject Size
Subject Angle
Camera Height
Extreme Long Shot
Long Shot
Medium Shot
Typical Two Shots
Close-Up
Inserts
Descriptive Shots
High Angle
Low Angle
Angle Plus Angle
Dutch Angle
Selecting Area And Viewpoint
Other Angles

Weekend I

Session II
Continuity
Cinematic Time And Space
Filming The Action (Controlled And Uncontrolled)
Filming Techniques (Master Scene And Triple Take)
Screen Direction (Dynamic And Static)
Neutral Shots
Reverse Shots
Screen Travel
Pictorial Transitions (Fades, Dissolves And, Wipes)
Sound Transitions

Weekend II

Session I
Process Of Writing
Back Story
Internal Need
Inciting Incident
External Goal
Preparation
Opposition
Self Revelation
Obsession
Battle
Resolution

Weekend II

Session II
Process Of Writing
Discussing Individual Scripts
Story Boarding Process
Production Planning
The Need For Story-Telling
Visualization Strategies
Dramatic Strategies
Characterization Strategies
Dialogue Strategies
Melodrama, Docudrama, Hyperdrama
The Experimental Narrative

Dates : July 29 – 30 | Aug 5 – 6 |

Time : 10AM-5pm

Seats : Only 15

Venue : Lowfundwala Productions, Andheri (West)
Bungalow No.96, SVP Nagar, MHADA, 4 Bungalows,Andheri West, Mumbai, Maharashtra 400053

Fees : Rs 8470

– For further details, and to book your seat, click here.

 

Well known cinematographer Shanker Raman makes his directorial debut with Gurgaon. Though Versova’s rumour mills suggest he might have ghost-directed one of the most acclaimed indies (insert wink-wink-nudge-nudge emoji). Produced by JAR Pictures, the film stars Akshay Oberoi, Ragini Khanna, Pankaj Tripathi, Aamir Bashir and Shalini Vatsa.

Here’s the official synopsis –

Kehri Singh, a real estate baron, runs his business ‘Preet Real Estate’ in his daughter’s name. She is his lucky charm and the apple of his eye. Kehri Singh’s oldest son Nikki Singh, is often side-lined by his father as a brash, insolent, good for nothing, who only brings bad luck. Driven by his need to pay off a large debt to a local bookie, Nikki Singh sets off a chilling chain of events, that unwittingly force his cold-blooded father to confront his buried past.

Gurgaon, is a cautionary tale that reminds us of the famous saying, what goes around, comes around.

It was selected at Work-In-Progress Lab of NFDC Film Bazaar in 2015, won the Prasad DI Award in the fiction feature category.

Here’s the film’s trailer :