Posts Tagged ‘pic’

Its middle name is “Sex”. And as Neha Dhupia in her Julie avatar said once – In this country, only sex or Shah Rukh Khan sells! So, the makers of Love Sex Aur Dhoka are going full throttle selling what they have. Check out the pics.

The film LSD is yet to be censored. So, will the Censor Board pass it ? Or will it do a KLPD ? And if you wondering what is KLPD, go check which planet do you belong to! ( Hint – D is the same in both LSD & KLPD)

To read the full article published in Mid-Day, click here. Its seems the protagonists of any hindi films have never stripped down completely. And so by that criteria, this one is bollywood’s boldest sex scene ever. Aha, when will our actors join Kate Winslet’s Sex & Nudity Coaching Classes ? But first they need to join her acting class! Only actors can carry nudity with so much ease.

And here is the most interesting bit from the article – But the nudity in the scene is not even remotely aimed to titillate. If anything, it is gag-inducing, guaranteed to repel you. Like the rape scene filmed on Monica Bellucci in Irreversible.

Monica Bellucci ? Irreversible ? This sounds familiar. Not sure if its coincidence or has been written as part of an official press release. Remember talking to one of the writers of the film about it long back. How the film had a huge impact on him, how he had first seen the film during his film school days and in the same week, something similar had happened in the film school campus. It was too heavy to get over.

But Mid-day has done what the film’s PR and Marketing guys should be doing. Sold the film to its audience. We were booking our tickets anyway. Now we will double-check. What are you thinking ? or still staring at the pic ?

First it was Madhuri Dixit and now its Kartik Krishnan. Rarely do people manage to get a film title based on their name. No, we dont want to count Ramu here. Thats for another day.

The 70 min film has been directed by Srinivas Sunderrajan. The cast includes Kartik Krishnan, Vishwesh K, Swara Bhaskar and D Santosh. Its shot by Hashim Badani and is written by Srinivas Sunderrajan & Vijesh Rajan. While trying to pitch his feature, Srini has been told by few that tu toh bachcha dikhta hai (which he does. 26 ka hai bus!), abhi film kya direct karega. Well, now he can throw the dvd on their face. 

So while we wrote blogs, spread goss, struggled with writing and did tweet-twat, the bachchas got together and shot this film in less than 70k.  Its been shot on Sony HDV Z1 in 30 days over a period of one year. And there are more twists in its making than in the film. Read on. 

Many of you must have already seen the trailer. If not, click on the play button.

Over to KK.

Flashback
The 1st draft of the script was ready and emailed to me on Feb 20th 2009 by the director and my friend Srinivas Sunderrajan with a instruction in CAPS saying ‘BANIYAN KHAREED” (helpful in attaching the lapel mike to the actor). We begin the actor rehearsals. The screenplay is in place but no dialogues. “Why?” I asked. “Because I want to improvise it”

Preparations

When the Locations would be available for say a Saturday, the actors would meet on a Wednesday for a reading and rehearse under Srinivas’ instructions. If some interesting lines came about in the reading, they would be kept. A framework would be developed with the actors being given a free hand to fill in the meat. No sticking to lines, but simply improvising, but being in the scene, being in character.

Shoot begins 
All wide shots, long takes. Minimal cut-aways. Not necessarily adhering to traditional style shooting of covering a scene from all angles. Also this was done because we used to get the location for not more than 2 hours (read: Location). And there used to be at least 4 scenes (average) per location. The lapel mike works sometimes, and sometimes you have to keep the battery cover pressed down for it to work. So someone off-screen would do that (Mostly the director himself)!

Slowly it is falling into place.

Crew

Barring the actors, there used to be max. 3 people on the set – Srinivas (director), Hashim (Camera), and sometimes a friend to just help us out. But most of the time, it used to be just the two of them. Some locations, had one guy for lights.

We are our own costume designers, makeup men, location in-charge, food & catering. We lose our cool most of the times due to the high level of multi-tasking, but Srinivas’ level headedness kept us going. All actors/crew (except Srinivas) having day jobs and other assignments, postponing a day of shoot meant waiting at least for a week for the same location & all our dates to match. 

Locations

There were 4 main locations in the film – KK’s flat, KK’s Office, Drinks Bar, Coffee shop. Coffee shop turned out to be an expensive affair so we had to settle in for a “sweet mart” which also had seating space for customers. With the help of Srinivas’ friend, we barged into one and finished two huge scenes in a span of 2 hours and before the owners could even realize what was happening – we vacated the premise.

For the drinks bar location, we had to visit the bar a couple of times, befriend the waiters, and then bribe them into letting us into the place to shoot early in the morning. So basically, 5am shifts wherein we used to enter the location via the backdoor, and then complete shoot before 9am because that’s when the main owner opens the front door shutter! We again had 3 long scenes at this venue and so we had to re-visit the location twice till Srinivas got everything he wanted.

KK’s flat was the cinematographer Hashim’s grandmother’s flat in Mohd.Ali road. Hashim had to basically trick the building people into saying that it was a student film and Srinivas’ ‘I’m still in college/school’ look came in handy! It was the most difficult location because the house was very near to the JJ Flyover and the sound pollution levels were maximum. To top it all, the house was on a slant so we had to basically balance ourselves while delivering our lines.

Intermission point
60% of the scenes are shot at this location in Mohd. Ali Road. The location is crucial because that’s the house of the protagonist, Kartik Krishnan.  

Due to some major ‘postponements’ and ‘date issues’, we could not finish the 40% as pre-decided. Srinivas, by now, has spent half his year trying to get us all under one roof for a very crucial scene of the film – the ‘film shoot sequence’. Just when things try to brighten up, a call from Srinivas – “One section of the 3rd floor (our shooting floor) falls onto the 2nd floor. The building has been cordoned off by BMC and will be broken down in the next 6 days”.

We’re in a fix – Whether to risk our lives and finish the 40% in those 6 days or just figure out another location. Risking life seems stupid but the only “indie solution” here! Srinivas is in two minds about the whole film now since any other location would break the whole flow-chart.

Time lapse clouds

I don’t hear from Srinivas for quite sometime. I guess no one from the crew has any news about him or the film. What to do when you have completed close to 60% of the film and a location in continuity is unavailable and you have a completely absconding director? Drink booze? We do. Luckily our director is a tee-teetotaler (edit: And still is!)  

Few months later 
I’ve moved on to a new job. Also to a newer house. I get a call from Srinivas saying “I’ve cut a scene from the film – do you want to take a look?” Hell yeah!

Srinivas comes home and shows me the first interaction scene between Kartik Krishnan and Srinivas Sunderrajan. I like it. He seems positive of finishing the film – we talk about my dates etc. Things look bright.

A few days later, another phone call from him. “Dates clashing”, “Crew unavailable”, “Life moves on!”

Welcome 2010, bye 2009

Fresh look. Use the existing footage. Shoot something else. Build a new story around it. See if it works. It does. So it seems. But not all actors are available. REWRITE according to the available resources. Film becomes something else. 

“I’ve got an idea to finish the film without involving everyone. I’ve already edited the film and written a rough script for the new version. You game?” – Srinivas

Shoot begins – again
Early morning 4am in local trains. 10 am versova beach. 11.30 local train to panvel. My house. Montage shots. Stock shots. B-rolls. Painful edit process.

Shoot complete 
Post production which was simultaneously happening, now needs to be addressed single mindedly. Does it all fit? Does it hold attention? Does the new story work? Is the VFX looking tacky? Inhibitions and doubts.

Screening for the cast
I saw it twice the same night. Seemed to hold. Long Takes kind of work. Don’t know what the audience will say. 

CUT TO – PRESENT 
Some talk about the festivals. Undecided. We are trying to spread the word. FB, twitter, mails. We’re hoping the film finds its own course.  

This is the first look of Badmaash Company.  Its produced by Yashraj Films, written and directed by Parmeet Sethi.  The film stars Shahid Kapoor and  Anushka Sharma. The other actors on the poster are Meiyang Chang and Vir Das. 

According to official release, Badmaas Company is an extraordinary story set in the 90’s in middle class Mumbai of four young friends who get together to start a company. Their business is an instant hit because they find a way to beat the system. Rocket Singh Redux ? Will keep you posted as soon as you get to know.

This is the first still of Ashutosh Gowariker’s new film Khelein Hum Jee Jaan Sey, which has tweeted by Abhishek Bachchan. It also stars Deepika Padukone and Sikander Kher. The film is produced by PVR Pictures and is almost complete.

The film is based on journalist Manini Chatterjee’s book Do and Die on Chittagong uprising. Its pitched as a period thriller in which Abhishek plays the title role of revolutionary Surjya Sen, popularly known as Masterda.

Click here and here to read two reviews of the book Do and Die. The first one was published in Outlook and the second is from The Sunday Tribune. The Outlook review is copy-pasted  here also. Just scroll down. The review follows….

Our history texts hardly have place today for the Chittagong armoury raids, then described by a British bureaucrat as having “no parallel in Bengal since the Mutiny of 1857”. This well researched book was thus necessary. Chatterjee has tracked down masses of documents relating to the raids and met surviving members of Surjya Sen’s (Masterda) army, to produce a gripping narrative. The book’s signal triumph is that it never tries to hide the fact that this entire amateurish adventure was a series of tragic blunders.

Sen’s men took control of the armoury, but found only arms, no ammunition; they didn’t know that arms and ammunition are never stored together. A young revolutionary forgot a simple truth – that you don’t light a matchstick while standing in a pool of petrol – and threw the entire field plan into disarray, something from which it never recovered. One of the leaders, Ananta Singh, was emotionally unstable. Another, Pritilata Waddadar, was driven by a death wish. And finally, Masterda was leading a bunch of schoolboys – the youngest was only 13 – into war against the British Army.These boys never lost faith. On Jalalabad’s hills they fought Gurkha machine-gunners with muskets. The British threw their bodies into a pit and mass-burnt them. Gandhi had not a word to say about them, reserving his commiserations for the mother of Vithaldas, who, as part of Gandhi’s anti-liquor campaign, tried chopping a toddy tree and fatally wounded himself. Chatterjee captures the injustice in one reverberating sentence: “Even martyrdom, it would seem, lies in the ideology of the bestower.” 

You could call these people suicidal fools, but their courage shines through every page of this valuable book. Only two complaints: towards the end, Chatterjee can’t keep her political biases out, and she omits the survivor’s later lives (some had very chequered careers). But overlook that. Read this book and give it to your children, so they know about these misguided warriors who briefly halted the British empire in its tracks. 

Blame it on CB-VVC controversy. We have never been to Vinod Chopra’s website so many times. And here is what we discovered.

The first look of his next film 50th Anniversary. We know for sure that he is working on the script of the film and as the name suggests, the story revolves around an old couple who are soon going to celebrate their 50th marriage anniversary. So whats the plan ? The old man wants to spend the anniversary night in a five star hotel, his long cherished dream. And ? Well, all you curious folks have to wait for more. VVC plans to shoot his amibitious hollywood film Boken Horses (starring Mickey Rourkey) first and then will go for 50th Anniversary.

PS – Seems all our fears are coming true. With the money that 3 Idiots is making, VVC will not make one Eklavya, but five more.

And here is the proof! Our good friend Deepak is 4th Idiot!

Trust Mid-day to spot what others dont! Here is the Pic Of The Day (POTD), Aamir Khan with his butt chair and his fingers doing the tricks. One up in the nose, the other down the base. Clicked during one of the promotional events of 3 Idiots.

Aamir Khan pic

Pic courtesy : Mid-day!

Fired Remember Sajit Warrier ? The writer who claimed  Agyaat was his script and even FWA (Film Writers Association) gave their verdict in his favour. Ramu dismissed it completely and you can read his response  here . What we didnt get is why ask for claims on such disaster and awful film! We wrote about the Agyaat plagiarism news here (point no. 2) but lost track of it. Anyone got any updates ?

Now Sajit is ready with his directorial debut Fired starring Rahul Bose and produced by IDream Productions. And yes, it looks better than Ramu’s Agyaat! Finally recession gets a horror face! Take a look.

And here is the official synopsis of the film….

Joy Mittal, the arrogant CEO of H.W.L.S, in a hardnosed decision to repair his scandal ridden work record and prove his ability to emerge as a pioneering leader in times of financial crisis, fires all the employees from his London office to cope with the global economic slowdown.

Amongst the sacked employees is Ruby Herminson, 29, an alluring, sophisticated, career-driven woman, with whom a married Joy is having a long affair. Joy fires Ruby along with the rest of the people he considers expendable. After a trying day, Joy decides to finish off some paperwork before heading home, but soon realizes that the only possible means of leaving is the one he least bargained for.

Cornered in a deserted office, Joy soon realizes that there is a gruesome super-natural force in the building, which is hell-bent on extracting revenge for his ruthless actions. FIRED is the shocking tale of a man who pays a steep price for his cold-blooded actions.

In Ram Gopal Varma’s new film Rakta Charitra based on the life of faction leader Paritala Ravi, Shatrughan Sinha is playing the role of actor turned politician N T Rama Rao. And for his part, Shartughan Sinha had to do shave off his trademark moustache! Have a look.Shatrughan Sinha

 Shatrughan Sinha2

We understand shit about fashion! But we can surely spot the shit too. We rarely follow any fashion week but this one got us ROFL! At the ongoing Wills Lifestyle India Fashion Week in Delhi, Jaya Prada walked the ramp for designers Ashima & Leena. Check it out!

jaya prada

We are still confused about it. What the fuck is it ? Its her Junglee queen or  flower vase or fruit basket avatar ? Or is it Lajpat Nagar effect ? To quote India Today – the showstopper for designers Ashima and Leena had the audience in splits with her (Jaya Prada) disastrous diva act on the ramp. You can read the full report here.

And you have to see her walking ? Click on the play button.

In the second video, she describes her experience about walking the ramp. She thought she was the QUEEN! Ok, so its confirmed. Its The Jungle Queen avatar. Enjoy!