Archive for the ‘bollywood’ Category

383017-amaal-mallik-1Amaal Mallik has emerged as one of the most promising new music talents in the last few years. In just a short span of time, he has delivered some really chart buster songs.

In his latest FB post, he has written about the music industry and its bitter truth. In an industry where nobody really speaks the truth, it’s quite refreshing to see a young talent speaking his heart out. Do read.

The vicious cycle of our music industry

Music that is promoted heavily tends to become a earworm and eventually becomes a hit….More people request for it on the radio, as they dunno any better.

Jo Dikhta Hain Woh Bikta Hain, and jo Bikta Hain woh Aur Dikhta hain and the cycle continues…..

And we all think ‘Yeh Hain Naya Hit Gaana’….

Sorry but YouTube Views, iTune downloads and Radioplay is not the only yardstick, Even I keep putting posts saying 1M 2M views but that’s because we all are stuck in the new social trappings, which we can’t do much about,but we can atleast work towards making newer music.

Listening to my own music and what bollywood is churning out since 2 years now, sparing a few good albums like – Badlapur, Bajrangi Bhaijaan, Kapoor & Sons, Fitoor, Uḍta Punjab, Baar Baar Dekho, Sultan & Banjo recently…..

Every love song today sounds like Aashiqui 2, every wedding song a Chittiyaṅ Kalaiyaan, every club song a Chaar Baj Gaye or Subah Hone Na De, or a Sooraj Dooba Hain or a Chull…..

There is so much of music within me, and all of us as composers that is dying to come out but it’s not commercial enough for the labels or the producers.

We have all forgotten our own inner voice because of others…..Others who decide whether we will compose for a certain film or will be humiliated and thrown out of it….

Directors have lost their voice and are going to labels and begging for a hit song….This is not how things were, where is the confidence of the captain of the ship ?

If labels are deciding the music of films (Almost All), where the music needs to be a chartbuster and the story doesn’t matter it’s okay, but what about a soundtrack that has to be honest to the script ?????

I think the Director, Music composer, Lyricist and the label guys should create something special for a film instead of putting stock music…..

All of them should be jamming together, which is next to impossible to achieve, but that’s what will change it…..

That’s how we will achieve a score that will work with the film & in time become a radio hit too.

Not trying to hurt any body, I’m sure many lyricists and composers will agree with me….

Just need to plan a way forward….

Happy Ganesh Chaturthi…..Peace !

Remember the saying, you never get a second chance to make the first impression. Well, that’s true for films too. If you can score well in your first film, that’s like a dream run. Also, because the journey to the first film is always the most difficult.

Cpe5yXbW8AATCbaOne of our favourite books on cinema is My First Movie. Do read it if you haven’t. There is a desi version too – Directors’ Diaries: The Road to Their First Film. We haven’t read it though. If anyone has, do let us know.

Film critic Anupama Chopra has started a new segment on similar lines – My First Film, for her web show, Film Companion. And the first guest is RajKumar Hirani who talks about the making of Munnabhai MBBS. The film was both critically and commercially blockbuster.

Do watch.

 

 

 

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The 4th Indian Screenwriters Conference

SO NEAR, SO FAR: DO OUR STORIES REFLECT INDIA’S REALITY?

The Film Writers Association is back with its biggest, most prestigious and popular event for Indian Screenwriters.

Date : August 3-4, 2016
Venue : St. Andrews Auditorium, Bandra West
To register :  Click here

A quick summary of sessions

1. THE FEMININE FACTOR
Are female actors getting better roles now? Is our audience comfortable only with stereotypical women characters? Are we ready to have a more realistic gender equation on screen?

2. SERIAL KILLERS
Does our current TV content reflect our times and society? Why are we stuck in some unchangeable grooves? What is the way out?

3. WRITERS & PRODUCERS: PARTNERS OR ADVERSARIES?
Writers feel they are undervalued while producers complain of lack of quality scripts. How can this relationship be made more collaborative, more mutual, and more productive for both?

4. LITTLE BIG FILMS
Small films, driven by strong scripts and the passion of the filmmakers, are increasingly ending up as surprise successes. What is the scope and future of such efforts?

5. DECODING THE DIGITAL
The exodus of producers & studios is moving towards the web. What is the business of web entertainment like? Is the Internet answer to our creative and economic issues?

6. THE BUSINESS OF TV WRITING
The leverage of the TV writer is growing; it appears, with him/her turning into a producer. Is this the model for all TV writers to move towards?

– Reputed journalist and Ramon Magsaysay awardee, P. Sainath will deliver the keynote address, while the renowned poet Ashok Vajpeyi will be the Chief-Guest.

– Confirmations are streaming in from the invited speakers, panelists and special guests, including Javed Akhtar, Gulzar, Siddharth Roy-Kapur, Ronnie Screwvala, Gaurav Banerjee (Star), Anooj Kapoor (SAB TV), Ritesh Sidhwani, Jaideep Sahni, Sriram Raghavan, Vishal Bhardwaj, Danish Khan (Sony), Ravina Kohli (Epic), Juhi Chaturvedi, Rajat Kapoor, Hansal Mehta, Jayesh Patil, Aatish Kapadia, Purnendu Shekhar, Shridhar Raghavan, Nagraj Manjule, Neeraj Ghaywan, Sonali Jaffer, Shashi Mittal, Varun Grover, Himanshu Sharma, Sudip Sharma, Saurabh Tiwari, Biswapati Sarkar and many more writers, writer-directors, and producers.

– On August 3, Dastangoi performance from 6:30 – 8:00 PM

– Click here, here and here to read some of our previous coverage of the conference.

 

by  मोहित कटारिया

(Mohit Kataria is an IT engineer by profession, writer & poet by passion, and a Gulzar fan by heart. He is based in Bangalore and can be reached at [kataria dot mohit at gmail dot com] or @hitm0 on twitter)

 

Udta Punjab

The issue of Udta Punjab’s censorship came up for hearing in Bombay High Court today. A bench headed by Justice S C Dharmadhikari was hearing a petition filed by Phantom Films. What happened next is popularly known as Hulk-smash. Check out the tweets.

HC indicates that it will set aside 12 cuts and will allow Udta Punjab to release with just 1 cut. The order will be pronounced on Monday, June 12th.

But going by the tweets, let’s just say #JaiJusticeDharmadhikari

anurag--300x300So after taking a hard stand with censorship, the trolls are out there creating diversion from the issue with blatant lies and accusations. Since I can not put up this post on Twitter, am writing it here.

I have had run ins with censor many times. First was Paanch which everyone still believes was banned by censors. The truth is the film was cleared by revising committee after a few cuts and two disclaimers, and the same version , the cleared one is available on the net.

Black Friday was cleared uncut by censors but were blocked by the court as the case was under trial. Finally Justice Sabharwal cleared the film for exhibition in two years from when it was blocked even before the verdict was out. A lot of film stayed intact except some references to Shiv Sena that were cut out under pressure.

Gulaal was never caught up in any censor issue, the film had few references muted in one dialogue. It was stuck in production. Most of the lists the trolls are floating on the net of a million cuts on every film are lists of cuts made for TV of the adult films.

Ugly was never stuck with censor board, it was cleared. We decided to push the film to fight the health ministry on anti-smoking logo. It was our decision to fight the then government and we lost the case, in Court. Film came out intact.

Water was not allowed to shoot at all and that was not during the UPA government, and that’s when first time I met Mr. Jaitley and was an admirer of his since. But in all the battles, I never felt that I was being silenced or blackmailed into doing something against my will. All those battles were a fair fight of belief systems, all those fights were not being lost, not knowing what’s going on. All those battles we knew who and what the enemy was, be it a person, a thought or just the understanding of the board.

This one is different. This was blackmail, this has been a wall of lies. We got the official letter in a day after going to press and immediately after the first hearing of the court. We have a signed acknowledgement from Mr. Nihalani’s office dated yesterday 7 th June, which requests him to give us the official copy. So him saying he gave the letter on Monday is a lie and proof of all his lies. Him pressurising us to delay release, and accepting cuts is and was a thought through strategy. His accusing me of taking money from AAP is not just a lie, is a diversion from the real issue to make the fight for a filmmaker’s right into a political battle. And in this he is being helped by all the trolls to make sure that the real issue somewhere is lost in the political blame game.

So I request to not get involved in any rumour mongering and let us stick to the real honest issue of freedom of expression, and free thought, and, our rights as film makers versus the censorship. No, I am not a member of AAP or Congress, nor do I associate with any other political party. I have made more films without a fees than anyone else and I don’t take money that is not earned from anyone. Thank you.

– Anurag Kashyap

Leela Samson, the ex-chairperson of Central Board Of Film Certification (CBFC) wrote this post on her Facebook. And it’s going viral, for all the right reasons. We thought that it’s important for more people to read it. So we are sharing it here.

Udta Punjab – a film made by some of the country’s boldest and finest industrywalas! Yet another film and its slaughter at the hands of the CBFC – that is made into a national news item and flogged to death with opinions intended to fan more debate and endless hours of controversy. Have we not had enough? Enough opportunity to talk to each other, to debate the issues of certification and its down-face – censorship.

There are 3 parties involved. That’s already one too many. It should be just the industry and what should be an empathetic CBFC board. The board exists because cinema exists and is a critics art form, a creative platform for debate on the life we live.

But who appoints the Board? The members of the Viewing and Reviewing committees? The Ministry.

Who dictates which officials will be placed in Mumbai? The Ministry.

Who makes policy? The Ministry.

Who runs the Film Festivals? The Ministry.

Who sets up an Enquiry committee as was just done? The Ministry.

The point Anurag, is that the industry ought to know by now that this act of certification should be transferred to an internal body within the industry. Self regulation is the only regulation that should exist! This goes for every individual as well. Those who do not like it, should not see it.

Turn the switch off for heavens sake!

Art is not compulsory.

Get together.

Fight for it. It’s the good fight.

Everything else, boards, committees – they are a sham!

This is dhool in our eyes. Kuch nahin hoga.

I know you won’t see this Anurag, as we are not Facebook friends.

The first look of Anurag Kashyap’s new film, Raman Raghav 2.0, is out. The film stars Nawazuddin Siddiqui, Vicky Kaushal and Sobhita Dhulipala in the lead.

The film will have its world premiere at the Cannes Directors’ Fortnight.

Do check out the poster and the stills.

(click on any image to enlarge and start slide show)

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The 63rd National Film Awards were announced recently, and then we read all the reports in various newspapers and sites. Strangely, they all sounded the same without any homework, or didn’t even give any extra information other than what the official press release says. So we were forced to step in, do some homework, and BOOM!

Since we strongly believe that any award always say more about the jury and less about the film, we had to figure out this jury panel which went with Baahubali as the Best Film. A decision which was criticised strongly by many. In an era when most prestigious film awards brag about their strong jury, two desi jury panels are still kept as a secret – National Film Awards and the jury which selects India’s entry to Oscar Foreign Language Film. Strange. Why? We are scared of being answerable for making bad choices?

We met one of the jury member from the South panel, and he spilled out all the beans.  So here’s more on this year’s jury and the selection process. All the inside dope. #JanhitMeJaari

– At first stage, 5 regional panels were formed with 5 jury members in each panel. Every panel represented one region – like one for North, West, East each, and 2 for South as it has too many languages in which films are made. If North panel was responsible for shortlisting films/talent from Hindi, Punjabi, Haryanvi films, West panel was responsible for Marathi/Gujrati/Konkani language films, and East panel was responsible for Bengali/Oriya/Mizo/Manipuri and others.

– These 5 panels watched all the films which were submitted and shortlisted names in each category. These names were then sent to the Central panel.

– After the first phase of shortlisting was done, 1 member from each panel moved to the Central Panel. So that’s 5 members in Central Panel. 6 more members including the Jury Chairman Ramesh Sippy  joined the panel making it a panel of 11-member jury.

– So who were these 11 members who took the final call?

  1. Ramesh Sippy
  2. Satish Kaushik
  3. Munin Barua (from Assam)
  4. K Vasu (Andhra Pradesh)
  5. S R Leela (Karnataka)
  6. Shyamaprasad (Kerala)

– The 5 members who came from 5 regional panels are as follows

      7. Dharam Gulati (South panel)

      8. Gyan Sahay (East panel)

      9. Sanjib Datta (North panel)

     10. Gangai Amaran (West panel)

      11. John Mathew Matthan (South panel)

– When we asked how come Hindi/bollywood films bagged a whopping 22 out of 32 awards in main categories? The jury member said that it’s the case of old joke of Railway Ministry. Earlier they used to joke that from whichever state the Minister comes from, all the new trains start going towards the same state. It seems to be the same case this time. Look at the 11-member panel. More than half are from bollywood, and 2 senior strong members were there who dictated almost every choice. Rest were just yes-men. And that’s why some weird process was followed in the Central panel.

– The jury member told us that he was informed about the strict rules and regulations which clearly state that if you have any close relatives in the running, you shouldn’t be part of the jury. Now, Gangai Amaran is Ilaiyraaja’s real brother. And Ilaiyraaja won the award for the Best Background music in Tharai Thappattai. Hmmm. Either our jury member was misinformed or such rules don’t exist. Enlighten us please.

– In one of the acting category, the final choice that was made was not even recommended by any of the panel. The choices that were given was discarded by the Jury Chairman and he proposed a new name, and strongly struck to it. The chairman discarded one of the proposed names (who is easily one of country’s best actor) saying he is not in lead role in the film. When one of the members pointed out that by the same logic, the name that he is proposing is also not in lead role, the argument was dismissed blatantly.

-Similarly, in another acting category, the Chairman proposed a new name out of the blue and decided that she should win when her name was not recommended by any panel.

– The voting happened in only 2 categories.

– A film which got unanimous rave reviews (nationally and internationally) when it released, had got strong recommendation in 4 categories (debut, screenplay, best supporting and special jury). But none of them were considered. There was an unwritten rule that nothing will go to this film as one of the producers of the film had made headlines when he returned his previous National Award.

– Another film which had a great production design (for its period setting) and was close contender for best production design as it was strongly recommended by the first panel,  it was also dismissed because of same reason – the director was part of #awardwapsi gang.

– The Central panel went with the recommendation of regional panels for best film in various languages except for Hindi and English language.

– For Best Hindi language film, two two names that were proposed by first panel were discarded as one of the Jury member proposed a new name and strongly stood for it. The joke in the Central panel was the theme of the film must have resonated with the jury member as he has similar features like one of the film’s lead.

– An actress was in running for Special Jury Award for an unreleased film. But since she had voiced her opinion strongly about a recent news event, and had even written about it, her name was quickly dropped.

– A major talent who is not really pro government, has bagged an award this year. The jury member said there was no chance that he was going to win. Luckily, there was hardly any good submission in the category. And his work was exemplary in that category. So they had no choice but to award him. Last time when his film bagged few awards, his name was put in the “to be watched” list.

For complete list of National Film Awards, click here.

– Team mFC

UPDATE – As pointed out by @atlasdanced, it seems  Gangai Amaran has clarified that he abstained from voting when Ilayraja’s work was discussed. One more report here. Anyone has more clarity on the rule and the process?

It’s been a good year for Hindi films so far. Good films making good money and getting critical acclaim too. Just what should happen in an ideal world. And it seems like Ashwiny Iyer Tiwari’s debut feature Nil Battey Sannata will carry the baton forward.

Do check out its recently released trailer.

12799155_10153278624992676_2398086390787374748_nThe film stars Swara Bhaskar, Ratna Pathak, Pankaj Tripathi & Ria. It’s produced by Aanand L. Rai, Ajay G. Rai, Alan McAlex, Sanjay Shetty & Nitesh Tiwari. Eros is presenting the film.

In an industry where most actress shy away from any mature roles, and even the actresses from previous generation doesn’t want to play any mother/sister role, it’s quite brave of Swara to take up the challenge. Some of us have seen the film. An assured debut by Ashwiny, it’s a heartwarming film backed by good writing and sincere performances.

Nil Battey Sannata releases on 22nd April, 2016.