Posts Tagged ‘Documentary’

junun

“जिसे जूनून ए मोहब्बत अता किया तूने”

मुझे कव्वाली से कुछ ख़ास लगाव रहा है। छुटपन में कुछ सुनी, अब याद नहीं कैसे कहाँ क्योंकि यादों पे बारिश की ओस जमी है। और बाद में तो ख़ैर शौक ही हो गया, इधर उधर सुन सुन के जैसे शौक बन जाते हैं। मैं आपको थोडा और अंदर ले चलता हूँ की क्यों मैं इससे इतना प्रभावित हुआ। दसवीं ख़त्म हुई थी, एक दोस्त का घर था जहाँ मैं अक्सर जाया करता था। “अबे ये सुन Stairway to heaven, इसे दुनिया का बेस्ट गाना माना जाता है”, इस तरह मेरा परिचय RocknRoll से हुआ। पिछले कुछ सालों से मेरा और कुछ दोस्तों का एक शौक रहा है, नए bands खोजना। और इसी का नतीजा है की एक दिन उसी दोस्त ने मुझे Radiohead के संगीत से मिलवाया। थोड़ी दिक्कत हुई इसे समझने में, पर कहीं न कहीं जुड़ गया मुझसे। Jonny Greenwood क्या चीज़ हैं यह मुझे PTA की ही THERE WILL BE BLOOD से पता चला। Shye Ben-Tzur के संगीत से मैं बिलकुल अंजान था, और जब मैंने उन्हें उर्दू में गाते सुना तो मेरे मन के सारे मेंढक मग्न हुए नाच उठे। मैं शायद आपको समझा न पाऊँ की क्यों मुझे कव्वाली पे नाचने के लिए जाम की ज़रुरत नहीं पड़ती, क्यों मुझे बिना नशा किये Pink Floyd सुनके अजीब ओ गरीब चीज़ें दिखाई देती हैं (और बेख़ुद कर देती हैं), क्यों मैं ISCKON के “प्रभुपाद प्रभुपाद” नाद पे झूम उठता हूँ, हालांकि न मैं उनके प्रभु को मानता हूँ न ही उन्हें। पर मैं यक़ीन से कह सकता हूँ की यह सब एक ही वजह से जुड़ी हुई हैं, मेरे विश्वास से की संगीत और सिनेमा खुद में पूरे हैं। उन्हें निरोध की ज़रुरत नहीं। आप संगीत को सिनेमा से मिला दीजिये और आपको एक पाक़ साफ़ फॉर्म मिलेगा। ‘JUNUN’ यही फॉर्म है।

मेरा मानना है की आर्ट को वैज्ञानिक की ज़रुरत होती है, पथ प्रदर्शन और नए प्रयोगों के लिए। मॉडर्न सिनेमा को जैसे मैंने जाना है, Paul Thomas Anderson मुझे इसके वैज्ञानिक मालूम हुए हैं। हर फ़िल्म एक दूसरे से जुदा, हर फ़िल्म तकनीकी तौर पे पिछली को पीछे छोड़ती हुई। शायद कोई फिक्स्ड स्टाइल न होना ही उनका स्टाइल हैं। तो मैं यह मानके तो गया ही था की JUNUN कुछ ख़ास होगी। Shye और Jonny Greenwood (Radiohead से एक अलग किस्म का प्यार है मेरा, उस band में सब individual genius भरे पड़े हैं) साथ में एक एल्बम बना रहे हैं, और PTA उसे फ़िल्म कर रहे हैं…अब इंसान बौराया नहीं ये सुनके तो दिल नहीं है उसके पास।

यहाँ हम जोधपुर के मेहरानगढ़ फोर्ट में इन कलाकारों को एक माँगणियार क़व्वाल समूह के साथ काम करते देखते हैं। मैं यह हलके में नहीं कहता, और मैं ये मानना चाहूँगा की मैंने काफी संगीत सुना है, पर मैंने ऐसा कुछ पहले कभी नहीं सुना। PTA के ड्रोन शॉट्स जोधपुर को एक नयी परिपक्वाता से देखते हैं। उनके हर फ्रेम में संगीत इस क़दर है की आप दोनों को जुदा करके नहीं देख पाएंगे। एक क़व्वाली, जिससे एल्बम का नाम मालूम हुआ है, ने थिएटर में बैठे सभी को उसी ताल पे ताली बजाने पे मजबूर कर दिया, उनमे से एक मैं भी था। सिनेमा और संगीत का संगम ऐसे बेकाबू कर देता है, मैंने अब जाना। 53 मिनट तक मेरे रौंगटे खड़े रहे, मैं इतना हल्का आदमी तो नहीं हूँ। बाहर निकल के नाचने का मन होने लगा। पर मैं नाच नही पाया, मैं कुछ हल्का आदमी हूँ। ख़ालिस तस्वीर जो होती है, उसमे आर्टिस्ट कहीं न कहीं खुद को बना देता है। यहाँ आपको एक अभिव्यक्ति दिखेगी जिसे आप PTA की पिछली हर फ़िल्म में देख सकते है, Shye aur Jonny के संगीत में देख सकते हैं, इन कव्वालों की ताल में देख सकते हैं। और यही जूनून है, यही मक़सद है, यही ख़ुदा है।

मैं बस इस बेमिसाल मेल को देख के, सुन के पागल सा हो गया, की मुझे अलफ़ाज़ नहीं मिले। अब आप कैसे बयाँ कर सकते हैं की कुछ चीज़ें आपके साथ क्या कर जाएँ ?

मैं तमाम उम्र शब्दों को चेहरा देते आया हूँ, हर शब्द मेरे ज़हन में एक तस्वीर उकेर देता है। अब मुझे कभी “जुनून” की तस्वीर नहीं बनानी पड़ेगी। मैंने उसे साक्षात देखा है। Shye, Jonny और मांगणियारों के संगीत में, PTA की नज़र से, JUNUN में।

कहाँ बुत गिरा, कहाँ चैन पाया
मैं कैसे सुकूँ को सहता हूँ,
बना फलसफा कुछ यूँ ही बड़बड़ाते
मुसलसल जुनूँ में रहता हूँ।

Bhaskarmani Tripathi

(Bhaskarmani Tripathi is a chronically depressed and दिलफेंक individual who wants to make his moments last. Has been called names more than he’s been called by his name, not that there’s anything wrong with it. Hates adjectives, loves Hindi and Urdu and Almost Famous. Believes Rock n Roll saved his life. Although never seen, this is one of his most favourite moments in cinema. Tweets at @bolnabey)

(You can watch the film at Mubi)

In Their Shoes

After making his debut with Hindi feature Aurangzeb, and TV series, Powder, Atul Sabharwal is now coming out with a documentary  titled “In Their Shoes”.

Centered on the shoe industry in Agra and the people who are engaged in it, this feature length documentary is set to get a limited release in 5 cities (Mumbai, Delhi, Bangalore, Agra and Pune) on March 13th, 2015, through PVR Director’s Rare and Long Live Cinema  in five cities

And here’s the trailer

In the docu, filmmaker Atul Sabharwal goes on a quest to find out why his father pushed him away from
joining their family business of shoe material trading in Agra. With a runtime of 92 minutes, this film navigates through the narrow alleys, crowded slums and giant export houses of the historic city of Agra, India, exploring certain answers through the interviews of footwear artisans, traders, manufacturers, exporters and government officials. Through their voices this film pieces together the tale of the industry and the men who built it and sailed it through or got sunk with the global events like India-Pakistan Partition, rise of the USSR, Solidarnosc movement of Poland, the collapse of Berlin Wall, opening of trade economies.

Shot by Ansar Shah and edited by Parmananad Kumar, this film allows the filmmaker to unravel the history of the footwear industry in Agra, and discovers how the global events of his growing up years impacted his relationship with his father.

For more info, FB page is here. Twitter account is here.

‘Om Dar Ba Dar’ fame Kamal Swaroop is ready with his next documentary and if these teasers are any proof, then it looks quite fascinating.

Banaras, Narendra Modi, Arvind Kejriwal, and the biggest democratic exercise on this planet – seen through the auteur vision of Kamal Swaroop should be a heady mix.

Over to the two teasers of “Dance for Democracy”:

P.S. – The BGM is kick-ass!

Placebo

Abhay Kumar’s documentary film, Placebo, just had its international premiere at the reputed International Documentary Film Festival of Amsterdam (IDFA).

And the good news is the film has also been nominated for Best Film in “Competition for First Appearance” category. It’s competing with Always Together (Czech Republic) by Eva Tomanova, Drifter (Hungary/Germany) by Gábor Hörcher and Mother of the Unborn (Egypt/United Arab Emirates) by Nadine Salib.

Here’s the first look teaser of the film

Synopsis

After witnessing an act of brutal violence, a film maker starts following the lives of four students at one of the prmiere educational institutes of India. However, as the camera starts infiltrating this complex mindscape of ambition and restless youth, a startling new reality begins to emerge – one in which an implosion is taking place. In this world, what can be the cure?

Credits

Written and Directed by: Abhay Kumar

Associate Director: Archana Phadke

Produced by: Abhay Kumar & Archana Phadke

Executive Producer: Miia Haavisto

Edited  by: Abhay Kumar & Archana Phadke

Consultant Editor: Deepa Bhatia

Sound: Micke Nystrom

Music: Shane Mendonsa

VFX and titles:Vijesh Rajan

Colorist: Sidharth Meer

Animation: Rajesh Thakarey and Troy Vasanth

So after much hype (courtesy our friends Namrata JoshiAseem Chhabra and others), a few of us finally ended up joining them this time at the 3rd edition of the annual Dharamsala International Film Festival, up in the beautiful township of McLeodganj- and I’m happy to report that it did live up to the buzz, and I can’t wait to get up there again next year. It’s an excellently organized festival- with helpful signs all over town to guide you, autos hired to take you up to the main venue TIPA (Tibetan Institute of Performing Arts) and a wonderful, warm team of volunteers, some of who travel from various parts of India and the world to be part of this joyous little celebration of cinema up in the mountains, in a town without a single cinema theatre.

Clearly, the common thread among many of the films shown at DIFF was that they belonged to the genre I will call ‘cinema of social unrest’- and from what I hear, this was the case the year before as well. So there are many documentaries as well as fiction features about social and political movements, revolutions, human rights violation and conflicts of land, culture and identity. This feels especially apt considering Dharamshala itself is a place where you can distinctly feel the angst of displacement and the forced refugee status of Tibetans under the gentle, tranquil atmosphere of the town.

This year included a fairly interesting selection of films (you can check out the list here) as well as some interesting retrospectives, curated short film packages and masterclass/Q&A sessions with filmmakers such as Rajat Kapoor, Hansal Mehta, Gitanjali Rao, Q and Umesh Kulkarni. I’m afraid I did not manage to catch a whole lot of them- the main drawback of having a film festival in such a picturesque location is that you are conflicted whether to spend your time watching films or savor the sights around, not to mention visit all the charming cafés and eateries in the area. Still, here are a few notes on some of the films I did catch at the festival:

KILLA:

Killa

Avinash Arun’s debut feature is a gorgeously evocative and poignant film about friendship, loss and the resilient ability of children to deal with disappointment, displacement and even death. Killa is clearly a very personal film, and is shot and crafted with great love and sensitivity. It also features some unforgettable, textured characters brought to life with amazingly natural performances from Amruta Subhash, Archit Deodhar, Parth Bhalerao and a wonderful ensemble of young actors. This is yet another strong contemporary Marathi film about children, and definitely the one with most finesse out of the ones I’ve seen. I must mention here though that I haven’t seen Umesh Kulkarni’s acclaimed Vihir yet- interestingly, Avinash Arun cites Kulkarni as his mentor and a strong influence.

BRINGING TIBET HOME:

Bringing Tibet Home documents the deeply emotional and often funny story of New York-based artist Tenzing Rigdol’s audacious art project to reunite exiled Tibetans with their land, quite literally. After his father dies with his last wish of setting foot in his homeland unfulfilled, Tenzing decides that if Tibetans can’t return to Tibet, he will bring Tibet to them by smuggling 20 tonnes of native Tibetan soil to Dharamshala for a one-of-its-kind art installation. It was especially moving watching the film in Dharamshala- though it did also really make me ponder about what makes land itself so important to human beings. Maybe because I’ve never quite had roots anywhere, soil to me just feels a little overrated… ‘it’s just tiny little rocks.’

THE SQUARE:

This shattered my heart and blew my mind to bits. Jehane Noujaim’s The Square is the most devastating film I have seen in a long time and easily the best one I saw at Dharamshala. The film puts you right at the heart of a revolution inside Tahrir Square, with young, common people spiritedly fighting a fascist and fundamentalist regime in Egypt, spilling their blood and guts out for the hope of a brighter, free future even as they come to the crushing realization that courage and idealism aren’t enough to win their war against oppression. This is absolutely essential viewing- the auditorium was filled with tears and goosebumps in the end and the applause didn’t stop till the credits had finished rolling.

(PS: Also spotted in the documentary- Aida Elkashef from Ship of Theseus and a Vikramaditya Motwane doppelganger. I kid you not- the resemblance is uncanny. See if you can spot him. 😉 )

OMAR:

Director Hany Abu-Assad cleverly sets a gripping tale of love, deceit and betrayal against the Palestine-Israel conflict. The film borrows sparingly from Romeo and Juliet and Othello to give us a heady mix of socio-political thriller and Shakespearean drama- and while a comparison might be a little unfair- I can’t help feel that Omar blends the two a lot more seamlessly and effortlessly than Vishal Bhardwaj’s Haider, which of course is very good in its own right. Adam Bakri gives a superbly charismatic performance as the protagonist- though admittedly, it’s hard to take your eyes off him anyway considering how jaw-droppingly good he looks.

TRUE LOVE STORY:

Filmmaker Gitanjali Rao showcased a great set of Indian and international animated shorts curated by her at DIFF (including her marvelous Printed Rainbow), and ended the session with her newest film True Love Story, which screened at the Cannes Critics’ Week section earlier this year. The film, originally scripted to be part of a feature film (alas, no one wants to fund quality animation films in India) begins as a homage to masala movies which is both affectionate and hilariously tongue-in-cheek- but in the end reveals itself to be a sharp social satire, using a real-life tragedy that made headlines a few years back (the court case is still on) to brilliant, scathing effect. The film is a visual and aural delight with its colorful evocation of Bombay’s sights and sounds through Bollywood tinted glasses, and hopefully it will make its way to a wider audience soon. And I hope some producers funding ‘indie’ films (which more often than not, turn out to be sub-par) see the potential in this medium and back Ms Rao’s extraordinary talent and bring more of her singular, unique vision to the big screen.

Jahan Singh Bakshi

(Photos courtesy DIFF Facebook page, Mihir Pandya and author)

Megha Ramaswamy’s documentary Newborns premiered at Toronto International Film Festival. And now it’s online for a limited time as part of Vimeo’s presentation of TIFF Short Cuts.

Watch it.

From fest site – A hauntingly beautiful documentary that follows female survivors of acid attacks, who bravely defy the trauma and fear that will always accompany them.

Cast, Crew and Other Details

Country: India
Year: 2014
Language: Hindi
Premiere Status: World Premiere
Runtime: 8 minutes
Rating: STC

Producer: Anand Gandhi, Sohum Shah, Ruchi Bhimani
Production Company: Recyclewala Labs
Principal Cast: Laxmi, Nasreen, Sapna, Daya Kishan, Usha, Rupesh Tillu, Heena Agrawal
Screenplay: Megha Ramaswamy
Cinematographer: Satya Rai Nagpaul
Editor: Anand Gandhi, Rohit Pandey
Sound: Ajit Rathore, Aditya Jadav
Production Designer: Megha Ramaswamy

Watch the entire Short Cuts Online Program at: vimeo.com/channels/tiffshortcuts

Tip – ShortFilmWindow

Katiyabaaz2

With Recyclewala Films presenting Gulabi Gang and Anurag Kashyap putting his might behind The World Before Her, we are seeing a great new trend of documentary release in India. And this is what is required to push those small gems which don’t have the big marketing budget. Hope more well known filmmakers and production houses will come forward for this kind of endeavor. The latest one is Phantom Films presenting Fahad Mustafa and Deepti Kakkar’s documentary Katiyabaaz. The film will hit the screens of 22nd August, 2014. It has lyrics by our Varun Grover.

Official synopsis – The film highlights the issues faced by the city of Kanpur due to power cuts and failures from the perspective of Loha Singh, a local katiyabaaz who, with an almost vigilante like attitude, steals electricity for the locals of the town.

If the synopsis sounds serious, don’t go by it. Trust our words – it’s a fun film. Though it looks staged at many places but it’s worth a watch. The film also bagged the National Award for the Best Investigative film at the 61st National Awards, won the India Gold for Best film at the Mumbai Film Festival, 2013, and received a grant from the prestigious Sundance Institute.

Here’s the new trailer of the film