Archive for the ‘Indie’ Category

The Other Way – Its a film by Aniket Dasgupta and Swathy Sethumadhavan who are documenting the indie filmmaking scene in India. The feature length documentary aims to understand the various facets of an independent filmmaker and attempts to capture the passion that drives these new wave filmmakers to work out of the mainstream film industry.

And in a country where we don’t have much culture of documenting our cinematic history, this seems to be going in the right direction. More so because in the last 4-5 years the way we are making films, it has changed drastically. Filmmaking has moved beyond the domain of counted few and “indie” is being redefined with new filmmakers rewriting the rules.

Aniket and Swathy have already interviewed some of the indie voices and filmmakers like Srinivas Sunderrajan, Onir, Vasan Bala, Sandeep Mohan, Qaushiq Mukherjee (Q), Sudhish Kamat, Shiladitya Bora among others. More interviews are also on schedule and will be shot in the coming months.
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The documentary is mostly self-financed but since the makers of the film are students (of Symbiosis Institute of Media and Communication), they are also trying to raise a part of the budget through Wishberry’s crowd funding platform. Contributors get certain perks in return depending on the amount they contribute.
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They have already raised more than Rs.47,000 out of there goal of Rs.80,000 on Wishberry and have JUST 3 Days left to raise the rest. Your contribution will take them one step closer to reaching their goal.
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So what are you waiting for? Click here and help them make the film.
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Not convinced yet that you are not going to waste your money? They do have a teaser from what they have shot so far. Click on the play botton and have a look.
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—> Link to the facebook page: http://facebook.com/TOWFilm
—> Link to the production blog: http://behindtow.tumblr.com/
—-> Link to the crowdfunding page:  http://wishberry.in/Help-us-make-The-Other-Way–13763

After Hulla and Leaving Home (documentary on Indian Ocean), filmmaker Jaideep Varma is busy working on his latest documentary film, Baavra Mann. And here’s a trailer of the film.

Here’s more info on the trailer and the film from its youtube account – A trailer of the rough cut of the full-length documentary feature, “Baavra Mann – a film on Sudhir Mishra & other Indian realities”. A film not only on one of Mumbai cinema’s longest lasting and relevant filmmakers but through that prism on a declining cultural life in India.

Aha, finally some documentation of our cinema and some of its prominent voices. Whenever i think about Sudhir Mishra, i often wonder why is there no making of Hazaroon Khawshein Aisi. It’s such a terrific and landmark film, and has a great story behind it. That needs to be documented. Hopefully we will get to hear some bits in this docu.

This trailer surely looks interesting. Though my only concern is Sudhir Mishra is quite overexposed. If you have been tracking him or his films, you probably know everything about him. But it’s nice to see anecdotes about his personal life too. And the film seems to go beyond Sudhir Mishra and his films. So eagerly looking forward to it.

Pairon Talle, written & directed by Sidharth Srinivasan, will finally have a theatrical release in India on 5th October. The film is released via PVR Director’s Rare.

To quote from the official release, it tells the story of a simple watchman, who is so devoted to protecting his master’s property, that he has lost the very ability to safeguard himself. When realization of his enslavement finally dawns on him, it does so at a bloody price. Will the watchman take destiny into his own hands or will justice be denied him forever?

The stark contrasts of the rapidly urbanizing NCR (National Capital Region) provide the violent backdrop to the film – this is a Delhi you’ve never been shown before.

– It stars Dibyendu Bhattacharya, Saba Joshi, Avtar Sahni and Geeta Bisht in lead roles.

– The film received the prestigious Hubert Bals Fund from Rotterdam Fest and it premiered at the Toronto International Film Festival in 2010.

And here’s the trailer of the film…

– To know more about the film, click here for it FB page. And to know more about the director, click here.

– Here’s a recco for the film : Film fest curator Meenakshi Shedde calls it “a savage stab at the Shining India myth.”

The BFI London Film Festival has unveiled its complete line-up for 2012. And there are quite a few Indian films in the list.

– The only film with desi connect which is in official competition section is Deepa Mehta’s Midnight’s Children. Click here for more details.

– After its TIFF premiere, Anand Gandhi’s Ship Of Theseus is going to compete for “The Sutherland Award” in The First Feature competition category. To know more about the film click here and here.

– Mira Nair’s The Reluctant Fundamentalis had its world premiere at the Venice Festival. Now it will have its Gala in the “Dare” segment at LFF. More details about the film here.

– After Cannes and Toronto, Peddlers continues its fest run with screening in “Dare” segment of the fest. Click here and here for more details.

– Rani Mukherjee and Prithviraj starrer Aiyya will have its world premiere at the fest. This is Sachin Kundalkar first Hindi feature film.

– Prakash Jha’s Chakravyush will have a Gala in the Thrill segment and Satyajit Ray’s Mahanagar will have a screening in “Treasures” seection.

– The official website of the festival also lists two more films in Indian segment – Save Your Legs and Sri Lankan production With you, Without You.

– To know more about the film festival, films and the screening schedule, click here.

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Manjeet Singh’s debut feature Maumbai Cha Raja has been selected to premiere at the Toronto International Film Festival (TIFF) in its “City To City”program where “Mumbai” is the focus this year. But the film is yet to be completed. And Manjeet is looking for funds to complete the film.

– TIFF website describes the film as “A young boy comes of age in a Mumbai slum while dealing with his long-suffering mother and violent father, in this gently observational portrait crafted in the tradition of the great neorealist classics.”

– And here’s the detailed official synopsis of the film…

Rahul is a misunderstood and troubled adolescent who lives in the slums bordering the nouveau riche areas of Northern Mumbai with his alcoholic father, ahrd working mother and a kid brother. He hangs out with his balloon seller streetwise younger friend, Arbaaz.

Set during the grand festival devoted to Lord Ganesha over the last two days when huge idols of the elephant headed God are taken in procession to the beach for immersion. Rahul has to handle the chaos in his life amidst the chaos of the colorful and vibrant festival.

It’s a peep into the lives of kids living in the slums of Mumbai. A tribute to their spirit of finding joy in trivial things and living life to the fullest.

– Click on the play button to watch the trailer

The film also bagged the Prasad Award in Work in Progress Lab at Film Bazaar 2011. And was also selected for Producer’s Lab in Cinemart at the International Film Festival of Rotterdam 2012.

– You can contribute between Rs 2000 to Rs 300,000 for its completion. To know more about the film and to make contribution, click here.

We have been hearing a lot about Anand Gandhi’s debut feature Ship Of Theseus, and for a long time. Having seen his shorts, Right Here Right Now and Continuum, we can easily bet that he is an exciting talent to watch out for. The film is going to have its world premiere at the Toronto International Film Festival this year.

The poster, few stills and official synopsis of the film is out. Read it, have a look and you can decide if it looks/sounds exciting or not.

And here’s the official synopsis…

If the parts of a ship are replaced, bit-by-bit, is it still the same ship?

An unusual photographer, celebrated for her intuitive work, successfully captures the essence of her experience in her photography. However, she also struggles with insecurities over authorship in the context of larger questions about subjectivity and intent in art.

An erudite monk, who is an ideologue and practitioner of non-violence, and involved in animal rights activism, is forced to make a choice between death and medicine – medicine that is either derived from, or tested on animals. As death closes in, he re-questions all the ideas that he has always taken for granted.

A young stockbroker has a frictional relationship with his grandmother, whom he nurses in a hospital. When it is discovered that a neighbouring patient has had his kidney stolen, he starts out on a trail that leads him to a kidney tourism racket. Altruism and concern leads him to confront the recipient of the kidney, eventually making him discover how intricate morality could be.

Following the separate strands of their philosophical journeys, and their eventual convergence, Ship of Theseus explores questions of identity, justice, beauty, meaning and death.

The cast and the credit list…

Director: Anand Gandhi

Language: English, Hindi, Arabic

Runtime: 139 minutes

Exec. Producer: Mitesh Shah, Ruchi Bhimani

Producer: Mukesh Shah

Production Co.: Recyclewala Films

Principal Cast: Neeraj Kabi, Sohum Shah, Aida Elkashef, Faraz Khan, Vinay Shukla, Amba Sanyal

Screenplay: Anand Gandhi

Cinematographer: Pankaj Kumar

Editor: Adesh Prasad, Sanyukta Kaza, Satchit Puranik, Reka Lemhenyi

Sound: Gábor Erdélyi, Tamás Székely

Music: Rohit Sharma, Naren Chandavarkar, Benedict Taylor

Prod. Designer: Rakesh Yadav, Pooja Shetty

Int. Sales Agent: Fortissimo Films

Thanks to TIFF, few stills of Hansal Mehta‘s new film Shahid is finally online. Also, the official synopsis and the cast and crew list. The film is going to have its world premiere at the Toronto International Film Festival in its “City To City” programme where “Mumbai” is in focus this year.

The stills look stark and powerful and creates a deadly mood. And now the official synopsis of the film…

Shahid is the remarkable true story of slain human rights activist and lawyer Shahid Azmi, who was killed in 2010 by unidentified assailants in his office. From attempting to become a terrorist, to being wrongly imprisoned under a draconian anti-terrorism law, to becoming a champion of human rights (particularly of the Muslim minorities in India), Shahid traces the inspiring personal journey of a boy who became an unlikely messiah for human rights, while following the rise of communal violence in India. This story of an impoverished Muslim struggling to come to terms with injustice and inequality, whilerising above his circumstances is an inspiring testament to the human spirit. Starring Raj Kumar, Prabhleen Sandhu and Baljinder Kaur.

And here’s the cast and crew list…

Director: Hansal Mehta

Language: Hindi

Runtime: 123 minutes

Exec. Producer: Jai Mehta, Kunal Rohra

Producer: Sunil Bohra, Shailesh Singh, Guneet Monga and Anurag Kashyap

Production Co: Bohra Bros Pvt. Ltd. and Anurag Kashyap Films Pvt. Ltd.

Principal Cast: Raj Kumar, Prabhleen Sandhu, Baljinder Kaur, Tigmanshu Dhulia, K K Menon, Yusuf Husain, Prabal Panjabi, Vinod Rawat, Vipin Sharma, Shalini Vatsa, Paritosh Sand, Pavan Kumar, Vivek Ghamande, Akash Sinha, Mohd Zeeshan Ayyub, Mukesh Chhabra

Screenplay: Sameer Gautam Singh, Apurva Asrani, Hansal Mehta

Cinematographer: Anuj Dhawan

Editor: Apurva Asrani

Sound: Mandar Kulkarni

Prod. Designer: Rabiul Sarkar

– To know more updates about the film, you can follow its FB page here.

Produced by NFDC and directed by debutant Gurvinder Singh, Punjabi film Anhey Ghorhey Da Daan (Alms for a Blind Horse) will be released by PVR Director’s Rare on August 10.

It will have theatrical release in Delhi, Mumbai, Jalandhar, Chandigarh and Ludhiana.

Anhey Ghorhey Da Daan was selected in the Orizzonti Section (which showcases ‘New Trends in World Cinema’) of Venice International Film festival, 2011. After this the film was showcased at the 55th British Film Institute, London Film Festival, and the Busan International Film Festival. The film won the Special Jury Mention and the Black Pearl Trophy at the 5th Abu Dhabi Film Festival and the Special Jury Award at the International Film Festival, Rotterdam for its lyrical and scenic narration.

It also bagged three National Awards – for Best Direction, Cinematography and for Best Feature Film in Punjabi.

And here’s the official synopsis…

On a foggy winter morning a family in a village in Punjab wakes up to the news of the demolition of a house on the outskirts of the village. The father, a silent sympathizer, joins the community in demand for justice for the affected family. The same day his son Melu, a cycle-rickshaw puller rickshaw puller in the city, is participating in a strike by his union. Injured and alienated, Melu spends the day quietly resting and hesitantly drinks with friends in the night as they debate the meaning of their existence.

Cycling through the city streets, Melu feels lost and wonders where to go and what to do. Back in the village, his mother feels humiliated at the treatment meted out by the landlords in whose fields she works. Gunshots are heard in the night and the village is tense. It’s the night of the lunar eclipse. A man wanders asking for the traditional alms while Father decides to visit the city with a friend, even as his daughter Dayalo walks through the village streets in the night.

Anhey Ghorhey Da Daan speaks about the margins where the socially repressed and exploited have been conveniently cast away. This is also a film about the signs of simmering fire and about cleft tongues that want to rise in unison, about the possibility of inchoate desire and the first cry of love.

And the Director’s comment…

The human face is a landscape. The lived reality of the face reflects time: endured, lived and suffered. Cinema unravels time through the movement in space. The visible evokes the invisible through relationships, contexts, gestures, and conflicts. There is the immediate invisible, off screen: the image confronting sound, space confronting space, time confronting time. Then there is the larger cosmic invisible, devoid of cause and effect paradigm, layered through centuries.

Anhey Ghorhey Da Daan tries to evoke the effect of years of subordination of the struggling classes reflected in the macrocosm of events spinning beyond their control. It’s about silent witnesses devoid of power to change or influence the course of destiny, about the invisible violence of power equation and simmering discontent reflected on their faces.

The cast & crew list…

Cast: Mal Singh, Samuel John, Serbjeet Kaur, Dharminder Kaur, Emmanuel Singh, Kulwinder Kaur, Lakha Singh, Gurvinder Makhna

Script & Direction: Gurvinder Singh

Story: Gurdial Singh (based on the novel of the same name)

Dialogues: Gurdial Singh, Jasdeep Singh

Music: Catherine Lamb

Camera: Satya Rai Nagpaul

Sound: Mandar Kulkarni

Editing: Ujjwal Chandra

Production Design: Pankaj Dhimaan

Line Producer: Kartikeya Narayan Singh

Executive Producers: Neena Lath Gupta & Vikramjit Roy

Creative Producer: Mani Kaul

Producer: National Film Development Corporation Limited

Yes, you read it right. Local, Kung-Fu, Rs 95,000, martial arts and a comedy! So over to the film’s lead actor, writer and director Kenny Basumatary, who tells us more about it. The trailer of the film is also attached. Have a look and give your feedback in the comments section.

Ten or eleven years ago, I went to Siri Fort Auditorium to watch Paanch. Anurag Kashyap, Kay Kay Menon and Tejaswini Kolhapuri were present, and I could see that Anurag was visibly thrilled about the first public screening of his debut film. Now, in 2012, my debut film, Local Kung Fu, is being premiered at the same place, and to add to all the excitement, in the same category as Anurag’s own Gangs of Wasseypur 2. I’m thrilled to bits!

We shot Local Kung Fu on a budget of Rs 95,000, inclusive of a Canon 550D, a 55-250mm lens, a Rode VideoMic and various shooting and fighting paraphernalia.

I think that for getting somewhere, one needs to reach the Bohot ho gaya *$#&@# point. One needs to be really tired of waiting for things to happen, and then go out and bloody well make ‘em happen. I reached my first Bohot ho gaya point towards the end of the Sankalan Script Lab, when my script Ek Plate Kung Fu might have made it from the top 6 to the top 3 were it not that a nice little film called Chandni Chowk To China came out and made a mess of things. But never mind that.

The next Bohot ho gaya point came when a wannabe producer/hero with negligible fighting skills came to my uncle, who teaches martial arts, wanting him to act in his film. I said okay, that’s it! If this chap can try to make a martial arts film, what on earth’s stopping me! By then we had already made about a dozen shorts, including 5-6 fight videos, and we’d gained a reasonable amount of knowledge and confidence about choreographing, shooting and editing fights.

I made a list of resources: which family members and friends were good actors, which of uncle’s students were good fighters and could get bashed up convincingly as well, which places we could stage our fights in without too much trouble and whose homes we could use as locations. We wove all these into a compact little script. It’s rather surprising now when I look back – that all those ideas and possibilities I’d written down have been distilled into a seemingly simple plot. At the time, I was wondering how on earth we could bind all these strands together.

And one more thing I’ve realized is that we really do try to do too much in our first efforts. The script was 90 pages, in anticipation of a 100-105 minute film, but the addition of a few really good improvisations and the duration of the fights took the initial run time to about 2 hours 10 min. After lots of cutting and whittling and showing friends, I’ve boiled it down to 92 minutes.

When we started out, we were just thinking of an online release. Thanks to the encouragement of friends, we’re now looking at the possibility of a theatrical run as well. Hopefully, things will work out just fine. For now, excitement and nervousness are building up as I head for Osian’s.

(Local Kung Fu is having its World Premiere at Osian’s Cinefan on Saturday 28th July at 10 AM. Entry is free, but to avoid the last-minute rush, one should register online)

– For more info on the film, visit its Facebook page here.

It’s been raining trailers and how! We are adding two new interesting trailers to the list. First one is Ang Lee’s Life Of Pi. Based on the book of the same name by Yann Martel. It has Irrfan Khan (Older Pi), Tabu (Pi’s mother), debutant Suraj Sharma (Piscine Molitor ‘Pi’ Patel) and Adil Hussain (Pi’s father) in lead roles. Here’s the trailer which released today.

What’s wrong with the first 1min? Looks fake and poorly done. Rest of it looks magical. And Royal Bengal Tiger Mister Parker looks scary and delicious. There was a great buzz for its 3D at Cinema Con. We are waiting and how. In Ang Lee, we trust.

Click here to read the unofficial synopsis if you haven’t read the book.

The makers of Prague have just released the first teaser of the film. It really doesn’t say anything about the film but gives you its mood – Trippy is the keyword here. Click on the play button and enjoy.

Directed by debutant Ashish R Shukla, it stars Chandan Roy Sanyal, Arfi Lamba, Mayank Kumar, Sonia Bindra, Elena Kazan, Lucien Zell & Vaibhav Suman.

To know more about the film, click here.