Archive for the ‘first look’ Category

meghe

Ever since Sashwata Chatterjee made his mark on national radar as Bob Biswas in Sujoy Ghosh’s Kahaani, suddenly we have been seeing more of him. Or maybe he is getting interesting roles since then. Recently he was in Aparna Sen’s hilarious film Goynor Baksho, and now he is playing the lead role of Ritwik Ghatak in Kamaleswar Mukherjee’s Meghe Dhaka Tara (The Cloud-Capped Star).

When i heard about the title of the film, the first thought in my head was blasphemy, blasphemy! But thankfully, the black and white trailer looks interesting. And seems like Sashwata is going to steal the show again, especially towards the end, when he portrays the madness.

Have a look. It’s with English subs. Hope more producers learn from this and realise that they have a market beyond their state. It’s a slow process but that’s how you build your audience. So do release your trailer, promos, songs with subs.

Official synopsis

Kamaleswar Mukherjee’s Meghe Dhaka Tara is inspired in every way possible from the legendary director Ritwik Ghatak’s life. From putting together bits and pieces of his eventful life to using the title of one of his most famous movies, and to naming the characters from his last film Jukti Tokko Goppo, Kamaleswar’s movie is an apt tribute to the great director.

Although inspired from Ghatak’s life, Meghe Dhaka Tara is neither a biopic on him, nor a remake of his famous film. To Kamaleswar, Ritwik is a true star, a legend, with immense contributions to the world of cinema. And yet he is still quite the unsung hero. Hence, he is the “Meghe Dhaka Tara”.

Credits

Starring : Saswata Chatterjee, Ananya Chatterjee, Abir Chatterjee & others
Producer : Shree Venkatesh Films
Presenter : Shrikant Mohta & Mahendra Soni
Direction : Kamleswar Mukherjee
Screenplay : Kamaleswar Mukherjee
DOP: Soumik Halder
Music : Debojyoti Mishra

– For more updates, it’s Facebook page is here.

Faith Connections

Remember Pan Nalin? Samsara, Valley Of Flowers? He is ready with a new documentary titled Faith Connections. And its trailer has come online. Have a look.

And here’s a note on the film –

“Faith isn’t faith until it’s all you’re holding onto.”

Filmmaker Pan Nalin travels to Kumbh Mela, one of the world’s most extraordinary religious events. There, he encounters remarkable men of mind and meditation, some facing an inextricable dilemma; to embrace the world or to renounce it. FAITH CONNECTIONS explores such diverse and deeply moving stories as a young runaway kid, a Sadhu, a mother desperately looking for her lost son, a yogi who is raising an abandoned baby, and an ascetic who keeps his calm by smoking cannabis — all connected by one faith against the spectacular display of devotion.

A poster of Anurag Kashyap’s new film Ugly was floating on the net. But Kashyap confirmed on twitter that it’s indeed the official first poster. Have a look.

Ugly

It’s like a minimal poster – a kid and a bunch of men. All in dark. Looks impressive.

The film will have its world premiere at the Cannes Film Festival in Directors’ Fortnight section. It stars Rahul Bhatt, Tejaswini Kolhapure, Ronit Roy, Girish Kulkarni and Siddhant Kapoor.

So what’s Ugly about?

It seems Kashyap is not willing to divulge any details yet. But in this interview to DearCinema he says that it’s a thriller, a simple kidnap drama but it actually deals with lots of things. It deals with relationships, our patriarchal system, how men look at women, domestic violence. It’s a very personal drama in the shape of a thriller.

Tip – Shyam Joseph

For those who have been curious about Ritesh Batra’s Dabba, we have got the first look of the film. Here are some of the stills from the film which look really impressive. We do also have all the cast, credit and official synopsis details.

The film will have its international premiere at Cannes Festival in International Critics Week section.

(Click on any image to start the slide show in hi-res)

Though Nawaz was also in Paan Singh Tomar, but it looks like this film finally brings together two of the finest actors of our generation in full fledged roles. And is Irrfan Khan in Namesake avatar again? Bring it on!

Official Synopsis

A mistaken delivery in Mumbai’s famously efficient lunchbox delivery system connects a young housewife to an old man in the dusk of his life as they build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.

Mumbai, a city of miracles.

One of Mumbai’s miracles is Mumbai’s Dabbawallahs – a community of 5000 dabba (lunchbox) deliverymen. It is a hereditary profession. Every morning the Dabbawallahs deliver hot meals from the kitchens of housewives to the offices of their husbands, and then return the empty lunchboxes back to the homes in the afternoon. For 120 years they have provided Mumbaikars with a taste of home in the office. They navigate through the overcrowded local trains and chaotic streets – that often have a namesake or more than one name. The Dabbahwallahs are illiterate, and instead rely on a complex coding system of colors and symbols to deliver dabbas in the labyrinth that is Mumbai. Harvard University analyzed their delivery system, concluding that just 1 in 8 million lunchboxes is ever delivered to the wrong address. Dabba is the story of that one lunchbox.

A mistakenly delivered lunchbox connects a housewife, Ila Singh, to Saajan Thomas, a lonely man in the dusk of his life. Ila lives in Dadar, the conservative middle class Hindu enclave. And Saajan lives in Ranwar village, Bandra, an old Christian neighborhood that is threatened by the new high rises in Mumbai. Very soon Saajan will retire and bid goodbye to a Mumbai that has crushed his dreams, took away his loved ones one by one, and turned his hair white. Just then Ila comes into his life. In the big city, that crushes dreams and recycles them every day, both find a dream to hold on to. Ila begins a fantastical affair with a mystery suitor, pouring her heart into cooking meals for him. And Saajan looks forward to lunch box deliveries from a mystery woman every day. They exchange notes via the lunchbox and create a fantasy life. As the lunchbox goes back and forth, this fantasy becomes so elaborate that it threatens to overwhelm their reality. The characters of The Lunchbox exist on the line between the Mumbai of reality and the Mumbai of fantasy.

The Lunchbox is the story of the life we dream of versus the life we live in, and of the courage it takes to turn out fantasies into reality.

Credits

director: Ritesh Batra
screenplay: Ritesh Batra
cinematography: Michael Simmonds
editing: John Lyons
sound: Michael Kaczmarek
production design: Shruti Gupte
music: Max Richter

Cast:
Irrfan Khan
Nimrat Kaur
Nawazuddin Siddiqui
Denzil Smith
Bharati Achrekar
Nakul Vaid
Yashvi Puneet Nagar
Lillete Dubey
Sada (Dabbawala)

The film is produced by Sikhya Entertainment (India), Dar Motion Pictures (India), and co-produced by National Film Development Corporation (India), ASAP Films (France) and Roh Films (Germany).

Btw, Michael Simmonds? The DoP of Ramin Bahrani’s films? Chop Shop, Man Push Cart, Goodbye Solo and Plastic Bag. That’s a great talent to have on board.

To know more about the film and the filmmaker, click here to read his interview on DearCinema.

Director

Ritesh Batra is a writer/director based in Mumbai and New York. In 2009, Batra was selected for the Sundance Writers and Directors labs for his feature project “The Story of Ram”. He was also named the Sundance Time Warner Storytelling Fellow and an Annenburg Fellow. He was part of the Graduate Film Program at New York University’s Tisch School of the Arts, from which he dropped out in 2010. His short films have been presented in many international film festivals and fine arts venues. His recent short “Café Regular, Cairo” was featured in the 2012 Inter- national Film Festival of Rotterdam and 2012 Tribeca Film Festival. His upcoming short ‘The State of Siege’ is currently in post-production.

His feature screenplay THE LUNCHBOX was part of the 2011 Binger-NFDC Screenwriting Lab, it won an Honorable Mention from the Jury at the 2012 edition of the Cinemart at the International Film Festival of Rotterdam and was part of the Berlinale Talent Project Market.

(Cast/credit/synopsis/Director’s bio taken from various co-producers’ site)

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An interesting trailer of Ajay Bahl’s debut film “BA Pass” came out online recently. If you still haven’t seen it, click on the play button.

The cast includes Shilpa Shukla, Shadab Kamal, Rajesh Sharma, Dibyendu Bhattacharya and Geeta Agarwal.

And here’s the official synopsis of the film –

A young small town boy moves to Delhi to stay with his aunt and finish his college. Soon a mysterious married woman seduces him known to him as Sarika ‘Aunty’. Set amidst the neon-lit by lanes of Delhi’s Paharganj unfolds an erotic human drama between the two. A relationship based on lust, lies and deceit is forged. As the young boy gets more and more entrenched into his surroundings he discovers a city that thrives on corrupting even the most naive and innocent.

– The film is based on Mohan Sikka’s story “The Railway Aunty”, which was part of the anthology “Delhi Noir”. The story is available online. If you haven’t read it yet, click here.

– Click here to read an interview of the director on DearCinema.com.

– The film will have its next screening at New York Indian Film Festival which is scheduled from April 30th to May4th, 2013.

– To know more about the film, you can follow its Facebook page.

Lootera

The man behind one of the best debuts films in recent times Udaan, Vikramaditya Motwane is back with a new film titled Lootera starring Ranveer Singh and Sonakshi Sinha. And as the latest trend in bollywood goes, the first look of the film is just a teaser and not the full trailer.

The teaser doesn’t tell you much about the film but just gives you a sense of the place and the mood of the film. But close your eyes and watch the teaser again – i think it’s the music. Old world charm, silent glances, character introductions and then those last 30 seconds where it kicks in – snow, gun, letters, light, fire and dhickiyoon, credits and the hero limping on snow! Now, give me the full trailer.

This completely stands out from the garbage that Bollywood is churning out these days. There’s so much silence, and most importantly, there’s NO FUCKING TEXT on screen to explain it. But this also seems to be from school of Sanjay Leela Bhansali. Just hope that it’s less grand, less manipulative and more intimate.

The credit list seems to be the same as that of Udaan. DoP is Mahendra Shetty. Screenplay by Vikramaditya Motwane and Bhavani Iyer. Dialogues – Anurag Kashyap. Music – Amit Trivedi. Lyrics – Amitabh Bhattacharya.

Though the makers have been saying it publicly that it’s inspired/based on O Henry’s short The Last Leaf, why isn’t it mentioned in the credit plate?

Fahad Mustafa and Deepti Kakkar’s documentary Powerless was selected to premiere at the ongoing Berlin Film Fest. The first look of the film is out with three interesting trailers.

Powerless is set in Kanpur, a city with 15-hour power cuts, where a nimble young electrician provides robin-hood style services to the poor. Meanwhile, the first female chief of the electricity supply company is on a mission to dismantle the illegal connections, for good. The documentary recently received a grant from Sundance Institute’s Documentary Film Program and Fund.

To read the Hollywood Reporter’s review of the film, click here.

Production companies: Globalistan Films, ITVS International

Directors: Fahad Mustafa, Deepti Kakkar

Producers: Fahad Mustafa, Deepti Kakkar, Judy Tam, Leopold Koegler

Directors of photography: Maria Trieb, Amith Surendran, Fahad Mustafa

Music: Gingger Shankar

Editors: Maria Trieb, Namrata Rao

Sales Agent: Globalistan Films

No rating, 84 minutes

TOWPOS2(COMP)

Few months back, we had put a post on “The Other Way“, a film by Aniket Dasgupta and Swathy Sethumadhavan documenting the indie filmmaking scene in India, and they were trying to raise funds for it through crowd-funding. Good news is they have managed to raise the funds for it and have just released its first look.

I have always felt that we have a terrible record when it comes to documenting our cinema and the stories surrounding them. A film like this one, Dungarpur’s Celluloid Man, Jaideep Varma’s film on Sudhir Mishra – we need many more such docus.

So check out the first look.

To know more about the film, click here and to read about he making of the film, you can click here for their blog.

Check out both the trailers and spot the difference. I will start with the lead actor’s look. The spanish title is called La Cara Oculta.

Thanks to Milliblog who spotted it and posted on his site. Click here to read the Milliblog post. Don’t think anyone will be surprised even if the film turns out to be frame by frame copy. If that doesn’t happen with a Bhatt film, that would be shocking!

The film is directed by Vishesh Bhatt and produced by Vishesh Films along with Fox Star India. It stars Randeep Hooda, Sara Loren and Aditi Rao Hydari, and Mahesh Bhatt is credited as the writer.

UPDATE  – Have been informed by Anshul Mohan that the film is an official remake. Strange! They haven’t mentioned it anywhere.

Gangoobai stars Sarita Joshi, Purab Kohli, Meeta Vasisht, Raj Zutshi, Gopi Desai, Rushad Rana, Nidhi Sunil, Behram Rana, Ankita Shrivastav & Aparna Khanekar. It’s written, edited & directed by Priya Krishnaswamy. The film is produced by NFDC.

The script was among the six short listed scripts for NFDC’s screenwriting lab at Locarno Film Festival in 2009.

And here’s the official synopsis…

GangoobaiGangoobai, a childless, elderly widow, has lived her whole life in the tiny colonial hill station of Matheran, set in the spectacularly beautiful Sahyadri mountain range about 4 hours’ drive from Mumbai.

Her world consists of tending to her beloved flowers and working as domestic help in a few homes, among them that of the wealthy Hodiwala family who own a weekend bungalow in Matheran, an eco-sensitive zone where no vehicles are allowed, not even bicycles.

Gangoobai’s quiet life is suddenly disrupted when, one day, she sees the Hodiwala’s teenage daughter wearing a magnificent designer Parsi sari of white Chinese motifs embroidered on a background of purple silk.

The old woman falls instantly in love with this exotic, expensive, custom-made creation — and longs to own one herself.

Driven by this unlikely obsession, Gangoobai manages, against all odds, to save the money over 4 years of hard work and despite some wrong judgments, and finally finds herself in the big, polluted, overcrowded city of Mumbai — an urban nightmare she is utterly unprepared for.

Here, filled with fears and misgivings, she is pleasantly surprised to find that people are the same everywhere, despite all outward appearances to the contrary, and that even the hardest heart can be transformed by kindness and love.

Finally, one day, Gangoobai collects her designer sari and attains her dream, only to face ultimate failure and betrayal at home by one whom she holds closest to her heart.

Yet, her essential goodness and unfailing generosity to life redeem the destruction of her dreams, and set her life on a path that surpasses anything that she could ever have imagined.