Archive for October, 2010

Once it was only about Shah Rukh Khan films. Then they had films with Saif Ali Khan, Abhishek Bachchan, John Abraham. And even Shahid Kapoor and Neil Nitin Mukesh got into the so called YRF camp soon. The brand wasn’t about A-list anymore. And now, after ages, they are launching a new actor in their new film Band Baaja Baaraat. Naam hai Ranveer Singh. The film is directed by debutant Maneesh Sharma and it co-stars Anushka Sharma. And its all about some more weddings! Spare us.

Here is the official synopsis of the film…

Shruti (Anushka Sharma) is a 20-something no-nonsense girl from a middle class Delhi household. Focused and determined with preplanned ambitions, her goals in life are well laid out by the time she reaches her final year of college.

Bittoo (Ranveer Singh), on the other hand, has no real aim in life. As a final year college student of Delhi University, he whiles away his life having fun with his buddies, barely scraping through his exams.

A chance and inopportune meeting (or as you would call it, fate) brings the two of them together on a tumultuous journey where they become partners in their very own, “Wedding planning ka bijness”. The rules however, are clear: “Jisse vyapaar karo, usse kabhi na pyaar karo” (Don’t mix business with pleasure).

Together, their friendship and business, enters the ups and downs of the lavish Delhi weddings. And while trying to find themselves, Shruti and Bittoo discover each other and realize that in the course of their journey, unke khud ke rules ki bajegi band!

And here is the trailer…

If you thought high schools are for musicals and vampires, and you like your high school that way, then please move to the next post. Because Rian Johnson’s Brick is nothing like that. The header of the post is actually a dialogue from the film. And like that line, in the film they talk cool and they act cool, without going Slo-Mo. And sometimes, its even difficult to follow what the characters are saying.

It starts with a dead body and a man blankly staring at the body. The text appears on screen – Two Days Previous. The story rewinds, telling us what, how and why it happened, and comes back to the present. Add detectives, femme fatale, dons and drugs – the perfect  noir combo. Though its a minimalistic setting but the large and open spaces adds a superb eerie feel to the film, adding that perfect mood for this detective drama.  Joseph Gordon-Levitt is in almost every frame of the film and its easy to spot why he climbed the stairs so fastly with 500 Days of Summer & Inception.

According to IMDB.com, here is the synopsis of the film…

A teenage loner pushes his way into the underworld of a high school crime ring to investigate the disappearance of his ex-girlfriend.

And if directorial debuts don’t have interesting tales behind the making, then half the fun is gone. So,  as it happens, nobody was willing to put money in this film. Rian got it from family and friends, shot it in just 20 days in his hometown and the special effects were done in-camera. And  when Coen Brothers are the inspiration for the filmmaker, one thing is for sure – cool quotient is added in dollops. And we aren’t complaining!

Watch it for its perfect mood setting with minimalistic approach and for a noirish story well told. The film was screened at the Sundance Film Festival in 2005 and bagged the Special Jury Prize. Focus Features picked it during the fest and gave it a theatrical release.

Aha, finally its here. The trailer of Sudhir Mishra’s new film Yeh Saali Zindagi is out. It stars Irfan Khan, Chitrangada Singh, Arunoday Singh, Aditi Rao Hydari ( Woohoo – Remember the best thing about Delhi 6 ? ), Sourabh Shukla, Sushant Singh and Yashpal Sharma. It seems to be in the zone of Mishra’s earlier film Is Raat Ki Subah Nahi. The trailer looks kickass!

The film is directed by Subhash Kapoor and stars Rajat Kapoor, Neha Dhupia, Manu Rishi, Amole Gupte and Sanjay Mishra. Its distributed by Warner Brothers.

According to official release, Phas Gaye Re Obama is a comedy set against the backdrop of global recession. The film traces the journey of Om Shashtri, an American citizen of Indian origin, who loses all his wealth overnight to the global recession & has been asked to vacate his home by the bank unless he pays up $100,000 (mortgaged amount) within 30 days.

Seeing no other option Om comes to India to sell a small piece of an ancestral property. But within days of landing in India he is kidnapped by a ‘recession-hit’ underworld gang those who think that he is still a millionaire. What happens to Om, is he able to save his home, how did the ‘poor’ gangster cope with their ‘poor’ catch & what do small town Indian gangsters have to say to President Obama… that’s what the film is all about.

 

And thats not all.

Out of the 65 films, some are festival favourites and winners too. There is Alejandro González Iñárritu’s Biutiful (Mexico), Xavier Beauvois’s Of Gods and Men (France – Grand Prix at 2010 Cannes), Apichatpong Weerathesakul’s Uncle Boonmee Can Recall His Past Lives (Thailand – Palm d’Or Cannes 2010), Susanne Bier’s In a Better World (Denmark), Denis Villeneuve’s Incendies Canada), Danis Tanovic’s Circus Columbia (Bosnia and Herzegovina), Florin Serban’s If I Want to Whistle, I Whistle ( Silver Bear at Berline 2010), Semih Kaplanoglu’s Bal ( golden Bear at Berlin 2010), and Oliver Schmitz’s “Life, Above All” (South Africa).

Here is the complete list…

Albania – East, West, East, directed by Gjergj Xhuvani

Algeria – Outside the Law, directed by Rachid Bouchareb

Argentina – Carancho, Pablo Trapero

Austria – La Pivellina, directed by Tizza Covi & Rainer Frimmel

Azerbaijan – Precinct, directed by Ilgar Safat

Bangladesh – Third Person Singular Number, directed by Mostofa Sarwar Farooki

Belgium – Illegal, directed by Olivier Masset-Depasse

Bosnia and Herzegovina – Cirkus Columbia, directed by Danis Tanovic

Brazil – Lula, o filho do Brasil, directed by Fábio Barreto

Bulgaria – Eastern Plays, directed by Kamen Kalev

Canada – Incendies, directed by Denis Villeneuve

Chile – The Life of Fish, directed by Matías Bize

China – Aftershock, directed by Feng Xiaogang

Colombia – Crab Trap, directed by Oscar Ruíz Navia

Costa Rica – Of Love and Other Demons, directed by Hilda Hidalgo

Croatia – The Blacks, directed by Goran Devic and Zvonimir Juric

Czech Republic – Kawasaki’s Rose, directed by Jan Hrebejk

Denmark – In a Better World, directed by Susanne Bier

Egypt – Messages From The Sea, directed by Daoud Abdel Sayed

Estonia – The Temptation of St. Tony, directed by Veiko Öunpuu

Ethiopia – The Athlete, directed by Davey Frankel and Rasselas Lakew

Finland – Steam of Life, directed by Joonas Berghail & Mika Hotakainen

France – Of Gods and Men, directed by Xavier Beauvois

Georgia – Street Days, directed Levan Koguashvili

Germany – When We Leave, directed by Feo Aladag

Greece – Dogtooth, directed by Yorgos Lanthimos

Greenland – Nuummioq, directed by Torben Bech and Otto Rosing

Hong Kong – Echoes of the Rainbow, directed by Alex Law

Hungary – Bibliteque Pascal, directed by Szabolcs Hajdu

Iceland – Mamma Gógó, directed by Friðrik Þór Friðriksson

India – Peepli Live, directed by Anusha Rizvi

Indonesia – How Funny (This Country Is), directed by Deddy Mizwar

Iran – Farewell Baghdad, directed by Mehdi Naderi

Iraq – Son of Babylon, directed by Mohamed Al-Daradji

Italy – The First Beautiful Thing, directed by Paolo Virzì

Israel – The Human Resources Manager, directed by Eran Riklis

Japan – Confessions, directed by Tetsuya Nakashima

Kazakhstan – Strayed, directed by Akan Satayev

Latvia – Hong Kong Confidential, directed by Maris Martinsons

Macedonia – Mothers, directed by Milcho Manchevski

Mexico – Biutiful, directed by Alejandro González Iñárritu

Netherlands – Tirza, directed by Rudolph van den Berg

Nicaragua – Le Yuma, directed by Florence Jaugey

Norway – Angel, directed by Margreth Olin

Peru – Undertow, directed by Javier Fuentes-León

Philippines – Noy, directed by Dondon Santos

Poland – All That I Love, directed by Jacek Borcuch

Portugal – To Die Like A Man, directed by João Pedro Rodrigues

Puerto Rico – Miente, directed by Rafi Mercado

Romania – If I Want to Whistle…I Whistle, directed by Florin Serban

Russia – The Edge, directed by Aleksei Uchitel

Serbia – Besa, directed by Srdjan Karanovic

Slovakia – The Border, directed by Jaroslav Vojtek

Slovenia – 9:06, directed by Igor Sterk

South Africa – Life, Above All, directed by Oliver Schmitz

South Korea – A Barefoot Dream, directed by Tae-gyun Kim

Spain – Even The Rain, directed by Iciar Bollain

Sweden – Simple Simon, directed by Andreas Ohman

Switzerland – La petite chambre, directed by Stéphanie Chaut & Véronique Reymond

Taiwan – Monga, directed by Doze Niu

Thailand – Uncle Boonmee Who Can Recall His Past Lives, directed by Apichatpong Weerathesakul

Turkey – Honey ( Bal), directed by Semih Kaplanoglu

Venezuela – Hermano, directed by Marcel Rasquin

The weather was cloudy, again. And this time, it rained. We again headed to Juhu for some chaana zor garam. And again, it was Ripley’s Believe It Or Not. This time it was the script of Pankaj Kapur’s directorial debut Mausam. It stars Shahid Kapoor and Sonam Kapoor.

And those of you who are still wondering about the “again” factor, click here to read how we got lucky one day and put an open bet on Imran Khan’s famous dud – Luck. And if you  are curious to know the weather report this time, read on…

Looks like Pankaj Kapur’s aim is to tell an epic love story, which crosses the barriers of age, time, space, religion, countries and events. But the problem is, there is nothing epic about it. Its all about Harry and Aayat’s meeting, separation, meeting, separation, meeting, separation and finally, well, we all know how hindi films end.

And this meeting & separation of lovers happens all of a sudden, every time, once, twice, thrice and so on. The script is divided into four seasons, each like one chapter that tells us how the lovers meet to separate again. It starts with political undertones, and then, few more big national and international news incidents are added in every chapter to separate the lovers. The story starts in 1992 and ends in 2002. The impact of one big international incident is hilarious, its just in one scene. And there is NO need for it.

In the first season, the set up is quite elaborate, all about a marriage that has got nothing to do with the main story.  The story moves in sluggish pace and will test your patience. The second season is the one where the love story happens. And its all in Scotland. Why ? No clue. It could have been any other place, even in India. The lovers don’t get to meet because there is a communication gap. And may be, the distance helps in making the gap wider.  Season three keeps the lovers away from each other for some reason or another and then the finale in season four. One more big national incident and suddenly all is well. So, the drama is all about the communication gap and  after a point, we felt like we should just call up both Harry and Aayat and tell both of them about their whereabouts. No need to struggle to find each other. That was 70’s, sir!

If we can’t finish about 120pages at one go, it means there is something wrong with us or with the script. First 30 pages and we were snoring and how! And there are three songs in the first 30 pages. Jejus! Holy fuck! Its PANKAJ KAPUR – one of the best actors we have. Lets go back.

We tried again and finally managed to finish it. And re-read it. Its not bad, its just boring. May be, Pankaj Kapur should continue with acting or may be, he will prove us wrong and show us the big middle finger. But with Shahid Kapoor and Sonam Kapoor in the lead, it needs the talent of Wong Kar-Wai to make something interesting out of this script. And yes, lot of scenes have to go. Lots! Just go. They don’t make any sense and go nowhere though the story moves from Kashmir to Mallukot to Scotland to London to Udhampur to Ahmedabad.

And here is what we liked – The writer-director seems to be very clear about the ambience sound he wants and the way he wants. Almost every scene has decription of the same. Some of the romantic scenes in season two are interesting. There are options written for some of the scenes – either this way or that. And here is one scene from the script….

I/E.  TRAIN/TRAM.  SCOTLAND  – DAY

Harry and Aayat are seen standing in a train or tram, it is crowded.

AAYAT

Bua ab hamare saath rehti hain.

HARRY

Oh! I see. Kaise hain ?

AAYAT

Theek hai….aur tum ?

HARRY

Main bhi theek hun

AAYAT

( smiles a little or small laugh)

Nahi. I mean tum kahan rahe itne saal ?

HARRY

Kaha raha hun….(looks at her) Mallukot station se tumhari gadi ko jate dekha – ussi waqt air force mein selection ka khat mil gaya. bas phir training, uske baad commission, ab jahan jahan posting hoti hai vahin rehta hun.I mean in a way Mallukot choot sa gaya hai.

AAYAT

Mallukot what a lovely place na ?

HARRY

Yaad hai tumhe ?

AAYAT

Yes, of course.

There is a silent pause. They look at each other.

Show us the finger, sir! Show us. We are waiting and how!

The film is produced by Madhu Mantena, Reliance Religare (Sheetal Talwar) and Eros Entertainment. Madhu and Sheetal’s last masterpiece was Rann. And Eros have been delivering one dud after another. Their latest is Anjaana Anjaani. Click here and here to read what the makers have to say about this film.

Sirs, hope you do read scripts before you decide to produce a film. Hope you do know how to read a script. And hope you will be able to deliver. Good luck. And if you decided to produce the film because it has Shahid Kapoor and Sonam Kapoor, well, its never too late to start praying. Jejus!

Here it is – The list of 14 inmates who are gonna entertain us for the next few weeks in Bigg Boss’ house. Two models to serve as eye candy, superchor, super dacoit, lawyer, two MMS scandal toppers, one motormouth, one beefy boy who made national headlines for wrong reasons, a cross-dresser, an actor & actress who were linked once, a non-controversial actor & actress to play the nice guy/gal roles – wow! It can’t get more colourful than this. And add Salman Khan as the new host of the show. Perfect.

Put the cursor on the pics to know more about them and their claim to fame.