Archive for August, 2018

Aanand L. Rai, Sohum Shah, and Anand Gandhi’s much awaited mythological thriller about a goddess who created the entire universe, Tumbbad opened the Venice Film Festival’s Critics’ Week and is generating a lot of buzz at Venice Film Festival.

So here’s all the buzz around the film at the fest.

– Baradwaj Rangan’s review on Film Companion here

– Hollywood Reporter’s review here

– Screen Daily’s review here

– Sohum Shah’s interview in Variety here

– Sohum Shah on the film in Quint here

Shefali Shah and Neeraj Kabi’s upcoming Indo-German feature love story, Once Again which is slated to release soon.

Witten and Directed by Kanwal Sethi, Once Again is an unusual and mature love story of Tara, a widowed mother who runs a small restaurant and one of her customers, a popular film actor Amar, who she delivers his daily meals. Tara has never seen him – except on the big screen.

Apart from the lead stars, Shefali Shah and Neeraj Kabi, the film features a stellar cast including Rasika Dugal, Bhagwan Tiwari, Bidita Bag and Priyanshu Painyuli.

The music composer, Talvin Singh, who has been at the helm of fusion music, and has played with the likes of Madonna creates an enchanting and melodious soundtrack.

Actor Neeraj Kabi, who was last seen in Netflix show Sacred Games as DCP Parulkar has done diverse roles in films such as Talvar, Byomkesh Bakshi, Ship Of Theseus, Hichki. Excited about playing a romantic hero on celluloid for the first time, Neeraj says, “I have always wanted to perform a love story on celluloid. I am so happy I finally did.”

The Indo-German film is produced by Crawling Angel Films, Jar Pictures, Neufilm in collaboration with ZDF/ARTE and is presented by Sanjay Gulati and Neeraj Pandey. ZDF/ARTE are the powerful channels behind films like Lunchbox, Masaan and Qissa.

The film won Facebook Award for the best Work-in-Progress Lab project at the Film Bazaar in Goa.

About the film:
Tara is a widowed mother who runs a small restaurant. One of her customers is popular film actor Amar, she delivers his daily meals. Tara has never seen him – except on the big screen. A chance phone conversation becomes a ritual. They spend hours on the phone, unable to muster the courage to meet. Aware of the reality of an impossible relationship and afraid to transcend the boundaries both have drawn around themselves they live within their safe bubbles. Until one day, when Amar sets out to meet Tara… What follows is a poetic journey of the two lonely hearts in Mumbai, a city of 15 million souls.

About the director:
Kanwal Sethi was born in Amritsar, India. After finishing school, he founded a theatre group and began to stage at various independent theatres. He shifted to Germany and studied Political science and Economics in Dresden. Followed by his own stage productions and parallel to this he started work on his own film projects. His short films and documentaries were screened at various international film festivals as well as the Museum of Modern Art New York. JUNCTION POINT was his debut feature film and premiered at Max ÖphulsPreis and MAMI.

About the Producers:
Neufilm
Since we successfully started producing films 10 years ago, we are constantly confronted with the phenomenon of a separation of art and commerce. Arthouse and mainstream seem to be often incompatible in the industry. The aim of Neufilm is to connect these two poles and make the author film accessible to a broader audience.

Crawling Angel Films
Crawling Angel Films is a film production company based in India that aims to tell the world unique stories through films, which have the quality to capture human emotions through their strong narratives. The dedicated team of Crawling Angel Films is all set out to dissolve the boundaries between the various nations of the globe by getting them well versed with one universal language – the language of Cinema. They have produced award-winning films such as, LAJWANTI (Berlin International Film Festival 2014), ASHWATTHAMA (Busan International Film Festival 2017), MEHSAMPUR and THE SHEPHERDESS AND THE SEVEN SONGS (co-production lab in Film Bazaar and Hong Kong International Film Festival) is currently under the process of shooting.

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The Dharamshala International Film Festival is pleased to announce the DIFF Film Fellows Programme 2018. The Film Fellows initiative, which saw its inception in 2014, aims to encourage and develop filmmaking talent in the Indian Himalayan regions by offering mentorship opportunities with established filmmakers.

This year, the programme will focus specifically on filmmakers from Himachal Pradesh.

The programme will provide a much-needed opportunity to budding filmmakers from Himachal Pradesh who would otherwise have limited or no access to these resources. Five young filmmakers from the HP region will be selected and invited to attend DIFF, participate in its various events, and benefit from one-on-one mentorship sessions with established filmmakers.

Previous DIFF Film Fellows have come from across the Himalayan region, from Ladakh all the way to Arunachal Pradesh, and are now engaged in various stages of their filmmaking career.

Siddharth Chauhan, last year’s film fellow from Himachal Pradesh, and the director of Pashi (2017) says: “DIFF Film Fellows Programme was a break I desperately needed in my life and career. Surrounded by beautiful mountains, young people and the amazing two mentors (filmmakers Gurvinder Singh and Kesang Tseten) I got to learn and unlearn so many facets of filmmaking.”

The deadline for applying to this programme is 24 September 2018. Applicants must be between 18-45 years of age and hold bonafide Himachali certificates.

A jury made up of eminent filmmakers will review all applicants and the final selection of the five fellows will be announced by 1st October 2018.

Rules & Regulations
  1. The DIFF Film Fellows programme accepts applications from aspiring Film Directors.
  2. Applicants must be in the age group 18 to 45.
  3. Applicants must be from Himachal Pradesh.
  4. Applicants must submit a completed entry form together with a link to a short film they have directed.
  5. Films submitted must be shorter than 20 minutes in duration but may include excerpts from longer films. In the latter instance, please do not send the full film.
  6. Films can be submitted as a link on Vimeo, YouTube, etc.
  7. Non-English-language film must be subtitled in English.
  8. Films may be of any genre: fiction; documentary; experimental; animation; etc.
  9. A panel of industry professionals will judge the entries and their decision will be final.
  10. The application deadline is 24th September 2018.
  11. Successful applicants will be notified by 1st October 2018.

To apply for the fourth DIFF Film Fellows Programme, please download the application form below and send your completed application to info@diff.co.in and programmingassistant@diff.co.in by 24th September 2018.

Subject Line: DIFF Film Fellows Application.

DIFF FILM FELLOWS PROGRAMME ENTRY FORM

More details: DIFF Film Fellows

Anurag Kashyap is back, this time with a love story, teaming up with Aanand L Rai as producer. Manmarziyaan is going to premiere at the TIFF 18. While we keep wondering about the actual release date (21, 14, or 7th September?), why don’t you read the review from Rohwit below, while listening to the official playlist?

Mast ali has a voice which sounds aptly familiar yet fresh, filmi punjabbbi songs wise. In Fyar he has been credited along with Vicky Kaushal and Sikandar Kahlon. I love the way song starts and credit to Amit Trivedi for smartly manipulating the pace of the song and even though the difference between ‘Pya’ and ‘Fya’ is not super easy to understand when you hear it, the song is just spot on. I didn’t care much about the rap part but it didn’t disturb my Foncentration.

Daryaa has ‘udaan types (Yes i am looking at you ‘hooo oo oo oo’) meeting Punjabi love’ sound which works like a charm. I have always been at pains to see Shahid Mallya not getting the kind of uptake that he deserves. He sounds madly in love and it sets the emotion of the song perfectly. Ammy Virk sounds powerful yet quite hurt and because of him, the song soars, pity his name doesn’t appear in the youtube song title credits till the time this was written. What a delight it is to hear Amit’s ‘hoo ooo oo’ template complimenting Virk’s passionate singing and spilling emotions like two glasses brimming with wine falling to the ground. There is also an unplugged version of this song sung by Deveshi Sahgal. It has a headstrong sound which I absolutely loved along with the super Guitar play of the always dependable Sanjoy Das. Deveshi’s singing is fearless and it would be silly to compare her version with the other version because, well the other version is not unplugged to begin with. In fact, with the ‘Udaan type hoo ooo oo’ missing from the song, this version sounds rather fresh! Super like!

Jazim Sharma and Harshdeep Kaur are heard in Grey wala shade, a song that revels in mischief. The tune is intimate and lyrics are delightfully naughty. Jazim‘s voice has a soothing effect and it is a pleasant change to hear Harshdeep in a simple song. Jazim and Harshdeep Kaur team up again in an Esraj rich Choch Ladhiyaan. I love what Amit has done with the tune of this song and to me, this could easily be the most layered composition of the album. The near classical arrangement is more essential than decorative. Being someone who understands ghazal gayaki closely, Jazim uses all the thehraav in his rendition and is a delight to the senses. Harshdeep Kaur is again in top form and sounds even more playful due to absolute crazy lyrics by the magician Shellee, Bande andar, paigambar…naache!

Dhayaanchand shines because of its lovely tune structure. Vijay Yamla, Nikhita Gandhi, Amit Trivedi & Suhas Sawant are pretty good in the song yet my favorite parts are those with Amit‘s voice. On a related dhinchak note – Tumbi, Tumba, Been, Dhadd & Bugdu by Vijay Yamla and Dhol by Kukki Jogi are composition’s heart and soul. A song that is definitely going in my dinchak 2018 playlist.

Omkar Dhumal has made several appearances in good and not so good songs this year so far. Here, his Shehnai is used brilliantly by Amit Trivedi. I was almost not looking forward to the song because of Jyoti Nooran’s name. Of late, her songs are one note, one character, unwelcoming and filled with unnecessary ‘See I can do so many alaaps’. I can confirm that she is super steady in this song. Along with Romy, she holds your attention in the serious Hallaa. Don’t miss the faint Shehnai and those lovely backup vocalists especially towards the end of the song…a brilliant touch by Amit Trivedi.

Shahid Mallya & Jonita Gandhi sing Sachchi Mohabbat very well, a song that bitterly regrets love that ‘could have been’, a love where they could have celebrated ‘Them being them?’. The wordplay in this song is deceptively simple and credit to Amit Trivedi for keeping the tune light in spite of two geniuses at play here. I am of course referring to Arshad Khan (On Israj) and Omkar Dhumal (On Shehnai).

Jaisi teri Marzee is a little ‘Tujhe yaad na meri aayi‘ in its character and it is not a bad thing. I liked the fact that rather than presenting a track as ‘title song’, they have used the said phrase to name it. Did I like the song? Yes. Would i listen to it again? No. Harshdip Kaur is pitch perfect and Bhanu Pratap Singh sounds fresh and promising. Still, I found this to be a ‘credit rolling’ song and not very ‘playlist durable’

Bijlee giregi has Devenderpal Singh, Babu Haabi, Sikander Kahlon & Vaishali Sardana in top form. At the risk of sounding repetitive, I absolutely love Shellee and what he has done here. There is not a comma (let alone a word) that feels force inserted. Bhasudi, durachari, cutie pie nahi kutti pie hai, Vayusena ka vimaan, missile waali…I can go on and on. The tune structure flirts with my other favorite song from the year – Teri pappi le lu from ‘Veere di wedding’. That said, I am already conflicted whether this song should go in the dinchak 2018 playlist from this album instead of Dhayanchand?* Anyway, I love the song and extra points for NOT using Badshaah for the rap portion in this (or any song for that matter). Fun fact – If you have a heart rate monitor, you will see your heartbeats take off like a rocket in this song. Trust me, I checked.

Meenal Jain, Yashita Sharma, Yashika Sikka, Rani Kaur, Anita Gandharva, Meghna Mishra & Vaishnavi Mishra are heard in Kundali. Predictably, the song is high tempo with a good thump. Yet again, Shellee’s lyrics shine (Sunnn pyari simran, jaa ji le apna jeevan!). I didn’t dislike the song but I would not go looking for this one in the playlist.

I don’t want to jinx it but this year has been relatively better than last couple of years in terms of film music. Still, I was yet to come across a devilishly delicious album. Last week I came across one that was truly 5 star stuff yet it didn’t ‘bite’ enough. May be because that is a pretty straight forward love story and because Mannmarziyaan is ‘complicated’ and handled by Anurag Kahsyap, the search ended with Manmarziyaan. I am confident that the album will outlast the film for years to come.

Of course it is Anurag Kashyap‘s collaboration with Amit Trivedi. Of course they have delivered, big time. Still, I think the most critical factor of this blockbuster album is Shellee. His lyrics truly walk in beauty. Not once do you feel the lyrics are dumbed down so that junta doesn’t dismiss the album as being ‘too punjabi’. I just hope the film is worthy of the lyrics and music it has got. Actually, I don’t care about the film at all. I am just happy Anurag and Amit have got back to their winning ways and given us an album that we can listen to in our little cocoons and forget the world.

How’s the album?

Filmi Hindustaan jaise…Chhaye Gurdass maan jaise

Rohwit

*Of course I will use Bijlee Giregi in the playlist. Hashtag Girl power.

The National Film Development Corporation has announced the Call for Entries for the 12th Year of Film Bazaar Co-Production Market.

Full length fiction feature projects with South Asian themes are invited to apply.

The Deadline for submissions is September 13th, 2018. Extended Deadline is September 18th 2018. The deadline has been extended to September 30th 2018.

The Market will be held between 20-24th November, 2018 at Film Bazaar, Goa.

The Co-Production Market presents a list of curated projects to the national and international film professionals attending Film Bazaar. The Market kicks off with Open Pitch where participants present their projects through Video Pitches to an audience of investors, producers and financiers. The four days of the market are earmarked for one on one meetings specially scheduled for each project.

Over the years, the dedicated team has honed its skills for matching projects with the right delegates. Dedicated online and print catalogues consisting of all project details are available for Film Bazaar attendees interested in Co Production Market projects. The Co-Production Market also conducts an orientation session to familiarize participants to Open Pitch as well as the working of the Co-Production Market and Film Bazaar.

For Application Form and more details, please visit https://filmbazaarindia.com/co-production-market/
For further queries, write to: coproduction@filmbazaarindia.com

CPM Projects Over the Years:

  • Lipstick Under My Burkha, Alankrita Shrivastava CPM 2013
  • Newton, Amit Masurkar, CPM 2015
  • Song of the Scorpions, Anup Singh CPM 2013
  • Beyond the Known World, Pan Nalin, CPM 2012
  • Lady of the Lake, Haobam Paban Kumar, CPM 2011
  • Manto, Nandita Das (in production), CPM 2015
  • Court, Chaitanya Tamhane, CPM 2012 (VENICE INTERNATIONAL FILM FESTIVAL, 2014)
  • Chauthi Koot, Gurvinder Singer, CPM 2012 (FESTIVAL DE CANNES 2015)
  • Titli, Kanu Behl CPM 2012 (FESTIVAL DE CANNES 2014)
  • Liar’s Dice, Geetu Mohan Das, CPM 2011 (Official Selection, Sundance Film Festival, IFFRIndia’s Official Entry to the 87th Academy Awards)
  • Arunoday, Partho Sengupta, CPM 2012 (BUSAN 2014)
  • Highway, Umesh Kulkarni CPM 2013
  • Television, Mostofa Farooki CPM 2010 (PUSAN INTERNATIONAL FILM FESTIVAL 2012) Chauranga, Bikas Mishra, CPM 2011 (MUMBAI FILM FESTIVAL 2014)
  • Qissa, Anup Singh CPM 2008 (Toronto International Film Festival 2013)
  • LSD, Dibakar Banerjee (CPM 2009) (Filmfare for Best Editing, Sound Design, Stardust Film of the Year)
  • Paltadacho Munis, Laxmikant Shetgaonkar (TORONTO INTERNATIONAL FILM FESTIVAL, FIPRESCI for Discovery 2009)
  • That girl with Yellow Boots, Anurag Kashyap (VENICE INTERNATIONAL FILM FESTIVAL 2010)
  • Deool, Umesh Vinayak Kulkarni (BUSAN INTERNATIONAL FILM FESTIVAL 2011 & 59th National Award for Best Feature Film).
  • Karma, Prasanna Jayakody (ROTTERDAM INTERNATIONAL FILM FESTIVAL 2011)
  • Shanghai, Dibakar Banerjee (TORONTO INTERNATIONAL FILM FESTIVAL 2012)
  • Miss Lovely, Ashim Ahluwalia (FESTIVAL DE CANNES 2012)
  • Mumbai Cha Raja, Manjeet Singh (TORONTO INTERNATIONAL FILM FESTIVAL 2012)
  • As the River Flows, Bidyut Kotoky, CPM 2007
  • Shor in the City, Krish D K, Raj Nidimoru, (CPM 2007) (MIAAC Festival – Best Director, PUSAN FIlm Festival, Dubai International Film Festival 2010)
  • 28, Prasanna Jayakody, CPM 2013, (IFFR, 2014 – NETPAC Award.)

Some of the projects and people who have attended the Co Production Market at Film Bazaar are Chedomir Kolar [ Producer No Man’s Land], Mustofa Sarwar Farooki [Director Television], Michael Werner [Fortissimo Films ], Chris Paton [San Sebastian Film Festival], Christian Jeune [Cannes Film Festival], Kristen Niehuus [Medien Board, Berlin-Brandenburg] Remi Burah [Arte France Cinema], Anurag Kashyap, Madhu Mantena, Manish Mundhra, Sooni Taraporewala, Sabiha Sumar [Director Khamosh Pani], Guneet Monga, Nandita Das, Govind Nihalani, Shyam Benegal, Pablo Bertolini [Venice Film Festival], Charles Tesson [Cemaine de la Crtique Cannes Film Festival], Aviva Silver [NEA cinema, Belgium], Anup Singh [Director Quissa],Catherine Dussart [Producer Chautih Koot France], Ramesh Sippy, Kabir Khan, Sheeladitya Bora, Marco Muller, [Beijing Film Festival], Benjamin Illos [Director’s Fortnight, Cannes]

Ivan Ayr’s debut film Soni, which is making its world premiere at the 75th Venice Film Festival under the Orizzonti Competition category just released its first look poster and trailer.

It is the only Indian feature to compete at the festival.

Summary of the film

Soni, a young policewoman in Delhi, and her superintendent, Kalpana, have collectively taken on a growing crisis of violent crimes against women. However, their alliance suffers a major setback when Soni is transferred out for alleged misconduct on duty.

Soni had won the Facebook Award for Best ‘Work-In-Progress’ Project and Prasad DI Award for the Best Film In ‘Film Bazaar Recommends’ section at NFDC Film Bazaar 2017.

The film has a running time of 97 minutes and features newcomers Geetika Vidya Ohlyan and Saloni Batra in lead roles. The producers are Kimsi Singh and Kartikeya Narayan Singh, whose previous credits include the 2015 Cannes Un Certain Regard Selection Chauthi Koot.

The 7th edition of Dharamshala International Film Festival, in association with the Paddy & Joan Leigh Fermor Arts Fund, announces the launch of the Dharamshala PJLF Editing Workshop 2018.

The Editing Workshop will be mentored by Internationally renowned editor Jacques Comets, editor and Artistic Director of the International Film Festival of Kerala Bina Paul, and Producer and Script & Editing Mentor Olivia Stewart.

Eligibility

The application for the workshop is only open to Director/Editor teams who are working closely together as equal collaborators on the edit of an Indian-language (including in English) feature film.

The film can be at any stage between rough-cut and fine cut and should be at least 90 minutes long. Indian-language films will need to have English subtitles.

Submission process

The following information must be submitted to: diffeditingworkshop@gmail.com

  1. Name of Director
  2. Address, email and mobile number of Director
  3. Short filmography of Director
  4. Name of Editor
  5. Address, email and mobile number of Editor
  6. Short filmography of Editor
  7. Short synopsis of film (max 200 words)
  8. Short statement outlining the reasons why Director and Editor want to enter their film for the Editing Workshop (max 200 words)
  9. Link to rough cut/fine cut with English subtitles

Submission deadline: 22 September 2018.
The decision of the Selection Committee will be final.
Two teams of director & editor will be given a chance to screen their film, receive feedback from a team of experienced film professionals and have two follow-up sessions working with the Editing Mentor on revising their cut and/or concentrating on particular sequences in their film.

Application Deadline & Dates

Applications are open from 23 August 2018 and the submission deadline is 22 September. The two selected projects will be announced on 8 October.

The two selected Director/Editor teams will be invited to come to Dharamshala for seven days from 29 October to 4 November. All their expenses including travel and stay will be covered by the workshop.

Editing Workshop Mentors: Bina Paul and Olivia Stewart
Editing Mentor: Jacques Comets
Selection Committee: Umesh Kulkarni, Bina Paul and Tenzing Sonam

Ritu Sarin + Tenzing Sonam

More details: http://diff.co.in/dharamshala-pjlf-editing-workshop-2018/