Archive for the ‘Story / Plot / Synopsis’ Category

Amole Gupte, the writer and creative director of Taare Zameen Par, is ready with his directorial debut titled Stanley Ka Dabba. The film is distributed by Fox Star India. Amole has not only written and directed it but has also composed one of the songs, written the lyrics and has acted in it. It also stars Divya Dutta and Divya Jagdale.

Here’s the first trailer of the film…

And here’s the official synopsis..

Imagine this boy in your mind’s eye. He arrives in school much before any of his classmates to drum away his blues on empty benches. He stuffs himself with water instead of the nutritious food that his schoolmates relish during the lunch break. He covers up for his lack of social rank with the finesse of the most seasoned diplomat. Who is this child? What is he like? Why is he anything like he is? Wouldn’t you like to know? Meet Stanley, the protagonist of the much awaited ‘Stanley Ka Dabba

‘Stanley Ka Dabba’ is the latest offering from the insightful writer-director, Amole Gupte that throws light on the everyday life of a school going child. The character, Stanley, tugs at your heartstrings with his indomitable spirit, while warding off the hostile world he is surrounded by at all times, everywhere. The film reveals how this is child-soldier, rises above his choking real life situation on the way setting a template for all whiners to learn from, even emulate.

Like most others his ilk, Stanley loves to be amongst friends and win the appreciation of his peers and colleagues. He uses his sparkling wit and innocent wisdom to impress everyone he touches. At times spinning-a-yarn amongst friends about his mother’s flight, while on occasion conjuring some heartfelt poetry to impress the lovely English teacher, Rosy Miss (Divya Dutta). There are though teachers like the pungent Science Madam, Ms Iyer (Divya Jagdale) whose rigid beliefs smother Stanley’s innovative science experiment with all the contempt at her disposal. Then there is the gluttonous Hindi master, Verma Sir (Amole Gupte) who emerges as the catalyst in helping the boys bond for Stanley’s dignity and rightful place in the school.

The camaraderie between the boys comes to the fore when they thwart Verma Sir’s desperate attempts to polish off their dabbas with all the guile at their disposal. The gang makes the ‘invincible’ Verma show his true vulnerable self for once as he marches from one possible hideout to another in the school premises trying to binge upon their home made food.

Stanley, the little protagonist of Amole Gupte’s, latest film ‘Stanley Ka Dabba’ shows how, like the proverbial lotus, can one rise above all the filth around and make the world a better, beautiful place to live in.

The way he goes about bringing cheer to his colleagues and his little friends is what makes him the Stanley we all need to be in today’s day and age. Wise and sensitive, loving and mischievous: living every moment as if there is no tomorrow.

Dear Amole, open the Dabba soon! Can’t wait. All the best.

( PS – Geetanjali Rao has done the opening credits for the film )

( PPS – According to Vishal Bhardwaj, if that was Taare Zameen Par, this one is Chand Zameen Par)

Click here to know more about the film.

Earlier it was just Shor and now it’s Shor In The City. Reason – No clue. And here is the first look of the film which is trying hard to project Tushar Kapoor as the new Dude in the town.

The film is written and directed by Raj Nidimoru and Krishna DK and produced by Balaji Telefilms’ ALT Entertainment. It stars Tusshar Kapoor, Sendhil Ramamurthy, Nikhil Dwivedi, Radhika Apte and Preeti Desai.

And here is the official synopsis….

When the noise is deafening, can you really hear yourself ? That is the underlying thought that runs through this gritty, grounded film that revolves around three loosely interconnected stories set in the midst of the noise and grime of Mumbai during the Ganpati festival.

Abhay, an outsider, is forced to come to terms with the fact that he is alone in an unwelcoming city, which he thought was home. Living in a comfortable shell, he soon discovers that he might not be different from the thousands that mill around the city.

Tilak, an honest bootlegger, who pulls scams with his unruly buddies, chances upon a rare loot on a local train, which opens up new, dangerous avenues for them. He is pulled into the unlikely adventure of findings an empty place in the overpopulated city where they can blast a bomb….. For kicks!

Young Sawan has one goal, and more importantly, the only option – to get into the Mumbai Junior Cricket team. In a city where corruption is a way of life, the goal comes at a price1 he needs to find the money first.

In the overcrowded urban landscape that forms the backdrop of this film, the right and wrong are blurred, giving way to the more basic need to survive and succeed. As the characters come to grips with the noise – from within and outside – you realize that in this city, which runs on its own ad hoc rules, you don’t need an excuse to be good or bad; especially bad!

Click on the play button to check out the trailer of the film. It was cut during the MIAAC Fest. They might release a new trailer now.

Patang – The debut feature of Prashant Bhargava will have its North American premiere at the 10th Tribeca Film Festival. It will be shown in the World Narrative Feature Competition and will compete with 11 other films for the Founders Award for Best Narrative Feature, Best New Narrative Director, Best Actor and Actress, Best Screenplay, and Best Cinematography.

The film was also shown at this year’s Berlin Film Festival in the International Forum of New Cinema. It stars Seema Biswas, Nawazuddin Siddiqui, Sugandha Garg and Aakash Mahayera, and has been shot by Shanker Raman.

Click on the play button to check out its goregous preview trailer…

To quote from Tribeca’s official release..

A family saga set against the colorful spectacle of the Uttarayan, India’s largest kite festival, The Kite is a kaleidoscopic whirlwind of energy, romance, and turmoil. A businessman arrives in Ahmedabad for a surprise visit to his once grand family home, bringing with him his daughter and some unexpected news for the family’s future. Amongst the flurry of preparations and the energy of the festival itself, the transformative and intersecting tales of six characters unfold.

To know more about the film, click here. To read more about the other films selected for Tribeca Fest, click here.

You can also watch Prashant Bhargava’s short film Sangam at www.mubi.com. The film premiered at Sundance Film Festival in 2004.

Once upon a time there was a filmmaker called Nikhil Advani who directed Kal Ho Na Ho. And the rest, as they say, is all history. Salaam-e-Ishq, Chandni Chowk To China, Patiala House. And looking at his history, some say KHNH wasn’t that Advani but might have been that Johar. If that wasn’t enough, he has signed Akshay Kumar for one more film. And somewhere in between is the Delhi Safari.

It’s a 100 minute 3D animation feature which involves 7 main characters voiced by Govinda, Akshay Khanna, Urmila Matondkar, Boman Irani and Prem Chopra. And here’s a trailer of the film..

And if you are still curious about the film without thinking much about Rango, Rio or Kung Fu Panda2, here’s the synopsis of the film…

The animals of the national park in Bombay welcome a bright sunny morning, birds singing, animals running, Sultan the leopard and his young cub Yuvi, playing by the lakeside. The jungle has an air of joy and peace. Until, a distant thunder breaks the silence and a closer look reveals the jungle being raided by man and machine, destroying everything in its path. Sultan tries to fight a futile battle and ends up losing his life. A sign announcing a proposed apartment complex is hammered into the ground where Sultan has fallen.

That night, a group of frightened animals gather to discuss their fate. Yuvi, Sultan’s cub, tries to reason with the elders, urging them not to give up their homes. Asking them to do what his father would have wanted. The hot headed military monkey, Bajrangi, wants to declare a full scale war, but the anger management Guru, Bagga the bear, has a more civilized suggestions. He believes that all problems could be sorted out through peaceful discussions. Saying the best way to get back their homes is to have a dialogue with the humans and win their hearts. The only problem being that animals can’t speak to humans. Then, Air India, a pigeon with short term memory loss, remembers meeting a parrot who spoke human.

With hope in their hearts, Yuvi, Bajrangi, and Bagga set out and ultimately find Alex, the talking parrot, in his luxurious golden cage. However, their hope turns to despair as Alex is not interested in helping the barbaric animals with their cause, since this would mean leaving his life of luxury. Also Alex is sure that such issues would need to be addressed in the parliament at Delhi.

The motley crew manage to coerce Alex to join them and they begin their journey across the mountains and rivers of India, hitching rides in trains and trucks, to take their petition to the leader of the humans in Delhi. Along the way they discover that not only are their homes in jeopardy, but the homes and lives of thousands of other animals on the way. Their exciting journey becomes one where enemies become friends and an unlikely family comes together to fight for what rightfully belongs to them – A HOME.

Tip – Jhandubaba Chinchin

Thanks to the good soul who mailed us the (un)official synopsis of Life Of Pi. The film is directed by Ang Lee and is based on Yann Martel’s novel of the same name. It has Irrfan Khan (Older Pi), Tabu (Pi’s mother), debutant Suraj Sharma (Piscine Molitor ‘Pi’ Patel) and Adil Hussain (Pi’s father) in lead roles. It’s scheduled to release in 2012 and will be in 3D.

And here is the synopis…

PISCINE “PI” PATEL (54) was born in India but now lives in Montreal. Though he loves Canada, he misses the heat of his native country. He is still a bit traumatized by the memory of being abandoned by RICHARD PARKER when he was 12.

Pi’s father studied zoology in Paris which is where he met Pi’s mother. An avid swimmer, Pi’s father taught Pi how to swim when he was seven. His father worked as the director of the Pondicherry Zoo in Madras. Pi grew up around the animals, learning to love each of theirs unique and sometimes amusing idiosyncrasies.

In school, Pi earned the unfortunate nickname of “pissing Patel”. When he entered middle school, he took the moniker Pi and was thankfully never teased again.

In 1964, over the objections of his mother, Pi’s father took Pi and his cousin RAVI to the tiger cage to watch it kill a goat. It was a lesson to teach them to fear the big cats. They may look fluffy and cuddly but they are ferocious animals.

Pi became interested in Catholicism. He would visit the local church and talk to the PRIEST about his religion. Pi was raised as a Hindu and would go to temple to question the PANDIT about his philosophy. Pi also would go to the mosque to ask the IMAM about his religion. Pi was fascinated by all three religions and considered himself a member of each. It never proved a problem until one day when he was walking with his parents and encountered the priest, pandit and imam. Each declared Pi a member of their congregation and got into a fight when the others made the same claim.

When the owner of the zoo, the MAHARAJAH died, his SON took control of his holdings. He decided to raze the zoo and replace it with a golf course. Pi’s father hoped he could change the Maharajah’s son’s mind by acquiring a lion for the zoo. He took Pi with him when he went to a circus to look for a lion to buy. While he negotiated a deal with the circus owner, Pi met the LION TAMER. He took the boy into the cage with him and showed him how he controlled the animals. The most important thing he taught Pi was never to show fear and to always be in command. Pi’s father was unable to make a deal with the circus owner and they left empty-handed.

With the zoo closing, Pi’s father got a job with the Canadian zoo which purchased all of the animals. They were loaded onto a boat along with Pi and his family. While on the cruise to their new home, Pi helped to feed the animals.

Pi was awakened one night to find his room flooding. The ship was sinking. The sailors freed most of the animals, giving them a chance on the open sea rather than drown on the boat. Unable to find his parents, Pi was taken topside by a sailor who threw him into the ocean. Pi swam to the nearest lifeboat, climbed aboard and watched the ship go down. That’s when he noticed that he wasn’t alone on the lifeboat. He shared it with a zebra, peacock and a hyena. Pi never saw his parents again.

Pi saw a tiger named Richard Parker clinging to a piece of driftwood nearby. It got that name from the Brit who found the orphaned cub that was then given to the zoo.

Pi is telling the story from his hospital bed to MR. OKAMATO and MR. CHIBA, investigators from the insurance company who were questioning him about why the boat sunk. Besides the two Japanese, there were a few nurses and orderlies also listening to Pi’s fascinating tale.

Pi then saw a hand grab the edge of the lifeboat. It belonged to a female orangutan who pulled herself into the boat. After a couple of days and getting hungry, the hyena moved to attack the zebra. Pi tried to fend it off with an oar but couldn’t stop the starving animal. It attacked the zebra who panicked and fell out of the boat. Thwarted, the hyena then turned and attacked the orangutan, killing it. That’s when the tiger reappeared, jumped into the boat and killed the hyena. Pi escaped the boat after making a raft from oars and life preservers. He stayed near the boat because it contained supplies that he might need.

As Pi continued his tale, his hospital room began to be filled with more patients and staff who were hanging on every word he said.

As the days continued, Pi remembered the things he learned from the lion tamer. Using a fishing hook he found in the survival kit on the lifeboat, Pi began catching fish to feed himself and the tiger. He would clean the fish by using one of the tiger’s discarded claws. In time, they formed an unlikely truce. The tiger wouldn’t eat Pi as long as he continued to feed him. When Pi got the chance, he would also feed on sea turtles and sea birds that he would encounter. Pi would keep track of the days by making notches on an oar. He would eventually make a total of 137 notches.

Pi woke up one morning to find that his boat had reached an island. The tiger jumped out and ran into the jungle. Pi began to investigate himself before passing out from exhaustion. He woke up to find his hands and feet bound. The sailor from the ship was also on the island. The sailor was apologizing for his what he was about to do – eat Pi. Before he got the chance though, he was attacked and killed by the tiger. Pi jumped back in his boat and began to paddle away but then felt guilty about leaving the tiger, so he used a whistle he had found to call the big beast. It came running (carrying the sailor’s arm in his mouth) and jumped back in the boat.

Some time later, the boat washed up on the beaches of Mexico. The tiger leaped to the shore and disappeared into the woods. Pi was extremely saddened by the loss of his only friend. Pi was found by some locals and taken to the nearest hospital.

By now Pi’s audience had filled his room and spilled out into the hallway. When he finished his story, many of the listeners dabbed at the tears in their eyes. Some openly wept.

SPOILER

Mr. Okamato and Mr. Chiba expressed their doubts about the veracity of the story, finding it to be just too implausible. When they saw Pi’s eyes look downward, they thought they hit a nerve so they ushered everyone out of the room. Pi then told a simpler tale. He said when he reached the lifeboat, it held his mother and two sailors, one with a broken leg. After a few days out on sea, one of the sailors wanted to kill the injured one to eat. Rather than face that fate, he jumped into the ocean taking his chances with the sharks. The sailor then turned and killed Pi’s mother, stripping her flesh to hang and dry. When the sailor fell asleep, Pi killed him and later ate him. Mr. Okamato and Mr. Chiba are distressed by the story, feeling sorry for Pi having to witness his mother being killed and cannibalized. As they left the boy alone, they remarked how similar his two tales were, marveling how the young man’s imagination had replaced humans with animals. They figured the hyena was one sailor, the zebra was the injured sailor and the orangutan was Pi’s mother. Who then was the tiger? Well, Pi of course.

SPOILER ENDS

Years later, Pi is living in Montreal. He returns to his apartment. Pi still has the tiger’s claw.

The first look of Rohan Sippy’s new film Dum Maaro Dum is out. It stars Abhishek Bachchan, Bipasha Basu and Rana Daggubati. Prateik is credited as Special Appearance in the teaser. It’s written by Shridhar Raghavan, shot by Amit Roy and has Pritam’s Music. Check it out.

And here is the official synopsis….

Goa. Paradise on Earth. But every Paradise has a few snakes.

Multiple lives collide brutally one day at Goa Airport… and change forever.

Prateik Babbar: Lorry
A student on the verge of following his girlfriend to a US University. But when his scholarship gets rejected, his life threatens to spiral out of control, until he meets a smooth talking hustler who promises to get it back on track. For a small price. His soul.

Abhishek Bachchan: ACP Vishnu Kamath
A self destructive cop fleeing his own past, Kamath is given the job of destroying the brutal local and international drug mafia in Goa. As he begins his ruthless, relentless campaign and takes on the murky drug world… he discovers nothing is what it seems.

Rana Daggubati: DJ Joki
A local musician and mute spectator to what is happening around him, Joki drifts aimlessly through life after an encounter with the drug mafia cost him everything he held dear. Today he discovers history has a nasty habit of repeating itself. Will he finally have the guts to take a stand?

Bipasha Basu: Zoe
An aspiring airhostess who saw her dreams turn to dust, Zoey in a way represents Goa itself. A child of the hippy generation, a mix of local and foreign culture, innocence and beauty have gradually been replaced by cynicism and abuse.

Aditya Pancholi: Lorsa Biscuta aka the Biscuit
A ruthless local businessman, the Biscuit has his finger in every Goan pie, legal or illegal. The point person between all the various Mafias operating in Goa, the Biscuit finds himself pushed to the extreme limit with Kamath’s arrival. But he knows who to turn to:

A mysterious shadow
The ultimate drug kingpin. Many names, many identities but no one knows who he is….

We hurtle into the bylanes, beach shacks and raves of Goa with Lorry as his life spirals out of control, with Joki as he tries to redeem the past and with Kamath as he goes no-holds-barred after the mysterious shadow figure behind it all…

Punctuated with a soundtrack that moves from pulsating dance tracks to haunting Konkani songs, shot right in the midst of the teeming international tourist hotspots, Dum Maaro Dum takes you on a dramatic, thrilling trip filled with twists, turns, suspense… and a shocking finale!

 

Those of you who religiously follow the movement of film scripts in blogosphere, must be aware that the script of QT’s Inglourious Basterds was out almost a year before its release. And that’s not a rare case. There are blogs and websites dedicated to script reviews/news/sales. And since last few years they have the Black List too.

Compare this to the script scenario here. Writers/directors guard it as if it’s life and death scenario. Almost scared to give it out to anyone to read. The fear of bad (or honest) feedback  is too much to bear! If only someone can explain it to them that you cant hang your film on your drawing room walls like you treat your paintings! Plus, there is no concept of professional readers.

Even after the film has released, there is no way to source the script online. So we are trying to change the scenario with a small intiative. Asking directors of all the best reviewed films of 2010 to share their scripts with us. Its purely for non-commercial and educational purpose.

The first in the series is the script of Vikramaditya Motwane’s Udaan – the much loved and one of the best reviewed films of 2010. You can read it and download it too. We have attached three drafts – shooting script (in Roman Hindi ), the second one is slightly polished draft ( In English – 2004/2005) and the last one is the very first raw draft ( In English – 2003 ).

We will soon be putting out the script of Goal too. It’s also written by him and has always baffled us that how can a filmmaker go so wrong with a sports genre film! Till then, enjoy Udaan.

Shooting draft –

Slightly polished draft –

First raw draft –

PS – We are also trying to source the scripts of LSD, Peepli Live, Ishqiya, Do Dooni Chaar, Phas Gaye Re Obama, Striker, Band Bajaa Baarat, Tere Bin Laden and more. If you have the script and want to share it with our readers, do write to us at moifightclub@gmail.com. This is stritcly for non-commercial purpose.

Aha, quite a long header. Let’s tackle it one by one. And not sure if it deserves a SPOILER ALERT because its all in the official synopsis.

Synopsis – The romantic misadventures of Susanna Anna-Marie Johannes, a beautiful lass who over the course of thirty-five odd years, gets married seven times due to the untimely and mysterious deaths of half a dozen of her hapless husbands. The strange circumstances of their deaths, makes Susanna a prime accused. Did the husbands deserve to die? Were the murders out of necessity or pure blood-lust? Does Susanna ever find her one true love?

Key Word – Half a dozen.

And check out the six new character posters. And 7th one is again missing!

Character Details :

Susanna Anna-Marie Johannes (Priyanka Chopra) –  She is a beautiful lass who over the course of thirty-five odd years, gets married seven times due to the untimely and mysterious deaths of half a dozen of her hapless husbands. The strange circumstances of their deaths make Susanna a prime suspect. Enigmatic and irresistibly charming in equal measure – Susanna is the kind of woman any man would die for! Literally!

Key word – Half a dozen.

Neil Nitin Mukesh (Edwin Rodriques) – A young and beautiful Susanna falls in love with The Major, who’s oh-so-dashing in his uniform. Yes, he’s a bit too old for her, and he likes giving orders. But love is blind.

John Abraham ( Jimmy Stetson) – Soon thereafter – very soon – Susanna decides to marry Jimmy, whose good looks and musical talent sweep her off her feet. She invests in him, but she has no idea what lies in store.

Irrfan Khan (Wasiullah Khan) – As a romantic soul. Susanna is susceptible to beautiful poetry. Hence it is that she discovers and marries Wasiullah Khan A.k.a Musafir, by day a gentle poet and by night… something else.

Aleksandr Dyachenko (Nicolai Vronsky) – Growing older but no wiser. Susanna next marries a Mr. Vronsky from Moscow and almost re-enacts her very own Anna Karenina love story.

Anu Kapoor (Keemat Lal) – All these dead husbands! The police take an interest, especially Officer Keemat Lal, who is helpful to the extreme. He not only persuades Susanna to marry him, he makes it impossible for her to say no.

Naseruddin Shah( Modhusudhon Tarafdar) –  By now our Susanna is suffering from melancholy, not to mention indigestion. Along comes her savior, Dr. Modhusudhon Tarafdar with a healthy answer to both problems: a strict mushroom diet.

The 7th Husband – It turns out that Dr. Mushroom isn’t Susanna’s last savior. She marries yet again, and finally it’s for good.

Hmm. The 7th Husband is played by Naseeruddin Shah’s son Vivan Shah. So is it just 6KM ? And is there more to the 7th one ? If you have seen the theatrical trailer of the film, you must have also noticed that the last few seconds of the trailer has Vivaan Shah in a contemplative mood with Priyanka Chopra in the other corner. Your thoughts ?

Woot! Darrrrling is the new Dhen Tedan!

The trailer of Vishal Bhardwaj’s new film 7 Khoon Maaf is out. Aha, the popular joke doing the rounds is that 7KM trailer is the only good reason to watch Tees Maar Khan. But now its online. So, here it is…

The film stars Naseeruddin Shah, Irrfan Khan, John Abraham, Neil Nitin Mukesh, Russian actor Alexander Dyachenko, Annu Kapoor and Vivaan Shah.

Click here and here to read our previous posts on 7 Khoon Maaf.

PS – Ruskin Bond also has a cameo in the film.

And Dear Vishal Bhardwaj,

After Bard and Bond, why do you want to go to Bhagat ? Please. Can you explain ?  Or are you seriously looking for the B-factor! You, Shah Rukh Khan, Chetan Bhagat and Sajid Nadiawala – where is the common ground ? Or are we completely blind ? Ok, you and Shah Rukh will be a great combo to look forward to but now in that Bhagu Chaat’s trash called 2 States.

Absolutely NOT looking forward to it

VB-hakts

UPDATE – We had put this post last year. But the makers got to know about it and thought it was too early and might harm the prospect of the film. So we removed the post. Now that the film’s trailer is out, we are posting it again. Haven’t change anything else.

This one is strictly for the fanboys. Dibakar Banerjee, easily one of the best directors among the current lot, is busy working on his fourth film titled Shanghai. And a good soul did a good deed for the day – mailed us the synopsis of the film. And it seems much more than just synopsis. The film is based on Vassilis Vassilikos’ novel Z. Costa Gavras’ film Z was also based on the same novel. Click here to read the synopsis of Z.

And yes, here is the SPOILER ALERT! Read on…

A politically volatile state in India gears up for two much awaited events : the assembly elections and the completion of a multi-billion dollar special economic zone (SEZ) deal, both timed together to help the ruling party clinch the elections.

This is a story of modern India. A country ruled by contradictions. A country whose elite leadership is preoccupied with the growth rate and elected politicians thrive on the resentment created by economic development. This story is playing out across every town in India that wants to find itself on the map of “shining India” at any cost.

A prominent and respected social activist, Doctor Ahmedi, known as nationally and internationally for his successful struggle against the governments and multinationals to protect the rights of the poor, accuses the state government of acquiring huge real estate for the project without adequate compensation to the people living on it.

On the day of Doctor Ahmedi’s arrival, Shalini Pearson, a British social worker working in the working-class area where the SEZ is going to be set-up, learns of a threat to Doctor Ahmedi’s life. She warns the party, but her warnings are not taken seriously. They tell her, “You cannot afford to be afraid if you decide to stand up against injustice.”

That evening, amid a turbulent meeting in Bharat Nagar, Doctor Ahemdi with his supporters exhorts the locals to fight for their rights. A handful of police officials keep a mute watch, ostensibly to protect the doctor. A lone photojournalist, Jogi Parmar, is present.

As the doctor and his supporters are leaving the venue, a scuffle break out between the supporters and opponents of the doctor. In the melee, a truck crashes into the crowd, heads for the doctor, mows him down inches away from Shalini and escapes. One of the doctor’s supporters chases the truck and gets on to it. A distraught Shalini rushes to the doctor to the hospital, where he slips into a deep coma.

The state machinery moves into high gear to defuse the situation. The truck driver is caught and a case of drunk driving is registered. The doctor’s wife accuses the state of a conspiracy to kill her husband. The allegation is quickly countered by setting up of an enquiry commission by a former judge, Padmanabhiah.

Soon skeletons start tumbling out as the judge starts his meticulous investigation into the accident. Truth and falsehood get mixed up as testimonies get recorded. Questions are left unanswered or stalled. What seems to have been an open-and-shut case soon becomes a conspiracy and a cold-blooded plot to get rid of Doctor Ahmedi.

Shalini, working relentlessly to strengthen the case, finds the first witness, a local cable operator and photojournalist Jogi’s boss, who has accidently recorded a  telephone conversation between the local politician, Bhausaheb, and an unknown person plotting to get rid of Ahmedi. However the witness is found dead and the tape is lost before it can be presented to the judge.

Shanghai is a political story about the workings of Indian democracy told through three unlikely protagonists with ground level differing aims and often conflicting with each other as they start unraveling the story behind Doctor Ahmedi’s death.

Judge Padmanabhiah for the first time emerges out of the legalistic cocoon to understand the real, messy truth at the ground level. Jogi starts fighting for truth – something his opportunistic, hustling mind could have never thought possible before.

The danger increases, the hunter becomes the hunted. Truth pits them against the might of a  ruthless political machinery. Hanging in balance is the control of the state, power equations in the country’s political capital, Delhi, and the very meaning of justice in contemporary India.

So, what’s your bet ?