Posts Tagged ‘Kiran Rao’

Call For Entries

We all know that Mumbai Film Festival struggled with sponsorship last year. But it also managed to get the best desi films in recent years – with Court winning the International Competition, and Chauranga and Killa making mark in Indian categories. The International Competitive section for debut features always attract good films because of the big prize money it has.

So if you made a film, what are you waiting for. Mumbai Film Festival is waiting for it.

Click here to go to the official website of the festival, get all the details and submit your entries.

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New Logo/Title Sponsor

MAMI also recently unveiled its new logo – a dash of red all over. And the best part is it has got Reliance Jio as title sponsor for the next 5 years. Great! One big hurdle cleared. Now get us the best films!

New Board

The festival has a new board in place now. Film critic and author Anupama Chopra is the new Festival Director and filmmaker Kiran Rao is the new chairperson. Karan Johar, Siddharth Roy Kapoor, Ajay Bijli, Manish Mundra are on board too and were present during the unveiling of the new logo. Anurag Kashyap, Farhan Akhtar, Vikramaditya Motwane, Riteish Deshmukh, Deepika Padukone and Anand Mahindra are also associated with the fest.

MAMI

The fest will run from 29th October to 5th November this year.

Still haven’t seen Om Dar-B-Dar? Want more reasons? Well, listen to Anurag Kashyap, Imtiaz Ali, Amole Gupte, Kiran Rao and Resul Pookutty to understand what the film means to them and why.

And here’s Rajat Dholakia on its music madness

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With UTV and Kiran Rao in the picture now, Ship Of Theseus is getting a new campaign. It started with UTV and Kiran’s branding all over, then a new teaser came out, and now finally the full trailer is out. Have a look.

3.16! That’s quite long. They have put out almost a smaller version of the film. As we have been shouting out from rooftops, it’s easily going to be one of the best films of the year. Mark the release date – 19th July.

To read it’s official synopsis, cast & crew list, and our take on the film, click here.

Ship Of Theseus We have been hearing about the news since last few months. Finally, the official announcement is out. Kiran Rao loved the film and she is now releasing Anand Gandhi’s film Ship Of Theseus with the help of UTV.

This is a great initiative. Hopefully she will continue to release more such films. And we need more people like her because they can make it happen. Because making films have become easier but releasing them in theatres seems like an impossible task. Especially when there’s no alternative platform or venues for non-mainstream films. And when the focus is only money and opening weekend collection, nobody wants to think beyond that. A film like Ship Of Theseus deserves to be seen.

Here’s the official synopsis….

If the parts of a ship are replaced, bit-by-bit, is it still the same ship?

An unusual photographer, celebrated for her intuitive work, successfully captures the essence of her experience in her photography. However, she also struggles with insecurities over authorship in the context of larger questions about subjectivity and intent in art.

An erudite monk, who is an ideologue and practitioner of non-violence, and involved in animal rights activism, is forced to make a choice between death and medicine – medicine that is either derived from, or tested on animals. As death closes in, he re-questions all the ideas that he has always taken for granted.

A young stockbroker has a frictional relationship with his grandmother, whom he nurses in a hospital. When it is discovered that a neighbouring patient has had his kidney stolen, he starts out on a trail that leads him to a kidney tourism racket. Altruism and concern leads him to confront the recipient of the kidney, eventually making him discover how intricate morality could be.

Following the separate strands of their philosophical journeys, and their eventual convergence, Ship of Theseus explores questions of identity, justice, beauty, meaning and death.

And a new teaser trailer of the film

The cast and the credit list…

Director: Anand Gandhi

Language: English, Hindi, Arabic

Runtime: 139 minutes

Exec. Producer: Mitesh Shah, Ruchi Bhimani

Producer: Mukesh Shah

Production Co.: Recyclewala Films

Principal Cast: Neeraj Kabi, Sohum Shah, Aida Elkashef, Faraz Khan, Vinay Shukla, Amba Sanyal

Screenplay: Anand Gandhi

Cinematographer: Pankaj Kumar

Editor: Adesh Prasad, Sanyukta Kaza, Satchit Puranik, Reka Lemhenyi

Sound: Gábor Erdélyi, Tamás Székely

Music: Rohit Sharma, Naren Chandavarkar, Benedict Taylor

Prod. Designer: Rakesh Yadav, Pooja Shetty

Int. Sales Agent: Fortissimo Films

The film is a MUST WATCH. Here are the links to some of our previous posts where we have written about it

–  “2012 Rewind : Coming of age for desi indies – Miss Lovely and Ship Of Theseus” post is here

– A small recco post on the film in “2012 Rewind : What kind of bird are YOU?” post. Click here.

– A small review in MFF wrap post is here

The 13th Mumbai Film Festival, a Reliance Entertainment initiative, will be held in Mumbai from the 13th to the 20th of October 2011.

The festival has just announced its jury for this year’s edition. The jury members for the international competition section are…

1. Academy Award nominee director Hugh Hudson (Jury President, International competition),

2. Roger Spottiswoode – director of James Bond film Tomorrow Never Dies and the Arnold Schwarzenegger starrer ‘The 6th Day’

3. Acclaimed Polish director Jerzy Skolimowski

4. Young Korean director Na Hong-Jin who received numerous awards and acclaim for his films ‘The Chaser’ and ‘The Yellow Sea’.

VENUE :  This year the main hub for the festival will be Cinemax Versova and other venues include Cinemax Sion and Metro BIG cinemas.

 – Basu Chatterjee, director of films like Gudgudee, Chameli Ki Shaadi amongst numerous others, is the Chairman of the Harmony Celebrate Age Jury. Harmony Celebrate Age aims to encourage filmmakers to look beyond the stereotypes of old age and to look at the positive side of ageing.

– The Dimensions Mumbai section of the festival include young directors like…

1. Kiran Rao (Dhobi Ghat) (Chairperson- Dimension Mumbai Jury)

2. Vikram Aditya Motwane (Udaan)

3. Nishikant Kamat (Mumbai Meri Jaan)

4. Onir (My Brother Nikhil)

5. Renuka Shahane

Dimensions Mumbai, a short film competition open to Mumbaikars below the age of 25 years, where a short film depicting any aspect of life in Mumbai can be submitted.

Not sure when was the last time it happened – so many extreme reactions to a film. From pretentious, fuck boring to one of the best debuts, even best thing that happened to Indian Cinema in recent years.  They said it all. And the critics’ ratings varied from 2.5 to 4 stars. Click here for all the ratings.

Sunayna Prabhu loved every bit of it. When she did cinema journalism in Bombay, she bothered least about films. And when she had nothing much to do after moving to USA, she got so interested in films that she surprised us all. And when she decided to go for screenwriting course at UCLA, it was hard to believe that she was the same ‘dihadi‘ colleague we knew. Now she just loves her everyday struggle with words. She saw Mumbai Diaries ( Note – its not Dhobi Ghat there) recently and blames Kiran Rao for making her so nostalgic about the city. Read on…scattered thoughts from her diary….

Any one with an aversion to evocative text can stop right here. This post is as much an intellectual masturbation as the movie that sent me out groaning to my husband “I’m leaving you for Pratiek Babber”. ‘Mumbai Diaries’ released in Hollywood this Friday and I ran to see it merely for nostalgia but it pierced through my gut and took a bit of me in every beat.

The movie seduced me despite the desolation it portrays. I yearn to return to my city against the threat that I might never have a real friend on speed dial and chances are I’ll empty my heart to a rickshaw driver. I even had a heated argument with a roommate who called it dark, depressing and disjointed! The moment I learnt her favorite movie is ‘Yaadein’, I pushed her out and slammed the door. “Movie whore” she yelled at me.

Character is You

Once I had locked myself in my studio apartment for two months. No cellphones, no radio, no TV, just writing a story that wrapped my whole existence. When I wrote like a reclusive creep, I literally became that woman in my story. I wore reds, smudged more kohl in my eyes and spoke in a husky voice that wasn’t mine. I lived her! When Aamir’s character Arun, wears Yasmin’s silver chain and ring, I get it! When he goes to the beach and writes on the sand, I get it. When she dies, a part of her that he’s been living, dies. He becomes his own muse and that’s why the storm in his stomach! He bursts out the door to seek someone, but cringes and mourns like a baby in front of a neighbor who won’t even blink.

Mumbai is not Madhubala

So many times I’ve walked the streets of Mumbai after a fight with a bare face to the world “No one cares.” Yet, there’s always the flower girl at the traffic light who’ll stare into your eyes like she knows, the Eunuchs who’ll bless you without a penny, and the rickshaw driver will play Burman in the rain. The city has it’s own morphine. Just like the movie, scattered with images of people that make it livable. Whoever says the filmmaker should have shown a bit of Mumbai’s beauty, go take a flying fuck because Mumbai is not Madhubala. Mumbai is that dirty, raunchy, intoxicating temptress who’ll whip you to tears of ecstasy.

“Mumbai my love, my whore!” Don’t all artists ejaculate their inspiration and breathe like they’ve had an orgasm? I do!

Aah Aamir, Ooh Prateik

Also loved Kiran’s choices, except Aamir Khan. Why does he arch those eyebrows and bulge pupils into the camera to prove he’s intense? Leech. He sucked the flesh and blood of his own character. Oh the long drags, perfect rings of smoke, the pompous Marc Jacobs and Calvin Klein’s and that cocky grey hair. A twit- stuck-in-Ghajini murdered a delicious, fragile, sensitive character! Aah Aamir – You give men blue-balls and the reason why women never hit the big O! Exhale honey, will you?

Few, very few, snippets of Yasmin Noor’s dialogue through her ‘Mumbai darshan’ videos were corny, but they were true to her character. Yasmin, an immigrant like me, tries to introduce the beauty of a foreign land eagerly to her family that probably has taken her absence for granted. She’s that “outsider” within many of us. I often get philosophical while saying the most trivial things about America. I’ve recorded the streets of Hollywood and Miami while ‘Des mera rangeela babu’ played the background score in my car. Yasmin’s background score is her ‘voice’ “Yeh samunder sab kuch apne aap  mein samet leta hai’ although cringe-worthy, it’s real! Perhaps the director nailed it! My heart flipped out when she talks about the taste of mangoes in the city versus her hometown. Agreed it’s not poetry, but I get it. When I walk into the aisles of American grocery stores and find hormone-injected produce everywhere, I lose my appetite. “yahan ke aam mein wahan jaise taste kahan” That voice is real.

Munna! I don’t care who he bangs – rats, clothes or hideous women. Pratiek is my “bitter-chocolate boy.” Irresistible. Unstoppable. A guy I’d love to remake ‘9 ½ weeks’ with. He’s not just going to eat up those blue-blooded run-of-the-mill kapoors and stone-faced Imran’s, he’ll hopefully force great writers and talented filmmakers to surface. Hope he won’t drink n drive and kill people on the sidewalks, rest assured, in all my dreams I’ll have his babies.

Shai is an Indian-American like me. She doesn’t rely on subtext; she just knows her shit too well. She’s just being a true friend to Munna hoping not to polarize him like her maid Agnes who brings tea in a separate cup for him. Shai connects with Arun but doesn’t ever impose herself into his life. I saw a typical liberal woman, confident of her sexuality. That’s not as rare in Mumbai these days, or is it ?

Loving Strangers

Loved the neighbor. Such a strong metaphor for the people who live next door. None, I mean it, none of my neighbors in Mumbai ever spoke to me. I saw them only in the mornings putting garbage bins out the door. I didn’t care. There are nosey neighbors, but who is committed to your daily life? No one! The mute neighbor runs like an understated theme throughout the timeline of the movie. Gorgeous.

‘Mumbai Diaries’ is a rare mood piece to indulge in. Like the gooey, viscous chocolate lava that makes your hands dirty and leaves a flavor in your mouth that keeps you drooling for days!! Here’s last few words for those who hate this movie like my roommate who called me a movie whore–aahhh aaahhh aaaahhhh yes yes yessss…OMG that was so good! Suck it bitches.

(PS – Just plugged in the “Lovely Strangers” song once more)

The first trailer of Dhobi Ghat is finally out! And this one seems to be different. Instead of a full length trailer, its in three chapters, dedicated to four characters of the film.

The film is written and directed by Kiran Rao and stars Aamir Khan, Prateik Babbar, Monica Dogra and Kriti Malhotra. Click on the play button, watch it and do post your comments.

Its shot by Tushar Kanti Ray and has music by Gustavo Santaollala. The music design in the trailer is by Ram Sampath, who has mixed the tracks of Gustavo.

And here is the official synopsis of the film….

In the teeming metropolis of Mumbai, four people separated by class and language are drawn together in compelling relationships. Shai, an affluent investment banker on a sabbatical, strikes up an unusual friendship with Munna, a young and beautiful laundry boy with ambitions of being a Bollywood actor, and has a brief dalliance with Arun, a gifted painter. As they slip away from familiar moorings and drift closer together, the city finds its way into the crevices of their inner worlds.

And to read what Cameron Bailey, Co-director of TIFF, thinks about Dhobi Ghat, click here.

Kiran Rao’s directorial debut Dhobi Ghat is going to have its world premiere at  the Toronto International Film Festival (TIFF). It stars Aamir Khan, Prateik Babbar, Monica Dogra and Kriti Malhotra. Some new pics of the film are out…check it out…

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And here is the official synopsis of the film…

In the teeming metropolis of Mumbai, four people separated by class and language are drawn together in compelling relationships. Shai, an affluent investment banker on a sabbatical, strikes up an unusual friendship with Munna, a young and beautiful laundry boy with ambitions of being a Bollywood actor, and has a brief dalliance with Arun, a gifted painter. As they slip away from familiar moorings and drift closer together, the city finds its way into the crevices of their inner worlds.

And to read what Cameron Bailey, Co-director of TIFF, thinks about Dhobi Ghat, click here.

This friday belongs to Producer Aamir Khan. Just back from the directorial debut of Anusha Rizvi’s Peepli Live. Wow! Goes straight up in our list of Top 5 films of the year. And its a tough competition there  for the films to release in the next four months. The rest four are LSD, Vihir, Udaan and Ishqiya.

Back to Kiran Rao’s directorial debut Dhobi Ghat. The film is having its premiere at the Toronto International Film Festival (TIFF) and here is a write up by Cameron Bailey, the Co-director of the TIFF. Read on..

The rains in Mumbai are a beautiful curse. Sheets of water fall over the city, drenching and cleansing and casting vast millions in the same grey, glistening hue. Kiran Rao sets her impressive debut feature during Mumbai’s monsoon season, using the sound and visuals of the rains to bridge the divides between her characters. This is a love letter to her city, most of all to the work and art that drives Mumbai, rain or shine.

Indian superstar Aamir Khan plays Arun, a brooding painter introduced at a gallery launch of his work. Uninterested in small talk, he strikes up a flirtation with Shai, an Indian American woman visiting her family in the city. The next morning, awkwardness descends and he practically shoves her out the door. But, in the way of the Maximum City, Shai and Arun find themselves inextricably linked. They share a laundry man, a dhobi, who picks up and delivers their clothes. One of the millions of workers who keep Mumbai humming, Zohaib maintains a friendly but formal relationship with Arun. Shai, however, becomes fascinated with Zohaib and wants to follow him to the dhobi ghat, the city’s sprawling laundry district, where she hopes to indulge her photography hobby by capturing him at work.

Informed by Wong Kar-wai and Tsai Ming Liang, but directing with her own intimate sensibility, Rao draws her three characters together against the backdrop of a city that gives and takes in equal measure. In a subplot that illuminates the film’s themes, Arun discovers a series of video diaries left by the previous tenant of his apartment. In them, a young woman recounts her impressions of the city and reveals a tragedy in brief glimpses.

It took years for American independent cinema to develop its own narrative voices in contrast to Hollywood storytelling. In India, the emergence of a contemporary indie style is happening right now. Dhobi Ghat marks a major step forward for Indian filmmaking. It’s exciting that Aamir Khan and Kiran Rao are taking that step together.

And click here for the link to the original piece.

PS – Tip by Umar.

We told you so! Though we are now bored of repeating it again and again but who doesn’t love some cheap thrills and ego massage. Much before the official announcement, we had put out this exclusive post confirming Dhobi Ghat’s selection for Toronto International Film Festival. The official list is finally out.  We knew that three Indian films have been selected for TIFF. So, one is still missing ? Will it be added later on or we got confused ? Someone please enlighten!

Kiran Rao’s directorial debut Dhobi Ghat will have it world premiere at TIFF in the Special Presentations. And here is the official synopsis of the film…..

In the teeming metropolis of Mumbai, four people separated by class and language are drawn together in compelling relationships. Shai, an affluent investment banker on a sabbatical, strikes up an unusual friendship with Munna, a young and beautiful laundry boy with ambitions of being a Bollywood actor, and has a brief dalliance with Arun, a gifted painter. As they slip away from familiar moorings and drift closer together, the city finds its way into the crevices of their inner worlds.

The other film selected for TIFF2010 is Anurag Kashyap’s That Girl In Yellow Boots starring Kalki Koechlin. The film will have its North American Premiere under Special Presentations. And here is the official synopsis of the film…..

Ruth is searching for her father – a man she hardly knew but cannot forget. Desperation drives her to work without a permit, at a massage parlour, where she gives ‘happy endings’ to unfulfilled men. Torn between several schisms, Mumbai becomes the backdrop for Ruth’s quest as she struggles to find her independence and space even as she is sucked deeper into the labyrinthine politics of the city’s underbelly.

Yay! One debutant and one the voice of good ol’ indie! Cheers to good cinema, fests and more! To read the complete list of TIFF 2010, click here.

What’s next ? Venice Film Festival – anyone wanna bet ?

BTW, NFDC’s Nina Lath Gupta is on the jury of  67th Venice International Film Festival for “Luigi De Laurentiis” Award for a Debut Film. The jury will be chaired by filmmaker Fatih Akin. Click here to read the full report.

Update (29-07-2010) – And there is some more good news. Its a hattrick of Anurag Kashyap. Click here to read more.