Posts Tagged ‘trailer’

The first look of the film X is out.

The film will open the South Asian International Film Festival (SAIFF) which runs from Nov 18-23, 2014. Interestingly, it’s 1 film with 11 segments directed by 11 filmmakers. The directorial bunch includes Sudhish Kamath (Good Night | Good Morning), Q (Gandu), Nalan Kumarasamy (Soodhu Kavvum), Suparn Verma (Aatma, Ek Haseena Ek Khiladi), Raja Sen, Sandeep Mohan (Love Wrinkle-Free), Pratim Gupta (Paanch Adhyay), Hemant Gaba (Shuttlecock Boys), Abhinav Shiv Tiwari Sankhnaad (Oass), Anu Menon (London Paris New York), and Rajshree Ojha (Aisha, Chaurahen). And this includes 3 film reviewers. If you don’t like the film, well, you get the drift.

 Check out the first trailer of the film. And scroll down for detailed synopsis, cast & credits.

Official Synopsis :

Is man meant to stick to one woman? Is film meant to conform to one genre?

X is a one-of-its-kind film because eleven Indian filmmakers with disparate styles of filmmaking have come together to make different parts of the same film. In strikingly different styles as a bridge between the various cinemas of India. Mainstream, Arthouse, Popular, Underground, Regional and Global – all at the same time. NOT an anthology but a single story.

The story of K (Rajat Kapoor), a filmmaker with a mid life crisis, who meets a mysterious young girl (Aditi Chengappa) who reminds him of his first girlfriend at first, and subsequently, of every woman in his life. Who is she? Is she real or imaginary? A stalker or a ghost? His past catching up or a character from the script he is writing?

Each episode, directed by a different filmmaker (since every woman/story required a different genre) unravels the role of a different woman in his life. Every woman is different and through the lens of different filmmakers, X hopes to explore the role women play in shaping our lives.

What is it that makes us tick or stop? What is it that keeps us anchored or free falling? What is it that makes us move or let go? Are we products of our past or present? What is that X factor that defines who we are?

X Cast & Crew

Cast: Aditi Chengappa, Bidita Bag, Gabriella Schmidt, Huma Qureshi, Neha Mahajan, Parno Mitra, Pia Bajpai, Pooja Ruparel, Radhika Apte, Richa Shukla, Rii Sen and Swara Bhaskar with Anshuman Jha and Rajat Kapoor

Directed by: Abhinav Shiv Tiwari, Anu Menon, Hemant Gaba, Nalan Kumarasamy, Pratim D Gupta, Q, Raja Sen, Rajshree Ojha, Sandeep Mohan, Sudhish Kamath and Suparn Verma

Written by: Abhinav Shiv Tiwari, Anu Menon, Hemant Gaba, Pratim D Gupta, Q, Raja Sen, Rajshree Ojha, Sandeep Mohan, Sudhish Kamath, Suparn Verma and Thiagarajan Kumararaja

Directors of Photography: Anuj Dhawan, Aseem Bajaj, Dinesh Krishnan, Gairik Sarkar, Katyayani Mudholkar, Maeve O Connell, Q, Ravi K Chandran, Sandeep Mohan, Siddhartha Nuni, Sidharth Kay and Viraj Sinh Gohil

Edited by: Sreekar Prasad, Vijay Prabakaran, Vijay Venkataramanan, Biplab Goswami, Gairik Sarkar, Dhritiman Das, Shreyas Beltangdy, Ankit Srivastava, Ninaad Khanolkar

Post Production Management & Grading: Siddharth Meer

Sound Mix: Gita Gurappa

Lyrics: Pratyush Prakash & Raja Sen

Music: Maitreya

Additional Screenplay: Thiagarajan Kumararaja

Executive Producers: Shiladitya Bora & Sudhish Kamath

Produced by: Manish Mundra

COFFEE_BLOOM_STILL_1

 

Manu Warrier’s debut feature Coffee Bloom is having its India premiere at the Mumbai Film Festival 2014 in the ‘New Faces of Indian Cinema’ section. Coffee Bloom stars Arjun Mathur, Sugandha Garg and Mohan Kapoor among others. We have the debut trailer for the film right here, take a look:

https://www.youtube.com/watch?v=vA3YKV8TTzc&feature=youtu.be

Here is the synopsis of the film, along with information on the cast and crew:

SYNOPSIS:

Dev sells his family coffee estate as a statement underlining his renunciation of the world. When his mother dies heartbroken, he vows to prove worthy of her before scattering her ashes, little realizing that that involves confronting the world he shunned and his turbulent past.

Directed by: Manu Warrier

Produced by: Harish Amin

Written by: Sharath Parvathavani and Manu Warrier

Cast: Arjun Mathur, Sugandha Garg, Mohan Kapoor, Nandini Sen, Ishwari Bose-Bhattacharya

Co-Producers: Sharath Parvathavani, Rajeev Acharya, Nitin Chandrachud, Tess Joseph

Music and BG score: Prasad Ruparel

Cinematography: Yogesh Jaan

Editor: Anand Subaya

Casting By: Tess Joseph

Sound Design: David Stevens

If you are attending MFF 2014, you can catch the film at 3:30 pm on Monday, October 20th at Cinemax Infiniti Mall, Versova and 10 am on Tuesday, October 21st at PVR Citi Mall, Andheri.

The first trailer of Shonali Bose’s film Margarita With A Straw is out. The film will have its premiere in Contemporary World Cinema section at Toronto International Film Festival. Have a look.

From fest site – In this inspirational love story, a Delhi university student and aspiring writer afflicted with cerebral palsy (Kalki Koechlin, Dev.D, That Girl in Yellow Boots) leaves India for New York University, where she falls for a fiery young activist.

Unusual only because it’s so rarely seen on screen, Margarita, with a Straw is an exceptional portrait of a woman discovering what she wants, and how to get it.

Laila (Kalki Koechlin) is a student and aspiring writer, crafting lyrics and electronic sounds for an indie band at her Delhi university. Her cerebral palsy doesn’t much get in the way of her life, although it sometimes does for others. When Laila’s band wins a local contest, the condescending host says to her, “It must have been so hard for you. Can you share something with us?” Laila shares her middle finger.

Always seeking more freedom and new experience, Laila wins a place at New York University and leaves India with her mother (Revathy) for Manhattan. There she meets a fiery activist, Khanum (Sayani Gupta), who challenges her beliefs, sparks her creativity, and, eventually, takes her to bed. For these two women, it’s the beginning of a remarkable love story.

The programme presents the latest works of some of the most provocative and important voices in cinema from around the globe. Bose’s debut film Amu had also been screened at Toronto in 2005.

For cast, credits and other details, click here. Though we noticed a strange thing in the credit roll of the trailer, even the casting director gets a credit (because he is producer, writer and director too? That too three credits in one plate!) but the (Hindi) dialogue writer doesn’t have a credit. How strange? We have never been to able to understand why people become so insecure and chindi when it comes to credits?

– Posted by @Shubhodeep

A new Vishal Bhardwaj film is always cause for celebration. Even his weakest films have so much to savour, and in an industry so plagued by intellectual and creative bankruptcy, Bhardwaj is the rare filmmaker who could perhaps truly claim auteur status- he produces, directs, writes, composes- and does all of it with a style so distinctive and quixotic- there’s no mistaking his stamp. We’ve got to admit, we’re fanboys, and unashamedly so.

The much awaited trailer for Mr Bhardwaj’s new film ‘Haider’ has arrived along with a trio of posters. Haider is based on Hamlet and is the final film of his Shakespearean Trilogy (preceded by Maqbool and Omkara) and stars Shahid Kapoor, Tabu, Shraddha Kapoor and Kay Kay Menon among others (including Irrfan Khan in a special appearance).

Notably, Haider has been co-written with Kashmiri author and journalist Basharat Peer and also marks the filmmaker’s first collaboration with cinematographer Pankaj Kumar, who is best known for shooting Anand Gandhi’s Ship Of Theseus. Click here to read an interesting article about Peer’s collaboration with Bhardwaj.

Take a look at the trailer and posters and let us know what you think:

 

 

Titli

Kanu Behl’s Titli is all set to premiere at this year’s Cannes Film Festival. And the makers have just released the poster and the first trailer of the film. It looks so intense, and so unlike any other YRF film ever. Have a look.

And here’s the Offficial Synopsis

In the badlands of Delhi’s dystopic underbelly, Titli, the youngest member of a violent car-jacking brotherhood plots a desperate bid to escape the ‘family’ business.

His struggle to do so is countered at each stage by his indignant brothers, who finally try marrying him off to ‘settle’ him.

Titli, finds an unlikely ally in his new wife, caught though she is in her own web of warped reality and dysfunctional dreams. They form a strange, beneficial partnership, only to confront their inability to escape the bindings of their family roots. But is escape, the same as freedom?

Cast and Crew

Directed by: Kanu Behl
Produced by: Dibakar Banerjee and Yashraj Films
Music by: Karan Gour
Written by: Sharat Katariya & Kanu Behl

– Starring Ranveer Shorey, Amit Sial and introducing Shashank Arora

– Earlier Varun Grover wrote about Titli in this post.

 

After Leaving Home and Baavra Mann, filmmaker Jaideep Varma has directed one more documentary – I Am Offended. According to official post, it’s a documentary about stand up comedy in India within the context of Indian humor and growing intolerance in the country today. Featuring some of the brightest talents, in stand up comedy in India.

Ceylon Poster

First Look Poster: Ceylon

A brand-new teaser for director-cinematographer Santosh Sivan’s new film Ceylon (Inam in Tamil) has launched online. We don’t have details on the plot currently, but the film reportedly revolves around the lives of teenagers in an orphanage against the backdrop of war-torn Sri Lanka.

It’s an interesting, unconventional first look for the film, which doesn’t showcase any of the characters just yet, and instead chooses to show the destruction of war juxtaposed against nature, something Sivan is known to capture beautifully. Take a look:

The film stars Saritha, Karunaas, Sugandha Ram among others. Here are some of the crew details:

Directed by: Santosh Sivan
Producer: Mubina Rattonsey – Santosh Sivan – N.Subash Chandra Bose
Cinematography: Santosh Sivan ASC, ISC
Production Designer: Sunil Babu
Editor: T.S.Suresh
Music Director: Vishal Chandrashekhar
Sound Designer: Vishnu PC, Arun S Mani
Co Producer: Milind Verekar – Sojan.VN – Anirudh Menon
Lyrics: Charukesh Sekar – Karunaas
Dialogues: Aarthi Sivakumar – Shyam Sundar
Screenplay: Santosh Sivan – S.Sasikumaran – Saranya Rajagopal

mastram-poster-moifightclub

This one’s taken some coming (no pun intended). The first look of ‘Mastram’, based on the life of the mythical writer of Hindi erotica from the 90s, surfaced a few weeks before the 15th Mumbai Film Festival (MAMI) last year, where it was an official entry. However, the first trailer has only arrived today.

Those who follow this blog closely will immediately recognise Akhilesh Jaiswal as one of the writers of ‘Gangs as Wasseypur’; while that’s a strong film to have on your resume, it remains to be seen how well he’s managed to adapt this particular story — given how often “bold” themes in our cinema warp into juvenilia —  for the screen. The official Facebook page for ‘Mastram’ has been posting quite of bit of promotional material since the beginning of January: mostly posters that range from cheesy to raunchy.

The trailer itself, which was released earlier today, doesn’t say much about the film, except for putting together a mishmash of various steamy scenes and the angst of a writer. Nonetheless, a friend who watched the film at MAMI last year enjoyed the movie and believes it does well in bringing to light the sheer hypocrisy that oils the wheels of our society.

Here’s the trailer of the film, followed by the synopsis:

http://www.youtube.com/watch?v=LBBgv0N3Vck

Rajaram, a bank clerk in a small town, dreams of traveling to Delhi and becoming a reputed writer. No one takes his aspirations seriously, least of all his uncle, who marries him off to the beautiful Renu. Although a simpleton, Renu wholeheartedly supports her husband’s ambition. Edged on by her encouragement, Rajaram starts stealing writing time from his humdrum work routine, and is eventually forced to leave his job. But being a stay-at-home writer doesn’t go down too well with prying neighbours. Rajaram becomes a butt of all jokes in the neighbourhood.

Turning a deaf ear to the all the snubs, Rajaram starts in earnest to show his work to several publishers. Each time he is rebuked. Finally, Rajaram encounters a fledgling publisher duo – Purohit and his brother-in-law, Bharti. They agree to publish Rajaram’s story about the plight of a small town girl. However, there is one hitch. Rajaram would have to add some necessary sensational elements to his dull tale – some `masala’, as they refer to euphemistically. Rajaram is initially miffed by this writing brief. He is not sure what it means to bring that to his writing – till he meets Chacha, an eccentric, old village Idiot. He introduces Rajaram to the salacious and secret world of soft pornography. It’s on everybody’s mind, but no one will admit it. Chacha does.

Rajaram, scandalized at first, accedes to the “compromise”, and thus starts discovering another facet of literature – erotica. He adopts the colorful pseudonym of `Mastram’ becomes the first author of the first pornographic novel series in Hindi. He churns out colourful stories about sex that his eager readers voraciously devour. Yet, Rajaram’s success still remains elusive to him, as all the glory is due to `Mastram’. Will the “real” Mastram finally be exposed? Will Rajaram’s sudden windfall arouse suspicion in his ever-supportive wife? How will Rajaram face the hypocrisy of a society that secretly enjoys reading porn, but otherwise treats such matters with disdain?

Cast & Crew

Starring Rahul Bagga, Tara Alisha Berry, Akash Dahiya

Produced By Ajay G Rai, Sanjeev Singh Pal
Director : Akhilesh Jaiswal
Casting : Mukesh Chhabra
Costume Designer : Subodh Srivastava
Music : Manan Bharadwaj
Background Music : Saurabh Kalsi
Digital Partner : One Digital Entertainment
Editor : Apurva Motiwale Ashish Mhatre
Production Designer : Dhananjoy Mondal
Director Of Photography : Gavemic Ary
Writer : Akhilesh Jaiswal Gunjan Saxena
Lab : Prime Focus
Co Producer : The Film Label &Ashoke Pandit

– For those who wish to read more, click here and here to read interviews with Akhilesh Jaiswal in which he talks about the real Mastram; the process of researching the film; and then some.

— Posted by @diaporesis

True Love Story

Gitanjali Rao’s new animation film ‘True Love Story’ bagged the Golden Conch Award for Best Animation Film at the recently concluded Mumbai International Film Festival. This 18 minute animation, set in the streets of Mumbai explores what happens when the ultimate Bollywood fantasy is applied in reality.  It gives glimpse into the influence of Bollywood on real life in Mumbai, told through puppet animation.

Here’s the trailer of the film

More about the film from Scroll – It’s a frame by frame painted 19-minute film about love, told from the eyes of two migrants who come to Mumbai and fall in love with each other. The boy in the film is hugely influenced by Bollywood and he falls in love with the girl across the street. Who will teach him how to woo her? This is a boy-meets-girl story, from the perspective of people who find themselves adrift in the big city.

As we have said million times in the past, and still keep repeating ourselves, if you have not seen Rao’s work, you have not seen the best animation that this country has produced. So we are embedding one of her popular animation films here. Do watch.

From her official website –

‘Printed Rainbow’ describes the loneliness of an old woman and her cat, who escape into the fantastical world of match box covers.

Gitanjali painted the entire film frame by frame over three years as a labour of love dedicated to her mother and cat. The film went on to premier in Cannes in 2006 and won her the first set of laurels with three Awards for the Best Short film in Critic’s Week, Cannes 2006. Then followed 22 international awards and screenings in over a hundred international festivals.

– She also did the delicious opening credits of Stanley Ka Dabba. To know more about her work and films, click here.

Gulabi Gang

So far we have been hearing about Madhuri Dixit and Juhi Chawala starrer Gulaab Gang directed by Soumik Sen. And now, there’s a twist in the tale. A documentary film titled Gulabi Gang by Nishtha Jain is all set to release before the Bollywood feature. Interestingly, both the films explore the same subject. Our guess is the bollywood film will have much more to it than just the story of Sampat Pal and her Gulabi Gang.

Gulaab Gang is set to release on 7th March, 2014. And PVR Cinemas is releasing the documentary Gulabi Gang on 21st February. Its presented by Sohum Shah, actor-producer of Ship Of Theseus. The film has been doing the festival rounds for quite some time. It also won the Best Director Award in the International Competition section of the recently concluded Mumbai International Film Festival (MIFF) of Shorts, Docus and Animation.

Here’s the trailer of the film –

With the comparisons being made, recently Nishtha clarified few things on her FB post. We are copy-pasting it here –

I’m dismayed and partially amused with a lot of wrong reporting in the print and audio-visual media about my views on the Bollywood film Gulaab Gang, about my own film and it’s theatrical release. I guess I should have expected that nuances will get lost but some of the stuff the media has been putting in my mouth is blatant lies. I just want to clarify that:

1. I have not given the name Gulabi Gang to this group of women. They have been working in Bundelkhand since 2006 under this banner. I’ve only made a documentary about their work. This is not the first or the last film on them. There have been many before and I’m sure there’ll be more. And Budelkhand is not a village it’s a linguistic region of UP and MP.

2. Also I’ve never said that the Bollywood film Gulaab Gang is based on my film. I’ve not seen the film, only their trailer. The makers of Gulaab Gang didn’t need to take permission from me but from the real group called Gulabi Gang for using their name, concept etc.

3. I have never said that mine is the first documentary to be released in India, there have been many before.

4. I have never said my film is entertaining. Yes it is in parts but the words I have been using are engaging, engrossing, disturbing, grey, complex etc. Maybe in common parlance that makes the film entertaining.

5. And this quote which is being curculated bereft of it’s original context “I’m not an ‘activist-filmmaker’. Nor am I ‘woman-filmmaker”. This is what I had said in answer to the question by Dear Cinema:

Dear Cinema: In India, most documentary filmmakers are also activists in their own right. How do you see yourself in that light?

Nishtha Jain: I’m not an ‘activist-filmmaker’. Nor am I ‘woman-filmmaker’. I don’t like all these labels. I’m a filmmaker, a feminist and when the need arises, an activist. My films grow out of my world view and interests.

– To know more about Gulabi Gang, click here.

– To read Nishtha Jain’s interview on the film, click here.