Archive for the ‘Documentary’ Category

Fahad Mustafa and Deepti Kakkar’s documentary Powerless was selected to premiere at the ongoing Berlin Film Fest. The first look of the film is out with three interesting trailers.

Powerless is set in Kanpur, a city with 15-hour power cuts, where a nimble young electrician provides robin-hood style services to the poor. Meanwhile, the first female chief of the electricity supply company is on a mission to dismantle the illegal connections, for good. The documentary recently received a grant from Sundance Institute’s Documentary Film Program and Fund.

To read the Hollywood Reporter’s review of the film, click here.

Production companies: Globalistan Films, ITVS International

Directors: Fahad Mustafa, Deepti Kakkar

Producers: Fahad Mustafa, Deepti Kakkar, Judy Tam, Leopold Koegler

Directors of photography: Maria Trieb, Amith Surendran, Fahad Mustafa

Music: Gingger Shankar

Editors: Maria Trieb, Namrata Rao

Sales Agent: Globalistan Films

No rating, 84 minutes

TOWPOS2(COMP)

Few months back, we had put a post on “The Other Way“, a film by Aniket Dasgupta and Swathy Sethumadhavan documenting the indie filmmaking scene in India, and they were trying to raise funds for it through crowd-funding. Good news is they have managed to raise the funds for it and have just released its first look.

I have always felt that we have a terrible record when it comes to documenting our cinema and the stories surrounding them. A film like this one, Dungarpur’s Celluloid Man, Jaideep Varma’s film on Sudhir Mishra – we need many more such docus.

So check out the first look.

To know more about the film, click here and to read about he making of the film, you can click here for their blog.

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Berlin International Film Festival have added few new titles to its programming list in the last few days. And it includes some Indian films as well.

Abhishek Kapoor’s new film Kai Po Che will have its International premiere in the Panorama section. It stars With Sushant Singh Rajput, Raj Kumar, Amit Sadh, Amrita Puri and is based on Chetan Bhagat’s book 3 Mistakes Of My Life. And here’s the official synopsis of the film…

Best friends Ishaan, Omi and Govind – young, ambitious and restless – are trying to make a mark in the India of the early 2000’s. These are exciting times – a new millennium has just dawned, India is a nuclear power and ostensibly shining – a perfect place for the 3 Ahmedabad boys to start a business that could be their ticket to fame and riches. In a country where cricket is religion, they hit upon a brilliant plan – to start a training academy that could produce India’s next sporting superstars! What follows is without doubt the greatest adventure of their lives, as they attempt to navigate the big hurdles in the path of fulfilling their dreams.     Based on Chetan Bhagat’s bestselling novel “The Three Mistakes of My Life”, Kai Po Che (meaning a triumphant yell in Gujarati) is an unforgettable ode to friendship and the magical moments one shares with one’s closest pals – celebrating festivals, drunken dancing, watching cricket matches together, strategizing on how to catch the attention of the cute neighborhood girl, being there to watch each other’s back in troubled times and to celebrate one’s successes by screaming “Kai Po Che”!

The other Indian films include Sourav Sarangi’s Char…The No Man’s Island and Powerless by Fahad Mustafa and Deepti Kakkar which will be screened in Berlinale Forum. DearCinema has more details about these two documentaries –

Powerless is set in Kanpur, a city with 15-hour power cuts, where a nimble young electrician provides robin-hood style services to the poor. Meanwhile, the first female chief of the electricity supply company is on a mission to dismantle the illegal connections, for good. The documentary recently received a grant from Sundance Institute’s Documentary Film Program and Fund.

Char…The No Man’s Island,about a fourteen year-old boy who smuggles rice from India to Bangladesh, recently won a Special Mention in Muhr Asia Africa Documentary category at Dubai film festival 2012.

The 63rd Berlinale will be held from February 7-17, 2013.

The Other Way – Its a film by Aniket Dasgupta and Swathy Sethumadhavan who are documenting the indie filmmaking scene in India. The feature length documentary aims to understand the various facets of an independent filmmaker and attempts to capture the passion that drives these new wave filmmakers to work out of the mainstream film industry.

And in a country where we don’t have much culture of documenting our cinematic history, this seems to be going in the right direction. More so because in the last 4-5 years the way we are making films, it has changed drastically. Filmmaking has moved beyond the domain of counted few and “indie” is being redefined with new filmmakers rewriting the rules.

Aniket and Swathy have already interviewed some of the indie voices and filmmakers like Srinivas Sunderrajan, Onir, Vasan Bala, Sandeep Mohan, Qaushiq Mukherjee (Q), Sudhish Kamat, Shiladitya Bora among others. More interviews are also on schedule and will be shot in the coming months.
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The documentary is mostly self-financed but since the makers of the film are students (of Symbiosis Institute of Media and Communication), they are also trying to raise a part of the budget through Wishberry’s crowd funding platform. Contributors get certain perks in return depending on the amount they contribute.
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They have already raised more than Rs.47,000 out of there goal of Rs.80,000 on Wishberry and have JUST 3 Days left to raise the rest. Your contribution will take them one step closer to reaching their goal.
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So what are you waiting for? Click here and help them make the film.
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Not convinced yet that you are not going to waste your money? They do have a teaser from what they have shot so far. Click on the play botton and have a look.
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—> Link to the facebook page: http://facebook.com/TOWFilm
—> Link to the production blog: http://behindtow.tumblr.com/
—-> Link to the crowdfunding page:  http://wishberry.in/Help-us-make-The-Other-Way–13763

After Hulla and Leaving Home (documentary on Indian Ocean), filmmaker Jaideep Varma is busy working on his latest documentary film, Baavra Mann. And here’s a trailer of the film.

Here’s more info on the trailer and the film from its youtube account – A trailer of the rough cut of the full-length documentary feature, “Baavra Mann – a film on Sudhir Mishra & other Indian realities”. A film not only on one of Mumbai cinema’s longest lasting and relevant filmmakers but through that prism on a declining cultural life in India.

Aha, finally some documentation of our cinema and some of its prominent voices. Whenever i think about Sudhir Mishra, i often wonder why is there no making of Hazaroon Khawshein Aisi. It’s such a terrific and landmark film, and has a great story behind it. That needs to be documented. Hopefully we will get to hear some bits in this docu.

This trailer surely looks interesting. Though my only concern is Sudhir Mishra is quite overexposed. If you have been tracking him or his films, you probably know everything about him. But it’s nice to see anecdotes about his personal life too. And the film seems to go beyond Sudhir Mishra and his films. So eagerly looking forward to it.

The documentary film “Fire In Babylon” will have a theatrical release in India on 21st of Sept, 2012. It will be released under PVR Director’s Rare series.

If you haven’t heard about the docu, here’s the official release…

From the Oscar winning producers of One Day in September and The Last King of Scotland, comes the relentlessly entertaining cricket film FIRE IN BABYLON. The film charts the glorious supremacy of the West Indies cricket team throughout the late ‘70s and ‘80s.

A display of dominance at the highest level – longer than any team in the history of sport – in a game previously reserved for the privileged elite, their symbolic declaration was clear: people of colour will not be dictated to – on a cricket ground or in any other field of life.

Recounting the defiant and symbolic dominance of the West Indies cricket team throughout the late 1970s and 80s, FIRE IN BABYLON charts the events, which led to the rise of the West Indian cricketers becoming a fearsome and all conquering force to be reckoned with, striking a wonderfully defiant blow at the forces of white prejudice world-wide, inspiring a generation still struggling to emerge from racial discrimination.

FIRE IN BABYLON is told completely from a West Indian perspective, featuring a host of some of the legendary and revered players of the time and significant names from Caribbean culture including Sir Viv Richards, Michael Holding, Sir Clive Lloyd and Bunny Wailer, against a soundtrack of vibrant and classic music by the likes of Bob Marley and the Wailers, Gregory Issacs, Faithless and Horace Andy.

And here’s the new trailer of the film..

Click here to go to its FB page for more details and updates.

The 5th Documentary and Short Film Festival of Kerala will be held in the capital city Kerala ,Thiruvananthapuram (formely known as Trivandrum) from the 8th to 12th June 2012. The festival, a unique venture in India is being organized by the Kerala State Chalachitra Academy for the Dept of Cultural Affairs, Govt of Kerala as part of its endeavor to catalyse a vibrant documentary and short film movement.

PROGRAMME:

The festival will have :

A. National Competition Section under the following categories:

1) Long Documentary (over 40mts)

2) Short Documentary

3) Short Fiction (under 70mts)

4) Animation

5) Music Videos

B. Campus films competition for films produced by students from Educational Institutions above Higher Secondary level based in Kerala:

1) Short Fiction works 20min and less.

C. National and International non-competitive sections with the following categories.

1) Long Documentary Section (over 40mts)

2) Short Documentary Section

3) Short Fiction section (under 70mts)

4) Public Interest spots

5) Music Videos

6) Animation Films

7) Student Productions (Director must provide proof of being a bonafide student)

– There will also be specially curated sections focusing on issues, themes, countries and the works of filmmakers. The programme will also include Interaction/Workshop Sections with Media and Professionals from all over India.

DEADLINE: Last Date for receiving the Completed Entry form and preview material is30th April 2012.

PRIZE MONEY :

A. There will be a National Level competition for long documentaries, short documentaries, Animation and short fiction films produced in India between May 1st 2011 and 30th April 2012. The following awards will be given:

a) Best Long Documentary (40mts and above) with a cash prize of Rs 1.00 lakh and a certificate.

b) Best Short Documentary (under 40mts) with a cash prize of Rs. 50,000/ and a certificate

c) Best Short Fiction (under 70mts) with a cash prize of Rs. 50,000/ and a certificate

d) Best Animation with a cash prize of Rs. 25,000/ and a certificate.

e) Best Music Video with a cash prize of Rs. 25,000/ and a certificate

– Navroze Contractor Award for the Best Documentary Cameraman: Rs. 10,000/

B. Campus films competition for films produced by students from Educational Institutions above Higher Secondary level based in Kerala:

– There will be a competition for short fiction films for bonafide students studying within Kerala .The films will have to be 20min or under in duration and produced between Jan 1st 2011 and 30th April 2012 . The director of the film has to be above 18years at the time of production. The jury will award the following prizes:

i) Best Campus Film (20min and below) with a cash prize of Rs. 20,000/ and a  certificate to the creative team.

RULES & REGULATIONS (for competitive sections):

1) Eminent Juries will be appointed by the Kerala State Chalachitra Academy .No person with any involvement in the films will be present on the Jury.

2) Only films produced in India or with one Indian Director are eligible for the National level competition. All films participating in the competition have to present either a certificate from the Board of Film Certification or a signed notarized affidavit on Rs 50/ Stamp paper by the person entering the film that the film has been completed between May 1st 2011 and 30th April 2012 (both days inclusive)

3) Campus Films have to be made by students who were registered students at the time of the production of the film, in an educational institute above Higher Secondary level located within Kerala. The films have to be short fiction of under 20min duration. The films have to be produced between Jan 1st 2011 and 30th April 2012 (both days inclusive) .The age of the Director has to be above 18yrs at the time of production. A certificate from the Educational Institution stating both the above is required.

4) Films must be available for festival screening on one of the following formats : DV, Beta SP/PAL, 35mm

5) A selection committee appointed by the Kerala State Chalachitra Academy will select films for the screening in the competition and non competitive sections.

6) A director or production company may enter more than one film, provided a separate entry form accompanies each film.

7) No films as works in progress will be accepted. A film once entered cannot be re-entered in the competition.

7) Only selected films will be intimated by email. No letters of non- acceptance will be sent. All lists will be available on the website by 20th May 2012

8) Directors of films in competition will be invited to attend the festival with 2 Class AC Train fare and hospitality during the festival.

9) All non English-speaking projects must have English subtitles.

10) The Director of the festival has the power to include any film at his discretion.

ADDRESS :

Secretary, Kerala State Chalachitra Academy, Mani Bhavan, Sasthamangalam Thiruvananthapuram, Kerala –

695010

CONTACT : Ph – 0091-4712310323. Fax -0091-4712310322. Email – iffkoffice@gmail.com

For more information, please visit www.iffk.in or www.keralafilm.com or direct link to the page is here.

Tip : Sumit Purohit

It was supposed to be Mallika Shehrawat’s international debut. The director had a world famous surname – Lynch. But by the time the film got released, the director, Jennifer Lynch claimed that she didn’t make Hisss. She was nowhere in sight too. During the release, it was Mallika and her good friend Govind Menon (director of Khawish, Kis Kiski Kismat, Bachke Rehna Re Baba) who handled everything. So what really happened? Did she quit or was she forced to? And if so, why and how?

A new documentary, Despite The Gods, seems to have all the answers. Penny Vozniak’s making-of documentary will premiere at HotDocs in Toronto.

Here’s the description from the official release..

Upscale Font Jennifer Lynch, daughter of cult film auteur David Lynch, made her auspicious directorial debut in 1993 with Boxing Helena at the Sundance Film Festival. A box office disaster, the film was viciously mauled by critics and became the focus of multiple lawsuits. Fifteen years later, a recovering addict and hard-working single mother, Lynch returns to the director’s chair with an ambitious project that will test her skills and the entire crew’s sanity.

Despite the Gods brings us behind the scenes on the set of Lynch’s Bollywood/Hollywood action film about a man-eating snake goddess. Out of her depth shooting on location with an Indian crew and two top Bollywood stars, Lynch turns her production into a vehicle for her own self-actualization, paying no regard to timeline, budget or reality. As the story in front of the camera derails, the story behind the camera explodes.

And the trailer. Do watch.

Via Slashfilm

Earlier this week Ashvin Kumar released the 7min preview of his new film Inshallah, Kashmir : Living Terror. And now he has released the full film online. The film is available for viewing for 24 hours. Watch it NOW.

After he faced problems with the Censor Board for his last film, the idea is to bypass the Censor Board and reach out to the audience directly with this one. Click here to read a Tehelka article on the film.

You can also click here and have a better view on the Vimeo page.

DISCLAIMER :  This is a compilation of live interviews. The statements of the interviewee are completely their own. The explicit nature of the content may affect the viewer’s sensibility and therefore viewer discretion is advised. Please proceed to click only if you wish to watch the contents. The viewer shall be fully responsible for the access to and viewing this content.

We apologize for the low resolution of the video – it has been impossible to upload larger files. We’ll continue trying.

We wrapped up the “Best Of 2011” with all kinds of posts on movies, music and moments. But we completely forgot about the docs. Also because most of us didn’t manage to watch all the best docs.  Writer-filmmaker Mihir Desai saw it all and here’s his recco post on the top 10 docs of 2011 that you must watch. Click on the titles to see the trailers.

2011, like the previous year has been a brilliant year for documentaries. We’ve been exposed to some really personal and special films. These docs have dared to bend the rules and have created a sub-genre within documentary filmmaking. I saw docs that were surreal, global collaborations, re-enactments and just traditional docu-dramas. Hope this genre continues to grow and finds more audiences, after all the first few movies ever made were documentaries too!

Some obvious choices like Pina 3D, Page One: Inside The New York Times and Martin Scorsese’s Public Speaking will be missing from the list as I never got a chance to watch these. Regardless, this should make for an interesting recommendation list, as I am sure most films listed below might have gone unnoticed amidst the Tintin and Mission Impossible hype.

First up, the honorable mentions: Inshallah Football, Buck, Knuckle, George Harrison: Living in the Material World, a short documentary by Errol Morris – The Umbrella Man and Superheroes.

Now, the five runner-ups. Films that almost made it to the list:

15. Urbanized
14. Being Elmo
13. Project Nim
12. Cave of Forgotten Dreams – 3D
11. Tabloid

Finally, the top 10 documentaries of 2011:

10. The Arbor Clio Barnard’s portrayal of the late Bradford playwright Andrea Dunbar is a brave experimental documentary. Clio uses audio from the interviews of real people and lip-syncs them to the actor’s performance. The whole film is a re-enactment but it isn’t manipulating the facts. The events and story is true, the presentation isn’t (somewhat similar to No. 8 on this list) It can be a little challenging to watch this film but once the story unfolds, you’ll be hooked!

9. Bill Cunningham New York: An 80 year old New York Times fashion photographer riding his bike around New York City to photograph fashionable citizens; the plot of this film is that simple. Director Richard Press portrays Bill Cunningham’s passion for fashion and photography in the simplest manner. The observational approach juxtaposes the glamorous fashion world to Bill’s simple and saintly way of living. Besides being a film about Bill’s photography, it is also an interesting city portrait of New York. Therefore, making New York an additional character for Bill to interact with. This is a truly inspiring documentary. When the movie ends, what stays with you is Bill’s contagious smile.

8. Bombay Beach: Director Alma Har’el comes up with the year’s most poetic, surreal, genre-defying documentary. Some might argue, this isn’t even a documentary, and that’s what makes it so fascinating to watch. The location is real, the characters are real and the story is just an observation of these characters’ lives. Alma treats her film like a narrative feature. There are beautiful musical moments choreographed to songs by Bob Dyland and Beurit that makes the experience very surreal. The irony here is that this film is vaguely about the American dream set in a poor, dying community on the shores of Salton Sea. Bombay Beach is nothing like you’ve ever seen before. Absolutely magical!

7. Senna: The year’s most popular documentary on the life of Formula One driver, Ayrton Senna, is absolutely riveting! Director Asif Kapadia makes the best of unseen archival footage to explore the struggles and achievements of an iconic sports person. It’s the editing of the film that takes it to a whole new level. Gripping!

6. Life In A Day: What. A. Movie! This is a perfect and successful example of collaboration 2.0. Co-directed by Kevin MacDonald and The World, this is a beautiful documentation of common emotions across the globe. Shot on the same day by people from around the world and interestingly woven together by editor Joe Walker, Life In A Day is as real a film can get. Brilliant and compelling! Also, you can legally watch the whole film on YouTube, for free.

5. How To Die In Oregon: Oregon was the first state in the USA to legalize physician-assisted suicide. Director Peter Richardson follows the life of cancer patient Cody, and it is through her point of view we get to learn about the pros and cons of Oregon state’s “Death with Dignity” law. Richardson handles this topic in a very sensitive manner without invading Cody’s private space. A thought-provoking documentary that some might find a little tough to watch. Yet, this is one of the most important films of the year and is sure to call for a healthy debate about the ‘death with dignity’ law and about the voyeuristic nature of documentary filmmaking.

4. Into The Abyss: Werner Herzog has his way of doing things, and no one else does it better than him. Herzog creates a moving profile of two men on death row and explores their relationship with those outside of prison. This film is not so much about capital punishment but about exploring the fear and philosophies of death. A very honest portrayal of the fine line between what is right and wrong.

3. Nostalgia For The Light: If Terrence Malick makes a documentary, this is what it  will look like. With gorgeous imagery and a philosophical narrative, director Patricio Guzmán constructs a story about the fusion of past and present. In the Atacama Desert, astronomers study the boundaries of the universe while surviving families of the Chilean exiles continue to look for the remains of the loved ones. Nothing comes close to the experience of watching this movie. This is the film I would have loved to see in 3D. It’s a hypnotic film that asks complex questions about life, memory and the universe. Unique film, unique experience.

2. Marwencol: Jeff Malmberg’s documentary is about the fantasy work of Mark Hogancamp, who creates a 1/6th scale World War II ear town which helps him get away from his nightmarish past. Mark is a very complex character and this film studies him with utmost sincerity. The filmmaker never tries romanticizing Mark’s motivations. Truly an authentic character study that might just leave you shattered.

1. The Interrupters: The Academy once again snubs one of the best documentary filmmakers, Steve James. Last time it was for Hoop Dreams and this time, for the mind-blowing, The Interrupters. Set in Chicago, Steve James follows three members of the Ceaserfire program for a whole year. Also known as violence interrupters, their job is to protect their community from the urban violence of the city. This is a side of America not many are aware of. The characters are, in my opinion, real-life superheroes. Steve James and his crew fearlessly film every detail they can. They are always there in the middle of conversations, danger, and threat. The Interrupters is powerful, dark and hopeful at the same time. Without a doubt, the best documentary of 2011.

Take some time out from mainstream movies and seek out these masterful films. There’s a whole lot out there!

Happy New Year!

Mihir Desai

( PS – For more film posts by Mihir, click here.)